Great British Railway Journeys requires a lot of time and patience to get the most out of it. Built on an aging engine, it provides an adequate experience, but nothing spectacular.

Porting issues aside, Batman: Arkham Knight is a decent enough game. It's not the spectacular swansong we hoped for from Rocksteady, but it's another solid - if predictable - slice of Arkham gameplay, with a couple of great sections along the way.

Those who covet unique 4X factions and absorbing, atmospheric exploration should probably head elsewhere, but if you’re looking for logistical military exercises and satisfying galactic planning then Polaris Sector has you well covered.

Halo: Reach has an engaging campaign and numerous multiplayer game modes to keep you pre-occupied. Unfortunately, various issues abound from technical woes and lack of options, to matchmaking problems, and it's hardly what you'd expect from the flagship FPS franchise's arrival on PCs. Like the protagonist's namesake, this effort is more of a "six" unless we see more patches down the line.

Disaster Report 4: Summer Memories is not a good game. Its design is archaic, its presentation is lacking, and its story is nonsensical. But anyone who enjoys janky, weird games will very likely have a good time with it. It might not be quality, but it's often very entertaining.

Wolcen: Lords of Mayhem has all the tools thanks to ARPGs that came before it. Sadly, its online mode has had a litany of issues, the controls could use some tweaks, the loot pool isn't as deep as you could imagine, character skills need some rebalancing, and a slew of shortcomings lead to a questionable launch after four years of development. Wolcen: Lords of Mayhem can surely reach the cream of the crop among ARPGs with more improvements, but it's going to take time.

An improvement on the first episode, but still marred by technical issues and. A move in the right direction, but it's still too early to tell if this is more The Killing Joke or Batman & Robin.

It's not the reigning champion of this hybrid genre, but Mage's Initiation is a promising challenger. If sequels expand on the basics shown here, this could well be a series worth watching.

Painfully average in most respects, Balan Wonderworld won't draw much admiration for its contents. Still, it's a competent game that does have its charms, few as they may be.

My heart really wants to give War Mongrels a higher score for the love that went into the visual aspect and the bravery to tackle one of the lesser remembered parts of the Word War 2, but the bugs and some really bad dialogue stayed my hand.

Griefhelm is a fun medieval skirmish game that fans of knights will enjoy, especially around the couch with friends. The potential of this lovingly crafted indie game is let down by some rough edges when it comes to close combat, as well as an unsatisfying single-player campaign.

Graveyard Keeper is an undeniably unique game. It just stretches itself too thin. Even the titular role — the actual keeping of a graveyard — often feels secondary to the constant pursuit of new upgrades. Its central, twisted conceit goes a long way to making the grindy experience tolerable, though. Even at its worst, Graveyard Keeper sure to find an audience, as its macabre atmosphere and off-color activities aren’t things you see in games too often.

On one hand, I love some of Kamiwaza's elements including the thievery and 'just stealth' system. But the game is sabotaged by a lack of clarity and a lack of proper quality-of-life changes.

Warhammer 40K: Mechanicus – Heretek could’ve been a step forward for Bulwark’s stellar first foray into Games Workshop’s license. It had a chance to reinvigorate interest in a tactical RPG set in the Warhammer 40K universe. A newcomer might consider it part of a “more complete experience,” but a returning player might be vastly disappointed. With limited new content, repeating your old romp, and a handful of bugs, it proves to be a disappointment that likes of which will bring shame to the Omnissiah. It lacks the spirit for the machine spirit.

Them and Us is a lovingly familiar survival horror adventure with enough twists and turns to stand on its own, but technical limitations hinder it from being one of a kind.

Ghost Recon: Breakpoint has a solid foundation, but is let down by poor design choices and braindead easy gameplay.

Despite an overwhelming number of strategic options and features, many of Empire of Sin's mechanics just don't mesh well or they can be completely ignored. Playthroughs will feel roughly similar to what you've done previously, and it becomes a repetitive affair and a chore to see what else you could do.

Decent third-person shooting mechanics, geared strongly toward co-op; but unless your brain is tickled by colour-tiered items the rote repetition will eventually drive you from Manhattan. The Division’s speculative catastrophe fiction never sits convincingly with its pure, stat-based loot grind.

BattleTech: Heavy Metal DLC could stand to have more exciting content, so that it isn't overshadowed by the accompanying free update.

With Truck Driver, Soedesco is trying to break into an already spoken-for market with an offering that comes off feeling like a cheap imitation. While it spares itself the humiliation of being considered shovelware, it also lacks the heart needed to call it an actual truck simulator. Perhaps a second, stronger entry can prove the new IP's worth, but this is a pretty weak first impression.

Maneater can be entertaining, but it's extremely short and repetitive, with practically no story missions or unique activities.

Midair is definitely worth a look because it’s free to play and in time could attract a die-hard following. There’s nothing really like Midair around at the moment which is definitely good news for Archetype.

BATS is a basic 2D action game with some solid vampire puns. Not much to see here, but it's mostly alright.

It’s a more physical FIFA this year, with greater emphasis on build-up passing and positional movement than one-on-one dribbling. Aspects of these changes can irritate, but the major disappointment with FIFA 17 is its failure to engage with any of the series’ lingering legacy problems, even on a new engine.

Kingdoms of Amalur: Re-reckoning is a handful of solid gameplay systems trapped in a world that’s lost its magic. There’s plenty to play with as far as combat and crafting are concerned, but the game is defined by its decision to choose quantity over quality.

Close to the Sun's bland narrative and lack of challenging mechanics, as well as being light on the scares, makes for a rather dull experience.

Company of Heroes 3 retains the gameplay of the predecessors while disappointing with the bizarre campaign decisions and lack of polish.

As long as you go into the experience knowing what to expect, Altdeus: Beyond Chronos has the potential to be genuinely entertaining. However, on the scale of interactivity, this really doesn't qualify a game. Their inability to take full advantage of the VR platform ultimately seals it's fate as nothing more than an acquired taste that will prove to be off-putting to many.