Gamereactor UK's Scores

  • Games
For 842 reviews, this publication has graded:
  • 33% higher than the average critic
  • 8% same as the average critic
  • 59% lower than the average critic
On average, this publication grades 3.6 points lower than other critics. (0-100 point scale)
Average Game review score: 71
Highest review score: 100 Elden Ring: Shadow of the Erdtree
Lowest review score: 10 Skull Island: Rise of Kong
Score distribution:
  1. Negative: 51 out of 842
854 game reviews
    • 96 Metascore
    • 100 Critic Score
    In its open world, narrative, combat, and traversal, The Legend of Zelda: Tears of the Kingdom proves itself to be a triumph, a game that will be remembered not only as a phenomenal sandbox experience but an outstanding achievement as a game.
    • tbd Metascore
    • 70 Critic Score
    It's not particularly immersive or hard to put down, and it's not overly pretty, either. But that said, it's an enjoyable and light-hearted Hades copy for up to four players that nicely frames and captures the right kind of Turtles atmosphere and is just challenging enough for those who like the roguelike approach.
    • 83 Metascore
    • 80 Critic Score
    Dimfrost Studio has managed the feat of making one of the cosiest games I've ever played, only to completely change its character and become one of the most creepy I've ever experienced.
    • 65 Metascore
    • 60 Critic Score
    One issue that Minabo may face is that, beyond its amusing names based on spanish jokes, and what I'm sure has been the most effective marketing campaign in the history of Spanish game development, people may not take it seriously.
    • 51 Metascore
    • 50 Critic Score
    I find it hard to see Mia and the Dragon Princess as one of Wales Interactive's best works. Compared to the simpler and more well thought out Ten Dates, this game feels like a step in the wrong direction in a multitude of ways.
    • tbd Metascore
    • 50 Critic Score
    Seeker My Shadow lacks direction and general focus, which cripples the fun core idea into a confusing game that quickly turns uninteresting.
    • 58 Metascore
    • 60 Critic Score
    The Last Case of Benedict Fox is a better detective-exploration-puzzle-adventure than it is a Metroidvania and if you've decided to give it a go, it must be because you love exploring the environment, finding clues and solving puzzles.
    • 78 Metascore
    • 80 Critic Score
    Puzzling Places executes its simple idea successfully. The clear appearance and calm atmosphere supports light puzzle solving, and handling those snazzy jigsaw pieces makes time fly easily.
    • 81 Metascore
    • 60 Critic Score
    Darkest Dungeon II is still promising, but lacks meat around its bones. The 3D art style has been a success, but many changes to core mechanics are either underbaked or too plain, and the user interface needs more love.
    • 53 Metascore
    • 40 Critic Score
    Redfall is a humongous disappointment, as there are parts of this game that still feature semblances of that Arkane brilliance. The map has potential, there's just nothing to do in it, and the story delivers intrigue at times and shows that the small town America-meets-vampire concept is still very much alive and well. But, this game is an unmitigated disaster at times. It does very little to make you want to keep playing, and even if you do find something to enjoy, the horrible and outright disgraceful performance does everything it can to kill that passion in you.
    • 79 Metascore
    • 60 Critic Score
    I would have liked to see Afterimage get at least six more months in the oven before being released to the world and my recommendation is to wait and see what the developers decide to do with the title. Because more work is clearly needed here to really do the game's potential justice and bring it to the finish line.
    • 83 Metascore
    • 90 Critic Score
    There's so much inside Age of Wonders 4 that it's hard to give a good overview in the space of this review. What's clear is that Age of Wonders 4 is a very solid 4X turn-based strategy game with so much customisation that the potential for replayability is nearly endless.
    • 85 Metascore
    • 80 Critic Score
    Star Wars Jedi: Survivor is a great continuation of this series. It's overflowing with references and other minor beats that each paint a wonderful and thorough picture of A Galaxy Far, Far Away, and the gameplay is simply an improvement of Fallen Order's outstanding formula.
    • 81 Metascore
    • 80 Critic Score
    This is a thoroughly enjoyable and entertaining title, suitable for both League of Legends fans and newcomers. The Mageseeker stands out perfectly as its own unique game.
    • 81 Metascore
    • 90 Critic Score
    Everspace 2 offers great graphics, awesome music, brilliant sounds, and a fantastically fun gameplay cycle. I didn't anticipate that this easy-to-play, intense action setup would last for an entire game, but I'm not dissatisfied or bored after 50 hours with the title.
    • 74 Metascore
    • 40 Critic Score
    This is soulless, unimaginative and stupid in its design and just a way for Gameloft and Disney to try to make a quick buck on an ever-growing sub-genre.
    • 56 Metascore
    • 30 Critic Score
    I feel well equipped to state that Mighty Doom is a stain on the series' reputation. Not only that, it reminds us that the mobile market remains a toxic swamp filled with ghosts pretending to be something completely different than they really are.
    • 60 Metascore
    • 60 Critic Score
    Curse of the Sea Rats has many fine qualities that make it a good game and if only some of its shortcomings had been cleaned up, it could definitely be a game that should not be missed.
    • 83 Metascore
    • 80 Critic Score
    WayForward have done great work in restoring a tactical cartoonish classic to make it incredibly fitting to the Nintendo Switch as a platform, both on TV and in handheld.
    • 76 Metascore
    • 70 Critic Score
    Dead Island 2 is an entertaining adventure, especially if you have someone to play co-op with. It's meaty, it's long, and at times it's really neat. A sort of odd and digital Los Angeles vacation, if you will. But it's also so faithful to the original that it's almost completely void of surprises and feels structurally old.
    • 62 Metascore
    • 60 Critic Score
    I love the concept of this game and I think it has potential for the future, there are just simply too many areas that all work against each other for God of Rock to be able to stand tall on its own right now.
    • tbd Metascore
    • 80 Critic Score
    Ultimately, this is a compact single-player strategy experience. It manages with its cooperative warfare mechanism to stand out a bit from its competitors. The user interface, graphics, and music are polished and make the experience shine.
    • tbd Metascore
    • 80 Critic Score
    I would definitely recommend Romancelvania if you like the genre and have a wry sense of humour, because it's all very silly. It's a fun mix of two genres that I haven't seen before, and it's great to experience this melting pot of different game design.
    • 71 Metascore
    • 60 Critic Score
    Minecraft Legends has a lot of good fundamentals, but usually doesn't take them all the way to the finish line. Defeating large enemy bases is incredibly satisfying and fun, but the lack of options to build your own large bases is disappointing.
    • 75 Metascore
    • 60 Critic Score
    In the end it all ended up being a somewhat frustrating experience, although underneath the annoyances, there is quite an interesting story that is delivered with conviction. Unfortunately, it just can't make up for the game's other problems.
    • 65 Metascore
    • 60 Critic Score
    I can't help but feel like this prequel has lost some of the charm of the series by deviating so drastically at times and for that reason I don't feel as though Mile 0 lives up to its predecessor.
    • 54 Metascore
    • 60 Critic Score
    Ravenbound is a fun game, and a refreshing, if not extreme, take on the hack and slash action genre. Its open world is gorgeous and lore-rich, its combat is lightning fast, and its roguelite elements, whilst not perfect, have some serious potential.
    • 74 Metascore
    • 60 Critic Score
    Lunark is in many ways an entertaining indie game with numerous good ideas. The pixel graphics are one of several reasons why it has a charm that is hard to resist, but the game is mainly a voyage to how games used to feel in many respects.
    • 73 Metascore
    • 60 Critic Score
    The first few hours of Meet Your Maker are interesting, fun and challenging, but after a while the magic that draws you in to begin with disappears.
    • 72 Metascore
    • 60 Critic Score
    While it's certainly impressive that Frogwares have managed to develop Sherlock Holmes The Awakened in just about a year and under terrible circumstances, the short development cycle is clearly evident in some areas. Ultimately the game feels caught between two worlds - not quite reaching the level of modern cinematic adventures and not being challenging enough to please fans of classic point-and-click games.

Top Trailers