Sheltered 2 is easily one of the most complicated games I’ve ever played. It’s fun if you liked the original Sheltered, or Fallout Shelter, and in many ways, it’s an upgrade of those apocalypse bunker sims. The issue, however, is that despite all of the game’s improvements and complexities, its overambition is also its biggest downfall. The core mechanics of its basic survival necessities of maintaining food and water are at the moment glitched, and any progress is meaningless because it will inevitably lead to a time-wasted end where resources inevitably run out two weeks in. As of right now, there are no ways of replenishing water save for bartering (if you’re lucky enough to find a faction with spare water), and so because of this, I can’t give this broken game a positive review. With some updates to fix the bugs and polish off the post-apocalyptic dirt from this potential jewel, Sheltered 2 might be able to fulfil its lofty ambitions.

With more polish and perhaps a bigger budget, FORECLOSED could have been a must-play techno-thriller. As it stands, it's a killer proof of concept that just misses the mark when it comes to nailing the fundamentals. Still, if you like the sound of a neo-noir adventure that hits like a strange fusion of Max Payne and Cyberpunk 2077, you'll certainly find that here.

Alex Kidd in Miracle World DX places me in a bit of a difficult position. On the one hand, I feel fairly confident that fans of the original game will be able to come into this and receive a heaping helping of soul-warming nostalgia. The graphical updates are pleasing to the eye. The updated music may not always carry the game’s tone that it is playing over, but it still sounds great. And there are even a few added levels and slight tweaks to previously existing ones to surprise players. For those people, my numeric rating would be more likened to a 4 out of 5. However, for folks like myself that are experiencing this for the first time for any reason other than a history lesson will be confronted with annoying controls and a somewhat serviceable but unexciting adventure that, in this reviewer’s opinion, didn’t quite stand up to the test of time.

UPPERS was not worth the four-year wait and lengthy localization process. As a beat-‘em-up, it lacks creativity and variety, although it may succeed somewhat as a fanservice game, even if none of the characters have any significant degree of depth. That being said, if you go in with the proper expectations, you’ll likely get some fun out of it, especially if you pick it up on sale since I think the $29.99 USD price point is a bit steep.

Chernobylite is an enjoyable little loot n’ shooter sadly torpedoed by technical issues for the PS4 version. It’s such a shame that the intriguing storyline and the compulsive scavenging fun is completely ruined by bugs. I was looking forward to uncovering the dark mysteries lurking within Pripyat, but until the game-breaking errors are fixed, they will have to remain hidden.

There’s so much good going for Janitor Bleeds, creating plenty of scares with its well-executed main concept of having to play an arcade game while stalked by a mysterious entity. Sadly, there are some flaws. I do wish the ending had a bit more going for it, the main story only lasted about an hour, and the token system is woefully underused. Nonetheless, for the low price tag, fans of old-school horror games shouldn’t miss out on this little cabinet of spooks.

RWBY: Arrowfell is the definition of a mixed bag. Rewarding and fast-paced exploration does provide some satisfaction, but the combat, which makes up the majority of the game, fails to impress through the awkward way in which character progression has been implemented. If you’re willing to overlook that, then RWBY: Arrowfell serves as a perfectly fine distraction that I feel does just enough right with its narrative, presentation, and exploration to make it worth a look for action platformer fans.

With its novel card-battler mechanics, the snappy and accessible combat system, and the refreshingly straightforward take on character and party progression, Mato Anomalies is an easy recommendation for both fans of the genre who want something a little different, and those who are on the lookout for a more newcomer friendly entry point to the genre.

As a fan of the indie and rogue-like scene, I really wanted to enjoy Morsels more. But I also can’t bring myself to say a game is better than it is. My hope is that Furcula finds a way to tweak and dramatically improve the game experience in future content updates. But until then, this is one rogue-like that won’t be making a lot of fans.

While there are five games in the Rose & Camellia Collection, none of them are that long. You can finish the whole series in an afternoon. While the insane tone and style are highly entertaining, the lacking controls hold this collection back from being essential. Still, I’m glad that someone looked at this series and decided to preserve it for future generations. Nobody needs to play the Rose & Camellia Collection, but for the right price, you can have a few entertaining hours with it.

If you’re looking for a retro-style FPS that will kick you in the teeth, Writhe certainly fits the bill. It’s just unfortunate that it doesn’t offer much else apart from its considerable challenge. With only a small smattering of stages to choose from and enemy types to exterminate, it’s tough to recommend adding Writhe to your Switch library, even at its budget-friendly price.

It looks the part of a dystopian robot future, and I wish it had lived up to my hype. Ultimately though, Metal Mind wasn’t the rogue-like I was hoping for, nor the robot builder experience. While there might be a worthwhile adventure here for those willing to push past the punishing lack of balance, I feel many won’t have the patience to delve very far into this robot adventure.

Had more care been given to crafting a more handcrafted campaign that relied less on repetitive busywork and more on the cinematic set-pieces that we know the looter shooter genre is capable of when done right, then this may have been a different story, and the admittedly enjoyable combat would have had the chance to shine more had the activities surrounding it been remotely enjoyable or creative. As it stands, though, this is one of the worst campaigns ever to grace a videogame, never mind a live service, with an endgame that does the unforgivable and asks you to continue grinding out the same content that you’ve just slogged through.

It might not be as groundbreaking as some of DONTNOD Entertainment’s other games, but Twin Mirror really holds up as a replayable adventure. Its Mind Palace mechanics are a lot of fun and each ending was a delightful revelation that made me question my own sense of truth. Overall, the game is an excellent addition to this company’s library of high-quality narrative-driven games. My only complaint is that it’s a tad steep price for its length, so I’d probably wait for a sale.

Liberated is a great comic book turned video game. Dark and dystopian, almost absurdly gorgeous visuals, and a compelling story make this a surprising, but welcome, entry in the Switch library. Although you can beat the game within a few hours, don’t let the short run-time turn you off. There’s a lot of game packed into that those few hours.

Despite the clear effort that went into build diversity and satisfying naval combat, Skull and Bones’s core gameplay loops simply aren’t enough to stop this ship from sinking. Mindless grinds, tedious busywork, and a complete lack of any meaningful gameplay hooks outside of the core combat result in an experience that feels incomplete despite the plethora of Ubisoft checklists that there is to work through in your time at sea. If you’re someone who enjoys tinkering with builds and doesn’t mind grinding for materials in a constant pursuit of that next upgrade for hours on end, then you may find something to like here. Otherwise, this is a voyage into tedium-induced insanity that you can definitely afford to miss.

The idea of a Medieval take on the Grand Theft Auto formula is undoubtedly intriguing. That’s why it’s such a shame that Rustler falls short of realizing its full potential. From the game’s unsatisfying combat to its rinse-and-repeat missions, it doesn’t take long before the game starts to wear out its welcome. Add to that near game-breaking technical issues, and you have a title that’s pretty hard to recommend to all but the most desperate fans of the genre. Still, if you’re looking for an unapologetically old-school throwback to the GTA games of old, you might just find some fun to be had with Rustler.

There’s very little to criticize about Super UFO Fighter. It’s a game that’s easy to learn and challenging to master. With campaign mode, a versus mode, and a “hot potato” mode, there’s plenty to keep players entertained. While it may seem simple on the surface, Super UFO Fighter is incredibly entertaining and only gets more challenging the longer you play it. If you’re looking for a new party game to play alone or with a friend, I definitely recommend giving this game a shot. I don’t think you’ll be disappointed.

There are some real fault lines running through Redemption Reapers that are hard to look past. The story and characters just aren’t given enough history to make anything feel particularly meaningful; there’s no real driving force. Early difficulty spikes are extreme and frustrating, and poor stat growth, coupled with extremely low hit points for many characters, makes it feel like the odds just grow increasingly insurmountable – at least until you can go back and grind to obtain experience points, which you won’t be able to do for the first part of the game. While the dark atmosphere, gorgeous visuals, and haunting soundtrack are promising, and while the combat mechanics have some real potential, the balancing issues, difficulty spikes, poor AI, and flat storytelling simply bog Redemption Reapers down too much.

That was actually my general experience with the entirety of Expedition Zero. It does a solid enough job of creating atmosphere and making the player nervous, but playing it just isn’t fun. The seed of a solid idea is here in the game’s various printers, but they don’t do enough to help overcome the slow and awkward movement. Horror fans may find a few hours of scares, but anyone else should steer well clear of this expedition.

After two triumphant video game outings, South Park: Snow Day is a crushingly disappointing effort, with new development team Question leaving behind everything that made the New Kid’s previous two adventures such a success. Bland combat, a distinct lack of humor, and one-dimensional level design come together to create something that I suspect most will bounce off immediately. Not even the mildly interesting rogue-lite card system and persistent upgrades can save this one from disaster. At worst, I expected Snow Day to be something that at least could be recommended to hardcore fans, but with such a disregard for what makes South Park special, this is one even the most die-hard of fans can avoid.

Dragonborne may not be perfect, but, if I’m being honest, its imperfections are kind of a part of its charm. While I obviously can’t say this for certain, it feels like everything in this game—both the bad and the good—was designed specifically to make this game feel like it was released in the early-mid 90s, just like any other Game Boy game out there. So, if you’re in the market for a new Game Boy game (remember, you can actually buy a cart of this!), then Dragonborne‘s probably right up your alley.

I wouldn’t immediately recommend Lost Ruins in the way that I might with other Metroidvanias, but it’s still a fun time overall. If you’re looking for a different kind of Metroidvania and don’t mind intentionally awkward controls, then give Lost Ruins a try. It’s honestly a nice feeling when you get all the way through it.

At the end of the day, Clid the Snail is a fun but flawed first effort for Weird Beluga. I enjoyed the game’s more deliberate approach to its gunplay, and the weapon variety and shell customization options kept the action feeling fresh. Add to that some excellent puzzles and fantastic worldbuilding, and there’s no denying that there’s a lot to love here. That’s why it’s such a shame that things become so frustrating due to the developer’s artistic choices. After all, it’s hard to focus on a firefight when it looks like half of the screen has been slathered in vaseline. Perhaps the developer will add a patch down the road to remedy the muddy visuals. And if they do, Clid the Snail will be a much more playable experience. As for me, I’d probably wait and see if they clean things up before taking the plunge. However, if those issues aren’t enough to dissuade you, escargot ahead and give Clid a shot.

Baldo: The Guardian Owls may have had a rocky launch, but the issues have been cleaned up to such a degree that the low scores earned months prior don’t necessarily apply anymore. I’d recommend caution before jumping into it, however — even in a perfectly playable state, Baldo: The Guardian Owls is still a polarizing title. If you love cozy aesthetics with design choices that feel more suited for the 90s – 00s, Baldo: The Guardian Owls should definitely be on your Wishlist. If not, well… in the worst case, I’ve found it to be a fantastic cure for my insomnia.

Those who have a sense of nostalgia for old-school, turn-based strategy games will likely be able to find some fun with The Dragoness. Despite a lack of personality, bland combat, and a sense of repetition that sets in quickly, something at the core of the game simply works. There are so many other options available to players that offer more, though, that it’s hard to recommend this one to all but the most dedicated devotees of the genre.

Forgotten Fields, at first glance, is intriguing, meaningful, and deep. And maybe it is — it certainly has its beautiful moments that make you yearn for tropical beaches. But stunning cinematics and dazzling soundtracks can only carry a game so far, especially when movement sticks, cameras are broken, and gameplay itself just feels overall unfinished. Forgotten Fields is done — it’s playable — but I would love to see a lot more work before I can truly recommend this narrative game about narratives.

Hell Architect makes the macabre somehow a bit more palatable with its devilishly cute art style and relatively lighthearted dark humor. Although fans of similar titles like Oxygen Not Included will likely have their interest piqued, the selling point of Hell Architect isn’t in its gameplay, but in its theme. Players hoping to take their sadistic tendencies out on poor, unfortunate souls — and some deserving familiar faces — will have a gruesomely good time with this one; those looking for a deeper, complex layer of hell to call their own will have to wait for an update or two.