Tracking isn’t perfect in all games, and the social multiplayer aspects could be built out a little more, but the core accomplishments of Carnival Games VR demonstrate at a psychological level why VR is a fundamentally different kind of experience from flatscreen 2D gaming.

There’s a lot of fun to be had in ELEX at higher levels, but the game opens far too slowly and spreads itself out too thin to make any sort of impact.

It does some core things right, like the combat and the numerous places to explore, but it does a lot of little things wrong, such as the huge amount of fluff and the useless crafting system.

A game that could’ve been so much more, and barely does enough to justify its existence.

The game does deliver an initial burst of exhilaration, but this is unfortunately unsustainable beyond a few outings. When the dust settles, what remains is a run-of-the-mill class based shooter, set in a series of drab environments. This is a genuine case of getting what you pay for.

Despite having this replayability, the two-hour length makes Datura a hard sell at $9.99. Still, I do recommend trying this unusual, unique psychological experience, if only to see what it's all about and to try and figure out what I means to you-even if it is accompanied by overly frustrating, cumbersome controls.

An incredibly customizable experience from top to bottom, but it has enough problems to keep it from ever becoming anything.

There’s a moment early on in Sonic Forces where Sonic says that it’s “not time for thinking. It’s time for running.” Not only does he perfectly describe his series’ design philosophy, he also sets the blueprint for who will enjoy this game. If you’re willing to turn your brain off for a few hours, and just take in the pure spectacle that is watching hundreds of Sonic characters fighting on a battlefield during a cutscene, then you’ll find a lot to enjoy here. It’s a really dumb game at its core, but it’s also just pure fun in a well-meaning, lighthearted package.

Little Dragon’s Café is a unique and utterly delightful adventure. There is no better way to unwind then adventuring with a dragon, while helping people solve their life problems, and indulging in a little bit of cooking.

Sinner is focused and simple, but over-complicates things with the sacrifice experiment. It’s a step in a new and right direction, but it’s only a half step at best.

A title that will only appeal to hack and slash fanatics, and will push away many people looking for something more.

Everything outside of stripping clothes off of vampires feels safe and doesn’t do enough to build upon the initial idea, which is such a disappointment. It’s like getting a sneak peak at something new and fresh, only to start playing and have a game that is kind of ordinary.

The music is pleasing, and the art style is impressive. But with a weak story, bland fetch quests comprising the majority of your campaign, and absolutely no voiceover work whatsoever, this game is hard to recommend to anyone but fans of this genre of games.

A fun co-op experience with an interesting storyline. Tie in a dungeon creator, and it can keep you coming back for more with a fresh new map to play on.

A fun, yet at times frustrating, pixelated adventure game. Some of the boss battles can really try your patience, and limits on recovery items (medkits and Coke) certainly don’t help matters as you push toward the final episode. On the flip side, there are all kinds of hidden areas to return to and explore further; even if I haven’t seen a percentage log, there’s just something about knowing you’ve 100% cleared a game.

Onechanbara Z2: Chaos isn’t a terrible game, it just manages to be mediocre in almost every aspect.

Those wanting a group experience on par with the console versions of the same game might be disappointed in its less-accessible multiplayer and being limited to two people, in addition to the logistical problems presented by the touch screen-based play style. On the other hand, Jackson fans who don't mind the experience now becoming mostly single-player and involving no dancing on their part will find a fun, entertaining rhythm game.

The game's appeal will quickly wear thin for older, more mature gamers, as the game's lack of a 'goal' besides keeping your pet happy. For those looking for the ultimate virtual pet experience for their children on the PSP, EyePet is their answer.

When you’re doing the same and cruising downhill through the beautiful countryside or fighting and clawing to get your wheels in front at the top of a grueling climb, Le Tour De France 2018 is enjoyable stuff. But outside of those times, it’s yet another buggy and undercooked update for a title that had fallen off the pace a few iterations ago.

It gets old, repetitive and unsatisfying in short order. Playing it lost all fun after an hour.

A game that starts you out with a bang from the very first menu, but starts to fade down the stretch. The bland environments, serious lack of depth in the enemy department, and the repetitive nature of the combat don't do it any favors either.

Cyberpunk 2077, when it works, is a shallow popcorn flick of a video game, not an industry shaping experience that redefines the open-world RPG genre. Perhaps the bigger problem, particularly for console owners, is that Cyberpunk 2077 doesn’t work. It’s a mess of half-baked ideas and rough gameplay that should have never been released in the first place. While the PC version faces criticism for various issues and praise for others, the PS4 version of Cyberpunk 2077 feels and looks like a whole different game that simply needed a lot more time.

“Adorable” is about the biggest compliment I can give to Catlateral Damage as a whole. As a cat lover, I relished the chance to vicariously experience the destruction they cause, only to find that knocking things over ad nauseum wasn’t all I thought it would be. In any case, there are plenty of laughs and smiles to be had if you’re of a mind to enjoy this silly “Simulator” stuff, and creator Chris Chung has seen fit to stuff the game with a plethora of cutesy collectibles (including a surprise “Pawlatinum!”). Go in with modest expectations and a lighthearted attitude and you’ll be sure to have a good time.

Dungeons & Dragons: Dark Alliance has the potential to become a fun showcase for the long-running franchise. Despite the issues, none of these are game-breaking bugs, and it is a passable RPG. Now we just have to see if Tuque Games has what it takes to turn things around. Fans of Dungeons & Dragons, of which there are untold millions, will love the lore and story of Dark Alliance. Who knows if their love of the franchise will translate into enough sales to warrant a sequel? If so, then there is a lot of work to do, but we’ve seen plenty of comebacks before, and we’ll no doubt see more in the future. With any luck, in the not-too-distant future we’ll gather ‘round the virtual campfire and enjoy a higher-scored adventure in the Icewind Dale thanks to the lessons learned from Dark Alliance.

The lack of depth and overall variety and longevity make Little Deviants feel more like a $9.99 PSN title over a retail title.

Wanted: Dead is going to annoy a lot of players. It’s also going to please plenty more. Soleil has made a game that leans heavily into its PS2-era inspirations, and that includes an unforgiving difficulty level. Without any real way to make things easier, some players may never see the ending of an otherwise enjoyable campaign, outside of watching a streamer perhaps. For those who can manage to hone their skills, however, the time put into Wanted: Dead will be worth it because this slasher-shooter offers so much visceral joy when things go your way that it makes all the painful death worth it.

Mugen Souls Z feels like more of its predecessor, with the same plodding story pace, whiny, forgettable cast, and fill-in-the-action cutscenes.

Animal Force has a cool idea, as it introduces gamers to tower defense in 360 degrees. But its execution feels more like a tech demo than a fully fleshed-out game.