Death end Re;Quest is good mix between an original J-RPG and a visual novel, with two different heroes.

The best Street Fighter IV version, one of the best VS fighting games to date... in the worst port ever! On PS4, there are drawbacks in every aspect of the game. Such a shame for such a great game.

Might & Magic X offers an average gameplay with some good intentions, but it is poor in terms of graphics and unbalanced in its difficulty curve.

The Elder Scrolls Online is probably the weirdest MMO I've played in ages. It is constantly torn between its solo RPG origin and the need to provide the usual MMO package "a la WoW". In the end though, it is highly enjoyable to play, and nobody will be bored in embarking on this adventure.

Aragami is a good stealth game, with a nice use of the shadow zones. The narration is good, the visuals too, but the game suffers some technical issues.

Unit 13 has no real competitor on PS Vita, and that's why you may want to give it a try. Even if it lacks a real personality and real good ideas, it does the job with great application and some success. The result: nice gameplay, excellent controls, average graphics... all that in many missions that can finally takes a lot of fun to play. Do not expect anything huge, but at least the headshots series you need to wait until a real good shooter appears on the next-generation portable.

Beyond the chance to catch up with iconic heroines, Life is Strange Reunion brings fans full circle with a duo they’ve grown up with—and, potentially, with the entire franchise. This fifth installment thus oscillates between emotion and frustration. Deck Nine takes great care to give Max and Chloe the most satisfying conclusion possible for fans, but unfortunately gets lost in a branching storyline it never quite manages to fully control. We’re left with pacing issues and unbalanced storylines, weighed down by ever-present visual glitches. It’s hard, however, to deny the joy as a fan, as the chemistry between the heroines remains as strong as ever. Despite a few missteps, we dive in with pleasure and excitement into a chapter that reignites the experience that moved us 11 years ago.

If it wasn't playable in VR, Farpoint would be an average and quite basic first person shooter... but it is in VR, and once you put the PSVR on your head and the Aim Controller in your hands, it really makes a difference. We can feel that there is so much better things to come for VR shooters in the future, but for now, even with its flaws, Farpoint is unmissable if you already own a PSVR.

I found this on Desura, an indie-only Steam-like, and it could raise an interest among several people : an adventure game where a metalhead is trying to survive a zombie invasion. The two australian developers are aiming at giving us fun, and I must confess that the dialogs and brilliant situations are, indeed, quite funny. It's not hilarious, but it's nice. other than that, sure the 8-bit metal music feels weird, and the visuals are clearly ugly... but one can get used to it, and if it wasn't for the quite perfectible interface, it's 6 hours of decent fun and adventure for a very low price.

A charming introduction to a potential great adventure game. This free episode sure deserves to be played in order to discover its quite pleasing arts and music. After Silence, we sure want to see what's next in the three next chapters.

Little Inferno is a funny, comforting and overall artful way to consume many kinds of intricate materials, including some (good) time, alone or with warm-hearted friends gathered around the fireplace.

Sold as a Metal Gear Solid parody, Never Stop Sneakin' delivers mission after mission of some top down infiltration fun with retro visuals which clearly act as a strong homage to the PlayStation console. Strong as it can be within its first hours, the game runs short of ideas before we really expect it to, perhaps acting too generously too early to keep up with the genre.

Bridge Constructor Portal is a very nice fusion between two series which offers clever architectural puzzles mixed with Valve's beloved franchise twists. Accessible, pedagogue, user-friendly and delivering a very strong content, the game might be interesting even for the non-fans of the genre.

NBA 2K22 is good, undoubtedly that is undeniable. On current-gen, the game is fine and broadly follows what the next-gen version offers, minus the power and graphics quality. The latter offers challenging gameplay for novices but so much more balanced for purists. Finally, only VCs, untimely loading times (again) and a technical quality that is not always irreproachable in certain areas (facial expressions) to cast a little shadow on this new component, which cannot end elsewhere but at home if you like basketball... No revolution this year, though.

God Eater 3 is a pretty decent Monster Hunter-like, but the game seems so old in terms of gameplay and visuals.

One Piece deserves much better than this opportunist and disappointing multi-platform port of a title released last year in Japan on 3DS.

DriveClub could have been just an average racer if it didn't offer all these excellent community features. The whole point of the game is here, and that's a good one.

After the very nice Evil Dead The Game, The Texas Chain Saw Massacre proves that we can adapt a legendary work without destroying it. The game is clearly a nice homage to Tobe Hooper's cult Texas Chainsaw Massacre. We find all the ingredients of the feature film between the locations, the objects which become mechanics (chicken cages, bones etc.), the grain of madness that we can have during certain parts and characters who are more careful than in the usual for the genre. Playing as a member of the Family is inevitably easier, but being on the Victim side brings another tension. A good immersion in this universe, and that of asymmetrical horror games, but which suffers from its blatant lack of content, the animations and modeling of the characters, and its too clean image. It would clearly have been necessary to dirty the visuals to further improve the atmosphere. If you're a fan and you start it, you should enjoy your few games, but for how long?

Transference offers a unique experience. If it scares away with now known gimmicks, its unhealthy atmosphere, exploded storytelling and the imagination left to the player as well as the meta aspect of browsing a faulty software in a video game make it a unique and successful experience.

If you liked playing Zombies in Left 4 Dead, you may like this nice surprise of a game, Brainsss. You control hordes of zombies and complete various objectives using the street topography and touch controls. With inspired visuals and various elements to spice things up as you progress, Brainsss is a very good iOS game.

Affordable, yet masterfully produced, with a very strong visual identity, this action puzzle game offers an unusual gameplay that works surprisingly well when grasped. It's a very nice, well-priced game that offers 4 to 5 hours of gameplay for puzzle and scoring aficionados.

Portal Knights is a nice Minecraft-like that tries to implement an adventure, even if it fails to tell a real good story.

Unfortunately, behind its beautiful backgrounds and melancholic soundtrack, Pinstripe forgot to be a solid platformer. Clumsy controls, basic puzzles and soporific fights forbid the player to experience its tearful message all the way through.

Certainly, this console version is technically behind the PC. But that does not detract from the qualities of the simulation. Despite a slightly disappointing framerate, we still manage to identify the limits and behavior of each vehicle. It is also all the salt of Assetto Corsa Competizione ; Drive safely and consistently while harnessing the strengths and weaknesses of the car. We swap pure performance for driving intelligence and that's for the better.

EVE Valkyrie offers excellent sensations of space combat, but it's a shame the solo campaign is so short, even if the multiplayer mode is solid and engaging.

The Medium is a very good horror narrative game, despites somes riddles that may be too simple, and the dual reality mechanics may not be as original as expected.

Quotation forthcoming.

CRUSH3D is not only characters that look like the ones of my german schoolbooks, it's also a very good way to relive those horribly solitary moments, standing in front of the blackboard, trying to solve some math problem in front of everybody. It's so difficult that you may get a headache from playing it, trying to use the perspective, and to play with the size of 2D and 3D elements in order to progress in the subconscious of the hero. It's smart level design, no doubt, but the overall art direction isn't really strong, and the difficulty may seem too much too soon. Those who will stick around despite those shortcomings will find true bliss in torturing their brains in order to wrap them up around it.