For 16,524 reviews, this publication has graded:
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56% higher than the average critic
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6% same as the average critic
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38% lower than the average critic
On average, this publication grades 2.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | Sand Storm | |
|---|---|---|
| Lowest review score: | Saw VI |
Score distribution:
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Positive: 8,698 out of 16524
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Mixed: 5,809 out of 16524
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Negative: 2,017 out of 16524
16524
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Kenneth Turan
Fortunately, director Michael Apted and his team understand the challenges of this kind of story and have met them with intelligence and energy.- Los Angeles Times
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Reviewed by
Kenneth Turan
A transcendent, transporting experience, a trance movie that casts a major league spell by going deeply into a monastic world that lives largely without words.- Los Angeles Times
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Reviewed by
Kevin Crust
Scurlock does well to counter the more dire aspects of the film with a razor-sharp sense of humor.- Los Angeles Times
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Reviewed by
Kenneth Turan
A charming, character-driven film that conveys enormous feeling for its people- Los Angeles Times
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Reviewed by
Kenneth Turan
A writer's thriller. True, it's cleanly and efficiently directed, and it showcases some crackerjack acting, but the reason it's a real pleasure to watch is that a writer's sensibility is the foundation everything is built on.- Los Angeles Times
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Reviewed by
Kenneth Turan
After the Wedding would never pretend to have any answers, but in hands this skilled the act of exploration itself couldn't be more illuminating, or more dramatic.- Los Angeles Times
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Reviewed by
Kenneth Turan
As epic as its two-hours-and-25-minute running time indicates, Black Book is as subversive as it is traditional, both enamored of conventional notions of heroism and frankly contemptuous of them.- Los Angeles Times
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- Critic Score
A fascinating exercise in genre reinvention, a showcase for two radically different approaches to homage.- Los Angeles Times
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Reviewed by
Kenneth Turan
The result is an unexpectedly satisfying fantasia of reality and imagination, a meditation on the nature of lies and deception, on how we come to embrace not the truth but what it suits us to believe.- Los Angeles Times
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Reviewed by
Kevin Crust
A spellbinding, intelligent thriller that takes its time to get where it's going but is well worth the trip.- Los Angeles Times
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Reviewed by
Sheri Linden
The finely crafted Alice Neel is at once tribute, investigative journalism and messy family drama.- Los Angeles Times
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Reviewed by
Kenneth Turan
Jindabyne's strength and power come from a number of factors: its origin, its current landscape and the unusual way its writer-director, Ray Lawrence, has chosen to work.- Los Angeles Times
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Reviewed by
Robert Abele
Like any good sequel, this film takes what is familiar with the original's concept -- in this case, an internecine struggle for supremacy -- and deepens it.- Los Angeles Times
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Reviewed by
Kevin Thomas
Steeped in shrewdness about the often contradictory workings of human nature, Poison Friends is gratifying in the best tradition of French cinema.- Los Angeles Times
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Reviewed by
Kevin Crust
Nonprofessional actors Boidin and Leroux deliver intense performances which shoulder the emotional weight of the film.- Los Angeles Times
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- Los Angeles Times
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Reviewed by
Kevin Thomas
Ten Canoes is nonetheless audacious and impressive, but challenging work, requiring steadfast concentration.- Los Angeles Times
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Reviewed by
Kenneth Turan
It's clear that an exceptional body of work is coming out of this country at this particular time and place. It's not necessary to categorize these films to enjoy them, it's just necessary to go.- Los Angeles Times
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Reviewed by
Kevin Crust
As compelling as the music and concert footage is, it is the vitality of the performers as characters that enables the movie to transcend the music documentary genre.- Los Angeles Times
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Reviewed by
Kevin Crust
Despite the grim Cold War environment, Schlöndorff blends, mostly successfully, goofiness and melodrama into the overall social realist tone.- Los Angeles Times
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Reviewed by
Kenneth Turan
A slick and efficient piece of action entertainment, fast moving with energetic stunt work and nice thriller moves.- Los Angeles Times
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Reviewed by
Carina Chocano
What it offers isn't really a nostalgic look at a "more innocent time" so much as a saucy wink at a casually vicious time that is constantly being sold to us as innocent.- Los Angeles Times
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Reviewed by
Carina Chocano
In some ways, it reminded me of the final "Seinfeld" episode. As much as I laughed throughout, I kept wondering what was with all the emotional lessons.- Los Angeles Times
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Reviewed by
Carina Chocano
Blame It on Fidel is the thoroughly engaging, clear-eyed and charming story of a little girl grappling with the domestic fallout of tumultuous political times.- Los Angeles Times
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Reviewed by
Carina Chocano
2 Days in Paris is pure Julie Delpy, figuratively and otherwise. Since first becoming known to American audiences in the early '90s, she's revealed herself to be an artist of sundry and unexpected talents, with a distinctive voice and point of view.- Los Angeles Times
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Reviewed by
Kenneth Turan
Edgy and provocative but with a weakness for sensationalistic footage.- Los Angeles Times
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Reviewed by
Kevin Crust
Thankfully for audiences, 11th Hour is not without hope. The filmmakers save the most exhilarating portion for last when they ask what's being done about the problems.- Los Angeles Times
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Reviewed by
Kenneth Turan
Obsession creates its own fascination, and never more so than in King of Kong, a sprightly new documentary that's as compulsively watchable as the vintage video game it focuses on is addictive.- Los Angeles Times
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Reviewed by
Carina Chocano
Expertly realized and gunmetal slick, Eastern Promises whirs along with perfect efficiency, but doesn't stir much in the way of visceral horror despite its penchant for treating the human body like a chicken carcass on a block. (Squeamishness, yes.)- Los Angeles Times
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Reviewed by
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- Los Angeles Times
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