Los Angeles Times' Scores

For 16,550 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
16550 movie reviews
  1. 12
    There is an unnerving and hopefully implausible twist at the end, but for the most part, Mikhalkov's 12 is magnetic.
  2. A centerpiece of the film is a tribute to the late, legendary Amália Rodrigues, a woman of commanding, majestic beauty and presence, who is seen with her pianist in rehearsal, searching out every nuance of a song she is to perform. Unfortunately, Fado's other performers are not identified.
  3. First-time feature director Matt Aselton, who co-wrote the darkly funny, well-observed script with Adam Nagata, has crafted a disarming tale that's one of the better independent films in recent memory.
  4. It's a can't-miss effort that knows how to please.
  5. Unexpectedly involving documentary.
  6. It would be Pollyannaish to pretend that the documentary Earth is without its problems, but the bottom line is, difficulties be damned, it shouldn't be missed.
  7. Unpredictable and gratifying, Three Monkeys emerges as a mordant cautionary tale on the contagiousness of corruption. It is rich in atmosphere.
  8. Mexico has had its share of debilitating transnational news lately, but the arrival of the puckishly entertaining, fleet-of-foot drama-comedy Rudo y Cursi deserves a hearty welcome.
  9. This is a gentle comedy, both funny and melancholy, about a timid soul who discovers the necessity of embracing life in all its absurdity and unlooked-for joy.
  10. Elliott has created a wonderfully rich battle for propriety in Easy Virtue. The humor might sting, but the pain is worth the pleasure.
  11. If you believe that bringing the questionable virtues of "American Idol" to Afghanistan would do that beleaguered nation no favors, the remarkable documentary Afghan Star will change your mind in an instant.
  12. A funny and endearing character comedy whose extra-brief, 70-minute running time proves perfectly adequate for its slender, episodic story.
  13. Death in Love is occasionally pretentious but always riveting. Strap yourself in, especially for those gruesome flashbacks of Nazi medical experiments -- this is one endurance test that's worth the effort.
  14. Subtlety and nuance mark both the film's dialogue and performances. It's hard to see how Dancy and Byrne could be any better.
  15. It's a kicky, slightly exhausting look at a bygone era of low-rent moviemaking, whose colorful trove of film clips should delight fans of cinematic esoterica, nostalgic schlock and high octane drive-in fare.
  16. A fascinating hybrid of a film. Even though its purpose couldn't be more serious, its style could hardly be more pulp.
  17. This is a pointed, emotional story of a divorced Palestinian woman and her son who immigrate to the U.S. just after the invasion of Iraq, a story that benefits from Dabis' background as a child growing up in the Midwest during the Gulf War as the daughter of a Palestinian father and a Jordanian mother.
  18. For what Crude does best is take us behind the scenes and show in often candid detail how campaigns are waged, tactics decided on and strategies prioritized.
  19. The best kind of labor of love. A documentary made with affection and intelligence, it looks at a brief episode in the life of a cultural icon and uses it to illuminate what turns out to be a telling moment in time and in the process shed some light on the man himself.
  20. Hilarious, acutely knowing.
  21. A knockout of a sports documentary. Destined against its will to be known as "the LeBron James movie," it is all that, and a good deal more.
  22. The result is a documentary that weaves as much comedy as fact into the narrative, making the experience a satisfying entertainment even for the lucky few who have no hair cares at all.
  23. Exquisite yet harrowing.
    • 73 Metascore
    • 80 Critic Score
    The buildup is undeniably effective; for most of the movie, it provides the same kind of thrills as "Paranormal Activity," if somewhat less brilliantly.
  24. Storm is harrowing, provocative and deeply probing yet quite involving.
  25. Featuring a knockout performance by Adam Scott, The Vicious Kind upends the heavily tread dysfunctional family drama in ways that are unique, surprising and memorable.
  26. Cohn has assembled a quartet of gifted actors who are captivating under Prasad's perceptive direction.
  27. Small scale though it is, this is a film that knows what it wants to do and has thought out exactly how to go about doing it. The same must be said about the luminous nature of Kazan's performance, which won best actress last year at the Tribeca Film Festival.
  28. Made with daring and passion, it attempts the impossible and comes remarkably close to pulling it off. So close, in fact, that the skill and audacity used, the shock and awe of this highly entertaining attempt, are more significant than the imperfect results.
    • 79 Metascore
    • 80 Critic Score
    Mother is a thriller as well as . . . something else.

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