As someone who can't get enough of the tactics JRPG genre, this is one I couldn't put down.

Xenoblade Chronicles 3D doesn't really belong on the Nintendo 3DS. In fact, Nintendo would have been better off going the other way and doing a "HD" version for the Wii U in the lead up to the next Monolith Software release on that console. But, that aside, this is a classic game, and having that experience on the go is not a bad bonus reason to purchase the New Nintendo 3DS.

I had a lot of fun with Rugby League 26, and it’s not even a sport I follow closely. I have been playing Rugby League games from as far back as the Commodore, with E.T.’s Rugby League (no, not the Spielberg Alien). As I said, the sport lends itself to big hitting, arcade-like fast play, and Rugby League 26 delivers this, and will continue to improve as the patches roll in.

Bioshock: The Collection takes three good to great games and does right by them by providing excellent visuals and all of the extra content for those who want to get even more out of the experience. It is surprising just how well the series holds up today - a testament to the original game design. More than that however, the atmosphere of Bioshock remains strong today and is enhanced by the visual upgrades this collection provides.

What horror games should be. Genuinely unsettling, smart, and intense, it is rare that a horror game aims to break past the jump scares and combat-heavy gameplay and simply tell a creepy story, so it's a small miracle that not only does Corpse Party try, it also largely succeeds.

A surprising mix of old and new, which has managed to once again rekindle my excitement for both the genre and the developer. It may stumble every so often, but Dying Light is still the most fun I’ve had in a while.

Kholat is an atmospheric adventure game that is creepy but really should not be labeled as a horror game. With a wonderful art style and amazing sound effects, Kholat should still please horror fans and adventure game fans alike.

The big question is whether people who have played the game before will get anything out of the upgrade. I do believe there's enough content in there to justify the purchase, and if you're a fan of Warriors games, and somehow missed either of the game's previous releases, you can consider Warriors Orochi 3 Ultimate essential. It really is Koei Tecmo's Smash Bros.

It's not without its issues, but these are the kinds of experiences that really stick in the mind, and I'd rather that that yet another stock-standard action game that neatly fits within structures that we've already seen dozens of times before.

Ultimately, this is a game anyone that loved adventure games will enjoy, and find entertainment in. There are quite a few nods to the Lucasarts/Lucasfilm stable, cameos and a continuation of jokes that have been there since the first Edison encounter. In terms of where it would sit alongside the earlier adventure games, it’s definitely a B-side, but being a B-side to the likes of Monkey Island, Zak McKracken and Day of the Tentacle is still a pretty mean feat.

Helldivers offers plenty of challenges and a great excuse to play with others, and that is when the game is at its best. There is a nice campaign built around the carnage that offers a sense of accomplishment, too, that makes the difficulty worthwhile.

All three BioShock games in the collection contain all the DLC from their original releases and as far as packages go, are as complete as they come. Purely from a content perspective there’s plenty to go around, and most of the time spent is engaging, too. I personally find all three games to be far more interesting as historical artefacts rather than for pure consumption, but it’s nice that they function well as both. And so if you’re just arriving at the series on Switch my recommendation is – if you can stomach the often very graphic violence – definitely play BioShock 1, if you loved the first then consider BioShock 2, and only if you like flying cities and have a yet unsatiated bloodlust, then play BioShock Infinite as well.

On the one hand, A Plague Tale: Innocent tells an intense, and highly interesting story of one of the darkest moments of European history, and the impact that it had on its youngest people. It's evocative, interesting, and benefits from the highest calibre in production standards. On the other hand, it's so committed to a stock standard, safe approach to gameplay that so much of the great work done in the narrative is undermined. A Plague Tale comes so achingly close to the brilliance of a Hellblade, but sadly where Ninja Theory's "blockbuster indie" project is a masterpiece, Armicia's story is "just" a page-turner.

Teenage Mutant Ninja Turtles: The Cowabunga Collection does right by the retro collection format, although at around $60-$70, even for digital, it’s on the pricier side, which won’t sit well with too many gamers, I suspect. That’s a pity, because it’s the kind of historical approach to curation that I wish more companies would take seriously.

I’ve seen more than a few people express surprise that Terra Nil is a Devolver Digital-published work, and I’m really not sure what they understand about the company. This is a game that gently reinforces a fundamentally positive and progressive view of the world and does so by transgressing the status quo and challenging expectations of both genre and theme. That has always been Devolver’s MO, and Terra Nil is perhaps the most important and timely project in its catalogue to date.

Kitaria Fables is a warm, genuine delight. It’s not trying to tell you something deep about the world. Nor is it looking to spark debates over hard modes or subversion. It’s not aiming to challenge, belittle, insult or offend. The game’s just there to give people of all ages a chance to go on fun little quests together, as adorable little animals, with a garden of veggie delights to look forward to coming back to. It might just be the sweetest and most innocent Rune Factory or Harvest Moon I’ve come across, and that’s really saying something, since this entire "genre", such as it is, is entirely built up around wholesomeness.

A smart mixture of Warhammer strategy and American Football, BB 2 combines the nuance of turn-based skill with perceptive risk management to create a game that is equal parts joy and pain to figure out.

Toys for Bob has clearly done an excellent job bringing Spyro to the modern audience. The story, world, characters and gameplay are exactly as they were twenty years ago with just the right amount of new paint to dazzle both veterans and newcomers alike. The inclusion of all three games in the trilogy provides the player the opportunity to see how the series grew and developed, and creates hours of fun in the vividly colourful world of dragons.

It's good. It's really, really good.

Etrian Mystery Dungeon is a terrible Etrian Odyssey game, missing the point entirely in what an Etrian Odyssey game is meant to offer. But as a roguelike, it is such a clean, traditional example of the genre that I found it very difficult to put down.

Challenging, rewarding, gorgeous and culturally authentic, GetsuFumaDen is one of the most enjoyable roguelikes I’ve played. Mechanically it doesn’t do much to challenge or reinvent the formula, but it streamlines it beautifully. Meanwhile, it offers a vivid and detailed, classical take on Japanese art styles and the Hyakki Yagyō storytelling tradition. As a starting point for learning more about both these things, you couldn’t ask for something more inspired.

I loved the first Battle Academy, and while the sequel doesn't do much more than adding new maps and scenarios, that's more than enough. Slitherine already has the premier wargames on the iPad, and now it has one more.

DmC might have been better received had it been built under a different name - at the very least it might have escaped some scrutiny from fans of the original games. That being said, what DmC does provide works well and this latest iteration is the best reason to give the game a chance if you have not yet done so.

Risk System is something of a connoisseur’s shoot-em-up, with intelligently designed enemies and bosses that reward careful practice and precise movements. The demanding level of difficulty might cause some initial frustrations, but a determined attitude and a calculated approach to risk will help players emerge victoriously. After a few hours of playing, I was able to effortlessly take down bosses that I’d previously thought of as impossible, and that’s always a great feeling to have.

Donkey Kong Country: Tropical Freeze is delightful and easy to recommend. As I mentioned in my original review of the game, as flawed as I find them to be, I enjoy the personality and tone of the Donkey Kong games more than any other platformers out there. That still holds mostly true to this day. Though I now do turn to Shantae as my primary source of bouncy fun, I’ll always jump at the chance to get some more Donkey Kong on. I’ve greatly enjoyed the chance to play through Tropical Freeze again, though as one of the few that does own a Wii U, and a copy of that game I’ve got to also accept that I’m not really the target audience for such a vanilla porting effort.

It scratches my nostalgia for classic dungeon crawlers, while offering a stiff challenge, and stunning art work that, while I'll never play the game in public because of those pictures, I find to be both amusing and oddly charming.

Colin Thiele’s Storm Boy on the Nintendo Switch is a refreshing take on a classic tale, backed by high production values and a keen eye for beauty. Its brief runtime and interactivity could make it a great resource in the classroom as a companion to a study of the book, while parents are also recommended to pick this one up to play alongside their children.

All in all, Hyperdimension Neptunia U: Action Unleashed does a really solid job of bringing colourful characters from the series into a new style of game.