Los Angeles Times' Scores

For 16,524 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
16524 movie reviews
  1. This small, lovingly crafted film continually surprises with its depth and resonance.
  2. It's hard to imagine a more serious or persuasive indictment of the horrors inflicted on children by sexual abuse than Mysterious Skin.
  3. The end result was that the performances reached a remarkable level of intimacy and intensity.
  4. A complex, boldly experimental movie plotted like a thriller and paced like a farce, Kings and Queen is category-defying film that's as smart and emotionally resonant as it is entertaining.
  5. Lost is consistently clever, amusing -- and scary.
  6. Dallaire is not only the protagonist of Shake Hands, he is a compelling reason to see it.
  7. Fixing Frank is "good theater," and in the writing and in Butler's quietly chilling, ever-so-civilized portrayal, Apsey emerges as a veritable Svengali.
  8. Informativeand endearing film.
  9. As beautifully structured as one of the Z-Boys' graceful and intricate maneuvers. It is economic yet possesses depth and is visually striking, capturing an idea of what life is like in a very fast lane.
  10. Immensely entertaining.
  11. This delightfully spirited film is perfectly cast, and it's hard to imagine how Daniel Auteuil, José Garcia and Sandrine Kiberlain could possibly improve upon their irresistible, multifaceted portrayals.
  12. Numerous films have explored undersea life, but few as comprehensively and as consistently compelling as Deep Blue, by the creators of the "Blue Planet" TV series.
  13. Smart, sassy, compassionate and critical.
  14. This process unfolds in terse, compelling fashion with ravishing camerawork by Agnès Godard.
  15. José Cancella's original score complement the tremendous wit, vitality and sensuality of the dancers.
  16. Yes
    Bold, vibrant and impassioned, Yes is the work of a high-risk film artist in command of her medium and gifted in propelling her actors to soaring performances.
  17. A smart, well-paced documentary that balances the man's triumphs with his rare failures and discerningly explores the darker side of his power.
  18. Mysterious and original.
  19. It is a straightforward, conventional narrative, charting seemingly endless cruelty and hardship, but rewards the patient with an eloquent climactic sequence that is impossible to predict.
  20. Witty, unhinged and fearless, it's exactly the kind of movie we need now.
  21. Why aren't there more American movies like this? I mean smart, unpretentious, sophisticated, un-condescending and cheap.
  22. It is chockablock with brutality, but the violence is of the high-minded, self-congratulatory sort that indicates without actually showing.
  23. Unfolds in the satisfying fashion of classic Hollywood movies that strike a balance between grit and heart.
  24. A straightforward, surprisingly faithful and definitely loving adaptation of the original.
  25. A sweet, funny and gripping romantic adventure, it's about the limitations of political activism in this day and age, and what happens when your girlfriend and your best friend fall in love.
  26. What Last Days offers is a blank and narrative-free, but pitch-perfect, dreamscape on which to project your own personal ruminations on Kurt, fame, whatever, nevermind. If you have none, you're on your own.
  27. For an exquisitely melancholy story steeped in a sense of the past as a succession of great waves of political, ideological and economic change, it's fitting that the movie should end with an underwater sequence. It looks like a dream of a memory of a place about to be wiped out by the next great flood of history.
  28. The plot is not absolutely airtight, but Craven's filmmaking is too fast-moving and too involving for this to matter. As a movie, Red-Eye is in every way as well crafted and sharply designed as the Boeing 767 Lisa fatefully boards.
  29. Clean is one of those movies that's slightly off the mark in ways that are hard to put a finger on, but it is shot so soulfully and features such beautiful performances that it's easy to forgive the occasional false note.
  30. Perfectly delightful.

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