The Fidelio Incident being nice to look at and listen to doesn't necessarily make it interesting to play. The haunting, frozen vistas and enthralling backstory constantly trip over uninspired gameplay. Though there’s a measure of forgiveness to be had considering the length of the experience, even that concession is fragile in light of the obvious disparity that exists in the quality of the narrative and the gameplay that's forced upon it.

By the ending cliffhanger, Guardians creates enough of a mystery with the Eternity Forge--specifically the process and cost of using it--to segue into the next episode. Emotions run high, and that works well for Rocket's story as well as the conflict between Gamora and Nebula, but other pivotal choices seem like overblown drama between kids instead of a ragtag band of heroes. It lacks action and big reveals, but it sets up a lot of different avenues to potentially explore down the line.

After a strong start, A New Frontier ends on a slightly weak note with From the Gallows.

It's disappointing to see The Town of Light struggle so often, because the story it presents is both harrowing and captivating at times. While there's an interesting narrative to be found in its world, the moment-to-moment gameplay and repetitive environments impose an unavoidable malaise.

Pinning down enemies with suppressing fire is a blast. So, too, is a well-executed offensive that cracks and divides enemy front lines. The adrenaline of pulling together a coordinated attack is priceless, and Steel Division is all about chaining these moments together, directed as they are by an aggressive tie to historical realism. If there's one failing here, it's that the game doesn't offer many chances to explore that rich field on your own before jumping into multiplayer matches. But when it all comes together in the perfect match, Steel Division's magic is undeniable.

Arms is a strong, substantial fighting game that takes a while to really hit its stride. Its barrier to entry is unlike anything else in the genre, but it's one worth tackling in order to get at the game's fascinating take on fighting. It may not have the same skill requirement as other fighting games, but the flexibility and fast thinking it requires secures it as one that works on its own terms and opens the genre up to a wider audience.

While each of the three games exude style and stimulation in their own distinct ways, they collectively showcase the best elements of franchise's engrossing racing and silky smooth visuals. And even though it doesn't completely scratch the itch that only a completely new PS4 sequel can offer, this collection is easily the next best thing.

If Dirt Rally's punishing difficulty alienated longtime series fans in any way, this commitment to accessibility should help to bring them back, and the near-infinite possibilities of Your Stage should keep them playing. Dirt 4 is a shining example of Codemasters at their brilliant best.

Its diverse roster is packed with a wide range of personalities and fighting styles, bolstered by a raucous attitude that begs to be taken seriously while simultaneously mocking its more peculiar whims in the process. Tekken fans will find their next favorite game--one that's the product of decade's worth of refinement. And while some of this depth will be lost or out of reach for newcomers, there's enough fun to be had outside of hardcore competition to keep players from all walks of gaming thoroughly entertained.

Its diverse roster is packed with a wide range of personalities and fighting styles, bolstered by a raucous attitude that begs to be taken seriously while simultaneously mocking its more peculiar whims in the process. Tekken fans will find their next favorite game--one that's the product of decade's worth of refinement. And while some of this depth will be lost or out of reach for newcomers, there's enough fun to be had outside of hardcore competition to keep players from all walks of gaming thoroughly entertained.

Its diverse roster is packed with a wide range of personalities and fighting styles, bolstered by a raucous attitude that begs to be taken seriously while simultaneously mocking its more peculiar whims in the process. Tekken fans will find their next favorite game--one that's the product of decade's worth of refinement. And while some of this depth will be lost or out of reach for newcomers, there's enough fun to be had outside of hardcore competition to keep players from all walks of gaming thoroughly entertained.

These shortcomings and ongoing server issues aren't easily overlooked, and work against what promise Friday the 13th shows. As of now, a week after launch, it's short on content and performs poorly all around, especially on consoles. The story goes that the developers weren't prepared for amount of people who wanted to jump on day one, but that does little to assuage players who were convinced that they were paying for a finished product. Despite showing potential that may one day be realized, Friday the 13th comes across as an unfinished game that shouldn't have been released in its current state.

On both PlayStation 4 and Xbox One, Friday the 13th has been intermittently unplayable. Yes, private matches with friends are sometimes possible, but if you wish to join up with a band of strangers online for a bout of deadly hide-and-go-seek from the comfort of your couch, you're either entirely out of luck or stuck waiting upwards of ten minutes for a match--after days of not being able to play at all.

Despite showing potential that may one day be realized, Friday the 13th comes across as an unfinished game that shouldn't have been released in its current state.

The old magic of Crash Mode rises to the surface often enough for Danger Zone to be a fun diversion, but this excitement is ironically muted when the game decides to turn up the intensity in its later levels.

Danger Zone is the beating heart of a concept in search of a full-fledged game to pump life into. While it won't satisfy your lust for chaos the way the Burnout games once did, Danger Zone provides enough thrills to make you want that hypothetical successor more than ever.

That's why it's so unfortunate that Tokyo 42 fails to leave its own mark on the genre its developers so clearly admire. It literally wears its cyberpunk influences on its sleeve (your default coat, Deckard, is named after Blade Runner’s iconic protagonist), but it fails to cultivate a unique personality during its various missions.

Tokyo 42 stands as a monument to intricate, beautiful design, and its tense, unpredictable combat is a highlight. But somewhere along the way it forgets to walk in the dirt.

Perception feels like a lost opportunity to showcase the beauty of mundanity. The routine-like flow of going from goal to goal as you rely on Cassie's sixth sense feels like a series of chores lacking in stimulation. And while reaching the end rewards you with an additional thematic message that no one could have anticipated, it doesn't redeem the game from its lack of nuance and overreliance on hand-holding waypoints.

It's not terrible, but it's also a hard one to recommend, and I get the feeling it's one that we may revisit in the future and update the score for, when it's all patched and tightened up.

Rime's artistry is unquestionable. Each world is enchanting in its own way, from the naturalistic peace of the first to the abstract doom of the last. Its soundtrack is similarly beautiful, capable of evoking wonder, tension, and fear in equal measure. But when compared to its influences like Ico, Shadow of the Colossus, and Journey, it doesn't hold up too well. Consistent navigation problems, some frustrating puzzles, fiddly platforming, and severe frame rate dips make Rime feel like a well-dressed tribute act.

Outstanding depth and tactical challenge have been preserved, although not at the expense of the strong storytelling needed to emphasize the sense of awe and wonder in galactic exploration that’s always been a huge part of the genre’s appeal. Amplitude has done a masterful job combining these two elements into a single game, where the quests and strategy and politics and economy are all tied into a whole much greater than the sum of its parts.

Zombies Chronicles takes a good combination of maps and upgrades them with great attention to detail. Newer Zombies features keep the collection modern, but its greatest strength is in the lighting and audio upgrades, which make the Zombies experience that many fans obsessed over before feel creepier, more tense, and more exhilarating than ever.

It feels like there's a fantastic game somewhere in the heart of Birthdays the Beginning, ready to claw its way out of the primordial ooze of ideas to evolve into a wonderful god-game experience. But the conditions for it to thrive just aren't right: The interface is ill-conceived and cumbersome, the campaign's frustrations bring progress to screeching halts, and the frequent lack of information turns what should be a fun micromanagement experience into an exhausting guessing game.

Surprisingly little has been sacrificed in the transition to the portable console, and in some ways the fact that you can now hold it close by undocking the Switch makes it a slightly more immersive experience than sitting feet away from your TV. If VR isn't something you have access to or want to invest in, the Switch version of Thumper is arguably the second best route to experience everything this impressive and brutal rhythm game has to offer.

Despite shifting gears in surprising ways and extending the life of its gunplay by remixing levels, Farpoint is more like a proof of concept than a game designed to push the envelope on its own terms. It'll give you a taste of something new for PSVR, and give you hints of what to look forward to if the Aim controller attracts wider support. It's going to be hard to go back to two Move controllers now that Sony's new toy has made a case for itself.

Clocking in at a modest six hours after an average first playthrough, Mages of Mystralia still leaves much to be explored with the plethora of hidden chests, optional puzzles, and a special mage trial combat event to take part in. Though unfortunately it feels more so for the sake of clearing the way to a 100% completion rating, as opposed to needing these items for the quest. With that said, those first six hours of Mages of Mystralia stir up a lot of the same feelings as the old-school games that inspired it, offering a spirited and endearing romp with a charming mage and her impressively complex magical abilities.

Surge is far from perfect, but none of its problems are deal breakers. They're minor bumps that come from an otherwise inventive, exciting new entry in a packed sub-genre. It bucks the trend towards creative bankruptcy, adopting some fresh ideas and layering those together with aesthetics, tone, and play to create an inspired adventure.