Werewolf: The Apocalypse – Earthblood has a good premise, but suffers from poor execution. If you’re looking for a game that allows you to live out the fantasy of being an overpowered werewolf and kill everyone around you in bloody fashion, Werewolf provides that, but only just. Unrewarding combat, dumber-than-a-doorknob AI, dated mechanics, and an uninspiring presentation mean that this is a tough recommendation at the launch MSRP of $49.99 US.

The name Producing Perfection has to be a cruel joke; the game “produces” nothing of the sort.

The terrible characters and pointless events are likely going to sour the mood for many players.

SolSeraph is a game that was made with good intentions and a lot of heart. The developers wanted to pay homage to a classic, but unfortunately missed the mark on almost all fronts. The platforming bits are frustrating with enemies coming out of no where to knock you off. The city-building parts never get deep enough to challenge you or force any decision other than stacking barracks and watchtowers along the roads. As someone who loves city-builders, I just wish it was a better game.

Bedlam is undeniably an enjoyable kick for those who grew up in the ’80s and ’90s, surely drawing from personal experiences with the games it’s emulating. The eccentricities found in Brookmyre’s writing may work to alienate those merely passing through, but for those drawn in by the familiarity of its charming block graphics it’ll simply be an added bonus.

Makes some great improvements over the first and is by far the better game, but not as much better as we would hope. The gameplay takes a huge step forward to provide the fun, albeit easy, combat that the first game lacked. However, the story takes a huge step back, making even the game of golf seem interesting, which becomes even more frustrating with the quick and small dungeons that push you quickly back to the story.

Farming Simulator 16 accomplishes its goal of allowing you to manage a virtual farm, pretty well. But it sadly falls apart as a game due to the lack of options, as the Vita version is severely limited to console versions. It isn’t quite as boring as watching paint dry, but it will only hold your attention for as long as you want to watch grass grow.

Biped 2 can be fun to play with friends, but you really have to be committed to get through the more difficult levels. Featuring solo and four-player modes, there are more ways to enjoy the action than ever before, with each feeling like a unique experience. If you’ve already gotten through Split Fiction and other great co-op games, then this is a great way to continue the challenge, but it wouldn’t be my first recommendation.

It’s worth trying it out, and I’m glad I own it so I can go back to it when the farming mood arises, but my attention wavered far more quickly than I would have preferred.

Co-operative play and collecting gold medals adds diversity, but not enough to break up the repetitive gameplay cycle.

If you enjoy mindless hours of grinding with no clear goal or instruction, and if you enjoy hour long battles on the “easiest” difficulty setting where you still feel underleveled no matter how much you grind, then this game could be right up your alley.

Despite providing an interesting showcase for the equipment, it is blatantly devoid of anything that’s unique to virtual reality as a platform. Even in two dimensions, this is a title that would be hard to recommend due its mediocre story and bland puzzles.

A flawed start to what might become an interesting journey down the line. While the execution was sloppy, I’m invested in Prometheus and Alice (you never forget your first VR kiss, after all), and am looking forward to finding out what happens next.

It would be hard to say that Kill Strain isn’t at least ambitious. The game was a studio’s first outing in a relatively immature genre, which attempted to take a dramatically different approach to many of core mechanics that define MOBAs. Though carefully calculated, these risks fall flat in execution, resulting in a confusing and joyless experience.

I want to love Fallout 76, namely for its addition of co-op play and the representation of a region dear to my heart. I simply can’t. I wouldn’t say the latest Fallout title is abysmal or even bad, just very middling. It removes many of the series’ strong suits and attempts to make up for it by adding in new mechanics or strengthening lesser ones.

As it stands now, though, unless you dream of outrunning ferocious dinosaurs or really want to know the ultimate fate of that can of Barbasol, I'd suggest simply watching the movie to get your prehistoric fix.

A middle-of-the-road effort: there are certainly a number of people out there who will be able to work through its less-than-polished mechanics long enough to enjoy the silly story, which is reminiscent of classic Chinese action cinema in the best possible ways. Then there will be folks who fall on the other side of the fence, without the patience to deal with the slightly clunky controls and dark, slightly muddied aesthetic.

I appreciate Akiba’s Trip: Hellbound & Debriefed for spawning a sequel that I fondly remember. I just have an extremely hard time overlooking so many glaring problems that were glossed over to repackage and sell it in this state. Unless you really loved Undead & Undressed or just don’t want a hole in your collection, this is one to pick up on sale.

A great little game that can burn up more than a few hours of your time. There is an option for downloadable content from the main game menu, so the developer is thinking ahead. The $9.99 price tag seems a little high due to the short story, but if future DLC were to be free, or minimally priced, the price would fit better.

The chance to see the city from a new perspective is ruined by terrible AI, a wonky cover-system, a distinct lack of memorable moments, and a very short story.

The graphics are moderate, but the controls can be clunky and may prevent you from enjoying the short experience.

Anima: Gate of Memories is a crushing disappointment.

Ben 10 will hardly keep your interest, but it may do well for your children. Or if you really like Cartoon Network.

It’s an unoriginal platformer built around nostalgia that plays an awful lot like Mega Man, except it’s not 1987 anymore.

Despite my initial hesitation, I found myself really digging Contra: Rogue Corps. My fears that it looked like a cheap, grody-looking, nothing game trying to cruise on a classic IP ended up being completely unfounded.

Somehow Beyond Eyes is able to turn even its flaws into a positive.

With only three levels, and a strangely designed main menu, it feels more like a proof-of-concept that never was fleshed out.

Balan Wonderworld feels like it’s shrouded in mystery because there’s a woeful lack of explanation for the majority of its mechanics. Nobody should be left looking for external guides to gather even the most basic information for a game aimed at children. When added to the frustrating management of the game’s costumes (including those that can’t jump in a platformer), its underdeveloped story, the overly simplistic platforming, and the tortuous Balan Bouts, this is a game that had promise but is ruined by a multitude of bizarre design decisions.