Los Angeles Times' Scores

For 16,524 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
16524 movie reviews
  1. A brooding meditation on the unnerving power and terrible cost of emotional and political masquerades, the Chinese-language Lust, Caution gets under your skin with its examination of what qualifies as love and what does not.
  2. A smart and suspenseful legal thriller that comes completely alive on-screen.
  3. The India of the movie is more an idea than a reality...Exotic, spiritual and, according to Peter Whitman (Adrien Brody), "spicy"-smelling, it's a magical mystery place where wayward foreigners can go to get their souls back on track.
  4. Control keeps you riveted in ways that "24 Hour Party People" doesn't, primarily because of the investment of craft and conviction by all concerned.
  5. Dan offers the most pleasing kind of unforced charm as it uses a terrific plot device to examine the conflicts between family and romance as well as the joy and pain of being in love.
  6. It is the gift of Terror's Advocate, Barbet Schroeder's riveting new documentary, to simply present Vergès as is, to say "here is the man" and let things speak for themselves. Do they ever.
  7. The film is a rigorously thorough biography and an impassioned accolade. Temple spends as much time on Strummer's life before and after the Clash as he does charting the band's powerful musical and political influence.
  8. An enormously emotional and spirit-raising documentary.
  9. Enchanted is as good as its name.
  10. A challenging film, one that I suspect can only benefit from multiple viewings. The success of its approaches varies, but its intent is unfailingly interesting.
  11. Campy, shameless and sophisticated, Lichtenstein's debut is gutsy and original, and it makes "Juno" look positively tame by comparison.
  12. One of the dark pleasures of "Margot" is watching Kidman and Leigh inhabit these two roles with a fierce passion.
  13. Gregg Araki's delirious Smiley Face is an unabashed valentine to Anna Faris, an opportunity for the actress to show that she can carry a movie composed of often hilarious nonstop misadventures.
  14. An enchanting tale of friendship and evolvingrelationships, The Water Horse: Legend of the Deep" engagingly grafts coming-of-age movie chestnuts onto Scottish folklore.
  15. Music may be Honeydripper's most indelible element and Sayles and longtime collaborator, composer Mason Daring, seamlessly incorporate several original songs alongside the soundtrack's period tunes.
  16. It's not entirely surprising that Burton's Sweeney Todd feels heavier on style than on substance -- so much that the style almost subverts the story. Still, it's a gorgeous artifact and pretty enjoyable in all.
  17. Smart and genial satire.
    • 83 Metascore
    • 80 Critic Score
    For this longtime U2 fan, the U2 3D experience wasn't quite sensual enough, but to quote another Bono lyric, others may find it "even better than the real thing."
  18. Both sweet-natured and sharply pointed, a film whose poignant, emotional effects and subtle acting sneak up on you.
  19. Chop Shop"exudes a sense of joyousness amid harshness. Bahrani celebrates those who never give up, no matter how badly their dreams are shattered.
  20. This is a resolutely tough-minded, beautifully crafted film so compelling as to make bearable watching the nearly unbearable.
  21. Walker was the best choice to document this journey. For one thing, her first film, "Devil's Playground," and its examination of how Amish teenagers react when confronted with the outside world, showed her to be both curious and fearless. Plus, it turns out she is herself blind in one eye.
  22. The luminous humanity that characterizes the films of Alexander Sokurov is in full force in Alexandra. On the surface, it is a work of the utmost simplicity but is charged with the eternal complexities and contradictions of both love and war.
  23. Petraglia and Rulli once again display their gift for bringing the texture of reality to family drama, for creating people and situations that involve us completely. My Brother Is an Only Child is not the only film that does this, but it's a product that's in shorter and shorter supply every year.
  24. A cynic is someone who knows the price of everything and the value of nothing, or so the saying goes, but the unadulterated joy Irène takes in throwing open the closet door to show Jean how this gold digging is done is positively infectious.
  25. Yes, Jellyfish says, it's a wonderful life, not in that old-fashioned style we've perhaps tired of but in a surprising new and magical way all its own.
  26. An unassuming but quietly heartbreaking drama.
  27. The freshness and originality that flow through Roman de Gare now burst into full flower, revealing the director's depth and perception.
  28. Focus is really the heart of Morris' unsettling film, which strikes a remarkable balance between art and disturbance, between beauty and pain.
  29. One of the real pluses of Up the Yangtze, aside from its empathy with its subjects, is its striking visual quality. Beijing-based cinematographer Wang Shi Qing has an impeccable eye, often coming up with haunting images that show both the beauty and uncertainty of this pivotal time.

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