Thanks to a brand new control system Smash Cops feels really good and reminds of the Criterion's games atmospheres.

Midnight Carnival is a quite interesting sequel in the LocoRoco series, with new gameplay elements that improve the game rhythm and variety.

Despite the considerable ambitions of the project by Raphael Colantonio and his WolfEye Studios, Weird West fails to best express the potential of a creative vision that is as multifaceted as it is unsustainable, at least for the current production structure of the team.

Inspired to dungeon crawler classics, it struggles to find its own identity. The entry price is really cheap, so, if you like the genre, you'll probably want to try it for yourself, and chances are high that you find some good in it.

If what you are looking for is a fresh incentive to start a new campaign with gusto, perhaps it is better to wait for the arrival of the next more substantial expansion, which will probably be dedicated to Arabia.

Curious Expedition 2 followed in the footsteps of its predecessor, undoubtedly improving its playful formula and expanding the scope of the offer.

Dark Side exalt the classic formula of this old franchise, trying to convince the player with an "obscure" turn. Too bad the story is unworthy and futile.

Silent Hill gives its best in this disturbing and psychological adventure. Even on Psp the reboot is great.

The Bridge is a rare gem in terms of style and game design; the value of which, however, is overshadowed by a slightly oversized selling price.

Quotation forthcoming.

A good first step, but it leaves us dumbfounded in too many moments and on too many points.

An intriguing starter, but with a few too many defects.

Batman: Return to Arkham includes the first two episodes of the franchise, of course with all the DLC and content released so far. The graphical improvements are impressive, with new models and animations.

So charming, yet so imperfect.

Fantasy Life is part RPG and part Animal Crossing. It's not well balanced as the aforementioned title, as the mini-games can be a little bit too repetitious, but has its moments.

Quotation forthcoming.

HarmoKnight Rhythm Game is a simple but funny game, which retrieves some elements of the genre to liven successfully its extreme minimal is.

It doesn't come without it flaws, but it's still an interesting hunting game, bestowed with a well crafted narration.

A final note of merit also goes to the solidity and stability of the code, which during our test has never allowed us to glimpse any imperfection, much less declines in framerates. While not making a miracle cry, GRID appears sufficiently solid (at least on PS4 Pro) also from a technical point of view.

Beyond the jokes and humor - another strong point of the series in the last period, Ivor brings numerous revelations about the recent vicissitudes of Beacontown.

Scribblenauts Unlimited is nothing special. Simply a Wii U porting of a well known game.

Crazy architecture and dilapidated neighborhoods are the backdrop to neo-noir mysteries told through well-written characters, some unforgettable, others simply characteristic.

Greymoor is an expansion in line with the others that preceded it. As usual, it enjoys a well-kept and pleasant setting to explore, in addition it brings to mind the memories of Skyrim and enriches them with the underground caves of Blackreach, expanded and revisited compared to The Elder Scrolls V.

Vile Monarch packs an experience that manages to stand out in the panorama of post-apocalyptic themed city builders, at least on the aesthetic front. From the point of view of the gameplay we would have preferred to see carried forward that vein of innovation that distinguishes the management side of relations between clans. Unfortunately, on the whole, the game has been able to capture the most successful aspects of other exponents of the genre to which it refers, without daring to detach itself from playful elements already repeatedly proposed over the last few years. In any case, city builder fans may appreciate Floodland for the solidity of the mechanics implemented and for its vision of a future that is anything but surreal.

Disney Illusion Island is a good family entertainment title, with the addition of up to four player co-op making the experience even more immersive. On the other hand, the basic repetitiveness is very evident in the first part of the adventure, except to recover in the second part, at the end of the entire journey. The playful flatness of the four characters, net of the pleasant visual differentiations, weakens the inventiveness of a smooth and pleasant gameplay. With a little forethought and added depth, Disney Illusion Island could have been so much more magical.

With its varied levels, colorful and never really hostile, Star Allies is an experience designed primarily for a very young audience and perhaps not yet accustomed to the beauty of platformers in two dimensions.

We repeat: approach Martha is Dead with the right awareness. It is a work that thrives on illusions, which often changes appearance, which suggests playful stimuli and then moves elsewhere, in a schizophrenia that deceives but involves. It is a cruel game, narratively imperfect, and at the same time quite courageous, as well as not very lenient towards the (very difficult and very delicate) subject it deals with. Get closer to Luca Dalcò's creature knowing that an adventure awaits you where lies and truth move in symbiosis, in a whirlwind of verbal, physical and mental violence. It hurts. Martha is Dead hurts a lot.

The whole contest is greatly recreated, but the puzzles and riddles are not that smart.