Los Angeles Times' Scores

For 16,550 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
16550 movie reviews
  1. The whole thing is as satisfying as a meal at a slow food restaurant, and when Gianni's mother gratefully tells her son, "you mellow these hours," we wholeheartedly agree.
  2. It's a movie that not only puts you in space but lets you travel through it with a speed and wonder that would make James T. Kirk go a little weak in the knees.
  3. There are times the action lags, and when the dialogue falls back on pop cultural references it feels contrived and forced but, mostly, like the mythical creatures at the heart of this tale, the movie soars.
  4. It's got a terrific inside Hollywood sensibility plus an unblinking candor that lets the chips fall where they should. Which, given who made it, is something of a pleasant surprise.
    • 92 Metascore
    • 80 Critic Score
    Close-Up is perhaps the emblematic work of the so-called Iranian New Wave, summing up its methods and preoccupations and also bringing together two of its key figures, Kiarostami and Mohsen Makhmalbaf.
  5. The period is evoked with care and imagination, and the film glows with Peter Zeitlinger's cinematography. It has some bravura images and surreal moments typical of Herzog, and composers Hans Zimmer and Klaus Badelt have contributed a lovely score.
  6. Ambrose's Frankie, who is more intelligent and capable of reflection than those around her but is even more unworldly than she realizes, is tremendously appealing.
  7. Most important, Hush! is like Chinese director Stanley Kwan's recent "Lan Yu" in that a gay romance becomes but a starting point for an all-encompassing view of human behavior.
  8. Continually jarring. Although the film's narrative thread may prove chronically elusive, Iwai's depiction of what life can be like for far too many teens comes across loud and clear.
  9. It has more hilarious throwaway lines than most comedies offer up as their best jokes, and it is consistently inspired, energetic and, most important, light on its feet.
  10. Begins as a shadowy film that progresses from dark to increasing light. It has been stunningly photographed by Eric Gautier and has a wonderfully expressive score composed by Howard Shore.
  11. That it is a fine example of modest-budget filmmaking, boasting first-rate acting, writing and directing, is not all that surprising.
  12. A tale that's sweet-natured, funny and surprisingly touching.
  13. A wrenching, uncompromisingly bleak film, but its stars, who include talented newcomer Noah Watts as Mogie's son and Lois Red Elk as the brothers' staunch aunt, fill the screen with warmth, humor and spiritual yearning in the face of hardship and tragedy.
  14. Other documentaries have crisscrossed between time frames, but Moss' beguiling The Same River Twice represents one of the most effective uses of the device.
  15. An odyssey of self-discovery of much charm, humor and admirable subtlety.
  16. Interests us in ways we don't expect. It has a mordant sense of humor and a gift for character and incident that has attracted two of Australia's best actors -- Guy Pearce and Rachel Griffiths -- as well as an excellent supporting cast.
  17. Called the Holy Grail of the Hong Kong martial arts movies of the '70s, and now that it has been lovingly restored and given a regular theatrical release, it's easy to see why.
  18. That Irving adapted his novel to the screen himself and, even more, that Hallström directed it, makes Cider House a far better film than other film adaptations of Irving's work.
  19. So sharp and funny it should appeal to all ages.
  20. Guaranteed to infuriate anyone with strongly partisan opinions about the region. The film offers up simultaneous critiques of Palestinian and Israeli extremism, but the most radical thing about it is that it's often disquietingly funny.
  21. Emerges as an epic tale of love, sacrifice and redemption that attains a Shakespearean aura of grandeur and nobility of spirit.
  22. The gritty, low-budget realism approach of the Dogme manifesto gives immediacy and edge to the raw emotions Bier and her cast uncover. Best of all, Bier never forgets that a little humor can relieve an awful lot of pain.
  23. The result is an eccentric, amusing fable that moves at an unhurried island pace, a picturesque tale that Merchant seems to have invested with an almost personal sense of spirit.
  24. Relatively accurate as a period piece, looks great and boasts a bevy of vintage numbers, some original recordings and others performed in an authentic manner by Ian Whitcomb and His Bungalow Boys.
  25. Although this is director Birmingham's first feature -- she has a very sure sense of what she wants out of her cast and the ability to put it on screen. Tully may go against the grain of hipness, but that proves to be very much of a blessing.
  26. A witty and delightful Christmas present for the entire family.
  27. Works its charms slowly but steadily.
  28. As delicately and deliciously prepared as the dishes it features, Big Night is a lyric to the love of food, family and persuasive acting.
  29. Stands out among creative bio-pics for an ability to show art being made in a way that's as realistic and exciting as it's ever been on screen.

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