For 16,524 reviews, this publication has graded:
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56% higher than the average critic
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6% same as the average critic
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38% lower than the average critic
On average, this publication grades 2.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | Sand Storm | |
|---|---|---|
| Lowest review score: | Saw VI |
Score distribution:
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Positive: 8,698 out of 16524
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Mixed: 5,809 out of 16524
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Negative: 2,017 out of 16524
16524
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Kevin Thomas
Most important, Hush! is like Chinese director Stanley Kwan's recent "Lan Yu" in that a gay romance becomes but a starting point for an all-encompassing view of human behavior.- Los Angeles Times
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Reviewed by
Kevin Thomas
Continually jarring. Although the film's narrative thread may prove chronically elusive, Iwai's depiction of what life can be like for far too many teens comes across loud and clear.- Los Angeles Times
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Reviewed by
Kevin Thomas
It has more hilarious throwaway lines than most comedies offer up as their best jokes, and it is consistently inspired, energetic and, most important, light on its feet.- Los Angeles Times
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Reviewed by
Kevin Thomas
Begins as a shadowy film that progresses from dark to increasing light. It has been stunningly photographed by Eric Gautier and has a wonderfully expressive score composed by Howard Shore.- Los Angeles Times
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Reviewed by
Kevin Thomas
That it is a fine example of modest-budget filmmaking, boasting first-rate acting, writing and directing, is not all that surprising.- Los Angeles Times
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Reviewed by
Kevin Thomas
A tale that's sweet-natured, funny and surprisingly touching.- Los Angeles Times
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Reviewed by
Kevin Thomas
A wrenching, uncompromisingly bleak film, but its stars, who include talented newcomer Noah Watts as Mogie's son and Lois Red Elk as the brothers' staunch aunt, fill the screen with warmth, humor and spiritual yearning in the face of hardship and tragedy.- Los Angeles Times
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Reviewed by
Kevin Thomas
Other documentaries have crisscrossed between time frames, but Moss' beguiling The Same River Twice represents one of the most effective uses of the device.- Los Angeles Times
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Reviewed by
Kevin Thomas
An odyssey of self-discovery of much charm, humor and admirable subtlety.- Los Angeles Times
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Reviewed by
Kenneth Turan
Interests us in ways we don't expect. It has a mordant sense of humor and a gift for character and incident that has attracted two of Australia's best actors -- Guy Pearce and Rachel Griffiths -- as well as an excellent supporting cast.- Los Angeles Times
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Reviewed by
Kevin Thomas
Called the Holy Grail of the Hong Kong martial arts movies of the '70s, and now that it has been lovingly restored and given a regular theatrical release, it's easy to see why.- Los Angeles Times
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Reviewed by
Kevin Thomas
That Irving adapted his novel to the screen himself and, even more, that Hallström directed it, makes Cider House a far better film than other film adaptations of Irving's work.- Los Angeles Times
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- Los Angeles Times
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Reviewed by
Manohla Dargis
Guaranteed to infuriate anyone with strongly partisan opinions about the region. The film offers up simultaneous critiques of Palestinian and Israeli extremism, but the most radical thing about it is that it's often disquietingly funny.- Los Angeles Times
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Reviewed by
Kevin Thomas
Emerges as an epic tale of love, sacrifice and redemption that attains a Shakespearean aura of grandeur and nobility of spirit.- Los Angeles Times
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Kevin Thomas
The gritty, low-budget realism approach of the Dogme manifesto gives immediacy and edge to the raw emotions Bier and her cast uncover. Best of all, Bier never forgets that a little humor can relieve an awful lot of pain.- Los Angeles Times
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Reviewed by
Kenneth Turan
The result is an eccentric, amusing fable that moves at an unhurried island pace, a picturesque tale that Merchant seems to have invested with an almost personal sense of spirit.- Los Angeles Times
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Reviewed by
Kevin Thomas
Relatively accurate as a period piece, looks great and boasts a bevy of vintage numbers, some original recordings and others performed in an authentic manner by Ian Whitcomb and His Bungalow Boys.- Los Angeles Times
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Reviewed by
Kenneth Turan
Although this is director Birmingham's first feature -- she has a very sure sense of what she wants out of her cast and the ability to put it on screen. Tully may go against the grain of hipness, but that proves to be very much of a blessing.- Los Angeles Times
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Reviewed by
Kevin Thomas
A witty and delightful Christmas present for the entire family.- Los Angeles Times
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- Los Angeles Times
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Reviewed by
Kenneth Turan
As delicately and deliciously prepared as the dishes it features, Big Night is a lyric to the love of food, family and persuasive acting.- Los Angeles Times
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Kenneth Turan
Stands out among creative bio-pics for an ability to show art being made in a way that's as realistic and exciting as it's ever been on screen.- Los Angeles Times
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- Los Angeles Times
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Kevin Thomas
An adroit, beautifully acted, sophisticated film with some drier-than-dust humor about unsophisticated people and is impressive as such. It's too bad that it's not more engaging much earlier on.- Los Angeles Times
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Kevin Thomas
The result is a film that is wise, fatalistic and romantic in just the right proportions--in the best noir tradition.- Los Angeles Times
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Reviewed by
Kevin Thomas
Fishburne excels in his triple-threat roles as actor, director and adapter of his own play, and his cast glows under his direction.- Los Angeles Times
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- Los Angeles Times
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Reviewed by
Kevin Thomas
In recording life as it unfolds in the course of a year, On the Ropes not only defies prediction as to its outcome but is in some ways downright confounding...as involving and suspenseful as the best fictional films.- Los Angeles Times
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Reviewed by
Kevin Thomas
A documentary made with rigor, humor and no small amount of honest emotion.- Los Angeles Times
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