The Deadly Tower of Monsters is a fleeting experience, but one that no B-movie fan should go without.

The Bug Butcher gets chaotic, but rarely is it frustrating. Even when the screen is packed with enemies, you still have this overall awareness of where you should be standing, and when. The difficulty curve is spot on. It does a stellar job of making you feel mostly in control -- and, at times, over-powered -- without letting you sleepwalk to victory. You'll have to work for those high scores.

If you're looking for something laid back, beautifully drawn, and well orchestrated with some intense, but not overly difficult, boss battles, then Jotun is easy to recommend. It's a magical ride that I'm sure I'll revisit from time to time in the future. Even though the whole experience only lasts just over five hours, it is five solid hours.

Bluepoint deserves credit for managing to bring out the best in an already-pretty-good game, allowing PS4 owners the chance to experience the charm of Gravity Rush unhampered by the limitations of its original platform.

It may be a bit on the short side, especially for players who are able to take down the bosses with relative ease, although most players are probably looking at about six to seven hours of playtime. But in that short amount of time, it manages to pack a satisfying amount of action, tranquility, and exploration into a concise, captivating adventure. Just don't be afraid to dive too deep into the ocean depths, no matter what horrors might lurk in the dark abysses below.

Oxenfree is a walking simulator that is confident enough in its characters and dialogue to bet that you won't mind just hanging around with them. It believes in the sinister low-ebb horror of the island to worm its way into your mind without having to crutch on a jumpscare every few minutes. It knows that its atmosphere and style will be enough to make you want to wander through its forests and dilapidated military bases. It's a walking simulator you should play.

Pocket Mortys, like many episodes of the show, is a true roller coaster. It has a lot of highs, a ton of lows, and that may not appeal to everyone. For me though, I feel like I got my money's worth, and it made the wait for the next season of the show (which still has no set premiere window) that much easier.

Assassin's Creed Chronicles: India, isn't a whole lot different compared to China, which is either a good or a bad thing depending on your prior experience. It sports a slightly less interesting character and setting, but the core experience is replicated, and the addition of a few gameplay tweaks as well as the aforementioned challenge mode ensures that it's on the level.

Tharsis is a good way to spend 10-30 minutes to see what happens on the next journey. It's a very harsh battle against the unknown, and can be utterly soul-crushing. Perhaps too soul-crushing, actually. Players will, at times, feel so defeated and useless that playing again seems pointless. And maybe that's the point, considering the circumstances.

That Dragon, Cancer is a beautiful experience, if one that would have benefited considerably from having content cut to improve the flow, pacing and tone.

Pony Island messes with players in unexpected ways that stuck with me for days. It took a number of unexpected turns that caught me off guard and was constantly filling me with a sense of inescapable unease. It wasn't on my radar at all before it released, but at under $5 it's a wonderful use of two hours of your life...So long as you like the idea of Satan trying to steal your soul post purchase.

If you're a fan of chiptunes and want a Guitar Hero-like experience on PC then Chiptune Champion is easily recommendable, it sure beats jumping through the hoops required to get Frets on Fire to work on modern technology.

Hardware: Rivals has a good core concept and engine, but it needs some work around the edges. A lot of little things added up for me the more I played it in an increasingly annoying fashion, most of which can be fixed with proper updates.

This episode could very well be considered the finale for the first season. It wraps up the Wither Storm saga, it answers the questions about the Order of the Stone, and it delivers a semi-happy, hopeful ending for the crew. If only it did that without an utterly boring first half and the clumsy insertion of mandatory Telltale story elements, it might have also been a good ending.

Deciding whether or not to buy Endurance Mode for Rise of the Tomb Raider is a pretty easy decision. Did you play and enjoy the Expeditions? If so, go ahead and grab it, if not, skip it.

While Freedom Planet isn't a perfect experience, it is still a very enjoyable and easily one of the best Sonic the Hedgehog-esque games I've played in years. If you were looking for something to scratch that 16-bit Sonic itch this might be it. Just don't say I didn't warn you about the questionable story, voice acting, and late game bosses.

Despite the great storytelling mechanics, I can’t help but wish there was a little more to the game. When all was said and done it wrapped up in a handful of hours at most and I was left craving more.

Despite my adoration of the game, I ended up being frustrated at just about every aspect of the Wii U Edition. This is the epitome of a wasted-opportunity, bare-bones port. It's great that the game is coming to yet another audience, but this is hardly worth the investment for someone who already has the opportunity to play Minecraft elsewhere.

If what you miss most about games like Fallout is the act of rolling your character, exploring a space from that particular camera angle, allocating your AP in combat, or tweaking a build after several runs' worth of trial and error, you'll be in good hands with UnderRail. Otherwise, it may be more productive to simply play the older games again.

Sakura Santa fails to stand out from the growing crowd of visual novels on Steam and elsewhere, except in the single respect of being a Christmas-themed story, coming out just in time for the holiday. Unfortunately, one would probably have to be as lonely as the game's protagonist to find a compelling reason to play.

As a premium add-on, Season of Infamy really fails to produce much that feels like it's essential to the Arkham Knight experience outside of two tales. But on the other hand, it has a number of nice little touches, most notably a small expansion of the GCPD HQ, adding another wing (along with some easy WayneTech upgrade points), and the mission structure in the weaker two stories is competent at the very worst.

Amplitude is a competent rhythm game that should provide lots of fun at parties, but the hamstrung tracklist is a severe detriment to its longevity. Harmonix was able to preserve the classic experience, but may have gone overboard in its effort to do so.

The Legend of Heroes: Trails of Cold Steel follows a lot of classic JRPG conventions, and as a result, it doesn't do a whole lot of things that haven't been done before, and better elsewhere. But the combat system still holds up, and the characters are charming enough to see the story through until the end.

It’s sad to say, but I can only recommend Hatoful Boyfriend: Holiday Star if you’re either a) extremely bird to death over the holidays, B) extremely drunk over the holidays, or ideally, c) extremely both.

Guns Up! is a dull game. It's repetitive, it's tedious, it's digital Ambien. If the thought of a console version of Clash of Clans excites you, you’ll probably have a blast with Guns Up! Me, I can’t wait to delete this off my PS4.

If you haven't played Dark Cloud yet, now is a perfect time to jump in. Sure, you'll encounter some relics of old school design, but if you're willing to overlook a few antiquated concepts and really dive in, you'll find a rich RPG that will last you as long as you're willing to put into it.

Jack the Ripper can't aspire to reach the heights that Syndicate did. But, it also doesn't suffer the same setbacks. In a game where open-world strain can become a serious problem, this add-on is a mostly-focused reprieve. Sure, there are some fumbling moments, but there are also some elegantly-handled ones. Given the difficult source material and the obvious danger of stumbling, Jack the Ripper mostly doesn't, and that feels like a best-case outcome.

With King's Quest: Rubble Without a Cause, characters are growing right before our eyes with a subtle and effective tonal shift. The Odd Gentlemen also nailed the script, as it feels like a standalone episode that's also connected to the episodic format as a whole. We still have three tales to go, but for now, I'm feeling pretty good about King's Quest.