A surprising mix of rogue and real-time strategy, that works great. A shame that the Switch version of Grit and Valor 1949 isn't more convincing from a technical standpoint.

Beautiful and dynamic, but of more than questionable interest, Destiny 2: Eclipse really miss its mark. And that's a shame.

With its visual poetry and contemplative tone, Spirit of the North 2 invites you on a spiritual journey full of symbols. But this daydream is regularly interrupted by technical glitches and questionable game design choices.

Chorus is visually convincing, with a great gameplay, but too repetitive to go through, especially since the story remains pretty uninteresting despite all its efforts.

A Classic pirate trip mixing navigation and exploration. Not so bad but with a frustrating lack of surprise.

An unique artistic direction and haunting music, but this Remaster of Onimusha 2 suffers from rigid gameplay, dated technology and a lack of modernisation of the experience for newcomers.

Dolmen displays good intentions but does not always check them out. With each interesting idea, a new balancing issue arises along the way.

Sonic Frontiers is nice, but gives the impression of an early access title, looking like a technical demo or a potpourri full of ideas from other licenses, without being perfectly understood.

Crash Team Rumble is not a bad game but its lack of content doesn't help it.

The setting of the game is beautiful and makes us want to contemplate the universe of Oddworld. The cinematics are also outstanding and the game is very generous in terms of content. The gameplay first seems more modern and nervous, yet the overall experience is as frustrating as frustration can get. The crafting elements combined with the 1st-time only activated check point force us to loot lockers and dumpsters as we die (so again and again and again). The game has a lot of bugs and the repetitiveness of some segments of the game can make the overall experience dull instead of fun.

Vampire: The Masquerade Bloodlines 2 finally revives the cult saga: a fascinating but measured comeback, where the light of renewal mingles with the shadow of an overly long wait. The pleasure is real, the disappointment inevitable.

These 12 minutes are first intriguing and addictive but the second part of the game feels really repetitive and the plot loses all of its interest and quality.

Even if Cris Tales has an enchanting graphic style, a nice fighting system and a more than appreciable OST, the title suffers from its technical side. The more the game goes on, the more it becomes difficult to enjoy it because of too many loading times, a sometimes sluggish scenario, multiple futile back and forths, and a general slowness of the title.

Egglia provides interesting ideas, solid gameplay, a nice magical world, and no difficulty whatsoever. It's okay if that's what you need, but no french subtitles for this talkative game limits its general interest.

Farming Simulator remains a model of simulation, and Highlands Fishing confirms GIANTS Software's mastery in developing its universe without betraying it. But for content sold for nearly thirty euros on its own, it's reasonable to expect a more immersive experience. We come away from this version feeling both appeased and a little frustrated: happy to rediscover this meticulous and lively agricultural world, but aware that the promised sea is here nothing more than a small, tranquil pond.

While Astor doesn't manage to stand out from the crowd or offer a flawless experience, it remains an honest and enjoyable title.

A little platformer that lack a extensive OST, which is sad for a rhythmic game. Still, Hextech Mayhem is fun and a cheap way to extend the runeterra universe everyone is talking about now.

Fatal Frame II: Crimson Butterfly, the original, is a classic any survival horror fan would recommend, but it’s also a game that has aged quite a lot. This remake does an impressive job of refreshing its presentation and delivers an unmatched atmosphere that will delight fans of classic Japanese horror cinema. The gameplay, however, remains stuck two decades in the past, and the improvements aren’t enough to make the combat less stiff or more enjoyable, turning every encounter with an evil spirit into an exhausting ordeal.

A bit low on content, hence the price, Hood : Outlaws and Legends is close to be a good game but need further work on IA, matchmaking, friends management... The latest would be very helpful when avoiding players who can't seem to stick to the coop gameplay. Right now, Hood biggest problem lies between the chair and the computer...

Chocobo GP is basically a good game, just a bit low on content, with only a few interesting races. Also, the business model is all over the place.

Project Motor Racing shows promise, but lacks the spark that could have taken it further. A promising foundation in need of polishing that will finally give it a real personality.

Trepang2 misses the target on several aspects like its story or construction. Its basic but efficient gameplay succeeds more or less to "save" the game.

Ghostwire: Tokyo could have been something really special, but Tango Gameworks misses the mark. There's a ton of work put in the creepy atmosphere of the game. But things get boring very quickly with very repetitive gameplay and frustrating combats. A true missed opportunity.

Articulate and at times obtruded with motion gaming, Move It! expends a lot of energy to amuse players, but for the first time, gives a feeling of repetition. The potty spirit never gets old, but it's just as easy to move on.

Kiln is an original concept, simple and effective, that hits the target, though its few weaknesses add some shadows when it comes to the final conclusion. It feels fresh and fun, but lacks the depth needed to sustain interest over time.

Demon Slayer Sweep The Board is not a bad party game but its lack of content really deserves the whole experience.

A brand new version of Saints Row, without most of the problematic humor. Well within the standards of modern open world, but doing so, the game content remains far too old school to impress.

In seeking to appeal to the widest possible audience, Concord suffers from a déjà-vu identity, with gameplay mechanics that require more investment than they appear, and already suffers from a lack of interest from players.