Los Angeles Times' Scores

For 16,550 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
16550 movie reviews
  1. The kind of full-length career portrait that every great actor deserves but rarely receives.
  2. An assured, graceful instance of effective screen storytelling, and Meadows draws splendid performances from his cast, especially from the young Shim and Marshall.
  3. The filmmakers' special triumph lies in the inspired way that in the nick of time it draws its story to a close, with Nora and Joyce struggling toward a new level of understanding.
  4. Offers a violent but compelling vision of what an animated feature can be.
  5. Brutal yet lyrical film.
  6. It's to be expected that the music is going to be wonderful, and it is. But there is more to this film, a surprising amount more.
  7. Aviva Kempner's warm and intelligent mash note to a man who clearly deserved it.
    • Los Angeles Times
  8. Vera has created a provocative, absorbing drama that reveals the curse of a self-hatred instilled by rigid social mores.
  9. All the more rewarding because of the challenge the material presented.
  10. Totally captivating, as seductive as a samba.
  11. An elegant work, Food of Love is as consistently engaging as it is revealing.
  12. An exciting and involving rock music doc, a smart and satisfying look inside that tumultuous world.
  13. Has a great look and an edgy feel, along with some broad swaths of humor.
    • Los Angeles Times
  14. There's such a rawness, purity and even mystical force to everything Benjamin says or sings, that anything else would seem extraneous and detracting from the impact of a man who has lived his life with absolutely no holds barred.
  15. Lola is played by veteran Spanish actress Victoria Abril, one of Pedro Almodovar's favorites, and though the character sounds familiar, Abril brings so much zest and enthusiasm to its creation that it feels original and makes the passion she inspires believable.
  16. Little Otik is too outre not to turn off some, but for those who can go the increasingly macabre distance, its sheer power to confound can be enthralling.
  17. Takes a darkly daring tack that pays off handsomely, providing wholly unexpected dimension that reveals the full measure of Bose's imagination and skill. Smartly designed and richly photographed, this film is an idiosyncratic charmer -- and a lot more.
  18. Daring and complex. At 112 minutes, it might be 15 minutes too long, but this is not enough to detract from its impact as a probing and universal contemporary drama.
  19. A serious romantic comedy of such strength and substance and so entertaining that it doesn't matter that its minuscule budget shows around the edges.
  20. From frame one Showtime displays an ingenuity, cleverness and briskness that never flags.
  21. Smart, sweet and playful romantic comedy.
  22. Bluntly effective.
  23. Miller's strength in her stories and in the film is in her ability to push past ideology and get right down to the nitty-gritty of desire.
  24. The film is an engrossing and original police procedural of bleak, steel-gray images and high style. But be warned: as part of its complex, ever-unfolding plot, it is punctuated with some grisly images.
  25. Director Chen Kuo-fu adds a refreshingly wry humor to this view and then deftly throws in some wrenching moments and an ultimately astounding final twist.
  26. The sharpest inside Hollywood comedy in quite a while.
  27. Grand fantasy, in which Brendan Fraser and stylish design and energetic special effects play off one another for maximum fun.
  28. Not merely affecting and illuminating; it concludes on a note of hope.
  29. Meanders, dawdles, doubles back on itself but finally gets us somewhere fascinating and worthwhile.
  30. Cleverly structured, with a slam-bam score and style to burn.

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