Uniqueness is one of Zanki Zero's biggest selling points, but its myriad ambitions and ideas aren't enough to obscure the elements that don't work as well. While the novelty of the game, its interesting story, and engaging exploration do a lot to carry it, it falters in some crucial spots that drag down the whole.

Dangerous Driving nails the basic feeling of driving a car in Burnout, but the lack of small details quickly begin to add up and peel away at everything that doesn't feel quite right. The most damning criticism I can level at it is that it's often dull and lifeless.

The notion of dictatorship as a role that you play for yucks is still there, if that's a hat you want to wear--though it's harder to indulge your own selfish impulses when you can see how your actions are condemning Lydia the lumberjack to a lifetime of poverty.

Despite the lack of innovation in Franchise Mode, MLB 19: The Show excels when it comes to the sheer variety of single-player content on offer, while significant improvements to fielding round out the on-field package, making this one of the best baseball games ever.

The World Next Door plays like the first arc of something more, ending right when it seems like it's about to deliver the experience you want.

Best of all, though, this world is so stunning that you'll just look at the trees, the water, the rocks--everything. It’s a shame that some of the puzzle solutions are needlessly frustrating and present significant obstacles in getting through the story, but aside from that Operencia provides a truly special experience.

It's rare that a shuttered studio gets to dictate the final grace notes of their body of work, but that's the opportunity Telltale had with these final episodes, and it's one that was not wasted in any way. The Walking Dead ends not with a bang, but an accomplished sigh.

Yoshi's Crafted World is at its best when it's relaxing and pleasant. The 2D-to-3D level design keeps you curious while the go-at-your-own-pace approach keeps the pressure off and leaves you to appreciate the small, imaginative details. Its most interesting ideas never evolve past their first introductions and are frequently confined to one or two levels, but individually, those levels both reward your curiosity and your willingness to slow down and look at what's around you--and it's those simple pleasures that provide the most joy.

The orchestration of intense one-on-one boss encounters that truly test your mettle, and slower-paced stealth sections that let you take on battles at your own pace, is masterful. More so than in previous games, From Software has honed in on the inherent tension found in the challenging nature of its games, and uses it to incredible effect. Sekiro marries the developer's unique brand of gameplay with stealth action to deliver an experience that is as challenging as it is gratifying.

Baba is You is among the most seriously arduous games of its kind I’ve played, and when its rules are clear and its instructions legible, it’s gratifying in a way only hardcore suffering can be.

Baba is You is among the most seriously arduous games of its kind I’ve played, and when its rules are clear and its instructions legible, it’s gratifying in a way only hardcore suffering can be.

Ethereal is a satisfyingly challenging and unique puzzle game that serves as a delightful way to spend an afternoon.

The range of enemy types continues to keep combat encounters challenging, the equipment I earn and pick up continues to feel different, valuable, and asks me to consider new ways of play. The ravaged environments continue to intrigue, and sometimes they're so stunning I find myself needing to take screenshots before I move on.

It might not have much to say, but The Division 2 is a perpetual cycle of tension, relief, and reward that's difficult to stay away from.

The setting of The Division 2 is ripe for potential, and it's a shame the game doesn't use it to say anything. I have absolutely no clue why I'm here, what anyone's motivations are, and I wish I had a strong narrative driver to fuel a purpose behind my endless hunger for progression. This letdown is hard to ignore for the game's initial hours, but the strength of the systems and design that fuel The Division 2 as a game are compelling enough to keep you captivated for dozens more.

As an exploration of early-ish internet culture, Hypnospace Outlaw demonstrates how far we've travelled online over the past 20 years while at the same time asking whether we've gone anywhere at all. The bandwidth may have improved since 1999 but the content can look all too familiar today.

There’s almost no joy to be found in playing Left Alive, only bitter disappointment.

Those with affinity for the kind of nuanced technical challenges of running a space freight business will be enraptured, but such players will be far from the only ones. In its best moments, Objects in Space can work a unique kind of magic. Few other games pull away the barriers between ship and captain so completely, and yet lean so hard on the mundane.

Assault Android Cactus+ is the ultimate version of an excellent game, and a perfect marriage between console and content. It's exciting and intense without ever being impenetrable, and the new Campaign+ feature is a great reason to dive back into the game even if you've already completed it elsewhere.

For every wistful reminder of bygone days and the pleasures of the era, there's a lingering fault or drawback that could have been smoothed over or mended. The issue with Back in the Groove's unwavering faithfulness to its predecessor is inextricable from what makes it occasionally so much fun: It's both captured the good and brought the bad back with it.

Of course, it seems churlish to complain too much about a game I'm enjoying enough to willingly replaying it again and again to explore every facet of its story.

The Occupation is the sort of game you'll find yourself thinking about when you're not playing it, that gets under your skin in ways you didn't even realize. I'm going to play it again. Maybe this time I'll completely crack the case.

The Occupation is the sort of game you'll find yourself thinking about when you're not playing it, that gets under your skin in ways you didn't even realize. I'm going to play it again. Maybe this time I'll completely crack the case.

DMC5 proves the series can still be brilliant and imaginative without compromising its longest-held traditions.

Whether you're looking to relive Kirby's adventure into Patch Land or want to pick up the game for the first time, Extra Epic Yarn provides hours of good fun, all wrapped up in charming, craft-influenced visuals. This 3DS port is the best version of the game, hands down.

The beautiful visuals, fun battle arenas, and easy-to-grasp fighting gameplay of Dead or Alive 6 make for a brawler that packs a punch.

Home is where the heart is, and Devotion is a shining example of what the horror genre is capable of.

Ape Out is a game that draws you in with its strong aesthetic style and flair, but it feels short on ideas. When you're barrelling through a room, knocking multiple enemies into walls and watching them explode into puddles of blood, it can be quite exciting. But the game never really rises above being a mild thrill, and a lack the variety means that it’s too repetitive to truly make a strong impact. Ape Out isn't as creative with its level designs and challenges as it is with its soundtrack and art, but as it stands it’s a pleasant, jazzy way to spend a few hours.