Los Angeles Times' Scores

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For 16,550 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
  1. Positive: 8,714 out of 16550
  2. Mixed: 5,819 out of 16550
  3. Negative: 2,017 out of 16550
16550 movie reviews
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  1. Whip It
    What makes Whip It a blast is the action in the rink. What gives Whip It heart is the pathos, pain and mettle-testing elements that accompany any serious athletic competition. It doesn't hurt that its diminutive star is surprisingly athletic and agile on the track.
  2. The Girl on the Train
    Best known for 1994's "The Wild Reeds," Techine has been a director for more than 30 years, and the fluidity of his polished, intelligent, at times enigmatic works make him someone whose films are always worth watching.
  3. Paranormal Activity
    Peli works at mining the unknown, the unknowable, like a minimalist, using small moments and virtually no special effects exceedingly well.
    • 67 Metascore
    • 80 Critic Score
    This Is It
    Differing greatly from the rough, casual mood of many behind-the-scenes pop docs, this one is instead of a piece with Jackson's body of work: dazzling and strange, blurring the line between fantasy and reality.
  5. The Hangover
    There is a sort of perverse brilliance or brilliant perverseness to be found in this story of a bachelor party gone terribly wrong.
  6. In the Loop
    In the Loop is no precious show dog. It's a snarling, frothing little beastie straining at its leash.
  7. Police, Adjective
    Police, Adjective may not be the film you're expecting, but it's one that will stay on your mind.
  8. Adventureland
    Greg Mottola has taken that most overdone of contemporary genres, the coming-of-age story, and made it engaging, bittersweet and even fun.
  9. Let the Right One In
    In this sinister but gorgeous and compelling film by director Tomas Alfredson, being human and acting human don't always go together.
  10. The Departed
    Frequently excessive but never dull, The Departed is a little too much of a lot of the things that define Martin Scorsese films but it's also almost impossible to resist. Too operatic at times, too in love with violence and macho posturing at others, it's a potboiler dressed up in upscale designer clothes, but oh how that pot does boil.
  11. Goodbye Solo
    Its style is spare, rigorous, almost anti-dramatic, but it deals thoughtfully with some of the most complex elements of the human equation.
  12. Julie & Julia
    A consummate entertainment that echoes the rhythms and attitudes of classic Hollywood, it's a satisfying throwback to those old-fashioned movie fantasies where impossible dreams do come true. And, in this case, it really happened. Twice.
  13. The Cove
    A powerful and effective piece of advocacy filmmaking, but it's difficult to watch it without thinking of subtitles like "The Place Where Evil Dwells" or "The Little Town With the Really Big Secret." Which is no accident.
  14. World's Greatest Dad
    For all of its cutting cynicism, "Dad" proves unexpectedly moving in its portrait of a middle-aged man leaving childish things behind.
  15. Tulpan
    This is a difficult film to pigeonhole, an indefinable mixture of genres and attitudes that is by turns off-the-wall and serious, comic and sad.
  16. Turtles Can Fly
    Ghobadi uses the lack of resources and the surfeit of drama that had been the lot of the Kurds throughout Hussein's dictatorship and both Gulf wars much in the way De Sica and Rossellini used the European tragedies of the '30s and '40s,
  17. Persepolis
    A familiar story set in an unfamiliar context, it's a paean to the universality of human experience, a testament to the endurance of individuality during great political and fanatical upheaval, and a reminder that even the most complex situations, identities and stories are heartbreakingly simple.
  18. Sin Nombre
    There is bitter and breathtaking truth in the story and in the story- telling, which won Fukunaga the directing and cinematography award in the dramatic competition at the Sundance Film Festival.
  19. Revolutionary Road
    Encouraged by Mendes' artful direction, his gift for eliciting naturalness, the core of this film finally cries out to us today, makes us see that the notion of characters struggling with life, with the despair of betraying their best selves because of what society will or won't allow, is as gripping and relevant now as it ever was. Or ever will be.
  20. Fat Girl
    The film's concluding sequence is bound to polarize audiences.
  21. Juno
    Deceptively superficial at the outset, the movie deepens into something poignant and unexpected.
  22. Murderball
    A thoughtful and provocative look at a previously little-seen world.
  23. I Hope They Serve Beer in Hell
    The idea is that the guys' adventure proves transformative, but Tucker's dramatic I've-seen-the-light speech is charged with just the right degree of glibness to leave one skeptical.
  24. Superbad
    What with everyone so focused on the raunchiness, it comes as a complete surprise to find that Superbad is in fact a love story.
  25. Thirst
    Are you hungering for that rare vampire movie with serious intellectual heft, ravishing undead, biting passion and a healthy splash of irony as well as iron in all that spilled red blood? Wait no longer, Korean auteur Park Chan-wook's Thirst should satisfy.
  26. Babel
    The beauty of this film is in its lapidary details, which sparkle with feeling and surprise.
  27. Burn After Reading
    Because it's a Coen brothers film before it's anything else, this is about as dark and nihilistic as comedies are allowed to get before the laughter dies bitterly on your lips.
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