Star Wars Jedi: Fallen Order is a decent action adventure game, but does very little to create a unique experience with the added flavour of the Star Wars universe.

Need for Speed Heat has a lot of fun ideas, intense police chases, an incredible look and great sense of speed. It does however lack something to make it stand out from the pack, and after the story's done, there's not much keeping me coming back for more.

Luigi's Mansion 3 is charming and gets more challenging by the level, but its boring ghost-fighting and money-collection-focused gameplay gets old fairly soon.

Its sometimes highfalutin story may not be for everyone, and the gameplay will undoubtedly turn some away. However, if you can get into the weirdly zen-like groove of Death Stranding, with its enticing world and deep lore, you may very well find it to be a wholly unique journey you'll end up loving every step of.

With some tweaks and fixes to the old game, MediEvil could have been a wonderful reunion with an old friend. Instead we get a lesson in why the good old days might not have been so good after all.

Call of Duty: Modern Warfare is raw and intense, with a multiplayer that keeps you playing long after the short, but memorable campaign has ended.

Quotation forthcoming.

In the end it's the freedom of choice, and how those choices impact the world Obsidian has created that makes The Outer Worlds so great. You can be and act almost as you please, and do as little or as much for the people around you. Great writing, creative quest lines and solid voice acting makes the 40 hours a great experience.

Quotation forthcoming.

Code Vein fails to feel as intense, exciting and genuine as its best competitors, but delivers a combat system which comes across as fresh despite lacking the weight of its betters.

Concrete Genie is simple, but deeply engaging once you get into it. The game has a lot going for it, including a good look, superb music and mechanics that are fun to use, but there's a few snags here and there – in particular the very flimsy motion controls and lackluster AI – which keep it from true greatness.

Quotation forthcoming.

Trine 4 shows that Frozenbyte still knows how to make great games, with the latest iteration of the series being as fun, clever and beautiful as ever.

The best remake of Link’s Awakening that we could hope for.

Borderlands 3 is, quite simply, more Borderlands. That means excessive charming humor, great variety in environments and sidequests and a lot of fun coop action spread throughout. The things that hold the game back are mostly minor annoyances – like the overabundance of everlasting boss fights and the gruesomely tiresome inventory management – but all in all this is a package that simply works.

Greedfall delivers an exceptional and well told story that grabs you and pulls you into its fascinating and beautiful world filled with intrigue and conflict.

A lot of work has gone into this version of FIFA, with an abundance of gameplay improvements, quality of live improvements and the festive new street football mode Volta. All of this results in a brilliant and highly accessible version of the annual football frenzy.

Astral Chain is fun, flashy and flows extremely well ... once you get a hang of its plentiful and often overwhelming mechanics . The game looks and sounds great for the most part, but the world leaves a lot to be desired.

Gears 5 has the worst single player campaign in the series so far. However, the multiplayer is still excellent.

Man of Medan has a couple of fun gimmicks, great faces and bunch of exciting moments spread throughout, but it's also filled with badly paced sequences, bland characters, annoying technical issues and cheap scares that are so frequent and so poorly executed that you can't help but feel offended and frustrated.

Control is a mysterious, exciting and intense action game that lets you hurl office equipment at twisted enemies while gliding through the air like the harbinger of death.

Oninaki has a solid and fun combat system, and an interesting setting, but the story is poorly told and the level design is so dull you'll be looking for something better to do pretty soon.

Wolfenstein: Youngblood is a blast to play. The shooting is fun and fluid, and with a bunch of great abilities and upgrades to unlock, the game keeps you going for as long as the story lasts. The game has its flaws however: Stealth is imprecise, the enemies are overly predictable and the story truly leaves something to be desired.

Ion Fury is the ultimate retro first-person shooter that feels authentic because of its use of the ancient game engine Build. While it comes with certain limitations, it feel modern enough to be both playable and enjoyable by a 2019 audience. No story, no cutscenes – just shoot whatever moves and find hidden levers and keycards. Love it or hate it, Ion Fury brings back a certain 90s nostalgia reminiscent of Duke Nukem 3D.

Quotation forthcoming.

Quotation forthcoming.

The Sinking City's promise of a world that never holds your hand is exciting, but the game ultimately falls short of its lofty goal. While the story and characters are interesting, the detective work quickly grows dull and the shooting mechanics are underwhelming at best.

The long awaited Symphony of the Night revival has fast, tight combat, great environments and some interesting RPG mechanics, but is unnecessarily padded with a convoluted and cliched story. Some trimming and more emphasis on core mechanics would have this game a lot of good.