A series of elementary inattentions in game design echo a dull and decidedly non-dynamic open world.

All Points Bulletin is a big disappointment: great ideas wiped out by poor gameplay mechanics and shallow content. Everything in this game cries out loud for a better implementation which will eventually arrive, according to the programmers, but which is at the moment unforgivable. On top of all this, the fun will be over after few hours since APB plays on only 2 maps and few repeatable quests.

The fate of Mars or Die! is in short in the hands of developers: additional content ... or death!

The new open world structure works well, and the less linear experience really shines. A great simulation, different than any other you've tried before.

An excellent videogame supplement, cared for and always fun, varied and intelligent.

Defenders of Ardania is a good tower defense game set in the Majesty world. Some good ideas on the gameplay side mix a classic formula with some RTS elements. Too bad for the poor technical realization.

Far far away from the Ultimate Ninja Storm quality standards. Japan Studio production lacks in variety, combat system functionality and grapics. In other words a complete delusion.

Horizon has some good ideas, but no identity at all. Key features of the genre are missing, and the experience is poor and incomplete.

The setting and the story are so far away from European Culture that players will barely understand the spirit of the game. Plus, creepy graphics and an old-gen gameplay pull the product down.

Lost Planet 3 is a mediocre shooter that confirms all doubts in recent months about the capabilities of Spark Unlimited.

Sadly, this porting doesn't show enough care from its creators, especially when it comes to the graphics.

Linked to an already fluctuating production at the time of its debut, Gargoyles Remastered offers a pleasant graphic and sound restoration, not failing to add to the mix interesting possibilities such as real-time rewinding of the action. Unfortunately, however, it shows all the years of the original title and therefore, given its obvious limitations, it could struggle to attract the attention of anyone who was not a die-hard fan of the Mega Drive classic.

The Lord of the Rings: Aragorn's Quest is suitable only for fans of Tolkien's saga (or for young videoplayers). If you play it with a friend the fun will grow exponentially, but certainly don't expect to remember this game for years to come.

The last Milestone's work is indeed one of the most entertaining arcade racing experiences in recent years, and if you have a few friends with whom to share the experience online via PlayStation Network or Xbox Live, the purchase is recommended without hesitation.

The main objective of the work has been achieved, albeit with some hesitancy, and we therefore consider it necessary to reward the will of a new but extremely courageous study.

Dynasty Warriors 7 is the same even this year: same repetitive-button mashing gameplay, same old graphics engine. Despite the story and the cultural facts behind a truly no-sense game, especially in 2011.

Every single aspect of production seems a clear step backwards from the development team's past.

Whether you're interested or not in the voyeurism the saga offers, the formula is terribly repetitive to keep you interested for long.

Space Hulk: Deathwing is a game clearly developed without care and passion: the only two positive features are the storyline and the beautiful mood of the series.

There was a chance here to make right a game that, even in the days of the old generation, didn't shine. Sadly, it's wasted, and what we're left with is just some mere add-ons and a light hand of HD polish.

This Joe Danger-like arcade racing lands on 3DS without much to say. No level editor and a basic gameplay.

Black Legend certainly starts from an interesting idea. The problem is that it remains an idea.

Our hope is that the Aquria team will soon be able to remedy the catastrophic technical sector, which currently degrades the latest incarnation of the SAO Gameverse.

It tries at every step to be interesting, innovative and intriguing, but the flawed and boring combat system and the abysmal graphics drag down the good plot. A Game of Thrones is viable only for the true fans of the series. The forgiving kind.

Evaluating Wanted: Dead means coming to terms with the past of the action genre. We repeat: we had a lot of fun during the most excited moments, fighting against some of the more particular bosses, or noticing the constant references to pop, cyberpunk and the history of video games from the 2000s. Unfortunately, however, the weight of technical inaccuracies and the The inconsistency of the plot, the slowness of the interludes between one explosion of violence and the next, are evidently out of tune and condition the charm of an experience which in any case is capable of entertaining the most irredeemable action fans.

Quotation forthcoming.

Peaky Blinders: Mastermind, while not completely convincing and showing the side to many criticisms, tries to give dignity to Steven Knight's series even in this medium so different from that of origin. It does so with a peculiar gameplay that tries an unusual and enjoyable path, but it takes too much to mesh and stops at the most beautiful, a bit like it happens to the less convincing seasons of the mother work.

Nice idea: an "evil" copy of Phantom Hourglass. But without fantasy, soul and a precise control system. Epic Fail?