PlayStation VR Worlds is one of the least interesting launch titles for PlayStation VR. And not because the five experiences it contains are poorly developed. Yet, their brevity almost disarming, and in the end it's impossible to feel satisfied by a collection of tech demos.

A horror game that won't provide any thrill.

Its arcadey mechanics are just not fun enough, and there are also technical issues to be taken into account. Sadly, not a good experience for Vita owners.

To the serious shortcomings already mentioned we must then add a survey of inadequate body movements and a roguelike component capable not so much of raising the challenge rate, but rather the frustration level reached by the player.

It's a basic shoot'em up, lacking a quirk that could make it emerge from the masses.

Although rich in content and resting on solid foundations, the Switch version of MotoGP 18 disappoints expectations with a poor technical conversion and without the now-essential online mode.

Shaun White Skateboaring fails in so many ways, from the gameplay to its lackluster technic, that it cannot appeal not only the average gamer, but even those who love the genre.

It may lack depth in gameplay, and even the visual can get repetitive quite quickly. Still, gameplay is interesting, and perfectly entwined with narration, as the title may suggest, and that's a great achievement.

A strange bi-dimensional shooter that plays with gravity and testes player's reflexes. There aren't enough maps and modes to properly support the main idea, though.

Gord is a fascinating product, both thanks to its imagination and thanks to the playful elements that characterize it. What initially might appear as a rather basic real-time strategy game is actually a sort of colony simulator, which calls for you to face adverse events decisively and to use the available resources wisely. The leading role reserved for micromanagement could be very intriguing for those more accustomed to the genre, less so for newbies. Gord can be exhausting at times, but he certainly offers a unique experience.

Pokemon Rumble is definitely not a title with a strong appeal. Banal background that leads inexorably to a repetitive gameplay, combined with the simplification or the absence of some key aspects of this genre of games, such as the growth of the Pokemon, makes Pokemon Rumble a disappointing WiiWare.

Ultimately, On The Run! it is a dignified product, aware of its limitations and aimed mainly at a very young audience. For this Crash Bandicoot mobile trip, in any case, we would have liked a little more balance and liveliness anyway.

A rich narrative composition, multifaceted and enveloping, is the setting for a frenetic and amusing gameplay, which draws strength from a surprisingly effective movement system, able to offer a unique flavor both to combat and exploration.

Transformers: Dark of the Moon is one of the usual and trivial tie-in that hit the market. Gameplay mechanics gives some fun but the global experience is not really good in the end.

It's almost unplayable, and that's a real shame, since the graphic and artistic compartments are oh so good.

It's entertaining, at times, but its contents are way too thin to last.

The Starship Damrey is a wasted opportunity. The plot is great, but the gameplay is far too limited. The adventure gamers will be disappointed. Recommended to fans of science fiction and those who grew up with the Alien movies.

Chamber of Time is in fact a runaway-style dungeon crawler with good arrows to its arch, sliding and light, but very rigid in structure and decidedly elementary in its construction of gameplay.

Despite the interesting themes of the homonymous TV show, the game can't free itself from The Legend of Zelda: A Link to the Past's legacy, resulting in a sort of improper parody.

Poor graphics, a not functional gameplay and an exaggerated focus on pay-to-win mechanics made Blacklight Retribution a not too convincing free-to-play.

The game interface continues to be quite confusing.

Although with some facilities, the level of challenge offered by Oddworld: Munch's Oddysse remains satisfactory, capable of creating some headaches for users particularly prone to collecting.

Gameplay does not, however, keep up with the irony of production, and after half a dozen games you realize it's deeply limited.

The plot and the script are surely interesting, but the adventure is short and the puzzles aren't that interesting.

Quotation forthcoming.

A missed opportunity to exploit the videogame medium to talk about something important, relevant and extremely current.

Strange and funny, complex and disturbing, Way of The Samurai 4 is an interesting take on the genre, but it features silly situations and a poor combat system.

It's still a ton of fun, since the fights are well animated and fun to play, but the conversion isn't as good as we hoped.