As it stands, at least on Switch, it's hard to recommended Herdling, as the issues simply make some parts of the game actually unplayable, at least if you, like me, regard not having to restart a game from scratch to get past a bug as a fundamental ask from a video game. Still, if you're lucky enough to avoid these issues you will find that Herdling has charm and a simple premise that's ideal for those looking to fill a couple or a few nights with a new video game.

The Rogue Prince of Persia is a really well rounded and finalised experience, which can almost be refreshing in a genre that can go on forever. It also lessens the impact of the game's problems, as they simply don't have time to become major issues. The Rogue Prince of Persia ties all aspects of the genre together into a solid game that will excite fans of roguelites and newcomers alike.

It costs you as much as going to the movies and lasts as long as a TV series episode, but if you were one of those fans, it's probably the best rotoscope drawn experience you can enjoy today in games, and plus it may move you as well, on top of having watercoloured kitties, after all.

Whimside is a small title where, if you're consistent and want to enjoy the classic Pokémon nursery mini-game experience, but with an added twist, it might be for you.

The House of the Dead 2: Remake is a refreshing blast from the past. It proves that old-school game design still has bite and that rail shooters deserve a comeback. The remake could've used more polish, and there are definite issues, but especially in co-op, it's still a fun ride worth trying even for those who didn't experience it the first time around.

Hide the Corpse is something different. A quirky puzzle game that dares to be weird and embraces its macabre sense of humour. The simple but clever concept holds up for several hours of fun, even if the nausea creeps in. The overall package feels a bit half-baked, repeating itself too often, but with a little polish, this indie oddity could evolve into something much bigger. There's plenty of potential in corpse-hiding chaos.

This is just the RTS genre at its absolute best, and while Relic could have done more, they really could, what they have done works well overall, and at a lower price, it's hard not to recommend it.

DC Worlds Collide is a game that does some things right for fans of the DC universe and the gacha genre. It offers a reasonably fun and addictive collecting experience, with a wide range of well-known characters and automated battles that make it accessible to casual players. At the same time, the game has some obvious flaws. The childish graphics, lack of voice acting, automated battle mechanics, and sometimes frustrating monetisation model prevent the game from truly reaching the top tier.

Sword of the Sea is an easy recommendation for anyone who enjoyed Journey, Rime, Abzû, and other related titles. Carried by its visuals, which are beautifully accompanied by Austin Wintory's background music, it offers plenty of gameplay enjoyment and hits all the right emotional high points. However, this easy recommendation also comes with an inherent criticism, because it's also a little too predictable and familiar. We are now familiar with the tried and tested journey towards the monolith story and the crises and setbacks it brings before the ultimate triumph. Giant Squid also has new ideas - particularly the way you move through the world - but at times it feels as if they are remixing elements from other titles a little too much. On the other hand, they do so with great flair and unmistakable talent, which ultimately makes Sword of the Sea one of the best games in the subgenre.

To be completely honest, there is really not much I would change here. Certainly not everyone will fall for a little "cosy management sim", or however you choose to position the style and genre, and in the midst of the early autumn action frenzy, Discounty may tremble a little in the shadow of the big titles that are bursting out of the starting blocks. But I'm happy to argue that this little Danish gem is worth your time and money, because Crinkle Cut Games has really hit on something here.

If you are keen and interested in an action role-playing game about Greek gods and heroes, this is worth keeping an eye on. If you don't mind limited content at first, this is worth a try. However, if you want the full experience, you're better off playing something else while waiting for 1.0. [Early Access Score = 70]

This collection is specifically designed for the most die-hard purists, and I think it's a shame that M2/Konami didn't take the opportunity to build the perfect, definitive Gradius collection. Gradius for the NES should obviously have been included, as should Gradius 4, Gradius V, Gradius Rebirth, and Gradius Gaiden. That didn't happen, and there's nothing wrong with the package we got instead, but it does gnaw at me a little that Konami, after the absolutely fantastic Contra collection, didn't quite hit the bullseye here.

I have no doubt that the more players share their experiences after finishing the game, the more different approaches to their journey and its conclusion will be seen. If you don't mind having to deal with a tense scenario and perhaps facing your own inner demons, Dead Take offers you an all-star cast in their roles and a story that grips you from start to finish.

Right now, Nintendo feels like they're in a bit of a Kinect era with the Nintendo Switch 2. Trying out everything with fancy new tools like mouse controls and Game Chat, but not really knowing how to actually make these features into compelling game mechanics. Drag x Drive is unfortunately an experiment that hasn't nearly gone wild enough, and will be the subject of a tricky quiz question in a few years' time.

Echoes of the End is an ambitious game with some really good ideas and a beautiful presentation, but also with technical issues and design flaws that detract from the experience. I would actually recommend it, but only if you can wait for a few updates.

I enjoyed another playthrough of Senua's Saga: Hellblade II, this time in the new Enhanced edition. This version does not change the game significantly (although the new Performance Mode is cool), but it refines the game and adds new features and a new game mode, and it gives a whole new audience on PlayStation the opportunity to experience this brutal Viking story.

Mafia: The Old Country is a perfectly decent action game. It's clear that the ambition was to offer some kind of hybrid between linear and open world gameplay. The developers wanted to tighten up the experience to make it engaging, well-directed, and grandiose, but even though I personally worship open worlds, I would have preferred to see them lean even more towards streamlining this. In an action game of this kind, which is also quite short, I simply think that there should have been more variety and a significantly higher tempo to make it feel more engaging in the end.

Apart from minor annoyances, A Dream About Parking Lots is a nice little walking sim. In many ways, it's more of a therapeutic experience than a game, and considering what these kinds of games usually cost, the £3.39 you have to pay for it is nothing.

The game without ads became a lot less frustrating. Unfortunately, the analogue stick controls are a tad too slow, but otherwise it's an excellent port, and fortunately there are still touch controls if you're playing handheld.

Grounded 2 strikes me as a very traditional survival game in practice, even if the intuitive design and the enjoyable and memorable world stand out as highlights. This is a game that you will love for a few hours and then steadily lose interest in, unless you're a die-hard survival fan that lives and breathes this genre. [Early Access Score = 70]

I'm not going to complain too much about the fact that 397 hasn't really reached 'final release' in terms of functionality and content. Le Mans Ultimate is basically a really good racing simulator whose online racing portion easily competes with the best of the genre and whose tyre physics, FFB and graphics/sound do the same. If Studio 397 is given time now to continue building, polishing and expanding, I have no doubt that this could become the new ruler of the sim racing genre.

Cyanide has a decision to make. Either they can deliver a fun and relaxing arcade game or they can give us a console version of Pro Cycling Manager. Because this game is more like a rider who has single-handedly tried to catch a breakaway by running away from the peloton and is now caught in the middle - tongue out of cheek and legs cramping.

If you are looking for something simple and cute, this might appeal to you and with a low price tag, some may still find it worth it. But since there are so many better alternatives, it was not for me.

Wheel World is an easy to pick up and enjoyable experience that doesn't require much investment from the player, despite having a fabulous balance of fun gameplay, memorable visuals, and customisable features. For a title that you can see in its entirety over the course of two-to-three days, there's not many reasons why you shouldn't be giving Wheel World a go this summer.

Demon Slayer: Kimetsu no Yaiba - The Hinokami Chronicles 2, despite certain limitations, comes to accompany once again the fans of one of the most quality and popular anime of the last decade, which also takes advantage of the synergy with its last arc to call to try it to a larger base of players. If you're a fan of Demon Slayer, you shouldn't miss it.

I was excited to see what The Game Kitchen could do with Ninja Gaiden. Unfortunately, the answer is a bit disappointing. Ragebound is rock solid and feels really good in your hands, but it lacks spark, passion, X-factor, surprises. I could go on. At a time when sharp 2D action games are not exactly in short supply, Ninja Gaiden: Ragebound is a solid revival of a classic series that will probably make the old core happy, but I would start somewhere else, Katana Zero, for example.

Tales of the Shire does many things right, but there are also fundamental things that it just doesn't quite get right, and that affects the game more than you might think. But if you're looking for a cosy life sim game to play over the summer, or if you just have to own everything with The Lord of the Rings' name on it, then take a look at Tales of the Shire, but be prepared for the fact that life as a hobbit isn't quite as inviting as you might think.

There are elements of this expansion that are excellent and true highlights for the future of Destiny 2, but there is so much surrounding them that generates no joy whatsoever.

If you enjoy basic horror-styled shooters, I wouldn't say this is a bad purchase at all, even though in its current form it doesn't evoke the same positive impression as its predecessor. Personally, I'm enjoying my time with the game still, despite its flaws.

All the action is very entertaining, once again, but there are moments when you feel that it becomes a little too streamlined and simple to lose some of the entertainment value that was there last time.

While I appreciate its basic and gimmick-free gameplay, it feels a little too sparse. A little more depth to the game would have been nice. But if you want a cosy metroidvania that cleverly ties into gaming history thanks to Pac-Man and is no longer than you can manage on your holiday, it's definitely worth checking out.

It manages to create a similar type of gaming joy that Miyazaki and his FromSoftware team has developed in stages, and even if finesse and deep-rooted mastery are not present to the same extent, it is enough to make you want to play more, and then a little more again.

So it might look like I'm nit-picking here, but coming from Super Mario Party Jamboree, you expect greatness and maximum care. And don't get me wrong, this doesn't make the original game any worse. You should still definitely buy it on Switch 2 if you never got it on the original system, as it remains the king of parties, and even if I'm telling you that you'll enjoy it more with a plugged-in camera, and that the Mouse mini-games are solid additions, Jamboree TV as a next-gen upgrade lands like a bad roll.

If you haven't played it before and want something really cosy to play for short periods of time, perhaps while travelling or similar, then it may well be just what you've been looking for.

No Sleep For Kaname Date is still a good game. It just suffers from following two masterful games. Judged on its own merits, it's still a Japanese adventure with sky-high production values, a fascinating story, fun characters, and, in my opinion at least, fine English voice acting. Just be careful not to set your expectations too high.

Donkey Kong Bananza is hectic, chaotic, barrels of fun, and overflowing with charisma, but it also has clear areas where it could be streamlined and improved, and that's mostly the story of this game.

Eight years after its original release, Little Nightmares still holds up. The updated visuals just make it even better, and the beautiful lighting, dark shadows, and dramatic camera angles further highlight how excellently the visuals are designed. It's beautiful, freaky, and a little scary at the same time.

If you haven't played it and you like Japanese role-playing games... then it's a no-brainer. Bravely Default Flying Fairy HD Remaster is basically a conservative rehash, but it's a phenomenal adventure at its core that still holds up well today.

It's a technically-broad, visually-impressive game with good sound and a complex gameplay structure. It offers an acceptable number of battlefields and just over three hundred detailed troop types, whether you play as Russia or the United States, and there is a lot to be gained on both sides.

Tamagotchi Plaza is definitely not worth your time, and even those who really love Tamagotchis won't find anything to enjoy here... unfortunately.

Against the Storm comes with a big recommendation from us if you have even the slightest interest in strategy games and city builders.

You may experience some rough edges and strange design decisions here and there, but overall you get a title that reminds you a lot of the genre's heyday where gothic castles and bloodsucking vampires were the hottest thing on the market.

My patience has been tested more than in any game in a very long time, and my simple advice is to avoid this game as much as possible. If you want a post-apocalyptic isometric perspective and world to explore, I would rather recommend Interplay's Fallout games, which did this much better back in the 90s.

If you haven't already purchased this colourful adventure, there's definitely a case for buying it, but for veterans, it's perfectly fine to stick with the version you already have without feeling like you're missing out on anything worth writing home about.

The old Tony Hawks have still have their own kind of magic, and with the new game engine and added content it's still hard to beat many of these games. I still enjoy the buzz and sunshine just as much as I did almost 25 years ago.

This is another title that reinforces the "just one more round" feeling in an extraordinary way. It's very entertaining, and you always know how you can do a little better next time, by making a design a little more efficiently. Even though you can move on to a new island once you've reached a certain score, you can also stay where you are and try to increase your score for as long as possible, then move on to the next one when you can't build any more where you are. It's meditative, relaxing, enjoyable, and very cosy, although perhaps a little too familiar for those of us who played the predecessor.

If you're up for a quirky little indie game with a top-notch soundtrack, you should check out Antro. It's worth the short playtime - and you'll be helping a small new developer at the same time.

Ruffy and the Riverside is a charming little tribute to the classic 3D puzzle platformers of the 1990s, and it has a nice ace up its sleeve in the form of the swap feature. However, it is also a bit limiting, and I think the visuals may be a bit of a hit or miss for many.

If you have happy memories of the character, or if this particular game series was something that didn't catch your eye back then, Gex Trilogy is not a bad purchase.

All the technical mishaps have affected the rating significantly in themselves, but if there had been a more exciting game design alongside them, I would probably have been able to overlook much of it. Unfortunately, a promising premise falls short on several other points, which is a great shame, and the whole thing ends up being a real disappointment.

Tron: Catalyst feels like a concept brimming with promise—a narrative twist here, a combat mechanic there—but it fumbles the execution. I'll admit, my anticipation may have made the fall feel harder than the game truly deserves. Still, too much feels off: from storytelling to traversal to tone, everything leans toward flat and cold.

Ride a motorbike across the sand with a worm biting your bum, fly your own ornithopter high in the sky, set down a combine harvester to collect spices. There's so much to do here even though it's all sand. Anakin Skywalker would hate it here.

On the one hand, there are several things I miss about the game. The weather could play a bigger role, the pacing sometimes loses its footing, I would like the world to be more exciting from an architectural point of view, and I wish my mission givers weren't so boring to listen to. On the other hand, it feels great to play, has more character and personality in its little finger than Ubisoft's entire game library from the last 10 years can muster, and it manages to tell a decidedly excellent story that will stay with me for a long time.

If you haven't played Cyberpunk 2077 before and are curious about the game, this is a version you will have fun with and be impressed by. If you have played it before and are eager to run through it again, I would say that the entertainment value will vary depending on your tolerance for graphical downgrading. It certainly doesn't look like it does on a top-tuned PC, but there's nothing quite as eye-catching about Switch 2, and CD Projekt Red has done an impressive job of bringing it all together.

Star Overdrive largely feels like a good demo of a great game. There are some really strong core elements like the hoverboard travel, the mysterious story, and the visual style, but these are equally countered by the negatives. The sandbox structure of Star Overdrive seems to work against it, only serving to hide the positives and make the lifeless map and combat stick out like a bit of green in its red and tan world.

Rematch is a very good game. It's the game I've wanted for so many years, and I'm overjoyed that it's finally here. It's both fun to watch and fun to play, and I hope Sloclap succeeds in the seemingly impossible task of convincing players to pay for something that, in many ways, looks like a free-to-play title.

Despite its flaws (which will hopefully be fixed in future patches), RGG Studio's work remains a true gem of an action game, and the best gateway to the fantastic action Yakuza series.

Sassy Chap Games did not succeed here, because the good stories are overshadowed by boredom when you go from one room to another just to talk to another character in your house. You have to be more than usually fond of short stories and quirky characters to stay interested in Date Everything! for any length of time.

To a T can probably be classed as a cosy little game with a nice story, but there's nothing new here. Katamari Damacy offers so much more fun, and the only thing that To a T has that makes it even slightly unique is the premise that orients around the T-pose.

Add to this the fact that the game includes local wireless combat, or that you can do the same with your avatar from World Tour mode, and you have an extremely versatile and functional version of what is one of the best fighting games of the moment.

Raidou Remastered: The Mystery of the Soulless Army will appeal to Atlus fans both for its familiar narrative and its very different approach to the usual turn-based combat. However, it's still a title that, despite the facelift, is almost two decades old, so there are certain limitations you should be aware of before jumping in.

This game isn't bad per se, and now that it's available on both Game Pass and PlayStation Plus, it's really worth giving it half an hour to see if it clicks. But at the same time, it's yet another story of a single-player studio making a multiplayer project, but failing to convey the energy, ambition, and flair that created the studio's unique reputation in the first place.

Fast Fusion costs £13.49 for Switch 2 and for that minimal amount of money, German Shin'en Multimedia offers a clearly enjoyable Wipeout clone that also includes a very elaborate split screen mode for up to four players, locally. If, like me, you always miss Wipeout and F-Zero, you're right to spend your money on this.

If there was one thing I never thought I'd write about Leslie Benzie's first self-directed game, it was that it would be perceived as unimaginative and generic. At least I thought that originality and attitude would be present here, even if it looked unfinished beforehand. That didn't happen, and it's easy to see that MindsEye was not only released about six months too early, but that it also resembles a ten-year-old GTA copy with most of its elements being undercooked.

The Alters is a wonderful mix of genres that combine to form a powerful and unique whole. It's a game that requires thought, leadership, and strategy, but also a game that offers a deep story, strong characters and a world you want to understand. I wholeheartedly recommend it if you're into that kind of thing.

Rainbow Six: Siege is still an excellent and entertaining tactical shooter, one that many continue to copy and be inspired by. This isn't changing and frankly if you have the time, skill, and patience to learn this game, you will be massively engaged. However, as far as an upgrade goes, Siege X doesn't really add a whole lot.

I will absolutely keep playing this and hope that the extortionate bundle deals are slimmed down price-wise and that the upcoming maps reintroduce some verticality, again. Beyond that and a pointless battle royale mode, it's easy to see that Slipgate 2 has managed to find its own groove despite basically just ripping off well-chosen parts from its competitors.

Simple but effective and engaging combat, a neat story wrapped up in an interesting, quirky world. It makes Lost in Random: The Eternal Die a game that's very difficult not to like, even for an aging grump like me who has all but had it with the idea of roguelikes, roguelites, and any other like or lite.

Into the Restless Ruins actually offers something new and fresh that helps enrich the beloved rougelike genre. Although it borrows liberally from other rougelike giants, Ant Workshop has really borrowed from the right places and created something unique that is very addictive and offers an insane amount of replay value.

It's simple, very simple at that, but hey, this game has a very clear vision of what it wants to be, and from a design and mechanical perspective it achieves that vision with flying colours. Does it work and is it effective? In part. There is entertainment value, enough that it will keep you engaged for upwards of an hour at a time, however, there's no denying that this won't be the same indie sensation as say, Vampire Survivors. If you're even marginally curious about how such an unorthodox game performs in practice, I'd simply suggest checking it out, because with Berserk or Die you could either permanently add a game to your collection, or get half a pack of V-Bucks... I know what I'd prefer to do with my money.

Sure, it's a very cheap game - that can barely even be called a game - but that doesn't make it any more fun. If you know you don't like a slow pace, lots of text, little interactivity, and studying, you're better off choosing something else instead. But if you're one of those hardcore Nintendo fans who buys the console and all its accessories and is happy to pay to flex your skills, then this will be right up your street.

It's a relic worth checking out, but for those who just played the sequel, it might be a bit of a shock. The game works, but today's players have better options.

It is with great pleasure that I dare to say that Nintendo has done it again. Mario Kart 8 Deluxe is today a full potter for me, containing two DLC packs from the Wii U version and four DLC packs from Switch. Mario Kart World already matches it content-wise and feels like a perfect platform to build on, and is itself a wonderful racing game for both happy amateurs who just want to go karting with the denizens of the Mushroom Kingdom and professionals who like to optimise their tracks and quickly learn to spend as much time driving on walls as on the ground. A better killer app for Switch 2 is simply hard to imagine, and the mere thought that this is a game that will get even better with more content in the future makes it a game not to be missed.

Unidentifiable and boring, that's Football Heroes League in a nutshell and I hope Run Games can stir the pot and fix the game before it's released, but to be honest I don't think it's possible without throwing everything in the bin and starting from scratch. [Early Access Review Score = 20]

Nightreign is, in my opinion, a highly successful experiment at a fair price, and while there are some obvious kinks to iron out - the lack of new enemies and maps other than Limveld being the most acute - the gameplay foundation is rock solid, and that's what matters most.

It's at its best when it lets the yo-yo mechanics and puzzling take centre stage, which is perhaps a little ironic too as the game is at its most frustrating when the yo-yo mechanics fail and struggle in their precision. Typically speaking though, for an indie game and a very reasonably priced one at that, there's much more to celebrate than there is to bash.

I'm delighted with this simpler and, at the same time, more focused and precise approach that is Haneda Girl within Studio Koba's oeuvre. A game that has completely grabbed me and that I'm still replaying, improving my scores and discovering those hidden levels that are still unreachable.

It's beautiful, smart, meditative, and sometimes quite brutal. But it's a journey well worth taking, a sound-sensitive dance between shadows and death that offers a strangely polished experience that richly rewards the tactical and patient.

You're hardly reinventing the wheel here, and were it not for Braking Point and the new LiDAR-scanned tracks, it would in all honesty be hard to recommend F1 25 to anything but the most dedicated. And at the risk of sounding like a broken record, my final conclusion is much the same as last year. Does there need to be a new F1 every year? No, absolutely not.

But all in all, for a small scale and short atmospheric horror adventure, Out of Sight actually works quite well and stands out for its unique premise. The Gang's attention to detail and refined gameplay are some of the highlights in this unsettling story that will engage horror aficionados who are less inclined to enjoy loud and 'cheap' jumpscares.

There's nothing quite like what the Onimusha series offers. There's plenty of Japanese mumbo-jumbo to enjoy, the 16th century world is wonderfully designed, and Jubei Yagyu and his friends are all great characters. Plus, the game never gets frustrating or drawn out thanks to the slightly smoother gameplay system and the fact that it's only around ten hours long.

Despite complaints, the core of Blades of Fire remains hot, with enough individuality and fun in its boss fights to prevent it needing to be reforged. However, it's hard to shake the feeling that if a bit more focus was put on any element of the game, it could have been very good. Its hodgepodge mix of being a combat-focused, story-heavy Soulslike that relies on breaking and making weapons feels like it was an attempt to get as many keywords in as possible without polishing them enough to shine.

Deliver at All Costs stands out as a game that might hook you in the opening hour, but as the hours continue to roll on, you steadily lose your drive to continue as fewer and fewer fresh reasons to be excited are introduced.

Despite a somewhat dull graphics style and a clichéd story, I'm happy with the gameplay. It offers the right amount of depth for its genre and the level editor helps users create new and interesting content.

Its unique idea is a logical extension of Saber's previous productions, and serves as an excellent motivation for building roads and repairing infrastructure. Games tend to encourage unmitigated destruction, so repairing that destruction is a refreshing change of pace.

This game is teetering on the edge of something you think is pretty cool, with the daily loop of police work, otherwise you'll drop it pretty quickly as it simply gets too boring.

Doom: The Dark Ages is more Doom and that means it is without question one of the best action games you will play in 2025. But is it a step up or a noticeable evolution from what Eternal served up in 2019 or what Doom presented in 2016? The answer is no.

The Midnight Walk doesn't always succeed as a game, but as a story and an art form, it draws you in effortlessly. It's a brilliantly atmospheric adventure that makes up for limited gameplay with emotional peaks that'll make you question everything you've just witnessed and done. The Midnight Walk might be a shorter path than I first thought, but it's not one I'll be forgetting.

Yes, at times you'll probably need some air if you don't want to lose your head completely. But Airhead is still worth all the hardship.

It's hard to do anything but recommend Clash to anyone familiar with the studio's wacky games, or those who happen to have an Apple device of almost any kind and could use a bit of a laugh.

Revenge of the Savage Planet is a really lovely action-adventure with plenty of hidden experiences. It's wonderfully chaotic, especially side-by-side with a friend, but can also be enjoyed alone if you just want to explore the unexplored planets at your own pace. It's a game that puts a smile on your face as it's just a happy game and doesn't work against the player it's playing with. So, if you liked Journey to the Savage Planet, this is a no-brainer - you won't be disappointed.

Monument Valley has rightfully earned its reputation. Thanks to its artistic depth and unique puzzle mechanics, it's more of an experience than a conventional game. Its breathtaking visuals and engaging puzzles leave a lasting impression.

Monument Valley has rightfully earned its reputation. Thanks to its artistic depth and unique puzzle mechanics, it's more of an experience than a conventional game. Its breathtaking visuals and engaging puzzles leave a lasting impression.

It's a more concentrated and slightly simpler game than its brilliant second instalment, which really expanded every part and is better in my opinion. But if you scale it all down, it's still the same concept. You're treated to fantastic puzzles and a really nice facelift that makes it definitely worth experiencing. Even if it was then followed by something more grand and even better.

If you're a big fan of puzzle-platformers, Once Upon a Puppet might be an okay experience - others should probably avoid this otherwise unique theatre adventure.

As much as I like Metro 2033 and as much as I wanted La Quimera to be a "new Crysis" or a "new Killzone", there's no getting away from the fact that in my world this is more like an asset dump in the Unreal engine, crammed with poor design choices, useless enemies, generic gameplay and a lousy story.

If you already own the original and can take advantage of the "cheaper" upgrade path then it's not exactly a big risk if you are looking for a reason to return to Oregon and to replay Deacon's adventure. However, if you're going to snag this at full price, you'd be just as well to look to the original instead, as the best part of Days Gone is still very much the storyline.

DeadToast is a developer that knows how to do simple things but very, very well. Shotgun Cop Man, like My Friend Pedro, is a thoroughly entertaining action platformer that doesn't require much of your time and yet feels effortlessly replayable and fun. The thumping metal soundtrack and the simplistic art direction work wonderfully in the game's favour (even if the bullet hell is sometimes a bit much to track, but when isn't that the case for bullet hell games?), and the way it constantly manages to build and introduce new systems, traps, enemies, and weapons means that you never become bored or tired of the formula. This is another fabulous indie action game from a developer that I truly wish we could see games from on a more frequent basis than once every five-to-six years.