Barely ten minutes after we booted up the game, our AI-partner managed to get himself stuck in some godforsaken corner of a godforsaken space station. Restart. This time Spock does not want to go down a ladder, not even after encouraging him with a few Phaser beams to the face. Restart. [June 2013, p.76]

Resident Evil: Revelations' Story is split up into episodes. Alan Wake has already taught us that this is a very effective way of making sure your game has breakneck pace. Maybe we watched too much Lost, but you have to be one cold dude not wanting to now what is going to happen next in this game. [June 2013, p.72]

Even though Metro: Last Light successfully convinces you that you are actually wandering around in a post-apocalyptic Moscow, a number of technical issues do break the carefully constructed illusion from time to time. [June 2013, p.66]

Lets test that Uncharted-clone Unearthed, they said. It will be hilarious, they said. And it is. If you find mental torment to be “hilarious”. We simple cannot decide which part of the varied gameplay we hate the most. [July 2013, p.94]

Newcomers need not worry, for MotoGP eases you into the whole experience of having the motorized equivalent of a raging bull between your legs. Real beginner can even opt for automated breaks and a visible guideline that will lead you into a perfect turn. [July 2013, p.92]

Virtual reality succeeds or fails with its controls. And, even though we were extremely skeptical at first, Wonder Book: Diggs Nightcrawler's controls work amazingly well. Except on a rare occasion or two, all of our inputs registered without having to repeat the action. [July 2013, p.90]

Moments like convincing a police officer to commit suicide because you made him think he murdered his girlfriend prove that Remember Me belongs in the top league of video games. Too bad that Dontnod does not fully capitalize on these moments by limiting your options when remixing memories. [July 2013, p.86]

Ironically, the cover with the main cast's faces cut out of the picture represents the overall feel of Fuse perfectly: the weapons steal the show in this personality-lacking game. Those who crave for a fresh co-op experience will have some fun, but not for long. [July 2013, p.82]

Despite the breakneck pace of the prologue, it takes quite a while for The Last of Us to pick up some speed again. However, once the cold harsh winter arrives, the action (and story) ramps up. So much so, it puts most Hollywood productions to shame. [July 2013, p.76]

A good looking and side scrolling beat'em up that lets you take on wave after wave of enemies as a warrior, ranger, shaman or mage. Too bad the characters feel to similar to warrant multiple playthroughs. [May 2013, p.97]

Wei Shen returns once more to once more return order to the streets of Hong Kong, which (you guessed it) have once more been made unsafe by the Triads. This time around The Cult of the Snake, led by Master Chu, have placed deadly bombs throughout the city.[May 2013, p.97]

There is not much to be found here in terms of upgrades, story, character development or even new enemies or environments. Jetstream was made for hardcore fans who really just want more of the same. [May 2013, p.97]

Arkane Studios' biggest achievement is that it has created three exciting and fun to play chapters that would have fitted perfectly in the original game's campaign. [May 2013, p.96]

The second part of the King Washington DLC is somewhat better than the first, but also does not reach any new heights. Which is kind of ironic, since Connor gains the ability to fly this time around. [May 2013, p.96]

This PSN game's basic concept can be compared to Bomberman: four crooks are let loose in a small arena, collecting as much cash as they can, while blowing each other up. [May 2013, p.96]

Switching between different dimensions does more than changing up the visuals. You can be attacked by enemies from both worlds, meaning you will have to constantly (and sometimes frantically) switch between dimensions to survive. [May 2013, p.94]

In case you still do not get it, Blood Dragon is a roller-coaster ride through a magical land filled with high-explosives and anything (and we mean literally anything) that even remotely refers to the action packed, but campy eighties. [May 2013, p.93]

There is a lot of reading material if you are interested in some of golf's most legendary feats, but you can stow away any hopes of seeing such performances in the game itself. Tiger Woods PGA Tours seems to be desperate for the next generation. [May 2013, p.92]

It is difficult to write a review on a Dead or Alive game and not comment on the nice bounce to the chest that the majority of the female cast seems to have. Especially if you are playing on a handheld with a giant touch screen. [May 2013, p.90]

Dark Arisen offers far more than the average DLC. There are more than twenty new demonic types of monsters, a ton of new skills and loads of new gear to wear. Dark Arisen feels more like a half finished sequel than a DLC package. [May 2013, p.90]

You can send out fellow survivors on scavenging missions, the downside of this is that they can fail or , even worse, die. Unfortunately the number of goods they collect is so abysmal you won't care if they make it back or not. [May 2013, p.88]

Switching to a different character named Ayane from time to time does not mend the game's repetitive nature. Ninja Gaiden3: Razor's Edge is about slaughtering hordes of different coloured ninja and very, very little else. [May 2013, p.86]

Deadly Premonition's saving grace is its main character York, who obviously has more than one screw loose and grants the game its unique and confusing sense of humour. He talks to an invisible friend, reads mysterious signs in his morning coffee and talks about people as if they aren't standing right next to him. [May 2013, p.84]

The moronic AI is not the only thing which takes us back to the good old days of the PlayStation 2. Defiance looks horrible with its blurry textures, wooden animations and an all-devouring grey mist that swallows up the horizon. [May 2013, p.82]

Not every game (or player) needs a riveting story, sometimes some fun gameplay is all it (and the player) needs. Unfortunately nobody told Visceral en EA that. The Devil's Cartel is nothing more than “Duck, Shoot and Reload”, until the end of times. [May 2013, p.80]

The game's uninspired vibe and execution are not the only things that Techland and Deep Silver forgot to improve upon. The graphics are sub par to say the least. The game can have you staring in awe at a stranded battle cruiser, but the immersion quickly falls apart when you notice your gun sticking trough a solid brick wall. [May 2013, p.76]

A promising story mode gets smothered under a heap of weighty confrontations mired with incredibly melodramatic dialogues. DC Comics has always had a thing for brooding heroes, but some light at the end of the tunnel would have been fun. [May 2013, p.70]

The game only really opens up for those who are true fans of the sport: those who rejoice in delving through a mountain of statistics and tactics. Baseball can be spectacular, but not every game is. And MLB captures that feeling perfectly. [April 2013, p.92]