Left Alive is a bundle of genuinely brilliant ideas, let down by frequently shoddy execution. A resoundingly anti-war war game, with a deep understanding of the way that war complicates personal and societal morality, Left Alive asks all the right questions that a game about war should. It also does a great job of making that sense of survival as desperate as it should. If only there was the technical competence behind it, to support those great ideas.

Eternity is a misfire. It's such a pity to see a project that had such good intentions fall to the wayside, but it's hard to share the feeling that for a new developer, making its first game, Eternity is an overreach in just about every way. I'm sure we'll see something much more refined and mature next time around.

Assault Android Cactus' greatest weakness is that it defines itself as an "arcade dual stick shooter" in such a traditional fashion that it's limited by that. The game's greatest strength is that it is so slick, smooth, and energetic that its limitations don't matter in the slightest. This is one cracking game.

Its simplistic combat and dull mission structures mean it quickly runs out of steam for anything other than quick bursts of play, and the Switch has plenty of games that can fill that need in a far more compelling way.

Stellaris is an aesthetically beautiful and rich in storytelling, and I'm fully enamoured to it. It plays beautifully on console, and it's the kind of game that's impossible to put down once you start playing.

Combine the uninspired enemies and level design with a checkpoint system that’s more than happy to erase half an hour of progress if you die midway through a run, and you’ll find that RemiLore becomes a game that’s more tedium than fun.

Devil May Cry 5 is exactly what we’ve come to expect of the series. In fact, if anything it feels like the developers were that terrified of repeating the response to Ninja Theory’s DMC, that they’ve gone overboard on being traditional. But then, with such a slick, enjoyable combat system, and all the witty banter that you could ever want in a game, DMC 5 is a fine way to bring the series roaring back after a decade in limbo.

This game is a false promise and a poorly executed mess.

Despite the dull combat system and the infuriating card collecting mechanic, it manages to tell a fascinating and surprisingly relatable story that should be experienced at least once.

An unapologetically smart and thoughtful game, one that's happy to be philosophical, and one that's willing to make you work to truly dig into what makes it so wonderful. It's like a work of literature in that way, as opposed to a page-turning novel, and it commands (and deserves) respect for that.

Dead or Alive 6 is amazing. It’s the best looking fighting game out there, bar none, and has a combat system that is both instantly accessible for newcomers, without feeling condescending, and yet also offering plenty of depth and complexity for experienced fans. It’s not perfect; the story mode is enjoyable but slightly undercooked, and one suspects that we’ll have to wait until pretty deep into the DLC strategy for the real over-the-top humour that the series is most famous for to start to really shine through. But then, those criticisms also applied to Dead or Alive 5, and that was a game that I played on an almost weekly basis for six years. I can’t see Dead or Alive 6 being any different.

Meow Motors has its issues, but overall, it gets away with it all. It's a bright, colourful, charming and cheap little kart racer that kids can enjoy, and people who never seem to tire of kart racers will have a compulsive need to buy and mess around with. As we wait for the PlayStation 4 to finally have a great kart racer (Crash Team Racing is on its way), Meow Motors is nothing to cough up a hairball over.

Jump Force fulfils its central purpose - anime fighting - splendidly. Instead of focusing on that brilliance, the developers piled disconnected features from other games on top. With better utilisation of fanservice and context for the characters present, this could have gone down as Bandai Namco's best outing in the category, but the love still shines through.

If you can get a group together, then Hell Warders is a lot of fun that you won’t soon forget. The action is tight, the challenges is robust, and the setting is impeccable. For single player tower defence, there are better options on the Switch (namely PixelJunk Monsters 2), but nonetheless there’s a lot of effort and talent that has gone into Hell Warders.

It still tells a potent, important story, and looks the part, but I fear the only thing people are going to notice as they play is how unrefined and often downright irritating they find the button-pressing bits, because they are so poor they completely overwhelm the stuff that players should be focusing on instead.

It's actually refreshing playing a game that doesn't try to be expansive, and instead focuses on neat, high quality gameplay loops.

Far Cry New Dawn while being a great experience feels more like an expansion to Far Cry 5 than it does its own stand alone title. This is not a bad thing, but if it had to be compared? It would be like saying New Dawn is equivalent to The Witcher 3’s Blood & Wine which was a great addition to the main title.

Truly, once you get over the initial hump with Tangledeep, you’re looking at a game that you can play over the long term. If nothing else, it’s lovely to know that there are some developers out there that understand what Rogue when creating their “roguelikes.”

Sadly, Alvastia Chronicles is yet another conceptual failure and broken mess of a game. I admire Kemco for its dedication to the retro aesthetic, and, as the old saying goes, a broken clock is right twice per day. Kemco has produced worthy games in the past through this approach. But while churning bland, derivative, and poorly tested games might work on the mobile space, in a commercial sense, there's nothing of value in Alvastia Chronicles. It's nothing but a drain on a person's time.

Tokyo School Life is a romance visual novel, about a period of time in people's lives that tends to be very nostalgic (and therefore good source material for storytelling). It has moments where it resembles a standard fanservice-heavy visual novel, but it doesn't take long to realise that that's not what the developer was aiming for at all. Instead, Tokyo School Life is a sweet and charming story of warmth and good characterisation... and an earnest and genuine attempt to highlight everything that is great about Japan.

Modern Combat: Blackout isn't a great game by any stretch of the imagination, but it's playable enough, and it's the only military shooter of its kind currently available on the Nintendo Switch. I'd suggest that you're better off with something like Splatoon for competitive hijinks, or City of Brass if you're looking for a simply well-made first person action title.

This is a game designed to make you smile the whole way through. It doesn’t need to challenge you, or to make you prove your expertise – it’s there to remind you of idyllic childhoods, exploring forests and caves and give you that sense of wonder that you once experienced through the old-school top-down adventure game genre. We rarely celebrate games because they are simply, unapologetically joyful, but Reverie is a great place to start, if you’re looking for joy.

With few quirks, Solstice Chronicles is a well-made isometric shooter that effectively cribs an aesthetic that calls to mind a blend of Doom and Aliens. For local multiplayer fun, mowing down the hordes with a mate remains reliably good fun. A shockingly cliché and poorly-constructed narrative, combined with a sense of monotony that sets in far too quickly, does let this game down though. It’s best played in very short bursts, with big breaks in-between sessions.

I respect the developer for what he has done in creating a game to help heal himself. I identify far more than I ever could have expected; Drowning seems to take my thoughts and put them right into the character's head. It's eerie. Accurate. Emotional. Unfortunately, it's also poorly planned, poorly placed, and in some parts, questionably written. There are also graphic choices that remove you from the immersion in emotion that I expected while playing, and sadly, the decent narrative doesn't make up for these glaring issues.

The story and characters that Arcade Spirits presents are wonderful and days after beating it are still floating around in my head. Arcade Spirits packages a lot in its six hour journey and is an example of how a game designed to be inclusive game can be done right.

While Metro Exodus doesn’t do anything wrong as a blockbuster shooter, where the original titles were original and refreshing, Exodus is yet another in a ever-deepening pile, and the Metro franchise deserved better than to be exhausting.

So with New Star Manager you get poor on-field football action, and poor off-field management. Throw in the cheap "typical mobile game" aesthetics and design, and it's hard to understand who would want to play this. People who simply like football would go for FIFA. People who want a management simulator would go for the densely rewarding Football Manager. Both of which are already available on Switch.

To criticise Pocket Academy; things tend to happen more slowly than in some of Kairosoft's other titles. You unlock new buildings and facilities more slowly, and run out of cash more quickly. Time also ticks by at a slower rate. The most directly comparable Kairosoft title, Hot Springs Story, is much more sprightly, and therefore the superior place to start if you're looking for just one Kairosoft sim for your Switch.

It's a surprisingly decent narrative, mind you. BlazBlue has all the typical tropes of youth action anime, with its focus on moving up and down power rankings something overly familiar to anyone who's watched even a few anime titles in the past. But, again, BlazBlue does it convincingly enough that you feel like you're getting a full anime season as part of the game's entry price. Throw in the quality competitive seen, umpteen different alternative gameplay modes, and the sheer size of the roster, all available from the outset, and BlazBlue is going to be hard to put down for a long period of time.

The Switch version runs gorgeously, too.

For those who do understand their 4X genre, however, At The Gates will come across as a breath of fresh air. It's a ground-up rethink on how the genre can work, and what the 4X might look like as applied to the many cultures and civilizations out there that didn't have the imperialist intent that most 4X titles assume. For that, it's one of the most interesting strategy games I've played in years.

Memory of God has created a poignant experience featuring a character type that is rarely explored in the medium. The game’s esoteric story and tedious mechanics might look bad on the surface, but they contribute effectively to the game’s unique tone – and the ending is sure to be something you’ll remember for a long time.

This developer/ publisher understands the Grimm aesthetic and structure better than anyone else out there.

Song of Memories does have an excellent combat system and lite JRPG mechanics. It also has its moments where it's genuinely amusing, and the contrast between the monster story and the fan service-rich romance is... eclectic. It's a difficult game to really pin down, but for those that can let the oddity of it all wash over them, it can also be an surprisingly difficult game to put down.

Still, How to Sing to Open Your Heart is worth a look if you want some cute, lighthearted romance. It's full of heartwarming moments backed by fantastic artwork, and even if the attempts at dealing with more serious matter fall short, that's reason enough to join Myana on her adventures.

While there are a lot of standard features for its genre, God Eater 3 is far from standard. Where once this was one of the genre's pretenders, sitting quietly on handheld consoles and developing a small, but dedicated audience, it now looks like Bandai Namco has a series that belongs with Toukiden and Monster Hunter at the very front of the stage.

It's going to be hard seeing Etrian Odyssey go... but it needs to. Without that mapping component, it would lose its core and soul, and with Etrian Odyssey Nexus, we've got a near-complete realisation of everything Etrian Odyssey has stood for for so many years. This is a good place to finish what has become a beloved series for many. Perhaps there will even be another dual screen handheld down the track, but in the meantime, farewell, dear friend!

It’s a pity that there will be some (or many) who will inevitably dismiss Death’s End re;Quest as an anime fan service game, because it has a smart core under those trappings. As a blend of visual novel and JRPG, and as a blend of science fiction and conspiracy thriller that has a good, sharp bite to it, I would have to say this is the most inherently interesting game that Compile Heart has created to date.

There is a superb foundation here for what could become one truly special franchise.

Steins;Gate Elite is not only the perfect visual novel improved, but it's also a shining example of what the top tier of visual novels should look like.

If you’re not well-acquainted with Compile Heart’s shenanigans and you don’t have a vested interest in the franchise, then the Switch version is perhaps not the most seamless introduction to the universe of Furies and Fang.

For those who have played and loved any of the tabletop games over the years that have been based on Lovecraft’s mythos – the tabletop miniatures game that Cthulhu Tactics itself is based on, for example, or Arkham Horror, or the legendary Call of Cthulhu pen-and-paper RPG, Cthulhu Tactics does a remarkable job of capturing that same aesthetic and sense of overwhelming challenge. This game is well and truly worth a look.

I definitely don’t regret the download – even though my Switch is bloated full of titles, I can see myself always coming back to Downwell whenever I need to fill a short five to ten minutes.

The universe of Genesis is vibrant, with distant systems lighting the ship with a beautiful sci-fi glow, and the aliens representing a full intriguing gamut from cockroach-like beasts through to humanoid aliens. This is the kind of game that people who dream of crafting their own space exploration stories, without being dragged through any particular forced narrative, will absolutely love.

Sphinx has aged relatively well. This is the perfect way to introduce newcomers to the game, even if it’s a series that didn’t take off.

If you can push past the sense that Luc Bernard’s art deserves to be associated with something that is so much more, this game is a great filler in between whatever else you’re playing on the Switch.

Legrand Legacy is, in the end, a very playable JRPG. Sadly it's also one of marginal appeal, even to those who grew up playing old JRPGs back in the 32-bit era.

The core action is still exciting and dynamic, with a layered combo system that ensures it's never quite a button masher. Throw in the series' infamously hyperbolic and satirical sexualisation, and you're still left with a good time. There are games that do genuine sexiness better, and there aren't many out there that have the wild, unbound entertainment value of Senran Kagura.

For Christie nuts, The Raven is one of the better attempts to do her style of detective mystery that Christie herself wasn't involved in. It's well performed and convincing, and the age of the game is hardly a concern because, dated as it looks at times, the appeal of this one has to do more about the cerebral. It's all about the storytelling, in other words, and that side of things is spot on.

I’d like to see another Fight of Gods, with improved development competence, but is still happy to be an absurd, irreverent bit of fun. We need those games too, else what would we have to play by the time we got to the second bottle of wine?

The Shrouded Isle is so razor-focused on its darkly original theme that it comes across as quite brave. This isn’t a necessarily uplifting or relaxing game. Nor is it particularly rewarding. It is, however, genuinely clever with how it works within an established genre, and it’s uncompromising in its vision. We need more games that are willing to do that.

As a fan of the original game, this Resident Evil 2 remake has been an utter joy to play. During my time with it, I was constantly in awe of the love and reverence the developers clearly have for the original. The spirit of Resident Evil 2 has been distilled down, concentrated, and reconstituted into this beautiful, hideous experience that completely undermined all my preconceptions. Resident Evil 2 remade is not the cheap B-movie of its predecessor. It eschews the horror-kitsch stylings that made the original games instantly memorable, cuts down the weird, and plays it entirely straight. It can be off-putting. It can feel too serious. But this package delivered by Capcom is undeniably brilliant in its own right. It’s a love letter to survival horror, delivered direct like a bullet to the head.

It's too poor as a bowling simulation to work as a bowling game. It's too lacking in gameplay modes to work as a minigame-driven take on bowling or as a party game. So what's left? Not much, other than the under-developed seeds of something that could have been really great.

Pikuniku is an intriguing game as it takes some heavy concepts and transforms them into something colourfully palatable, with interesting characters and a fun soundtrack.

It's now in its 20th year, but Ace Combat 7 shows that there's plenty of life yet in the series. Neither pure arcade, nor hardcore simulation, it straddles the line it needs to offer both a sense of flight and fast, furious dogfight action, even as it tells a cinematic and genuinely enjoyable story.

Bury Me, My Love is a remarkable exercise in building empathy. It’s a simple game, but so much more razor focused and successful at creating authenticity than most games that have budgets of a hundred million. Most importantly, however, is that no game is telling a story of greater importance to the world at the moment than Bury Me, My Love. The games industry and those who play games keep arguing that there's the potential for video games to have the emotional power and potential to be the next great art form. Here’s your proof.

Travis Strikes Back: No More Heroes isn’t the Lollipop Chainsaw remaster that I’ve been begging Goichi Suda to produce each year over the last four TGS' when I've caught up with him, but it’s a stylish, energetic, amusing and surrealistic return to Suda’s most popular character and “world.” Yes, it might have been a vanity project for a guy that wanted to indulge his love for retro and indie games, but I’ve had a cracking time watching Suda show off just how much of a nerd he really is.

You can get these two great existential crises in one package of fourteen minigames for just 6 AUD on the Nintendo Switch eShop. What a bargain!

Whether this release is testing the water for a return to the series, or it's just a dip into the library to throw out a release in January, Onimusha is one of Capcom's finest and least appreciated. Hopefully with this new version, creaky as it can be at times, the game (and franchise) finds some new fans. It would be great to have Onimusha and Nioh competing side by side to have the premier Japanese dark fantasy crown.

The designers don't seem to have understood how strategy works with card games, and, unfortunately, that's really what differentiates a good TCG from a very poor one.

Given that this is a port to a console, and the Switch has consistent hardware specs across the board, it’s clear the game’s stability wasn’t re-examined prior to its Switch debut. No cheeky philosophical quip is going to make that look anything short of lazy.

For a ten year old game, nothing about Tales of Vesperia feels like it doesn't belong today. The Tales series might be one of the most traditional JRPG properties out there, but when the core is this good, innovation isn't needed.

While New Super Mario Bros. U Deluxe is a repackage of (mostly) existing stuff, with a couple of minor additions designed largely around making the gameplay more accessible for newcomers, and is clearly a filler release on Nintendo's part to capitalise on the post-Christmas lull and appetite for new stuff to play, it's hard to deny its value.

I'm all for adult games, and I'm all for the use of sex and sex themes within a game. Seed of the Dead could have been something really great; the idea of mixing the violence of Killing Floor with the sleazy, trashy humour and theme of a School Girl / Zombie Hunter, taken to the next level, could have made for something extreme and interesting. But Seed of the Dead doesn't work on any level. It's not erotic, it's not exciting, it's not interesting, and it's only just playable.

And in to those players attuned to punishing difficulty and high expectations, Neko Navy feels like three soft hackysacks and an earnest request to have fun. Anyone can play it, anyone can enjoy it, but for the lovers of the SHMUP genre, this is home.

Venture Towns is, mercifully, free of microtransactions and is an odd delight to play on the big screen, where once Kairosoft was restricted to small mobile phone and tablet screens.

RollerCoaster Tycoon: Adventures is pleasant on the eyes, but is in every other way a disappointment. It's a shallow grind, which challenges none of the player's management skills, and comes across more as an opportunity to simply decorate a theme park.

Despite those struggles, I loved my time with The Keep, though admittedly I'm part of the target demographic that it's really designed for.

The escalating difficulty from one level to the next means that any given game of Funghi Explosion only lasts for a few minutes. That's to its benefit. It's an ideal light pick-up-and-play puzzler that it will be on high rotation on my Switch for quite some time to come. It's also an excellent example of a "mascot game", as something of unique cultural and social relevance to Japan.

I’m struggling to recommend this due to its length. It can be completed within an hour. Not that it's a bad hour, but there are games cut from the same cloth that boast tens or hundreds of hours of playtime from individuals, such as Enter the Gungeon or Binding of Isaac, with the roguelike features that are practically par for the course these days.

DW8:XL remains the series peak across all of the innumerable Warriors titles that Koei has produced, and having it on a portable for the first time only cements the Nintendo Switch further in my esteem.

It weaves a ripping yarn, and has a beautifully detailed combat system that is endlessly rewarding to tinker with.

Despite the original PlayStation 3 version of Borderlands 2 ending up with an aggregate score of 91 per cent on Metacritic. It’s hard to recommend this PlayStation VR release. It does contain all of what made Borderlands 2 a delightful game, but it's the inferior version, trading comfortable controls, co-op and DLC for the marginal thrill of having a 360-degree perspective on the world.

With every new iteration Football Manager seems like your decisions and strategy are more accurately reflected in the on-field performance and results of your team, and that consistency and reliability is ultimately what's important in making this series such a strong outlet for storytelling.

At its core, PlayerUnknown's Battlegrounds relies on the unpredictability of players to help provide the variety, and that is not a bad way to go. Still, I would really like to see the technical issues smoothed out and more variety in the form of maps added to help make PUBG's a better overall experience.

OkunoKA is exceptionally serviceable to the hardcore-platforming brand, and there’s not a whole lot for me to say beyond that.

Polarising as it might be, it's something everyone should try, because it's also the perfect example of how games can be used to a genuinely artistic outcome.

It may not be for everyone, but if you’re thinking you might like it, you’re probably right, so long as you don’t mind the learning curve. Even with its slow pace, its charming presentation and looming challenge will pull you back for more.

Visually vibrant, and with a superb, deep range of music, Akihabara - Feel the Rhythm Remixed is one of the better ports from mobile to console. It's just unfortunate for the game that 2018 threw up both a brilliant entry in the Lumines series, as well as the majestic Tetris Effect. A year ago Akihabara would have come across as something vibrant and fresh. As it stands now, it instead looks and plays like a lesser homage to its peers.

Between the gorgeous artwork, haunting score, and increasingly abstract world, it manages to take you on a journey through depression that words alone never could. If it's something you've experienced yourself, you can probably guess where it's going and what those shadows might be, but Gris is no less powerful for it. In fact, it's quite the opposite: at least for me, the familiarity of Gris' journey is what made it so impactful, like it was reaching out a hand and saying "I understand."

The console can do much better than Drive.Club Unlimited 2. This is just unacceptable.

I'll be really disappointed if Nintendo really is shifting emphasis to turn Smash Bros. into a more "serious" fighting game. It says a lot about Super Smash Bros. Ultimate that the biggest criticism that I have with it is that the intent of this game seems at odds compared with the intent of Smash Bros. entries in the past. This won't work nearly as well as a party game as some in the Smash Bros. series have in the past, but nonetheless this is a genuinely impressive fighting game with a nearly overwhelming amount of content that's going to make the more serious Smash Bros. fans very, very happy.

As a game, EDF 5 is such a massive leap from the previous title in the series, in every way, that it feels like it belongs in a different series entirely. And yet, for all its nonsense, giant monsters, and ever-escalating explosions, there's also a sense that this EDF, moreso than its predecessors, has also remembered that something can be B-grade, and still convey some kind of message of worth.

Strategic Command WWII: World At War doesn't come across as overly accessible to any but the most hardcore strategy game fan, but that's just the surface of it. Underneath that is a genuinely good effort to capture the many diplomatic and strategic complexities of World War 2, and coupled with quality AI, this is a game that offers armchair generals a lot.

There’s still a case to be made for Hyperide VR – especially its potential to become something worth more of your time. It has some tense, entertaining moments that may catch you off guard. It may leave you wanting more, for better or worse, due to some mechanics that are interesting but not fully realised. And it’s cheap. But it’s by no means a classic.

It's hard to find anything to really criticise with Marenian Tavern Story, because it's so sweet and good-natured that it's hard not to enjoy your time with it. It's let down by budget constraints and a pedestrian localisation, but it's also a vibrant, pleasant and light-hearted little adventure that gets everything right in the areas that matter most.

It's a lot of fun, and something I'll come back frequently for short bursts. The biggest problem Warband Skirmish has is that it's a free to play game that the developers have attempted to force a "premium" monetisation model onto.

Horizon Chase Turbo does a good job of creating a sense of speed, and emulating the look and feel of Out Run. Where it falls down is in replacing the timer mechanics of Out Run, which made for a frustrating but ultimately exciting and tense arcade game, with a more typical racing track structure. It plays fine, but with none of the intensity, nor sense of reward, of the game it pulls almost all of its inspiration from.

Let me introduce you to a game quite special. It's a game that is so offensive to the senses, and so utterly clumsily programmed, that it is genuinely unplayable. "Unplayable" in the literal sense that "I sure as hell couldn't finish it and I would be genuinely surprised if anyone actually could." Let me introduce you to Crimson Keep.

The best parts of Cattails are when you’re just getting to take in the scenery, hunting some field mice, and then chatting with other cats. There’s so much charm in the sprite work and dialogue, so it’s all the more disappointing when you’re cast into dull combat exchanges simply because a RPG needs fighting.

Ultimately the only complaints that I can levy against SEGA Mega Drive Classics Collection are that there is not quite enough icing on what is an admittedly very generous cake. With this compilation you’ll be getting 50 games at an absolute steal – and while some of them are historical curios that won’t be worth your time, most are fantastic.

Thankfully, the design is very, very good.

Atlus has proven that Persona 4 DAN was not a one off, and while SEGA and Atlus seem to have lost the Hatsune Miku license recently, it is clearly not because the company has lost the ability to produce a sublime example of the rhythm game genre.

what Darksiders III gets right - the combat system and that beautiful, intricate labyrinth design - it gets so right that it can hold its head high against the many peers that it has at this at this time of year.

Intriguing, intense and extreme, Killer7 is as relevant, playable, and valuable as it has ever been.

Compared with Final Fantasy XV, released in the same year as World of Final Fantasy, I find this game that much more enjoyable and replayable, because it is a gorgeous throwback to the history of the franchise, and because it doesn't take itself seriously.

I do think that the game is one or two elements and patches away from being a truly enjoyable party experience, so while I’m putting it aside for now, hopefully this will be one worth coming back to.

There's something compelling about building up a farming empire. If nothing else, the developers are doing genuinely good work in highlighting a job that we should all be much more aware of. We don't survive without our farmers, after all.