The game doesn’t do anything wrong per se and I must criticize it primarily for its absolute mediocrity, lack of interesting ideas, and wasted potential. There were good moments I really enjoyed here and there, despite the game having the worst open-world city of gaming history and the creators’ promises not being fulfilled in the slightest. [Issue#317]

The sequel to Elex can immerse you, not let go and you can have a lot of fun with it. On the other hand, you may also be put off by a very awkward beginning, weird dialogue, creepy facial animations and a boring main storyline full of clichés. [Issue#318]

Although the game is certainly better compared to the older version, the impression is spoiled by the sometimes clumsy controls. The strike aiming could use some tweaking. Pressing the right buttons is often more a matter of chance or luck than a planned strategy. The graphics have grown noticeably in beauty compared to the last game. [Issue#318]

Graphically, the game doesn't do too poorly, although a comparison with last year's Forza Horizon 5 wouldn't make it a winner. Grid is more thrilling, can be pleasantly fresh thanks to the different types of races like elimination, and even if it doesn't use DualSense as well as Gran Turismo, it's still a solid racing game that is sure to entertain with its variety of cars, tracks, and well-handled multiplayer. [Issue#318]

A lack of trust in the narrator leads to a slightly unsatisfying finale. But the journey, which is exceptionally graphically hilarious, is the destination in this case. Apart from the interactive passages, I felt more like I was in a slow-building film. Furthermore, built on "go and fetch" types of tasks. Apart from playing with the camera and certain passages, the player is mostly a passive observer of the story. [Issue#318]

A fun game for fans of simulator games and for farmers who haven't had enough after a whole day in the field. Unfortunately, it brings too few real innovations and the shortcomings that fans of the series have been complaining about for years have not been addressed by the developers. [Issue#318]

One's feelings about the game start with "oh my God, what did I buy", move on to "hey, it's not all bad - let's destroy one more tree", only to realize in the end that you're actually doing the same thing over and over again and that you could spend your time in a more entertaining way. [Issue#318]

Mandatory reading for fans of the series, which aspires to captivate even casual gamers thanks to its great voice acting, entertaining story and original visuals. The only barriers to entry may be hitches full of frustrating random clicking or the humour which may not be to everyone's taste. [Issue#319]

The puzzles aren't too complicated, the story, though sweet, is quite infantile and often reminiscent of ideas from Alice in Wonderland, just dusted off a bit and mixed with a lot of cats here and there. [Issue#319]

The mix between Among Us and Cooking Dash makes for funny frenetic action that will get your nerves flowing. Every mistake usually means death and a return to the starting planet. Godlike Burger can therefore be frustrating and repetitive after a while. [Issue#319]

It contains everything that makes gamers love the Lego Star Wars games, while at the same time showing the authors' desire to push the franchise further. Some of it worked, some of it didn't, but if this sympathetic will holds out, the next game will no doubt turn out great. [Issue#319]

A nice reference to classic first-person shooters. What adds to the similarity, besides the brisk bloody gameplay, is the game's visuals, which are a nice combination of 3D models and pixel graphics. The gameplay experience is complemented by the metallic music, which underlines the brutality of the game perfectly. [Issue#319]

It's a fact that the black and white treatment helps the game a lot. In the end, it's a nice little one-shot that works more as an atmospheric experience than a game. Especially if you're into samurai and old movies. [Issue#320]

A little bit of cyborg, a critique of market-determined health insurance, student activism, a big helping of love, a dash of revenge, one doctor, a steam hammer, murder. But if you like synthwave and want a ten hour or so read, go ahead. [Issue#320]

If you're a keen crisis manager, you won't have a problem with this, but otherwise you can get lost in managing everything. Just when you feel like the crisis isn't so hot, that you can balance the demands of all classes, and even food is plentiful, something goes wrong. [Issue#320]

The game may be based on a rather clichéd story, which doesn't impress anyone nowadays, but it doesn't throw completely bad ideas into the mix. However, these are only developed halfway through, and thus arouse bitterness and boredom in the player rather than provide a nourishing gaming experience. [Issue#320]

However, porting to the console was not without its own problems. The biggest one definitely being the control, which uses the joystick-controlled cursor even in completely illogical moments. Despite this, however, this is an adventure game from the road story genre that is worth experiencing. [Issue#320]

Reprobed is a game built primarily on its humor. However, it often misses the mark because of its simplicity and directness, even plainness. [Issue#321]

It wouldn't be a cartel game if you didn't have to launder dirty money while dealing with a laggy interface or stupid AI, aspects which spoil the impression of a tropical paradise. [Issue#321]

It is not a bad product, the plus point is the low price. The game introduces beginners well to the principles of turn-based RPGs. The characters are cleverly designed and it's fun to try combining squads. Only the actual core, the combat, is mediocre in content. [Issue#321]

The overall good impression of the game is somewhat spoiled by its visuals, which, thanks to an unpleasant combination of static images and moving elements, lag behind the otherwise engaging story. [Issue#321]

It's a surprisingly fun arcade game, but one that trips up the players themselves through payment and the lack of a preset lobby. [Issue#322]

The game features whimsical graphics with some dynamic new features. But whether this overcomes the overtones of amateurism is a matter of opinion. As a form of relaxation, it certainly doesn't hurt. [Issue#322]

You can finish the game in six to eight hours, and that's just about the perfect amount of time. Even so, later enemies rely on unfair advantages to surprise you, the game gets increasingly linear and isn't shy about sprinkling obscene amounts of enemies onto the screen. [Issue#322]

From the variable storyline to the co-op options to the ability to equip your hero with the best items the player can find, the game is well poised for success. Unfortunately, so far it gives the impression that it's simply not finished. [Issue#323]

Victoria gives players a glimpse of the changing world of the nineteenth century. The player forms nations, oversees ethnic groups, colonizes a world untouched by Western civilization, and most importantly, manages trade and industry. The game itself has shortcomings that disappoint. Prussia doesn't always succeed in unifying Germany, and in 20 hours of play I have yet to see a war between the US and Mexico, or even an attempted civil war in the US. [Issue#323]

At its core, a great and fun game. But that was also in 2022, where the feeling that it made sense to not only pay full price for a new game, but to spend a lot of time in it, still prevailed. [Issue#323]

The script is unbalanced. One minute the game moralizes how bad it is to make fun of stereotypes, then a moment later it overwhelms you with an over-the-top brutal scene. Pretty graphics, hilarious animations and good voice acting can't save a weak script. [Issue#323]

The game is not bad and serves you a lot. You want a hero? You have four. Want big missions? Usually you have about three going at once. You want side missions? You've got a city full of them. Which doesn't mean it's a great game. Just good and solid. [Issue#323]

The idea and vision of the game is absolutely fabulous. In practice, however, the game is brought down by its execution, which you can see through after a short while and then the game has nothing to surprise you with. [Issue#324]

Not a bad game. It still has its solid core, new Pokémon, and what's worked for years continues to work. The open world is a questionable addition in my opinion. [Issue#324]

Not a bad game. It still has its solid core, new Pokémon, and what's worked for years continues to work. The open world is a questionable addition in my opinion. [Issue#324]

As far as difficulty is concerned, everything here feels quite balanced. It rarely happens that the death of a player is "unfair". All in all, Dread Templar plays well, but aside from throwing katanas, it doesn't show off anything too new. [Issue#325]

With a top-down perspective and simple graphics, Sole Survivor Games' tycoon is reminiscent of good old Zelda, but with a wide range of strategic options, it's closer to Prison Architect and plays like it. It's a shame that the game quickly exhausts its initially interesting potential and unusual theme. [Issue#325]

The aspiration of returning to the series' most successful titles is evident here. Illegal races, over-the-top tuning, a specific but fitting soundtrack, an open world, and police chases. It's not outright bad, but it could be a lot better. I would have liked more variety as well. I'm definitely positive about the elements that gave the game a unique identity. [Issue#325]

Although Potion Craft has a great idea behind it and an interesting design at first, repetitive gameplay and often tedious discovery of new potions start to take over very quickly. [Issue#325]

The pace is pleasant and combat is certainly not the only thing that the colourful and at times truly breathtaking environment has to offer. Each of the six usable weapons not only has its own attack and special utilitarian ability, but also awesome voice acting, distorted personality and brilliantly wacky design. [Issue#325]

There could be more content. For fans of action party games there is nothing to complain about. Considering how universally lovable Kirby is, this game is perfect fun in multiplayer, especially online. [Issue#326]

Bosses are fast, aggressive, tough. They hit you two times and it's over. But they all have the same mechanics and just different timing. So inexperienced players may feel frustration, while for experienced souls it won't be major problem to get through the game without a scratch. [Issue#326]

The game relies mainly on its dark and oppressive atmosphere, which it does well. Unfortunately, the biggest hurdles are technical oversights and a somewhat empty and anticlimactic ending to your entire journey. [Issue#326]

Up close, the combat is somewhat lacklustre and the tense musical accompaniment doesn't save it. So the horror rather comes from surviving such situations and being able to fully immerse yourself in the game. [Issue#327]

The graphics are as nice as you can get with Minecraft. The animals are cute, the scenery plays with all the colours and the whole thing is supported by the unobtrusive music. Overall, then, it's a very simplistic strategy game where building bases and managing an army is fun, but it loses its breath very quickly, to its own detriment. [Issue#327]

If you get over the initial shock, it's not a bad game. Two characters working together, improving abilities, the ability to sneak around, spatial puzzles and problem solving to get further, and above all, gorgeous graphics. [Issue#327]

The combat system is not the clearest. The player loses valuable lives quite easily just by touching an enemy. This leaves you with conflicting thoughts, and even the graphic design and adorable animations don't completely save the day. [Issue#327]

The battles then take place in real time, and in addition to the Mega Buster, you also have a variety of chips at your disposal, which here represent cards with weapons and actions. It's the tactical combining of chips on the battlefield that is the biggest, but probably the only, attraction of the famous brand's return. [Issue#327]

The mini-games are repetitive. Each screen takes an awfully long time to load. The voice acting is not original for the most part, and kids can tell. The price is brutally exorbitant considering the content, but what a parent wouldn't do for their child and for comfort. [Issue#327]

As a result, it is impossible to get rid of the impression that the game is somewhere between an expansion and DLC, which brings all sorts of small changes that made it unnecessary to develop another installment. [Issue#328]

Nice graphics do a lot, but unfortunately they don't save everything, especially when you need to save gameplay in such a major way as is the case here. Precision and smooth controls are absolutely key in this type of game, and that's where the developers screwed up. [Issue#328]

It's quality carnage and definitely worth a play. As a bloody excursion into the 40's Warhammer universe, it is undoubtedly worth a visit, among other things for its atmosphere and soundtrack. [Issue#328]

The ghost that is chasing you is actually quite skilled and learns with time. On the other hand, it loses the horror element a bit, because it scares you twice at most and then it doesn't have any aces up its sleeve. [Issue#328]

Each battle is played a little differently, which makes the battles brisk and fun, the story that connects them engages you, and I personally spent several enjoyable evenings with the game. [Issue#328]

With pixels so big they could be cut, and an authentic retro feel, Ludicrous Edition is aiming for nostalgia. This is punctuated by the fluidity of the gameplay, added by tweaked controls including mouse support, but nothing more. [Issue#329]

But the big problem on consoles are the controls, and across platforms, the bugs that straddle the line between minor glitches and collapsing game mechanics. Graphically, then, it's not exactly a glamorous experience either. Dark Descent should be approached with caution, and it's entirely possible that the game won't suit you for a myriad of reasons. [Issue#329]

It brings a lot of new mechanics and interesting innovations. For fans of the roguelike genre I would definitely not hesitate to recommend the game. It will probably not be a problem to spend quite a few hours in it. However, the problem will arise if you want to compare the second part with the first one. This would probably be met with less enthusiastic ovations. [Issue#329]

One can't help feeling that it is a worse version of its predecessor. The game contains a few new features, but some of them make it slightly worse. It's still fun though, with a cool world to explore and an interesting combat system that will keep you entertained most of the time. [Issue#329]

Thankfully, though, each system is relatively easy to understand and the gameplay itself is fun, just as the simple dungeons are fun to navigate. However, if you're looking for a game of this genre and want a challenge, you're better off with Harvestell. [Issue#330]

This is a game that is gathering laurels in its homeland. In our country, however, it mostly raises eyebrows, so it will please especially those who are into some cute bizarreness. [Issue#330]

In some ways it reminded me of old gamebooks, and in others of the board game Mansions of Madness, where you encounter strange things and monsters every round, lose your health and sanity, and the game propels you forward at a breakneck pace. But even so, it's essentially a very stylish and relaxing clicker first and foremost, if you're used to relaxing with stories where people have holes multiplying in their bodies and a smile reaching the back of their necks. [Issue#331]

The creators have taken the best of the modding community and completely, it must be said for the better, overhauled, for example, the transport system, unlocking new buildings or artificial intelligence. Once they manage to overcome the birth pains, I have no doubt that this will be the best building strategy of all time. [Issue#331]

There are plenty of moments in the game that are downright frustrating, such as the low movement speed, navigational ambiguity, minimal interactivity, and a certain tediousness with which the story unfolds. [Issue#332]

This game is a compilation that every true computer addict should have in his home. Actually play it... he probably doesn't need to. [Issue#332]

If you don't play the game in online mode, you will cry over the content. There are no new features, so necessary for, for example, Be a Pro mode, still the same animations and dialogues, still the same storyline without flavour. [Issue#332]

The game may look like a tactical RPG at first glance, but at its core it is a logic puzzle with one optimal path. It's a shame, because it would have been much more satisfying to master everything at once. [Issue#332]

The Switch port is kind of bittersweet for me. The game itself is as great as it was years ago. But if I'm doing the remaster, couldn't it have been done better? [Issue#332]

Audiovisually it looks awesome, the gorgeous graphics and very well done animations, which are especially noticeable in the cutscenes, are complemented by great-feeling combat, and it all moves very well. The big problem with the game, however, is the unnecessary clutter. [Issue#332]

Pokémon Brilliant Diamond and Shining Pearl is a decent remaster transferring the fourth generation from Nintendo DS to Switch. The authors handled well the absence of the second screen, but in the case of game mechanics they could go a bit further.

Pokémon Brilliant Diamond and Shining Pearl is a decent remaster transferring the fourth generation from Nintendo DS to Switch. The authors handled well the absence of the second screen, but in the case of game mechanics they could go a bit further.

The remastered trilogy of the once-acclaimed FPS series Crysis offers an average experience in all respects, which is partially adapted for new consoles and modern technologies as such, but as a result it is primarily a matter for fans.

Get It Together! is a good game, when you have only a few minutes to play, and if you turn on the game for a while every day, it will probably satisfy you for a long time. Unfortunately, it is not for any longer and more thorough playing.

Successful gameplay can replace the boring and soulless game only to a certain extend. Rather than about successful game, we can talk about a brilliant idea that will either grow into beauty with another game or with other developers.

The Survival Series is a successful attempt to transfer the format of a science documentary to a video game platform. The science and documentary part is excellent, but the video game part would need some improvements.

Tribes of Midgard is definitely an interesting addition to cooperative multiplayer titles with imaginative mechanics across game genres such as: survival, roguelike, rpg and more. Unfortunately, instead of choosing the best from each genre, it constantly balances among all at the same time, and it doesn't always work out. However, for a cooperating bunch of friends, it's a title you shouldn´t definitely miss.

Sheltered 2 is both engaging and confusing, while players are trying to dive into postapocalyptic world. The lack of proper storytelling and ugly graphics make Sheltered 2 feel old and out of the place.

The medieval Grand Theft Auto was only partially successful, while the main domain is the historical setting accompanied by plenty more or less tasteful and apt jokes. Outdated approach to game is then the biggest obstacle on the way to success.

A lovely survival city builder heavily inspired by Banished, as well as other major games in the genre such as Foundation or Anno series. While it succeeded in connecting all the elements skillfully, it also failed to deliver its own ideas and narratives, resulting in occasional boredom and repetitive gameplay after a while.

Humankind is different than other games and that's fine. It builds on the authors' experiences with the genre, but may differ too much for the massive success of the brand and the studio. It's an interesting title that will find countless players and fans, but it does too little for big success.

Vesper is a minimalist game that doesn´t stand out from the crowd of similar titles. On the other hand, it is not bad at all. It is an honest game with attractive visuals and good gameplay. Nothing more, nothing less.

The interesting concept in a pleasing graphic jacket is not, unfortunately, reaching its full potential. A clever design is damaged by technical problems and the puzzles deserve a better balance of difficulty. Even so, the journey to save the planet is a pleasant experience.

Scarlet Nexus is its own worse enemy. Bandai Namco is trying to fill game's own shoes with engaging fights and JRPG style story narative, but fails to deliver them in a proper way and especially with consistency. And don't try to play the game with keyboard, you do need a controller.

Game Builders Garage is a specific title for a specific audience of no less specific console. There is no universal evaluation, and if there is such a thing as an objective evaluation, it cannot be applied here. You have to try Game Builders Garage, and you will either fail the title or it will discourage you after a few minutes.

The slow-moving building strategy of First Feudal is an ideal companion for long evenings, if you don't mind that although they build a city, mine raw materials, beat gangs of bandits, nothing much happens together.

Speed Golf is undoubtedly the main attraction of the game and it is a pity that other modes aren´t also so good.

Virtua Fighter is a nostalgic trip to the arcades in the 21st century. If you want to quickly kick a friend's ass during a friendly meeting, this is definitely a good choice. If you expect discovering deep mechanics or an extraordinary experience from the game, too bad, because you won’t find them.

Cloud Cutter allows you to revisit the classic arcade shoot’em’ups such as Tyrian, Stargunner, or Raiden with several new ideas but also a handful of flaws. Fun multiplayer option allows you to overlook the initial difficulty of the game and strike down your enemies!

Biomutant is like layers and layers of great ideas drawn on an imperfect mindmap. A great cornerstone to build upon, but still lacking in remaining coherent. Still - great fun in short amounts.

Neoverse may discourage you because of its styling, but it would be mistake to miss this title, if you like card games with a high degree of replayability. It's an inconspicuous game that will finally cost you a lot of hours.

Hobo: Tough Life presents exactly what the title promises. Tough life on the streets of a fictional czech city with tons of game mechanics. However, the game sometimes forgets to take itself seriously, which undermines the darker tone. Inconsistency makes the game harder to enjoy, while it is something you should definitely try.

We didn’t exactly see anything new in Outriders, to be honest. The game delivers a fair amount of content in terms of levels, weapons, or skills. However, from the gameplay point of view, it’s nothing more than meeting aliens, zombies and insurgents in paintball arenas for 15 straight hours, plus the expeditions.

Fast and original, sometimes complicated. The retro action with a skeleton in the lead role has its own opinion on the roguelike genre. [Issue#309]

A successful attempt to reincarnate arcade races with everything. Perhaps more interesting circuits are missing, but in the whirl of racing, every fan of arcade titles will quickly forget about it. [Issue#309]

Little Nightmares 2 servers a bit of a bleak gaming experience. While artistic creations once again proves that nothing beats twisted minds, the gameplay itself is at least questionable. [Issue#309]

Monster Jam Steel Titans 2 is a fun game, which does not pretend to be anything more. If you ever wanted to ride monster trucks in open sandbox-like game worlds, you should look no further. [Issue#310]

Maquette is beautifully crafted, and I was really hoping to get to know Kenzie and Michael better over the course of time. However, superb voice acting, a great soundtrack, and some interesting design ideas were just not enough. The gameplay regrettably fails to stand up to its true potential while the rules of the game are frequently broken. And after just two or three hours, it is all over. [Issue#310]

A very interesting first that will find a specific audience. Short enough not to be repetitive. Long enough to convey a message. [Issue#310]

The Medium is a psychological thriller with various simple puzzles, a whiff of horror and music like from Silent Hill. As a result, you will play the game mainly because of the storytelling and for its atmosphere. [Issue#310]

Watch Dogs: Legion is a fun game, but in the end it doesn't stand out. The possibility of recruiting anyone is ambitious, but many, perhaps even more important elements have fallen victim to it. The game unfortunately falls into the ranks: to play and forget. [Issue#307]

Sam lost the last remains of creativity. The result is an ordinary megalomaniacal action with a charismatic protagonist who faces endless hordes of monsters. Shooting is fun, the rest is dusty gray. [Issue#307]

Very nice oldschool step-by-step dungeon RPG with untraditional steampunk setting and perfect monster design. [Issue#307]