It’s been a busy year for lengthy JRPGs, and Shin Megami Tensei V: Vengeance isn’t the best of the bunch. It’s a solid JRPG adventure with a lot to love, but you’ll be sent back to your last save file pretty regularly, and depending on how long it’s been since your last save, that can suck the energy out of the room instantly. As a result, SMTV feels like stalling a classic car. Someone will tell you you’re an idiot for not understanding the gearbox’s nuances, but a smooth ride will be preferable to juddering down the road.

V Rising has finally taken its final form on PS5, and it’s a fun survival crafting experience – if, for some reason, you’re looking for another one. And if you like the idea of V Rising, but you can’t quite get into it, there are literally dozens of other survival crafting games you can try instead.

I might rag on Destiny 2’s level design (I’d probably do the same with Halo, honestly), but I can’t fault Bungie on its pedigree when it comes to making a shooter that feels great. It’s far easier said than done, and many shooters manage to be merely functional and serviceable rather than fun – looking at you, Starfield, Borderlands, Outer Worlds – but Destiny 2’s guns are genuinely great to shoot. It helps that smaller, weaker foes will usually get wiped out in a fraction of an Auto Rifle’s clip, instead of acting like perpetual bullet sponges. Having dozens of weaker foes to fight against is far more satisfying than one big bullet sponge, and Destiny 2 understands this, all the way up until you find a dungeon or raid boss. [Review in Progress]

This doesn’t feel like a game you can reasonably “get good” at anymore, it just feels like a mess. Win, lose, it doesn’t matter. Perhaps younger gamers can forgive the gameplay quirks in exchange for seeing characters they love duke it out, but that alone is not what made Super Smash Bros. a sensation. MultiVersus’ online net code is great, which should be a massive selling point, but why would you want to play this game? [Review in Progress]

If Songs of Silence wasn’t an auto-battler, but featured either turn-based combat in the style of Age of Wonders or real-time battles a la Total War, and just a little more empire management, this would probably land on my game of the year shortlist (heck, it may very well still do so) – as things are, its genre, its resulting drawbacks, and a few technical issues ever so slightly lessen my enthusiasm, so it has to settle for being the best auto-battler and most gorgeous strategy game I’ve ever played. [Early Access Review]

Wuthering Waves is ultimately a would-be usurper trying too hard to be like Genshin Impact to trust in its own strengths, making it feel like an outdated copy in many aspects. Sporting truly fun combat and fresh movement mechanics, an interesting world, and plenty of content to explore, it has the core necessities for a prospering future in place. Before it can realize this future, Kuro Games must address the game’s many flaws and then define a new identity for it – one that goes beyond its inspiration.

And after hours upon hours of playing Paper Mario: The Thousand Year Door for the first time since the original GameCube release, that’s really the only flaw I could find. It’s brilliant, but a little slow-paced at times. The characters and areas are memorable, the combat is simple but satisfying, and this Nintendo Switch remake looks like a true papercraft world. This is the best Paper Mario game, and the best Mario RPG ever made.

Imagine Earth’s console bugs are an annoying hurdle to get over, but they’re likely something Serious Bros. will patch out in the coming months. Underneath the little issues is a smart and thoughtful strategy game that makes good use of the medium as a teaching tool without making it feel like a gimmick.

There is so much to praise Another Crab’s Treasure for. The story and characters are genuinely delightful, and I love the fact that a studio dared to innovate on a formula as strong and established as soulslike. These innovations are even successful in places, though others need closer examination and refinement. I could see what the team was trying to accomplish in so many places, which made it even worse when the game didn’t live up to the vision. But my primary takeaway from this experience is that the state in which Another Crab’s Treasure has launched on Switch is unacceptable. It simply doesn’t work, and you definitely shouldn’t buy it.

As with all yearly titles, you always have the feeling the dev team is keeping something in its pocket for the future, but it’s a big improvement over last year’s game. That said, if the wide range of experiences available here weren’t enough, the level of refinement achieved on the track proves the EA Sports F1 series is a staple for motorsport fans.

Ultimately, XDefiant is free-to-play, so there’s not going to be any buyer's remorse if it’s not for you, but I found it to be a surprisingly competent and enjoyable shooter. It straddles the line between COD’s bold, nonsense plays, and Counter-Strike’s methodical strategy, with a few typical Hero Shooter staples thrown in for good measure. When you’re playing with randoms online it’s almost always going to devolve into that nonsense gameplay, but when I’m playing a multiplayer shooter without a group, that’s exactly what I’m looking for. I’m not sure it’ll change the shooter landscape, but XDefiant is doing more things right than Hyper Scape ever did.

Feeling more approachable than its byzantine predecessors, Men of War 2 is a solid entry into the iconic franchise, keeping its core tenets intact: It’s challenging, highly moddable, and offers tons of ways to experience the game – unfortunately, it comes with the same baggage of jank, preventing it from reaching higher spheres.

Cupid Parasite: Sweet and Spicy Darling is all over the place, mixing some touching slice-of-life storytelling and interesting character arcs with endings that explicitly juxtapose this for some exciting set piece. Playing this game without the original was a fun experience as parts of the other stories were slowly revealed to me, and I never felt as if I needed to play the first game. The choice to include only good endings, sweet, spicy, or balanced flavors, is a great addition and something I’ve noticed otome games trending towards. However, whether it is mixing up the genres, or using Greek and Roman god names interchangeably, something feels confused and lost. The truth is I don’t like chocolate, and while there are definitely parts I enjoyed about Sweet and Spicy Darling, there was a lot left to be desired. However, if you like to feel surprised rather than comforted, this is the selection box for you.

I enjoyed my time with Ghost of Tsushima on PC and I’m excited to see where Sucker Punch takes the series next. If it goes to mainland Japan, increases the political intrigue (shows us that hidden heart), works on creating unique side activities, and improves on quest design, it could be one of the best games ever made. For now, though, Ghost of Tsushima is a beautiful but flawed distraction, sharper than it’s ever been.

Senua’s Saga could stand to learn more from the giants it is inspired by.

Lorelei moves into your brain and gets comfortable. I found myself mentally rifling through my collection of documents with as-yet unsolved riddles in the middle of the day or thinking about a puzzle that stumped me while working on another project. I also expected a letdown in the end. With that level of absorption and hours of narrative setup, it’d be easy to fumble the finale and disappoint expectation, leaving you with little more than the sad feeling you get from seeing unfulfilled potential.

Fabledom doesn’t have the depth to keep you playing forever, nor has it committed to its theme and unique twist hard enough to keep you perpetually enchanted, but it’s a very solid and above all charming city-builder that’s worth checking out before pigs learn to fly.

Animal Well brings unique ideas to a genre that doesn’t often get them, with a firm grasp on how to design a world that constantly pushes you to explore deeper. All of its tools are things the genre hasn’t seen before, and that novelty makes you feel incredibly smart solving puzzles the likes of which you’ve never seen in any other game before.

If Crow Country were just styled like an old Resident Evil game I probably would’ve dropped it, but it manages to get everything perfect. If Capcom had released this as a non-canon RE side-story, it would probably be getting a thunderous reception right now. I don’t like nostalgia bait, but Crow Country is so much more. Whether you’re a ‘90s kid or not, all Resident Evil and survival horror fans should absolutely play Crow Country.

Paper Trail quickly became my go-to puzzler after a stressful day, a charming and inventive way to stimulate my little mushy brain without ever being too taxing. Newfangled Games deserves praise for turning such a basic idea into something so clever and enjoyable, and I hope it’s not the last puzzle game we see from the studio.

Homeworld 3’s campaign is a majestic space odyssey showcasing some of the innovative spirit of its predecessors and its presentation is stunning. Though its co-op elements are founded on a good idea, the War Games mode feels like it cuts away some of the best aspects of the game in the rush to be a portion-sized multiplayer experience for the modern age. It’s an enjoyable space RTS before being a strong Homeworld title.

Sand Land definitely isn’t essential, but if you have an interest in vehicle combat or a classic story written by one of manga’s greats, it’s worth playing. If you see Sand Land at a reasonable price, you’re going to have a good time.

It’s exactly what it says on the tin, a top-down Zelda-inspired twin stick shooter, and it’s polished to a mirror finish. It’s hard to imagine any game that could do this concept better.

King Arthur: Legion IX is a solid RPG with crunchy and satisfying turn-based combat that takes place in a setting you won’t soon forget – a bit janky and rough around the edges, but good fun.

Total War: Warhammer 3 – Thrones of Decay is Creative Assembly’s most thematic, detailed, and passion-filled expansion yet, using years’ worth of knowhow to bring some of the coolest Warhammer characters from the page onto the screen in a faithful and fun way. Best of all, the ability to purchase each faction separately means that players will get exactly what they want without having to pay for something they don’t feel as passionate about. Thrones of Decay is exactly what Total War: Warhammer 3 needed – it makes you excited to be a fan again.

Though not content-complete, Manor Lords feels like an incredibly fresh take on city-building, borrowing mechanics from other genres and fusing them authentically with history to create something unique and special. Its mechanical foundations could not be more solid, so all this game needs to fully unlock its immense potential is more time and meat on its bones...We aren’t scoring Early Access reviews, so all I’ll say is that I highly recommend this game even ahead of its full launch, if the developer’s vision speaks as much to you as it does to me. [Early Access Review - "Recommended"]

I often found myself lost for hours in the world of Stellar Blade, but I was also pining for what the game could’ve been. The world-building is excellent, but the dialogue is not up to the same standard, and the story’s illusion of choice funnels you down the same path. There is a lot of promise here, but it fails to convert that into excellence.

Despite those minor gripes, Nexus 5X is a fantastic turn-based strategy game to play on a game night: It’s easy to get into, has strategic depth, and an important social element that will make you hate your friends – at least for the duration of the game.

Tales of Kenzera: Zau breaks a lot of conventions of the metroidvania genre, focusing more on story than exploration and outfitting you with most of your abilities from the get-go. It’s a short experience that tries, both subtly and more obtusely, to weave a tale of loss, grief, and acceptance. In both regards, the result is a resounding success, with only a few small nitpicks to be found throughout. In a crowded metroidvania landscape, Tales of Kenzera: Zau stands out as one of the best in recent years.

TopSpin 2K25 deserved a few more refinements, be it on the technical side of things or in the roster. But it has a solid gameplay foundation, and it can be exciting both on and off the court. While hamstrung by a couple of minor shortcomings, there’s more than enough here to give us hope for the future of the TopSpin franchise.

As a fan of Suikoden, I couldn’t be much happier with how this turned out. I’ve been waiting for something like Suikoden to come along again since childhood, but I never dreamed I’d have to wait for the original creator to come back to see it happen. I just wish Yoshitaka Murayama were here to read the praise he deserves for carving out such a unique, inimitable identity in the genre.

The Rising Tide is considerably more content-packed than the initial Echoes of the Fallen DLC, but it doesn’t change 16’s fate. If you want more of Clive Rosfield’s adventures to defy the gods, then The Rising Tide is for you, but if you only have a passing curiosity, then you probably won’t regret skipping over Leviathan in Final Fantasy 16.

It was one of the best games of 2023, and the new update has made it even better. It’s a game that everyone needs to play for themselves as each journey is unique, even though you will likely want to dive in for another unique journey straight afterwards.

Stacklands is an excellent little survival card game that’s quite unlike anything else on the market. It’s cute, deeply addictive, and has the potential to take away hours of your life, although its implementation on Switch leaves a lot of room for improvement. Still, if I can spend 40 hours stacking chickens on top of each other to make eggs, then it can’t really be that bad, can it?

Not only does Unicorn Overlord have a deep story, but each member plays so differently that I was excited to learn just what they could do. Maybe I would have better understood all the strategy behind it if I sank an additional 60 hours into the game, but I left feeling satisfied and I’m more strategy game curious than I ever thought I would be.

Berserk Boy isn’t Mega Man Zero, but it tries its hardest to capture those vibes, and mostly pulls it off. It’s a bit repetitive, and the story isn’t really worth paying attention to, but its fast, fluid, and fun movement and combat make it worth playing for anyone who’s a fan of Sonic, Mega Man, or Azure Striker Gunvolt.

Rise of the Ronin doesn’t have the production values of something like Ghost of Tsushima, but it’s mechanically and thematically superior. If you can handle the choppy frame rate, flat visuals, and stilted performances, you’ll find an open-world game with a lot of heart, a true identity, and plenty of nuances to master.

Dragon’s Dogma 2 starts out with the same level of mystique and overwhelming scope that Elden Ring hits you with, but once you understand how this world functions, you become a master of it. It’s daunting, sure, but after you overcome that initial hurdle, it’s incredible. I adored tearing through goblins, shooting ballistae at drakes, clinging to flying dragons, and changing the very fate of the world as the Arisen. Dragon’s Dogma 2 is easily the best action RPG of 2024 so far – and is very unlikely to be dethroned – and manages to go toe-to-toe with FromSoftware’s magnum opus in terms of how impactful and absorbing exploring the world feels. This is what Dragon’s Dogma was always meant to be, and it’s a masterpiece.

Alone in the Dark’s biggest flaw is that it’s unfocused, unwilling to commit to its core premise, and unable to settle into anything that feels comfortable. When it’s in its puzzle-solving element, everything feels great, but in trying to ape other recent games in the survival horror genre, it ultimately falls apart.

Ex Astris is a very solid start for Nous Wave Studio and worth picking up for anyone willing to sink their teeth into a deep combat system on the go or wanting to experience a mobile JRPG without the gacha looming in the background.

Hi-Fi Rush runs incredibly well on PS5, with a rock-solid 60fps output, fast loading times, and a resolution target that looks close to native 4K. It looks excellent on a 4K display. The 3D audio integration is also noteworthy, although the DualSense integration leaves a little to be desired. The same is true for no cross-save support.

Goblin Stone is a wholesome version of Darkest Dungeon, ticking all the same boxes without being a blind copycat – meaningful additions like the breeding system and its narrative ensure that it’s a unique experience that can stand on its own. Though the restrictions of its budget do show here and there, it’s clearly a labor of much love and craftsmanship that will keep you entertained for many hours.

As far as wrestling games go, this series is still the best there is at capturing the spectacle of these larger-than-life personas and turning the crazy, dangerous, and sometimes downright silly action we see on TV into a playable format. It ticks all the boxes you’d want for an annual sports series and comes with those loving touches that wrestling fans will appreciate.

The Mystery Dungeon of Serpentcoil Island doesn’t do anything particularly fresh or new for the series, but it looks good, plays well, and has refined the series’ signature gameplay to near perfection. It’s brutal, difficult, and likely tough to adapt to for total newcomers, but once you’ve got the hang of it, you’re hooked for good.

Penny’s Big Breakaway is the closest somebody that isn’t Nintendo has gotten to making 3D platforming feel perfect, and that’s a huge achievement in itself. It’s not perfect by any means, but it’s hard not to love something that’s made with such passion for retro 3D platforming.

The setup is frustrating and can even feel like a waste of time, but I also appreciate how it forced me to change my expectations. Pacific Drive expects you to approach it on its own terms, and if you’re willing to do that, you’re in for quite a ride.

Despite all of the playable cards being the standard 52-card pack, the extra systems surrounding it create a gameplay loop just as – if not more – complex, addictive, and downright joyous as Slay the Spire, and I don’t say that lightly.

The moral choices didn’t really stick. In Papers, Please, you are helping your family, the women being trafficked, and the citizens generally. In Corponation, you are only helping yourself. There are multiple endings, but the ending I reached had a twist that felt so obvious I didn’t realize it was meant to be a secret. There are just too many hints given throughout to make it feel clever, and like many other aspects of the game, it struggles with balance. A glimpse of a good game can be seen here, but it couldn’t quite stick the landing.

The inclusion of some of otome’s more worn-out tropes made it fall a little flat. There is the bad boy who stalks and drugs you and changes his ways through the power of love. I get that it’s a fantasy, but I think these storylines should be put to bed, along with some other bombastic but less problematic ones. A lesser point is that Akari doesn’t have a face, something I always found creepy. I want sweet romantic stories in my slice of life without feeling someone’s life is at risk.

Even after 15 hours and finishing the main story I didn’t feel like I fully understood Ultros, and that is what was most exciting about it. With pathways undiscovered and new upgrades as yet unused, the main game feels like a long tutorial for how to explore the world at your own pace afterward. Ultros is definitely a step forward for the genre, and I hope it encourages others to push boundaries and expectations in the future.

If Telmari had any level of polish, then it’d be a fun, if simplistic, platformer, but that level of care hasn’t been put in. The result is a game that fails at its core purpose and is a mere echo of far better games.

Despite some of the innovations lacking, the hallmarks of the series are still very much here. Excellent characters, creepy visuals and sound design, a gripping story, and a hard-to-solve mystery with branching paths and multiple endings. I would recommend the other games in the series more, but Death Mark 2 is still very much worth your time.

After SnowRunner, it just feels like a step back for the series. However, the game is solid, and grows exponentially the more time and dedication you invest in it.

Classified: France ‘44 offers a strong package for turn-based tactics enthusiasts, delivering fun, thrilling battles and some strategic freedom inside a grounded, authentic World War 2 narrative.

The Brothers remake doesn’t have all of the changes we would hope for, but it is still a remake of an incredible game. It’s clear that deep thought has gone into each of the small interactions that fill the world, with the personality of each brother shining strongly. Without saying a word, Brothers tells you so much, and that beautiful story is still intact. People may want to pick this one up if only for the two-player mode and commentary from creator Josef Fares himself, but it’s hard to call it the definitive version.

Though the visual style of Solium Infernum’s characters may not be to everyone’s liking, the title is chock-full of brilliant artwork that decorates the cards of events, items, and units. Overall, the graphics and the soundtrack create a good atmosphere and background for the backstabbing. Another strong point is the character writing – every Archfiend has a strong personality and the diplomatic dialog is quite witty at times.

In almost every way you can look at it, Rebirth is a huge improvement over Remake. It constantly surprises you with how far it’s willing to go to recreate the moments you love, and even a poor ending can’t undermine the incredible 100 hours it took me to get there. Some of the open-world stuff starts to drag toward the end – especially in regions where the topography is more complex and hoofing it around is like trying to find your way out of the backrooms – but most of that’s optional anyway. I did it because I felt rewarded with special character moments that expanded upon the original game’s relationships in meaningful ways. I don’t know where Square Enix will take things from here, but I’ll be ready to mosey.

Once the ongoing server issues are finally dealt with for good, Helldivers 2 will be one of the easiest multiplayer shooters to recommend. When it all works as intended, finding a game with friends or random players is simple, and the co-op-only nature of the game has fostered a broadly very positive and welcoming community. Helldivers 2 will – eventually – be an essential multiplayer game, and I can’t wait for it to just work.

I don’t see much of a future for Skull and Bones. Ubisoft has announced its Year 1 roadmap, but I wouldn’t be surprised if the studio jettisoned the cargo and let it sink to the bottom of the ocean way before that, it certainly feels like they only finished it out of obligation anyway.

It may just be that the Demonologist’s playstyle is a great fit for me, but I’ve had a lot more fun with the DLC than just the base game, which itself has been polished and fleshed out since launch. Coming with a ton of exciting content, SpellForce: Conquest of Eo – Demon Scourge offers fantastic bang for your buck and should give anyone who bounced off the base game a reason to come by for a second look – you might accidentally team up with the Demonlord to conquer the world and get hooked to play another campaign. Devious!

Banishers: Ghosts of New Eden presented me with a choice: engage with what little there was that would excite me in the game, or make my own fun. I chose the latter, and like the choices offered in the game, I suspect it wouldn’t have mattered much either way.

As with any good roguelite, there are new pilots and ships to unlock, as well as card sets and modifiers to change what you’re capable of. It’s also injected with some of that Hades magic, with your pilots dropping new hints to the story with each successful run. The story and characters aren’t quite as in-depth as Hades, but it makes up for that by being funny and charming in a way few games can manage.

You have your destination, but there are dozens of ways to arrive and plenty of secrets to find along the way. It’s a game that understands the journey is the entire point.

It’s already a greatly improved game than what came before it, and it won’t be long until the amount of content is there to match, so this is an easy upgrade for anyone who liked the original game.

Rising Lords squanders its strong foundation and beautiful visuals due to a lack of depth despite a very long time in Early Access, making it too shallow for experienced genre fans. More casual enthusiasts will probably get their money’s worth, though.

I really wanted to like Suicide Squad: Kill the Justice League – you can tell a lot of people worked very hard on it. I love the Arkham games and there isn’t another studio I’d have trusted to tackle a concept like this, but everything good about this game is undermined by its games-as-a-service shackles. There isn’t a single thing in here that wouldn’t be improved by the kind of actual level design and quest design you can get in a story-focused single-player game (or even a co-op game, at that).

Granblue Fantasy: Relink is brilliant, while it lasts. Part of me appreciates a shorter JRPG story instead of a 60-hour marathon, but there’s just not enough build and intrigue to make me care, and if you aren’t familiar with the cast ahead of time, you won’t be made to care about any of them either. It was fun while it lasted, but I’m both glad it’s done and sad it’s over. At least those cities look really nice.

The issue that most Persona 3 fans will have is that Persona 3 Reload is another incomplete version for them to play. However, if all you know of the Persona series is Persona 5, then this is the version you will want to play, with all the modern conveniences thrown in. One day, we dream of the extra episode from FES, the dual protagonists of Portable, and the updated battle system of Reload all in one package, but until then, I think Portable remains the best version.

I’ve been playing Phantom Abyss since it first entered early access and I will not be stopping anytime soon now it’s officially launched. The adrenaline-fuelled gameplay gives me so much joy every time I do a run, whether I’m playing it casually or seriously trying to challenge myself. It is a game that will join the likes of FTL and Spulunky as games that are forever in my regular rotation, and for a game like this, I can offer no higher praise.

This is a game designed primarily to appease an existing audience, not court a new one. While that’s definitely good for die-hard Tekken players, it also means that Tekken 8 just feels like another one. Another Tekken game, without anything more to say. It’s Tekken, it’s great, but I wish it were more.

Immortality on PS5 is hampered by the console’s controls – the way you interact with Immortality is of paramount importance – but the game itself, the experience, the acting, the immersion: it’s best-in-class. Immortality is a truly unique game, and even if this isn’t necessarily the best way to play it, I’m glad that more people get to experience it. There’s nothing quite as glamorous and haunting as Immortality.

If you’ve never played a Like a Dragon game before, Infinite Wealth is not the place to start, but only because you will get the most out of the game if you know the history behind it. However, if you have been following Kiryu and Kasuga’s journey for all these years, then it is absolute perfection. It’s everything we’ve ever wanted and so much more.

Apollo Justice: Ace Attorney Trilogy is a mostly solid port of a trilogy of games that are at best messy and at worst frustrating for all the wrong reasons. The series’ signature gameplay has been preserved very well, and the three games in the collection are a lot of fun to play, as long as you don’t mind the characters being all over the place. A bit more care could have been put into the PC port, but the complaints I have with the port are minor at best.

By focusing on survival crafting rather than traditional Pokémon-style gameplay, Palworld has made something unique out of two genres that have been stale for a long time. It’s still missing some big features like PvP, but given that it’s only at the beginning of its time in early access, it will only get bigger and better. [Early Access Score = 80]

Ready or Not features levels where you break apart a child exploitation ring, assault a streamer’s house whilst they’re livestreaming, get called to an active shooter situation on a college campus, and pick through the aftermath of a shooting at a gay nightclub. There’s trying hard and then there’s this.

War Hospital falls a bit short for me as a video game – it has good ideas and scratches that management itch at least a little bit, though it’s quite repetitive and feels too punishing at times as opposed to simply challenging. It somewhat grinds down your will to play, which isn’t the best quality in a game. What it excels in – ironically, exactly because it grinds down your will to go on – is making you experience the sheer overwhelming despair and helplessness the brave people serving in these field hospitals must have felt as they fought to save as many lives as possible only to lose a countless number of them along with their own sense of humanity. War Hospital is a valuable history lesson and I’m glad I experienced it.

While it’s not perfect, I truly enjoyed my time with The Lost Crown. The platforming and world-building are top-tier, which makes up for many of its pitfalls (remember those in the original?). It matches up with the metroidvania greats: Hollow Knight, Axiom Verge, Symphony of the Night, and Ori and the Blind Forest in terms of the game’s map, hidden secrets, and platforming challenges. The Lost Crown gives metroidvania fans everything they crave – if that’s what you’re here for, you won’t be disappointed.

Granblue Fantasy Versus: Rising is undoubtedly the best way to play Arc System Works’ Granblue fighter – the original can be uninstalled now – but if you fell off the original game, this probably won’t bring you back. However if all you wanted was some netcode improvements to keep you in the game, then Rising is essential. As long as you don’t buy it for Grand Bruise Legends, you’ll adore Granblue Fantasy Versus: Rising.

It’s safe to say that this DLC will please just about any Pokémon fan. There’s so much to do, and all of it is way more engaging than usual, packaged in all of the best aspects of the main game. It may not fix the game’s biggest flaws, but it’s clear that the team at Game Freak knows what the fans want. If they can just get their technology in order and stick to the ideas pushed in this DLC, the next mainline Pokémon game could be something truly incredible.

Warhammer 40,000 is such a great universe and being a Rogue Trader is probably one of the coolest experiences you can have in it – as such, I really want to love this game and want it to succeed, especially after Baldur’s Gate 3 brought such momentum to the genre. Owlcat has failed, for me at least, to make the most of this opportunity. I have confidence that this game will be a fantastic CRPG a year from now, if the developer puts in the effort to calm the machine spirits, but at the moment I simply can’t heartily recommend it to anyone that isn’t a fan of the studio’s previous games or a fellow Warhammer 40,000 nut, and that’s really a shame. I hate that I can’t stop playing it. Slaanesh is making me do it, I swear.

Echoes of the Fallen by itself isn’t anything incredible, but it finished strong and had me excited for the next expansion pass installment. If you loved Final Fantasy XVI, then this is a great way to revisit those characters. If you’re on the fence, then wait until The Rising Tide launches before making a purchase.

If you’re coming into Avatar: Frontiers of Pandora purely as a fan of the films, then there’s a lot for you to get out of this – it lets you explore the world like never before and take part in the culture it created for the first time. However, if you care about it more as a video game first, then it’s nothing special. Ubisoft yet again refuses to make any steps forward when it comes to open-world design, even when given free rein to make something wild and fantastical like Pandora should be.

Against the Storm is a perfect storm: It’s a unique blend of genres that executes its ideas without any great flaws. Instead of motivating you to play ‘just one more turn,’ it tempts you into building ‘just one more city,’ condensing the thrilling allure of exploration and mechanical intricacy of a city-builder into runs that will fly by as fast as raindrops in a hurricane.

It’s this fantastic interweaving of the strategic and tactical layers that makes Last Train Home such an enjoyable ride in combination with the loving eye for authenticity and immersion.

Even after more than two decades of RPGs featuring Mario since, Super Mario RPG is still up there with the best of them, and this remake solidifies that. It’s simple, sure, but it’s great fun, and set the stage for every turn-based Mario game since. It’s been a brilliant year for Nintendo fans, and Super Mario RPG is the perfect send-off for the Switch in 2023.

The dialogue is snappy and funny, the main characters keep you invested, and it’s cool to see the story of Invincible from another perspective. The only thing it’s lacking is the rawness of the Prime Video series.

Despite all this, I do like Persona 5 Tactica – just not as much as I had hoped. It’s another fun adventure through the Metaverse with characters that I love and a style of gameplay that – while not as deep or challenging as I wanted – I do enjoy. However, as much as it breaks my heart to say it, I think it’s time to let the Phantom Thieves ride off into the sunset because this spin-off proves they don’t have infinite longevity, and we’re all sick of waiting for Persona 6 at this point.

Modern Warfare III feels like a content expansion for Call of Duty: Warzone, and if it were sold as that, at a lower price, it could’ve been justified. But by selling this as a premium experience, and crunching developers to create the game in just 16 months, Activision has shown its hand. This game shows that the publisher doesn’t care about its staff, and evidently, doesn’t respect its consumers.

Tales of Arise is a solid JRPG, if not the strongest Tales series entry. Beyond the Dawn is disappointing, even by the standards set by the main game. If, for some reason, you’ve read this review without playing the main game, rest assured that it’s decent fun. This DLC expansion, however, can be left out of your cart.

Like A Dragon Gaiden is a game that fans of the Like a Dragon series will want to play, if only to bridge the gap in their knowledge of Kiryu’s whereabouts between games. However, those who aren’t as invested in the series can probably skip this one, unless they are really interested in the new combat. At the end of the day, it is still a Like A Dragon game with all the goofy fun that goes along with it. However, it is one of the more lackluster games in the series, and is not as robust as your usual entry.

I had no idea what to expect after my first 10 minutes or so with Little Goody Two Shoes. A slick, '90s-style anime opening leads into what seems like a cutesy adventure game about a snotty kid living in the forest. Then it turns into a deduction game, a management sim, and a social game, with bits of horror and some retro-style arcade games sprinkled in for good measure. It sounds like a lot on paper, but one of Little Goody Two Shoes’ most impressive achievements is how well it manages to balance its moving parts.

I can’t fault the developers of Gargoyle Remastered, they did an excellent job of converting Gargoyles. Gargoyles is just kind of terrible to begin with, and short of a ground-up remake or reboot, no amount of pretty graphics is going to change that.

While not every game in the Jackbox Party Pack 10 hits quite right, the few that do are some of the best the series has ever seen. Unfortunately, as high as the highs are, the lows are just as low, with FixyText souring the experience somewhat with unfortunate desyncs and boring prompts.

As with a lot of these things, they get better as you settle into it, gathering more powerful weapons and generally getting better at the game, but I can still name so many other similar games that I’d rather play instead of this.

At the regular setting, enemies don’t telegraph their attacks, and you need to go into accessibility if you even want to have a chance at dodging. Your dodge also offers limited or no invincibility frames and a short range, meaning you are unlikely to come out of a fight feeling powerful. The different weapons you grab, and the boons you pick up don’t add to the depth of the gameplay, while let down a visually stunning game.

Overall this is Carlson’s best game yet, taking what made Limbo and Inside so great, and taking those puzzle mechanics to completely new heights. In a year of amazing games, Cocoon still stands out, which we certainly weren’t expecting so late into the year.

If you like visual novels, I would still likely recommend Saltsea Chronicles if only for the things that it does differently. My largest disappointments come from what was felt promised and didn’t deliver. The story attempts to do something with mystery, but these feel so telegraphed that the bigger intrigue would be if the twists never happened at all. A worthy attempt, that doesn’t quite hit greatness.

Unlike Slay the Spire, this is not an endless roguelike. Maps are predetermined and have a set number of paths, though you can’t explore all of them in one go, so you’re still incentivized to go back several times. There are also secret locations you can unlock by bringing certain heroes. Team composition is also important because some characters unlock additional powers when teamed up with certain other heroes. The biggest problem with the game is that it’s a bit janky. Targeting your cards at the right character is sometimes difficult, and there is always a delay between playing the card, the little character animations this triggers, and the sounds of the animation. It’s also a very easy game, so those looking for a challenge won’t exactly get one here.