For 16,524 reviews, this publication has graded:
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56% higher than the average critic
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6% same as the average critic
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38% lower than the average critic
On average, this publication grades 2.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | Sand Storm | |
|---|---|---|
| Lowest review score: | Saw VI |
Score distribution:
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Positive: 8,698 out of 16524
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Mixed: 5,809 out of 16524
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Negative: 2,017 out of 16524
16524
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Kevin Thomas
Vera has created a provocative, absorbing drama that reveals the curse of a self-hatred instilled by rigid social mores.- Los Angeles Times
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Reviewed by
Kevin Thomas
All the more rewarding because of the challenge the material presented.- Los Angeles Times
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Reviewed by
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- Los Angeles Times
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Reviewed by
Kevin Thomas
An elegant work, Food of Love is as consistently engaging as it is revealing.- Los Angeles Times
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Reviewed by
Kenneth Turan
An exciting and involving rock music doc, a smart and satisfying look inside that tumultuous world.- Los Angeles Times
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Reviewed by
Kevin Thomas
Has a great look and an edgy feel, along with some broad swaths of humor.- Los Angeles Times
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Reviewed by
Kevin Thomas
There's such a rawness, purity and even mystical force to everything Benjamin says or sings, that anything else would seem extraneous and detracting from the impact of a man who has lived his life with absolutely no holds barred.- Los Angeles Times
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Reviewed by
Kenneth Turan
Lola is played by veteran Spanish actress Victoria Abril, one of Pedro Almodovar's favorites, and though the character sounds familiar, Abril brings so much zest and enthusiasm to its creation that it feels original and makes the passion she inspires believable.- Los Angeles Times
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Reviewed by
Kevin Thomas
Little Otik is too outre not to turn off some, but for those who can go the increasingly macabre distance, its sheer power to confound can be enthralling.- Los Angeles Times
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Reviewed by
Kevin Thomas
Takes a darkly daring tack that pays off handsomely, providing wholly unexpected dimension that reveals the full measure of Bose's imagination and skill. Smartly designed and richly photographed, this film is an idiosyncratic charmer -- and a lot more.- Los Angeles Times
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Reviewed by
Kevin Thomas
Daring and complex. At 112 minutes, it might be 15 minutes too long, but this is not enough to detract from its impact as a probing and universal contemporary drama.- Los Angeles Times
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Reviewed by
Kevin Thomas
A serious romantic comedy of such strength and substance and so entertaining that it doesn't matter that its minuscule budget shows around the edges.- Los Angeles Times
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Reviewed by
Kevin Thomas
From frame one Showtime displays an ingenuity, cleverness and briskness that never flags.- Los Angeles Times
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- Los Angeles Times
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- Los Angeles Times
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Reviewed by
Manohla Dargis
Miller's strength in her stories and in the film is in her ability to push past ideology and get right down to the nitty-gritty of desire.- Los Angeles Times
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Reviewed by
Kevin Thomas
The film is an engrossing and original police procedural of bleak, steel-gray images and high style. But be warned: as part of its complex, ever-unfolding plot, it is punctuated with some grisly images.- Los Angeles Times
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Reviewed by
Kevin Thomas
Director Chen Kuo-fu adds a refreshingly wry humor to this view and then deftly throws in some wrenching moments and an ultimately astounding final twist.- Los Angeles Times
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- Los Angeles Times
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Reviewed by
Kevin Thomas
Grand fantasy, in which Brendan Fraser and stylish design and energetic special effects play off one another for maximum fun.- Los Angeles Times
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Reviewed by
Kevin Thomas
Not merely affecting and illuminating; it concludes on a note of hope.- Los Angeles Times
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Reviewed by
Kenneth Turan
Meanders, dawdles, doubles back on itself but finally gets us somewhere fascinating and worthwhile.- Los Angeles Times
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Reviewed by
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- Los Angeles Times
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Reviewed by
Kevin Thomas
So strong and secure in its remorseless movement that you buy into what's happening, its people so firmly gripped in the vise of fate and their own character flaws.- Los Angeles Times
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Reviewed by
Kevin Thomas
Hearty mainstream comedy with a sharp satirical edge balanced with just enough sentimentality to send audiences home happy.- Los Angeles Times
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Reviewed by
Kenneth Turan
More concerned, and with good reason, with the opera's extravagant visual look. The gorgeous pageantry of sets and costumes is frankly dazzling.- Los Angeles Times
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Reviewed by
Kevin Thomas
A film of simplicity and power, beautifully shot and effortlessly acted by nonprofessionals.- Los Angeles Times
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Reviewed by
Kevin Thomas
What counts here is the acute psychological validity with which Gordon evokes a coming of age that's seen with a darkly outrageous sense of humor--and no small amount of compassionate detachment.- Los Angeles Times
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Reviewed by
Kevin Thomas
This is a film that stays with you long after the lights have gone up.- Los Angeles Times
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Reviewed by
Kevin Thomas
It brims with the charm, wisdom and light touch that have endeared French films to international audiences for more than a century. It doesn't hurt that its star is "Amelie's" Audrey Tautou.- Los Angeles Times
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