It is the one game like this that reminds us that games are an art form. The only question is whether you’re looking to experience a true work of art, or have a bit of fun. If you fall into the latter camp, stay well away.

It’s the grandest vision for the series to date, and adds an entertaining dash of culture shock to the exceptional, and unique blend of the best noir this side of Raymond Chandler and the surreal, offbeat, sharp humour. Once again, it really should be the last adventure for these heroes, and yet if the writers at Ryu ga Gotoku have more plans for them yet, be that somehow more sequels, prequels, or spinoffs, I am quite sure they’ll be able to hook us in all over again.

I cannot thank the developer enough for The Town of Light. Not only are we beginning to acknowledge the injustices our ancestors committed, we are exploring how to prevent it from happening again by telling these important stories instead of burying them.

No game, film, book or otherwise has been more effectively in capturing what the experience of exploring the universe must be. Lonely, hostile and unforgiving, Hello Game’s effort works so hard to reject the convention on how games are made that it’s easy to understand why people expecting something more traditional might come away disappointed.

Bury Me, My Love is a remarkable exercise in building empathy. It’s a simple game, but so much more razor focused and successful at creating authenticity than most games that have budgets of a hundred million. Most importantly, however, is that no game is telling a story of greater importance to the world at the moment than Bury Me, My Love. The games industry and those who play games keep arguing that there's the potential for video games to have the emotional power and potential to be the next great art form. Here’s your proof.

A Rose in the Twilight is, in its entirety, a metaphor for the rose itself; it’s a truly beautiful masterpiece, but it’s also a gothic kind of beauty, in that it’s more than happy to stab you sharply, even as you appreciate everything about it. It’s a ravishing, masterful work, that will be played by just a handful, but hopefully remembered for a long time to come.

I really loved the moment-to-moment movement of The Last of Us 2. I enjoyed plotting my way around, trying to minimise the amount of combat I needed to get into. I loved the rhythms and structure of the game, and as one of the final big shows for the PlayStation 4, it makes me wonder why we’re even bothering with a “next generation.”

Europa Universalis IV is the finest strategy game on the market. And it just got better.

Though the play room is where it's at its most pure, that sense of playfulness runs through the entirety of Astro Bot: Rescue Mission, from its creative level design and innovative use of VR to its cute characters, awe-inspiring environments, and subtle dose of black humour. Pure, joyful escapism doesn't get much better than this.

Nothing about Space Invaders Extreme is fundamentally different to how it was in Space Invaders, but it is the greatest arcade game packaged up in a way that the modern audience will find it palatable. Hopefully people are still playing this 40 years down the track, as I am still playing the original, because it deserves to be. It's just that good.

I don't have much to say about Death Stranding that I didn't already say back in 2019. The game remains the excellent and unique piece of art that it is. The "Director's Cut" stuff is an absolute bust and I'm disappointed that such cynical "blockbusterisms" have been applied to Kojima's work in particular. However, this is more than outweighed by the utterly different tone that eminates from the game, now that it comes across as reflective rather than prophetic. It might be sobering, but it's worth musing over.

Untitled Goose Game is the most charmingly misanthropic game that has ever been created - and that's something I didn't even think was possible.

I cannot say enough good things about Caravan SandWitch. It is a top-tier chill game. You can tell the instant Sauge steps foot on Cigalo: it’s especially calm for a post-apocalyptic planet, save for a massive storm brewing far out. The very few elements that didn’t work in my favour aren’t enough to even consider lowering my score for the game. That yellow van is instantly iconic the second you lay eyes on any visual of it. Caravan SandWitch has simple controls, colourful graphics, and oddly enough no sense of pending doom (despite Cigalo being on the edge of extinction.)

Because I was so emotionally invested in the game, I started to lose time while I was playing it. I don’t think it’s an overly long game, but I do think that its length will be wholly dependent on how good you are at understanding its logic and puzzles. It wouldn’t matter if it was over in an hour, though. The game is deep, meaningful, and powerful. It’s reflective, different, and beautiful. It may well end up being more divisive than Ueda’s previous masterpieces, but that doesn’t mean it’s not a masterpiece, from one of the industry’s true auteurs. Play this game. Even if you hate it, it’s going to broaden your horizons around what games are truly capable of.

I already know that this will be my most-played game on the Switch over the longer term. Once you start playing Civilization, it has the most incredible ability to make you lose all sense of time, and desire to play anything else.

Where the Arland series introduced me to Atelier, it was the Dusk series that really solidified in my mind that it really had become my favourite JRPG property. By the end of Shallie I was six titles in and knew I would play anything else that came out of Gust the second it landed. If you're one of those that is new to Atelier (and thanks to Ryza I know that there are a lot of you out there), then here's your chance to catch up on three of the most distinctive and interesting JRPGs of the PlayStation 3 era.

The best art tells us something of relevance to the world around us. Banishers: Ghosts of New Eden is a dark and intense fantasy of ghosts, vengeance, and human resilience through the bleakest of nightmares. It’s unfortunate that it offers such a strong allegory to the real world, yet it does and that makes it all the more thought-provoking, however inadvertent it was for the developers. Thankfully it’s also exceptionally good to play, even as it challenges your intellect and moral core.

Trails Through Daybreak is a new starting point for a new, epic arc (with the second chapter already out in Japan). By the end of it, I was not only invested in the new characters and contribution to the Legend Of Heroes history that was being created through their actions, but I wanted to go back and replay all the rest of the games in this series all over again. More than a single game, The Legend of Heroes is an expansive project, and it’s inspiring every time I get to play one.

Steins;Gate has a deep and interesting story to tell and does so through characters worth investing in. The writing is excellent, the presentation folds seamlessly into the rest of the package and the game itself will stick with you long after you have reached its conclusion. It remains, years after its original release, one of the best visual novels available on any platform.

The story is beautifully haunting, with flawed characters yet a deep undercurrent of pure, unadulterated love. It is about taking time for emotions to ebb and flow before moving from one scene to another. About understanding what motivates a person’s actions. About life and death and every incredible or miserable memorable moment. On a personal level, Fragments of Him has reminded me to be kind and empathetic, and love with my whole heart; my life has been made better through the experience.

Steins;Gate Elite is not only the perfect visual novel improved, but it's also a shining example of what the top tier of visual novels should look like.

As I said at the start of the review, Star Ocean 2 is the masterpiece of this series. As a hardened, die-hard Star Ocean fan, I can even excuse the fifth entry in the series in my head, and almost no one likes that one. However, the second occupies a particularly special spot in the upper echelons of the genre. With this remake, Star Ocean The Second Story R, the original has been modernised in the most clever and appropriate way, maintaining all the great qualities that people remember from the PlayStation 1, while giving the aesthetics a luxurious overhaul that makes the game comparable as an artistic endeavour to the finest of the genre today. This is, simply, not something that someone with even a passing interest in JRPGs should overlook.

In the end I came to the same conclusion now that I did back then: I had fun with the game itself, but it was the narrative that will no doubt be what sticks with me for some time.

As someone who has been a lifelong fan of Final Fantasy, World of Final Fantasy was specifically designed for people like me, and I love Square Enix for it. Respectful of its heritage, but creative with how it presents it, this game has had a far more meaningful impact on me than almost any other game I’ve played this year. So, thank you, Square Enix. It feels like a gift.

Really, the best way to describe Everything is that it’s a game that lets you play as everything. I don’t mean that in the sense that you can play as anything, though you can do that (at least, any of roughly 1000 different things coded into the game). Rather, I mean that it’s a game that lets you play as a conceptual Everything – that one grand, all-encompassing thing that we are all part of, that binds us together, and that exists within all of us.

Bloodstained is absolutely, unapologetically a game made for Symphony of the Night's many fans, and it lives up to that legacy better than I ever could have hoped for.

Monark is a smart game. It knows it, and it wants you to know it too. Some may well find that it's even pretentious. But it’s also in so many ways a boundary-pushing and innovative experience, and one that I imagine will be unique for a very long time to come. Putting aside the disappointment that comes from realising that it could have attacked with its themes more, I don’t think there is any other way that the creative team could have delivered on a more coherent and compelling vision and, really, it is experiences like Monark that keep me interested in this medium. Don’t let this one pass you by, folks.

I’ve played a lot of visual novels in my time, and a lot of them are favourite games, but I’ve got to say, as a student of Japanese history, and a lover of good storytelling, Hakuoki is right up there with my favourite games ever made. Any game that, after finishing, I can put down and say to myself “if that story was presented to me as a novel I would have loved it just as much,” is a good game, as far as I’m concerned.