Los Angeles Times' Scores

For 16,524 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
16524 movie reviews
  1. This is one terrific thriller with several wicked tricks up its sleeve, each more satisfying than the last.
  2. Delivers a satisfying late-summer escapist treat.
  3. This is a sophisticated adult treat in the French manner with an attractive and gifted cast and is essentially serious, yet often whimsical and always compassionate.
  4. A wholly unexpected and ultimately gratifying experience.
  5. A beautifully realized small film of understated power.
  6. Against considerable odds and despite a shaky start, Proof proves itself in every area.
  7. Loic's journey is rich in incident and detail, and Garçon Stupide retains its dynamic momentum throughout.
  8. An unapologetic cheerleader for exploring the final frontier, Hanks wrote and produced (along with director Mark Cowen) this enthralling look at what might be the greatest technological feat of the 20th century.
  9. Sachs has pulled off a film of inferences and intimations, thanks largely to the casting of accomplished actors.
  10. A highly entertaining piece of genre-blending fun.
  11. Rousing, affirmative entertainment.
  12. Commands attention from its very first frame and never lets up right through the fade-out. It is a splendid example of classic screen storytelling with no false steps, and Gansel's understated approach pays off with resounding emotional effect and meaning.
  13. Mandoki, who with this film returns to the Spanish-speaking cinema after a string of Hollywood films, has brought a sure sense of the visual and taut construction to Innocent Voices, based on a true story. It is filled with wrenching images.
  14. An outrageous, savagely comical account of the disastrous circumstances surrounding the assassination of dictatorial South Korean President Park Chung Hee in 1979.
  15. What emerges from these stories is a picture of the fallibility of the system and the vulnerability of innocent citizens, whom even scientific evidence cannot protect from incompetence, ego and prejudice, and of the courage of the exonerated victims to make meaning of their tragedies.
  16. Though it is small in scale and lasts only 78 minutes, New York Doll, like any documentary, goes places we expect it to and places we do not. As journeys go, this is one to treasure.
  17. A powerful, poignant, provocative drama, it gets its strength from its dispassion, from an uncompromising determination to explain rather than justify or condemn, to put a human face on incomprehensible acts.
  18. A fascinating reflection of the era when it was made; but a starker indictment still of what film culture has become. In 1975, The Passenger was a night at the movies.
  19. With the help of clear direction and some excellent acting, especially from Flora Cross in a memorable debut as Eliza, Bee Season is affecting in ways that movies have all but given up trying to be.
  20. Ellie Parker is at once hilarious and harrowing, and in being so, seems right on target.
  21. Suffused with a painterly tenderness and cruelty, the French film Gilles' Wife - based on a 1937 Belgian novel by Madeleine Bourdouxhe - stars the extraordinary actress Emmanuelle Devos.
  22. Written, directed and acted with real compassion and sympathy for the humanity of its characters, no matter who they are or on what side of these multiple issues they turn out to be.
  23. A droll, dark Christmas treat for adults, a delightful alternative to the usual holiday-themed fare.
  24. Even though it is ultimately anything but an endorsement for street racing, the movie stunningly captures its undeniable excitement.
  25. A moving, troubling documentary. Moving because of the nature of the problem it explores, troubling because the film can't help but underline that simple solutions are never going to present themselves, no matter how much we want them to.
  26. Just as there will always be an England, there will always be a certain kind of English film: the highly polished entertainment, well-acted, genteelly amusing and impeccably turned out. Mrs. Henderson Presents is the latest example of the trend and an especially satisfying one.
  27. In The Matador, a delightfully sly diversion, Pierce Brosnan breaks the mold and turns in what might be considered the performance of his career, the kind of witty, relaxed star portrayal that recalls those of Cary Grant and other Golden Era legends.
  28. It pretty much keeps its pulse steady, its blood cold and its nerves tamped down -- which, combined with cinematographer Remi Adefarasin's architectural Hitchcockian flourishes, lends a queasy, cool air to the proceedings.
  29. This is a droll, laid-back film noir steeped in Crescent City atmosphere and music that culminates in the colliding worlds of genuine and virtual reality.
  30. In the exhilarating Casanova, giddy shenanigans effectively set off the dangerous, darker impulses of human nature.

Top Trailers