For 16,550 reviews, this publication has graded:
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56% higher than the average critic
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6% same as the average critic
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38% lower than the average critic
On average, this publication grades 2.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | Sand Storm | |
|---|---|---|
| Lowest review score: | Saw VI |
Score distribution:
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Positive: 8,714 out of 16550
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Mixed: 5,819 out of 16550
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Negative: 2,017 out of 16550
16550
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Kevin Thomas
Even though it is ultimately anything but an endorsement for street racing, the movie stunningly captures its undeniable excitement.- Los Angeles Times
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Reviewed by
Kenneth Turan
A moving, troubling documentary. Moving because of the nature of the problem it explores, troubling because the film can't help but underline that simple solutions are never going to present themselves, no matter how much we want them to.- Los Angeles Times
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Reviewed by
Kenneth Turan
Just as there will always be an England, there will always be a certain kind of English film: the highly polished entertainment, well-acted, genteelly amusing and impeccably turned out. Mrs. Henderson Presents is the latest example of the trend and an especially satisfying one.- Los Angeles Times
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Reviewed by
Kevin Thomas
In The Matador, a delightfully sly diversion, Pierce Brosnan breaks the mold and turns in what might be considered the performance of his career, the kind of witty, relaxed star portrayal that recalls those of Cary Grant and other Golden Era legends.- Los Angeles Times
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Carina Chocano
It pretty much keeps its pulse steady, its blood cold and its nerves tamped down -- which, combined with cinematographer Remi Adefarasin's architectural Hitchcockian flourishes, lends a queasy, cool air to the proceedings.- Los Angeles Times
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Reviewed by
Kevin Thomas
This is a droll, laid-back film noir steeped in Crescent City atmosphere and music that culminates in the colliding worlds of genuine and virtual reality.- Los Angeles Times
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Reviewed by
Kevin Thomas
In the exhilarating Casanova, giddy shenanigans effectively set off the dangerous, darker impulses of human nature.- Los Angeles Times
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Reviewed by
Kevin Crust
Philosophy and religion become entangled with love and sex in Karin Albou's intelligent, sensual drama.- Los Angeles Times
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Carina Chocano
The trouble with describing a story this complex and digressive is that it's hard to keep it from sounding complicated and hard-to-follow. But for a movie about movies, it's surprisingly humanistic, cheerful and true to life.- Los Angeles Times
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Reviewed by
Kevin Thomas
Reygadas asks audiences to plunge headlong into his chaotic vision of the world, no questions asked but complete trust required. Not everyone is going to be willing or able to take this leap of faith, but those who do go along with Reygadas may well feel they have come away having undergone a stunning revelatory experience.- Los Angeles Times
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Reviewed by
Kenneth Turan
Julia Jentsch strong and graceful, quiet knockout of a performance is the film's most potent weapon.- Los Angeles Times
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Reviewed by
Kevin Crust
A ticking clock scenario and a terrific performance by Willis as an alcoholic NYPD detective make up for the film's occasional missteps and some strange pop culture references.- Los Angeles Times
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Reviewed by
Kevin Thomas
The very title suggests that this compelling and provocative film is going to be different from other Holocaust documentaries.- Los Angeles Times
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Reviewed by
Kenneth Turan
Sometimes a film about nothing can be a film about everything; a film without overwhelmingly dramatic events can delight you more than an outsized epic. The sly and disarming Duck Season is such a film.- Los Angeles Times
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Reviewed by
Kenneth Turan
A very smart and funny movie directed by Jason Reitman, who also shrewdly adapted the screenplay from Christopher Buckley's savagely satiric novel.- Los Angeles Times
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Reviewed by
Kenneth Turan
Smartly plotted by newcomer Russell Gewirtz and smoothly directed by, of all people, Spike Lee, Inside Man is a deft and satisfying entertainment, an elegant, expertly acted puzzler that is just off-base and out-of-the-ordinary enough to keep us consistently involved.- Los Angeles Times
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Carina Chocano
Ultimately, Mermin's film is a profound reminder of the things that make us human. Things that don't matter much, in the scheme of things, but loom large when taken away. Things we all have in common.- Los Angeles Times
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Reviewed by
Carina Chocano
Johnson has taken a well-worn, much-revised genre, adapted to what's become a clichéd setting and transcended both in the process.- Los Angeles Times
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Reviewed by
Kenneth Turan
This is not a typical Iranian production. Simultaneously deeply allegorical and concretely physical, this striking film is not a typical production, period.- Los Angeles Times
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Kenneth Turan
The result is an exquisitely calibrated hypermodern comedy of manners. A quiet but devastating ensemble piece, both acerbic and sweet, "Friends" blends empathy and a great sense of comic timing with the richness of Holofcener's trademark take-no-prisoners observations.- Los Angeles Times
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Robert Abele
But most important, for the adventurous moviegoer, it's more than apparent throughout this inventive, hypnotic and queasily funny portrayal of socioeconomic chaos that this director is a talent to watch.- Los Angeles Times
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Reviewed by
Kenneth Turan
A fearless movie about a fearful subject, an unusually empathetic and quite funny film that deals with death and dying in the most offbeat and casually life-affirming way. Exceptionally smart, playful and perceptive, Look Both Ways confronts things that people would rather avoid.- Los Angeles Times
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Reviewed by
Kenneth Turan
A powerful documentary that uncovers half-forgotten history, history that is still relevant but not in ways you might be expecting.- Los Angeles Times
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Reviewed by
Kenneth Turan
These kinds of merciless conditions lead to a culture that is stoic about life and death and a story that will surprise you by its willingness to embrace that unsentimental natural world.- Los Angeles Times
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Carina Chocano
Dreamy and creepy, tender and terrifying, Somersault is a frank and visceral film that at the same time exudes an unexpected innocence.- Los Angeles Times
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- Los Angeles Times
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- Los Angeles Times
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- Critic Score
Pollack does give a substantial chunk of screen time to Milton Wexler, Gehry's longtime analyst, who proves to be a winning, charismatic presence.- Los Angeles Times
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Reviewed by
Mark Olsen
The film acutely captures the topsy-turvy uncertainty of life during wartime, where there's Burger King and land mines and Pizza Hut and snipers.- Los Angeles Times
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Reviewed by
Kevin Crust
A pointed and nicely observed screenplay that guides us on an often funny journey through familiar terrain made fresh by their off-center sensibility and three fine performances.- Los Angeles Times
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