There's a lot to like about EA FC 25, from the overhauled tactics to the chaotic addition of Rush and a few welcome improvements to Career mode. It's not a resounding victory, however. The on-field action has stagnated, maintaining its quality but also plenty of its flaws, while changes to Ultimate Team feel antagonistic in their design. In the near future, issues like input lag and its propensity to crash will hopefully be fixed, but the same is unlikely to be true for its long-standing problems. At the end of the day--to borrow common football player lingo--there's fun to be had with EA FC 25, especially if you enjoyed last year's game, but rather than taking a significant leap forward, it's content to settle for midtable form.

Halo Wars 2 carries forth enough of the series' beloved elements to make any fan of Halo feel right at home at first, but not in the long run. It’s palatable for those used to the FPS games, taking inspiration from favorite missions and putting a strategic spin on them; but just when things become more challenging and actually interesting, it runs out of steam.

This is the B-list version of a big budget RPG. It’s almost inspiring how plucky Spiders is in its execution of The Technomancer. It's clearly trying to emulate the range of worlds and playstyles of games like The Witcher 3 and Dragon Age in a sci-fi setting, but isn't quite up to the task. It’s buggy, flawed, and, frankly, kind of cheap. This is absolutely a SyFy Channel-grade RPG, with all that implies.

Those looking for more than a passable use of an anime license will likely be put off by the game's monotonously simplistic action.

If you're itching to play a hidden-object game, The Vanishing Files will be like rubbing up against a tree: it's not pretty, but it gets the job done.

Virtua Tennis is too easy and inconsistent to entertain you for long.

Ultimately, it is these interactions that could have elevated the game and provided more emotional depth if they were leaned into a bit harder. Rather than spend so much time forcing background characters off their phones, it would have been compelling to explore more of Holland's internal narrative and relationships with her family, slightly estranged friends, and her potential new love interest. So much time was spent walking around, showing others the light rather than basking in that warm glow ourselves, a choice that would have made the game more impactful. Land of Screens ultimately feels like a predictable-yet-endearing Netflix romcom--though think more Love Hard rather than Someone Great.

Sparklite's loop can be rewarding, but not when it's extended beyond its means.

In the absence of new elements, the tried-and-true free-flow combat and predator mechanics feel routine rather than inspired. Origins is worth experiencing for the way it sets the stage for the events of the other Arkham games, but it also resides squarely in their shadows.

Anthem has good ideas, but it struggles significantly with the execution. It's a co-op game that works best with no one talking; it buries genuinely interesting character moments and puts its most incomprehensible story bits at the forefront; its combat is exciting until you get to the boss fights and find your wings have been clipped. Even the simple, exhilarating act of flying is frequently interrupted by the limitations of your javelin, and you never quite shake that feeling of disappointment--of knowing, throughout the good parts of Anthem, that you'll inevitably come crashing back down.

Batman: Arkham Origins is a deeply predictable game. It gives you exactly what you'd expect in another Arkham game, without doing anything to push the series forward.

Each time I finally reached a new level, I was ecstatic. However you manage it, it's as rewarding to survive as it is frustrating to fail. But when those rewards start to feel further and further apart, it can be difficult to keep coming back for another climb.

Unskippable cutscenes made replaying the first few levels more of a chore than it should've been, and the same remains true if you opt to replay the whole game on a higher difficulty level after completing it. There's nothing else to do if you want to eke out some additional replayability, and Bright Memory: Infinite's short length is certain to put some people off. It's a fun shooter for as long as it lasts, though, offering a satisfying mix of fast-paced gunplay and dynamic action. It's also hard not to be impressed that this came from the talents of a lone developer. Unfortunately, a dismal stealth section, unintelligible story, and some major technical issues hold it back, while its terseness does make it difficult to recommend, even at a low price point.

The controls are far too imprecise, the collision detection is spotty, and the missions can get a little too monotonous.

Sniper Elite V2 is a satisfying shooting gallery, though it often does a lackluster job maintaining the illusion.

Flushed Away for the Nintendo DS is a decent 3D side-scroller, but there isn't much more than a couple of hours of play built into it.

Commando: Steel Disaster takes its inspiration from some great side-scrolling action games, but it's too maddeningly difficult to be one itself.

There’s just not enough staying power, and controls that are a few notches too loose make it difficult to determine a shot’s trajectory. Disco Dodgeball is a creative player in a crowded space, but lacks too many attributes to stand out.

Lining up good shots and laying low dozens of foes is a lot of fun, though it can get tiresome to fight your way through yet another area newly populated with thick-headed rifle fodder. Your tolerance for transparently game-y elements will go a long way toward determining how much you enjoy this glorified shooting gallery, but if you relish a good headshot, Sniper Elite V2 has got you covered.

Having to backtrack through stages to eventually reach and tackle the Impossible Lair would be more tolerable if the final encounter wasn't such a steep difficulty spike, but in truth it's likely you'll tire of its routine platforming well before that disappointment sets in. The Impossible Lair is definitely a better attempt at capturing the magic of platformers than Yooka-Laylee's first crack at it, but it's still not remarkable. If you're itching to return to a bygone era, then The Impossible Lair might scratch it. Just don't expect much beyond that.

A seven-hour campaign and uneventful multiplayer modes just don't cut it in light of the far better modern shooters available on the market.

If you're interested in The Dark Below, you know what kind of game Destiny is. You're okay with the grinding. You have a like-minded clan that you play with frequently. You've been level 30 since October. You spend two or three hours a day racking up resources just in case.

Anthem has good ideas, but it struggles significantly with the execution. It's a co-op game that works best with no one talking; it buries genuinely interesting character moments and puts its most incomprehensible story bits at the forefront; its combat is exciting until you get to the boss fights and find your wings have been clipped. Even the simple, exhilarating act of flying is frequently interrupted by the limitations of your javelin, and you never quite shake that feeling of disappointment--of knowing, throughout the good parts of Anthem, that you'll inevitably come crashing back down.

Unfortunately, Dadliest Catch is just an inconsistent, intermittently hilarious trifle, and not the game this terrific character deserves.

Contra: Operation Galuga has it where it counts. It feels like classic Contra in all the ways that matter, and a series of changes and upgrades--from minor tweaks like auto-equipping weapons to major new elements like the perks shop--are just enough to make it feel smooth and modern. This may not be a modern classic, but it shows how a classic series like Contra can feel fresh again.

Man of Medan is still telling a weak story, though, as much as Shared Story plasters over this with its excellent take on co-op, which lets you plan things out and work together to craft the narrative you want to tell (and kill the characters you find the most annoying). If you can organize a session with someone else who owns the game and play through the whole thing together, it's an excellent experience; but if you're after another single-player horror narrative experience like the one offered in Until Dawn, it's very disappointing. As a show of the potential for the Dark Pictures Anthology, Man of Medan is largely a success, but as a first episode, it leaves plenty to be desired.

It isn't as comprehensive or glamorous as any of Nintendo's Pokémon games, but fans of the show will still probably enjoy it a great deal, since it will let them gather and build their own set of fighting spirits while also experiencing firsthand many of the stories told in the show.

Ironically, the most fun part of the DLC is a quest to fill a special urn, purchased from weekend vendor Xur. It's a five-step quest in the vein of the Exotic Bounties, with a nice, varied set of objectives and no level requirements.