Shadow Labyrinth has some ideas that really connect, but the game they’ve been placed within rarely feels more than serviceable. Once you gain some power-ups and can take advantage of the full suite of abilities you have, it’s fine, but seldom interesting, and, considering how unique its premise is, that’s a problem. There are much worse games in the genre, but there are so many better options available that I expect Shadow Labyrinth will be mostly remembered more for just how weird it is, rather than the journey it offers.

Nickelodeon All-Star Brawl feels incomplete in a lot of ways. It needed more modes, better sound design to provide some personality, a better selection of stages. If the developers take the time to fill the game out further, it could even end up being something pretty special. For now, this is still far better than a Nickelodeon fighting game has any right to be. The most important part of a fighting game is the feel, and the team at Ludosity nailed that. When I was tearing through foes with Reptar online, I had a hard time caring about what was missing. Players coming in with the right expectations will have a ton of fun, just don’t expect a game that is more than it is.

I’m very ambivalent about Tower of Fantasy, but despite seeing quite a few flaws, I also see a lot of potential here. The attempts to riff on Genshin Impact and Honkai Impact 3rd wind up leaving some of the things it attempts to emulate feeling inferior to where it’s drawing inspiration from. That said, what it tries to do differently is help make a functional, stable platform from which Tower of Fantasy could truly start to grow from, and make something entirely fresh and unique from its competition. The exploration features, the Relic system, and even the weapon types are willing to come together and make something fun and unique, but it’s held back by a mostly lackluster world, bad story writing, annoying upgrade systems, and currency overload. I’d say go in strictly on Free-to-Play ideals, temper your expectations and focus on the things it does differently, and you’ll probably find something to like.

After playing Orwell’s Animal Farm, I found myself gobbling up every analysis I could find on the original work and ultimately settling into bed with a copy of the book found online. From the subversion of politics through the subversion of language and logic to reducing complex ideals to meaningless catchphrases, it was truly eye-opening just how Orwellian the past few years have been — although not the way in which the word has been thrown around after January 6th. The team’s unique history with totalitarianism made them competent candidates for the game version of this compelling allegorical tale, and I find myself still trying to wrap my head around the experience with these additional layers of context. If you’re looking for an incredibly memorable and surprisingly emotional refresher on this all-too important story, look no further than Orwell’s Animal Farm.

Despite my gripes, Trinity Trigger is a charming little JRPG that successfully provides a role-playing fix for anyone who may want something a little less intense from the genre. For me, the success of a JRPG is largely based on two factors – the strength of the narrative and how engaging the combat is. On both these fronts, Trinity Trigger is a resounding success, and the fact that it’s playable from start to finish in local co-op, with online soon to follow, is a fantastic touch that should elevate the experience further. With fast-paced combat that manages to stay interesting if you’re willing to dig into the customizable nature of each weapon and a narrative that does a great job of establishing a universe with a complex and storied past, Trinity Trigger is proof that there is absolutely space for these more scaled back experiences, and I hope this is just the beginning of FuRyu tailoring to this particular niche in the market.

Synduality: Echo of Ada had the potential to carve out its own niche by being an accessible extraction shooter available on console. It’s not completely without merit, with its snappy gunplay making for an exciting PvPvE experience and the novel Magus system initially showing a lot of promise. However, a laborious early game grind, and monetization so egregious that I don’t see anyone but the most hardcore of audiences sticking around severely sour the experience. Whether Game Studio can course correct remains to be seen, but early signs point towards yet another live service title that runs the risk of having its lifespan cut short due to excessive grind and greed.

Despite its solid upgrade system and the introduction of a few interesting ideas, like the Frost Grip and enemies that can be resurrected or supercharged by the anomaly, Daymare 1994: Sandcastle’s severe lack of polish and unbelievably frustrating combat execution hold it back from ever realizing its full potential. And, more often than not, make for a game that feels like it’s constantly working against the players’ enjoyment...With a few patches to iron out some of its more glaring kinks, Daymare 1994: Sandcastle could have been a solid survival horror title to snag at a discount. However, at least in its current state, this one’s impossible to recommend to all but the most desperate fans of the genre.

Maneater was worth the wait on Nintendo Switch. It's not a perfect game, but it's a hell of a lot of fun. It's the murderous Ecco the Dolphin I didn't realize I always needed. If you're a stickler for graphics, you might prefer playing it on another console. But for playing a hungry shark on the run, there's nothing better. Here's hoping this isn't the last we see from Tripwire in this delightfully demented new IP.

Despite my issues with the game, The Outbound Ghost is still the best Paper Mario styled game I’ve played in many years. It easily offers a dozen hours of gameplay, and that’s just if you play the main story. For those that like to wander, there’s plenty of hidden secrets to unearth, as well as randomizer effects to mix up your experience. While the game wasn’t as tight or well organized as I would have liked, it’s still a solid turn-based RPG that fans should enjoy.

There are beautiful moments in After Us worth seeing, but they’re buried in poorly directed levels featuring merely adequate gameplay. There’s not enough to consistently grab onto here to really hook most players. After Us has a lot in common with Piccolo Studios’ last narrative platformer but ultimately doesn’t offer the charm or consistently moving story that made that game so memorable.

I can appreciate what Sumo Digital Academy set out to do with Zool Redimensioned. It’s a solid remake of a platformer which, while not as well remembered as the titles from which it takes its inspiration, has its own place in the annals of video game history. The updated mechanics and quality of life features are great. Furthermore, with two modes to master, existing series fans will surely get their money’s worth. But as welcome as these additions are, they don’t do anything to remedy the issues that plagued the original release. With random stage designs and lackluster enemies and bosses, Zool just doesn’t do much to stand out from the crowded platformer pack. Still, if you already have a soft spot for the ninja from the Nth Dimension, don’t hesitate to add this one to your Steam library. If Zool didn’t do it for you before, however, Zool Redimensioned isn’t going to change your mind.

I really wanted to love Kao the Kangaroo. And while I did enjoy parts of it, the severe glitch I encountered kept me from progressing like I had expected to and effectively kept me from actually beating the game. Once Nintendo gets around to implementing the patch, I could potentially recommend the experience. But until version 1.2 goes live, I cannot recommend it to other platformer fans in good conscience.

Just thinking back on the time spent flying around the skies of Nirvalis in my HOVA is getting me all relaxed, and for that feeling alone Cloudpunk is a worthy purchase. If you have a PC I’d definitely recommend that version over any console port purely for the draw distance (it seriously makes a difference), but if that’s not an option for you just go ahead and snag it where possible. Cloudpunk is a joyride worth taking, so if you have 10 or so hours to burn and need a chill experience, be sure to sign for this delivery on the dotted line.

Dragon Star Varnir is a fun JRPG overall, and, while it might be a little on the niche side, I’d still recommend it. Unfortunately, I’m not sure which version to recommend. Sure, the Switch version comes with a bunch of DLC and is entirely uncensored (did I forget to mention that?), but the graphics are, like, really crunchy—and I say that as someone who normally doesn’t care much about graphical quality. If that isn’t enough to drive you away, though, then the Switch version’s probably the way to go. The more content, the better, right?

Big Blue Bubbles’ latest addition to the Metroidvania genre is a really enjoyable game that I had a ton of fun with. While it may be yet another Dead Cells clone, its weighty combat, challenging foes, slick maneuverability, and gorgeous aesthetics do just enough to set Foregone apart from its contemporaries. So if mad-dashing, action-adventure platforming is your niche, then picking this one up will be well worth your time.

Everything in NUTS revolves around discovery. Discovering what these strange, fascinating squirrels are up to; what secrets are hidden in the ancient Melmoth Forest; discovering the past, as well as the future. Short without feeling short, simple without feeling simple, this game is as odd as it is beautiful. Go out on a limb and give it a try. You won’t find anything else like it.

Blanc is certainly cozy, cute, and charming, and it deserves high marks for its aesthetics and ideas, but I can’t deny how frustrated I felt while playing it. There were some high moments where cub and fawn flew through the frozen fields, delicately criss-crossing darkened paths in an otherwise blinding white spendor, but they were often followed by whiplashed lows of missing actionable cues and odd technical difficulties.

In some ways, Front Mission 2: Remake is an improvement on the first game’s remake. It looks better, and the gameplay has a bit more depth and complexity, even if it isn’t a significant upgrade. In the end, though, I actually had more fun with that original title, thanks to a more compelling story and far better localization. It’s nice that Front Mission 2 is finally officially available in English, but this is still much more a remaster than a remake.

Despite the few aforementioned hiccups, Biomutant is an expansive and thoroughly engaging open-world exploration game that fans of Fallout might recognize and enjoy. The game may have some rough edges, but it is especially impressive for an outing by an indie developer with much less resources and manpower than a major studio. Don’t miss this title.

As long as you don’t go in demanding a gigantic roster, an exhaustive list of moves, and plenty of match types, this will be the wrestling videogame you’ve waited a very long time for. Like the tag team of Max Caster and Anthony Bowens, AEW: Fight Forever is The Acclaimed.

At the end of the day, though, that’s not the vision the developers had for Adore and that’s fine, as what they have produced is a damn fine spin on the monster taming genre all the same. Look past the repetition, and you’ll find that early simplicity was a complete red herring, as the complexities of team synergy, hidden passives, and the real-time combat suck you in. The core of what’s here is excellent, and while the narrow scope of the moment-to-moment gameplay loops may feel a little limiting, they allow the excellent core combat and surprising depth to shine through. If, like me, you were a little tired of the genre rehashing the same formula for what feels like forever, then Adore, while not without its flaws, will likely feel like a total breath of fresh air.

Overall, My Time At Sandrock is a great game. There’s tons to do, and it’s got plenty of depth. If I had played it on, say, PC or PS5, I’m sure it would have run fine (or at least serviceable). But I didn’t. I played it on the Switch. And the Nintendo Switch Version of My Time At Sandrock is a crunchy, crusty, stuttering mess that I very much recommend that you stay away from.

I really enjoyed my time with Lunar Lander Beyond. Even if you’re not a huge fan of the original Lunar Lander, this follow-up takes everything to another level. While I was impressed by some of the new systems and rogue elements, the difficulty spikes and sometimes cluttered artwork kept it from a perfect score. But if you don’t mind a challenging and relatively short sci-fi romp, I’d check it out.

There are some truly fun moments in Gotham Knights. Playing with a friend highlights the very best of what the developers set out to do, and I enjoyed both the story and getting to see Gotham’s protectors outside of Batman grab the spotlight. If the developers had built Gotham Knights around its strengths, it could have been an easy recommendation. As is, you spend so much time in its bland open world that only those who plan to explore it with friends should seriously consider it.

Puss! certainly has some things going for it. From its surreal aesthetics to its haunting sound design that evokes the feeling of tuning into a radio station in some strange, far-off land, the game’s presentation is top-tier stuff. And while occasionally a bit unfair with all of the chaos unfolding all at once, the boss battles are always memorable. Still, it’s hard to recommend the game to all but the most patient players at the end of the day. If you’ve got ice water pumping through your veins or are looking for a fun way to torture your friends during your next drunken gaming gathering, Puss! might be worth adding to your Switch library. However, if you don’t find yourself in either of those camps, then this probably isn’t going to be the game for you.

Scars Above is a valiant attempt at providing a fresh spin on the Souls-like genre. Its elemental-based third-person shooting feels genuinely fresh, with its reliance on environmental debuffs and stacking combos representing a genuine innovation within a space that isn’t exactly known for innovating, so it’s just a shame that the progression system feels so at odds with the efforts gone to by the developers in order to make Scars Above stand out.

Hammerting’s level of character detail and large, explorable areas offer promise for those who love resource management and base-building games. The graphics and concept hold up, and the game runs well. Adding combat, trade, exploration, and an overworld mechanic with faction relationships to a colony sim is a major undertaking that will pay off well if the systems can become fully integrated. However, the game is not polished enough to deliver a dependable experience, and despite its scope, it offers few new ideas to make it memorable. Developers promise more quality of life improvements, but being a small team, the modding community may have to take up the slack as they did with RimWorld. Thankfully, modding is encouraged in C++. Time will tell if Hammerting is a diamond in the rough, or whether it becomes buried under its own ambition.

Greak: Memories of Azur has a lot going for it. I just wish that its core concept of controlling three characters at the same time worked better. Too often, instead of being helpful, your siblings just end up getting in the way. If you can look past these sections, though, you’ll find a beautiful game with some great puzzles and a lot of heart.