Los Angeles Times' Scores

For 16,524 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
16524 movie reviews
  1. Philosophy and religion become entangled with love and sex in Karin Albou's intelligent, sensual drama.
  2. The trouble with describing a story this complex and digressive is that it's hard to keep it from sounding complicated and hard-to-follow. But for a movie about movies, it's surprisingly humanistic, cheerful and true to life.
  3. Reygadas asks audiences to plunge headlong into his chaotic vision of the world, no questions asked but complete trust required. Not everyone is going to be willing or able to take this leap of faith, but those who do go along with Reygadas may well feel they have come away having undergone a stunning revelatory experience.
  4. Julia Jentsch strong and graceful, quiet knockout of a performance is the film's most potent weapon.
  5. A ticking clock scenario and a terrific performance by Willis as an alcoholic NYPD detective make up for the film's occasional missteps and some strange pop culture references.
  6. The very title suggests that this compelling and provocative film is going to be different from other Holocaust documentaries.
  7. Sometimes a film about nothing can be a film about everything; a film without overwhelmingly dramatic events can delight you more than an outsized epic. The sly and disarming Duck Season is such a film.
  8. A very smart and funny movie directed by Jason Reitman, who also shrewdly adapted the screenplay from Christopher Buckley's savagely satiric novel.
  9. Smartly plotted by newcomer Russell Gewirtz and smoothly directed by, of all people, Spike Lee, Inside Man is a deft and satisfying entertainment, an elegant, expertly acted puzzler that is just off-base and out-of-the-ordinary enough to keep us consistently involved.
  10. Ultimately, Mermin's film is a profound reminder of the things that make us human. Things that don't matter much, in the scheme of things, but loom large when taken away. Things we all have in common.
  11. Johnson has taken a well-worn, much-revised genre, adapted to what's become a clichéd setting and transcended both in the process.
  12. This is not a typical Iranian production. Simultaneously deeply allegorical and concretely physical, this striking film is not a typical production, period.
  13. The result is an exquisitely calibrated hypermodern comedy of manners. A quiet but devastating ensemble piece, both acerbic and sweet, "Friends" blends empathy and a great sense of comic timing with the richness of Holofcener's trademark take-no-prisoners observations.
  14. 4
    But most important, for the adventurous moviegoer, it's more than apparent throughout this inventive, hypnotic and queasily funny portrayal of socioeconomic chaos that this director is a talent to watch.
  15. A fearless movie about a fearful subject, an unusually empathetic and quite funny film that deals with death and dying in the most offbeat and casually life-affirming way. Exceptionally smart, playful and perceptive, Look Both Ways confronts things that people would rather avoid.
  16. A powerful documentary that uncovers half-forgotten history, history that is still relevant but not in ways you might be expecting.
  17. These kinds of merciless conditions lead to a culture that is stoic about life and death and a story that will surprise you by its willingness to embrace that unsentimental natural world.
  18. Dreamy and creepy, tender and terrifying, Somersault is a frank and visceral film that at the same time exudes an unexpected innocence.
  19. As beautiful as it is harrowing.
  20. Both acidly funny and very moving.
    • 71 Metascore
    • 80 Critic Score
    Pollack does give a substantial chunk of screen time to Milton Wexler, Gehry's longtime analyst, who proves to be a winning, charismatic presence.
  21. The film acutely captures the topsy-turvy uncertainty of life during wartime, where there's Burger King and land mines and Pizza Hut and snipers.
  22. A pointed and nicely observed screenplay that guides us on an often funny journey through familiar terrain made fresh by their off-center sensibility and three fine performances.
  23. Crossing the Bridge does more than offer a wide variety of entertaining and intoxicating Turkish music. It also uses music to paint a portrait of a vibrant, cosmopolitan city and provide a window into a rich and varied national culture.
  24. An exhilarating story of loyalty and perseverance, The Heart of the Game succeeds as both inspiration and social commentary.
  25. What's rare to see, and what ultimately makes Nacho Libre so enjoyable, is the story of an underdog who's allowed to remain a humble clown all the way to becoming a hero.
  26. Has a return-to-innocence sweetness that recalls some of the work of another of its executive producers - Steven Spielberg. Kids may grow up too fast today to embrace the film's familiar message of the virtues of an unhurried adolescence, but it's nice to be reminded of the possibility.
  27. Claude Chabrol makes his particular kind of unnerving, deliciously amoral thrillers look easy. Once you've made as many of them as he has, they probably are.
  28. What My Country, My Country does best is show us that while both the Americans and the Iraqis care about the country's future, their cultural backgrounds and world views inevitably make them seem alien to each other.
  29. The result is a surprisingly satisfying film, true to Bukowski and itself, a work that manages to make the man and his profane world more palatable without compromising on who he was and what he stood for.

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