Overpass is a double edged sword by design. All its features which would make it appealing to genre veterans - a heavy emphasis on speed control, incredibly tight controls, and demanding track design - are exactly what'll deter most everyone else away from the title. Coupled with serious design flaws and it's hard to recommend this racing sim to anyone but those truly passionate about the genre. All the same, they're clearly Zordix Racing's target audience, with little concession made to welcome newcomers. While alienating, design philosophies like this ensure Overpass has a strong identity that doesn't pander to non-fans of the genre. Even if this is rough around the edges, its lack of handholding is quite commendable.

While hindered by the frustrations of a confusing tutorial, and at times clunky controls, Parklife still manages to provide something fans of Cities: Skylines will enjoy. Although the changes are mostly aesthetic, this DLC still adds enough to make it worth the purchase if you have a specific interest in parks and zoos, and want to bring that passion to life. This expansion has the potential for one to create their very own park paradise, making it a fine addition to the renowned city building game if you are willing to put the hours in.

Although the newly designed buildings and overall aesthetic differences to Cities: Skylines are a welcome change, one cannot help but feel there is a large degree of missed opportunity and overall lost potential, with the aforementioned designs changes as well as the disappointing, and limited new set of maps. Unfortunately, because of this Green Cities is not a big recommendation when compared to the wider variety of DLCs already available for the core game. Try them instead, as they seem to contain content that will be more worth your time and money.

The new UI is ugly as sin, and the animation added to the boss sprites is laughably out of place. The new background art is a mixed bag of some decent work and a couple examples of soulless imitation that fails to capture the intent of the original. All of this applies for those who are familiar with the original Romancing SaGa 3. For everyone else, this is an excellent RPG that has a lot of content and replayability. A vast cast of weirdos and miscreants to recruit, and shenanigans to get into await in this saga.

Even one amongst the games included is very enjoyable to play through, and having two in the package makes it that much better. Despite the huge battles of so many characters, it actually goes quick and, gives a much more chaotic yet satisfying experience rather than the "perfect" style Fire Emblem requires to play. This lacks many newer conventions, like managing relationships, as an example, and feels somewhat aged, but despite all this, it is still fun to play. The bundle is just so polished, that it's hard not to recommend.

The active story events of ShadowBringers are good fun, but due to the grinding nature of the genre, it suffers from some terrible pacing issues. If you are invested in FFXIV, this DLC will probably excite and please you. It's a fun but forgettable romp that runs just the wrong side of boring during its hours-long retelling and bland A-B mission style. If this tickles your fancy, be sure to start and play with a team of friends - it will easily be 10 times more enjoyable, if infinitely longer.

No, THE LONGING isn't perfect. It could definitely be so much more than what it is. More specifically, for something that's supposed to last for more than an actual year, you won't exactly swim in content while playing it. On the other hand, of course, this was never about "content," but about getting engrossed into it all, and letting the dark, empty caves become part of you. It's hard to verbally explain how something so… non-gamey achieves that, and, yeah, it won't satisfy just about anyone, but lovers of indie titles with unique concepts are advised to try this out.

EarthNight is really a product of its genre. It's rare that auto-runners feel truly unique, and while this does a decent job of introducing new mechanics regularly, it does such a poor job with enemy placement that you will have to run through the same kind of courses over and over before you get to see them - unless you skip on through the fray, and that only works so long. Even when you find these new ideas, they are often just one tweak shy of something a lot better than they ended up being, and it's a shame such an original idea feels so flat.

Fire Emblem DLC rarely comes in at a cheap price, and this is no different, and, disappointingly, this recycles existing maps, has very little in the customisation department, and removes many of the features that made Three Houses popular in the first place. There doesn't seem to be enough substance in this eight-to-ten-hour journey to really strongly recommend this as a must have, but for those itching to add to their Fire Emblem experience, will manage to enjoy this, even if it is a bit pricey.

The original Persona 5 was already a joy to play; however, this version definitely steps up to the plate and knocks it out of the park. If Persona 5 was a perfectly executed and baked sponge cake, Persona 5 Royal is the same perfect sponge cake... but now filled with lashings of jam and cream. Everything that has been added has been amazingly well implemented. This is a wonderful title, regardless of whether or not it is compared to the original… which is still a delectable sponge cake! The story, characters, music, gameplay, and animation - everything comes together and creates an experience that is the personification of JRPG perfection. Incredibly unique and enjoyable!

Ori and the Will of the Wisps definitely has its downfalls, from a lack of dungeons and performance hiccups to abilities that needed to be fleshed-out more, but comparing this to all of the amazing feats that it reaches, these gripes feel nothing more than nit-picks in an otherwise wholly enjoyable and immersive experience. While it may not meet every expectation set by the almost perfect Ori and the Blind Forest, it's nonetheless a worthy successor and is easily one of the best metroidvanias on the market right now.

DOOM 64 is considered a cult classic, meaning that the people who love it, really love it. The one writing this doesn't though. It is way too slow, tries to have a horror atmosphere (and almost succeeds), although it is in no way a horror game, and, most importantly, the level design is mediocre at best, as it's more about flipping switches than killing demons. Those who loved the original will be glad to know that this is a very good port, with FHD resolution and an improved frame-rate - just don't expect any new content.

In spite of featuring less content than the title's 2013 remake for iOS and Android, that doesn't change the fact that this is the best version of Sonic the Hedgehog 2 currently available for a home console. Knuckles is included as a playable character, Super Sonic and Super Knuckles have their own unlockable modes where the Chaos Emeralds are collected out the gate, and the inclusion of the Drop Dash only adds depth to already excellent platforming. With a fantastic set of levels, and plenty of quality of life additions, SEGA AGES Sonic the Hedgehog 2 is one of the line's better offerings.

As in the past games, this is rich with culture, community, humour, and charm. There's a reason why the series has such a dedicated fan base - and with such hype, there's always the worry that the expectations may not match reality. However, New Horizons exceeds expectations in every way. It proves to be the ideal gateway game for many people and, with added touches of magic, Animal Crossing: New Horizons is perfect for players old and new.

A fantastic collection of some of the best Megaman titles! Capcom has given this collection plenty of attention, and really rammed in as many features as possible. Presented in beautiful HD, with loads of display and filter options, and running at a silky smooth frame rate, it ensures players can find something that suits their taste. The new multiplayer, casual mode, and save assist features make this the definitive version of the games. To have Zero and ZX recognised and ported to current gen, makes sure they aren't forgotten, and allows new audiences to pick them up and get stuck into probably the best GBA series, and two very fun DS games, on their modern consoles. A fantastic collection, worth a recommendation to anyone in the market for some slick and stylish side-scrolling action.

This isn't just a sequel. The demons are far more aggressive, their legions have been reinforced with some new baddies, and the Slayer has become an even more dangerous opponent, with more ways at his disposal to destroy everything on his path to the invaders. This almost feels like an entirely new experience, as every single aspect of its predecessor has seen an upgrade or revision. The concept of "push-forward combat" is even better this time around, forcing you to be in the moment every moment. In fact, the only real flaw here, if you can call it a flaw, is how excruciatingly brutal, remorseless, and chaotic DOOM Eternal can be. This simply makes everything else feel dull in comparison…

There are plenty of flaws, but they mostly come down to the ambition being a little too high, and the mechanics not quite fitting right. Yet… for all these flaws, this Kakarot manages to hype the fans in the audience like the source material has done for all the years. Key moments from the series are showcased absolutely perfectly. Just like how filler can be abided to see and experience the fan-favourite arcs, the missteps here can be forgiven. At least by the hardcore Dragon Ball fans. This is a series that deserves to continue, let CyberConnect2 perfect its creation. There are still the OG sagas to cover, along with the many movies, and even better, the recent stories of Super.

Giraffe and Annika doesn't quite excel when it comes to its adventuring side - a pity considering how much time it ends up taking - but a charming, comic-esque presentation, and rhythm game boss fights at least make it interesting. That said, it's worth keeping in mind that the rhythm-adventurer's best qualities are the ones it indulges in the least. There are only around half a dozen bosses in the entire thing, leaving the exploration to carry a majority of the experience. Still, light puzzle-solving and a short campaign make it easy to stomach its rougher edges. This is absolutely a case of a concept being better than the execution, but this might still resonate well with a younger audience.

Endlessly delightful, with a keen eye for creative puzzle design and brisk pacing, ibb & obb is a must play for all co-op lovers out there. A strictly two-player adventure, each stage manages to pair natural teamwork with momentum-paced puzzle-solving, and thought provoking platforming segments that frequently make great use of the title's unique center of gravity. The rising difficulty curve in the second half can be potentially discouraging, but the core controls are simple enough where quite literally anyone can pick the puzzle-platformer up for the first time and quickly understand how to interact with the world. Complete with an online mode, plenty of levels, and excellent presentation, ibb & obb belongs on every Switch owner's console.

Thief of Thieves has a gratingly sassy heroine, and a completely forgettable storyline. The stealth gameplay is like in those forced, half-baked stealth sessions in other games, as the mechanics as clunky... and then some. Finally, this port is actually the weakest version of it, as it's technically broken, with loading times that can put you to tears. Don't wait for Season Two.

In summary, The Sims 4: Tiny Living Stuff Pack is not totally disappointing, but also not very interesting. It could have been implemented as part of one of the bigger DLCs, instead of being released on its own. Since it is relatively small, the current retail price seems hardly justified, but for true collectors, lovers of challenges, or those wanting to experience their Sims in tiny houses, it may well be a nice add-on.

Compared to previous entries, Doom 3 is... well, different. It's a linear and repetitive, low-key horror first-person shooter, which looks great, but can also be frustratingly dark. Some like it, and some don't, as taste is subjective. What isn't, though, is the quality of a port, and in that regard, DOOM 3 is a near flawless one, and of the best version yet, with all additional content included, and - usually - a great price attached to it all.

If you have managed to hold out on getting into Street Fighter V and were waiting for the best time to dive in, well done! Champion Edition is the version to pick up. Although it isn't a totally complete package, it is still a chunky fighting game in terms of the amount of characters, fighting styles, stages, costumes, and modes included. Not the greatest in the series when it comes to looks and netcode, but it's still Street Fighter, and that's hard to go wrong with.

The hands-off approach to this RPG adventure can be a bit misleading based on screenshots alone, but accept Dandy Dungeon - Legend of Brave Yamada for what it is, and relax with the simple premise and delightfully funny plot. The unique premise really is unlike anything most have played, and it plays into the satisfaction of being able to use them brain cells to hit a perfect route every time. With a plot that is equally interesting and hilarious, as well as the rewarding nature of items and new options being thrown in at a rapid pace, invest in this and everything is sure to be fine and dandy.

Doom II, or Doom II (Classic) as Nerve Software's version for the Switch is called, is basically the port of Doom (1993) all over again: highly enjoyable, very cheap (at least for the moment) but far from a perfect version of the game. Just make sure to lower your expectations a bit, because in terms of level design this is the inferior sibling.

It is mired by a litany of hurdles, that perhaps a more patient player can deal with, but many will really wrestle with this - for them it is advised to seek out PoEII on a platform that it's design is more inherent. At very least, wait until a patch can fix some glitches, and the egregious loading times, in particular. Someone that can get beyond those inconveniences will discover there is a deep novel-esque adventure to be had. This adventure is full of loot, bounties, ship battles, and engaging fetch quests; all of the usual RPG fare that would keep aficionados happy. The island setting is memorable and full of lyrical, witty writing to be discovered which is great. When it works, it can be immersive and no doubt extensively replayable. It's just a shame that it didn't quite nail the port execution.

Doom's arrival on the wonderful system that is the Nintendo Switch is the perfect opportunity to be reminded of why it's such a fantastic experience despite its age. It's old-school FPS fun at its finest, and now you can carry it's dark corridors and hellish landscapes on the smallest of backpacks. Sadly, while the gameplay has been left intact, this version is far from the perfect port that it could be, due to a couple of odd omissions and changes - but at least it is super cheap (as it should).

Pokémon Mystery Dungeon: Rescue Team DX is a mixed bag. While it's great to see the series return, the fresh coat of paint isn't enough to hide the myriad fundamental flaws with it that have since been addressed in later entries. It is fun in short bursts, the new style looks lovely, and Poké-fans will be happy just to step back into the world. Best of all, this may point towards the other entries receiving Switch upscales, and perhaps even a whole new entry.

Sharp, gritty visuals, clever level design, and a John Carpenter-esque soundtrack all contribute towards creating an oppressive, dank, B-movie vibe that's almost as much fun to plough through solo as it is co-op. Plus, there's a zombie shark in it. If that hasn't piqued your interest you're probably already undead.

The core of the game is a very old-school RPG/dungeon crawling experience, for all its positives and mostly negatives. Unless not having a map and spending hours trying to re-roll viable characters sounds like fun, this one is better off left alone. The anime portraits look nice, but they are just dressing on a framework of something that simply does not stack up to better options in the genre.

Technically competent, and surprisingly well done, the simple lack of depth prevents this from doing any better. It can actually be completed in a few hours at max. Having a friend or playing online can extend the fun, yet the lack of content becomes obvious fairly quickly. The developer has promised more updates, which will hopefully come through, as the game has a good base to work with.

If you don't like the price, wait for a discount. If you can't stomach a couple of problems on the technical side of things, the most serious of which being the bad netcode, wait for a patch. If you consider yourself a fan of fighting games, however, do get Street Fighter V: Champion Edition. It's a highly enjoyable title that will manage to please newcomers and veterans, and it has tons of content for those who aren't into the online aspect of it all. It's Street Fighter V as it always should be.

My Big Sister is the adventure genre at its simplest form. The solution to each "puzzle" is so evident that the only challenge here will be the struggle to stay awake. The horror-esque plot, and mature themes explored could help a lot, but they are handled in a manner that the average player will be left scratching his/her head about whether this is a dry comedy with some darkness thrown in, or a dark fantasy story coupled with some low-key humour.

Stylish, methodical, and encouraging attacking gameplay, this latest Under Night In-Birth title is as exciting as always, and Switch owners that have yet to try the series out are in for a treat, with plenty of modes, a lengthy visual novel chronicle, online play, and a varied cast of characters. Despite the array of balance and move tweaks, though, this just isn't enough of an improvement over the previous title, with only one extra character being introduced. That said, this is still a top anime fighter, and a good alternative to BlazBlue.

Despite the DLC gripes and the heavy downgrade in visuals for this Switch port, Samurai Shodown really stands out from the crowd, and it's great to see the revival of a popular series return in such a good way on the gameplay front. It takes weapons-based combat and creates a smart system out of it, putting players on edge, and provides moments of pure bliss when bare knuckle comebacks are made. The strong Japanese style only adds to the appeal. It really could have done with a more fleshed out story mode, though.

Rune Factory 4 Special is a near perfect farming and RPG title. The frustrating elements are outweighed by the gorgeous styled graphics, the immersiveness of the plot, and the sheer joy that comes from playing this remastered game. It raises high hopes for the upcoming fifth instalment in the series, and it can perhaps be considered a masterpiece.

Between 2033 and Last Light, Metro Redux is a must buy for fans of the genre, fans of the medium, and fans of good stories. Metro's script is at times bone chilling, using atmosphere masterfully and showcasing a post-apocalyptic world with a true sense of community. Metro 2033 is the stronger of the two, making better use of both the setting and resource management, but Last Light nonetheless stands out as an incredibly well designed FPS, never lacking in the spirit that made its predecessor so compelling. Played back to back, Metro Redux tells a compelling, chilling story that'll stick with you long after the credits roll.

It may not be a terrific port, but Thronebreaker is a wildly addictive and relentlessly entertaining RPG-lite. The version of Gwent herein is the most fully realised to date, taking the core mechanics of previous versions and refining them into a malleable card game with endless potential. A beautifully written story and compelling characters make this a must-play for fans of The Witcher.

The words 'creepy' and 'moody' don't often come to mind when thinking about jigsaw puzzles, but that's the beauty of Glass Masquerade 2: Illusions. Puzzles often result in surreal imagery, and Nikita Sevalnev's soundtrack adds a chilling layer to the already ethereal atmosphere. With difficulty modes suited for both beginners and veterans of the jigsaw puzzle, Glass Masquerade 2 is a must play for anyone looking for more flavour in their puzzle games.

Technical foibles aside, Darksiders Genesis provides yet another fresh take on everyone's favourite Horsemen of the Apocalypse. The isometric viewpoint is an interesting new direction and one that isn't quite justified by the familiar hack 'n' slash action, but this is nevertheless a fun and well-designed experience that stays true to its roots despite its diminished scale. Fans of Darksiders will surely find a lot to enjoy here.

Short, sweet, and to the point, Lydia makes for a memorable and engaging hour of gameplay. Its story of abuse will prove uncomfortable, but a restrained hand ensures audiences never have to confront anything too visceral through gameplay. There isn't much in the way of replayability, but a well told story, plus an excellent visual style make Lydia a worthwhile play-through for anyone looking for something emotionally dense.

With Coffee Talk however, as with similar experiences such as Neo Cab, taxing gameplay couldn't be further away from a selling point. The real joy is the feeling of interaction and intimate knowledge of every NPC that crosses the threshold. It's very easy to become embroiled in their lives and feel comforted knowing that the small amount of ingredients bundled together has made a difference to them, and might lead to even more forthcoming titbits. A charming and relaxing experience from start to finish, milk it for all its worth.

From a gameplay standpoint, Wide Ocean Big Jacket is an extremely simple game - with 'game' put between the biggest quote marks imaginable. As an experience, though, this is something else entirely. Turnfollow's tiny adventure is basically a funny, and occasionally very sweet, slice-of-life tale of four people enjoying themselves in the woods, while also dealing with some serious matters, but not in a very serious way. It's not a narrative-driven game. It is vacation in video game form - and only the good parts are included.

With the pedigree and ideas going into this, Phoenix Point should have been much, much better than it is. The cool ideas are overshadowed by ever-present bugs, glitches, and hiccups that constantly get in the way of the player. Even excusing these, the ideas and presentation come off as incredibly bland very soon into the adventure. Little customization, little options, and little reason to care about your soldiers or base, round out reasons this is in need of massive updates and overhauls if it is to be saved.

This is jam-packed with mini-games that can be enjoyed both against other players and alone, with enough content even for those with limited hand and/or arm mobility issues. It's the cutest party title known to mankind. This really is a game that everyone can find something to love: no compensation will be given for any arguments that multiplayer conjures up.

Too easy, too simple, and more often than not, too dull and slow, LUNA The Shadow Dust counts on its beautiful, fairy-tail, dreamy graphics, and soothing OST, a bit too much than it should. It's not a bad point-and-click adventure, sure, and those who can look past its heavy flaws will be entertained for about two to three hours, but if it weren't for its stunning hand-painted world, few would give it a second look.

Old lady Talma's melancholic tale of utter loneliness and inevitable end does provide some tasty breadcrumbs every now and then, but as a whole, this farm sim/narrative-driven title overstays its welcome, doesn't manage to be enjoyable, and ends up being a chore that just happens to include some pretty, and mildly coloured vistas, as well as a nice calm-and-then-ominous aura.

The heavy criticism towards Warcraft III: Reforged has nothing to do with the quality of the experience therein. This remains the wonderful real-time strategy that thousands of people have loved. The real problems begin when you take the changes of this remaster into consideration. The half-baked, unimpressive new engine and hit-or-miss design choices; the numerous bugs and network issues; and, finally, those mind-numbing, corporate-smelling decisions, like the fact that custom maps now belong to Blizzard, or how Reforged effectively ruins the original for those who don't even own the new game.

Big booties aside, the easiest way to sum up Atelier Ryza is: an absolutely great game framework, waiting for a game. The battles are interesting enough, the gathering okay, and the alchemy very good, but it all fails to connect on a purposeful or coherent level. With no driving narrative or reason, pretty rapidly the whole point becomes to simply battle, gather, alchemize, repeat; all of which fails to pull the player into something deep or meaningful. The is a great casual-friendly title, but it lacks any serious staying power.

It's a fun, stylised romp, with a plot that ticks all the "good versus evil" organisation boxes. Playing from start to finish isn't going to set your world alight, but what will be provided is a solid and fun run and gun, with some neat twists to break up the sections, and keep the interest right up until that last terror spreader falls under a metal Mecha boot.

Steins;Gate: My Darling's Embrace deserves credit for managing to retain a desire to spend more time with these characters, and runs with the humour and nerdiness in combination with the sexually natured and light-hearted narratives that Okabe ends up entwined in. It does the series justice by sticking to what makes everybody so appealing, but it is a very specific type of visual novel that doesn't get into any serious or dramatic situations. Understand what you're setting yourself up for and this is a fun alternate diversion to the original title.

A good tactical game makes you feel dumb when loosing, Banner of the Maid makes you feel cheated, as it's less about forming a plan, and more about retrying missions to discover which exact "route" to follow. Add to this a heavy lack of balance, some annoying friendly AI, and a needlessly long length, and this makes this Chinese-born SRPG hard to recommend. Its flawless pixel art style, and sexy anime look are really the only things of any worth here.

For the price-point of this DLC, it is hard to fault the amount of content offered up. This is most definitely the template for The Creative Assembly to continue forward with when it comes to future DLC for Total War: Three Kingdoms. The overarching conflict is an intriguing one, and the presence of the mysterious Yellow Turban faction really freshen things up in the campaign side. On top of the six new factions, the DLC also renews the interest in some of the existing warlords, with the ability to experience them under completely different circumstances than previously. This isn't a DLC for gameplay additions, but the play style adjustments in the campaign to the core gameplay loop do enough to keep things interesting.

StarBlox Inc. is a perfectly enjoyable action puzzler that manages to balance reflex-based gameplay with on-the-fly puzzle solving. The core gameplay loop doesn't have much in the way of depth, but it's easy to pick up, and fun to play, especially in groups of four. Unfortunately, no online means that StarBlox has no real shelf life in spite of a surprisingly decent single player campaign. If nothing else, this makes for a decent couch multiplayer alternative to Puyo Puyo and Tetris.

Call of Juarez: Gunslinger is an absolute diamond in the rough. The motion-comic cut-scenes get the job done, but are otherwise unimpressive to look at. The frame-rate can get really rocky when there are tons of lawmen about, firing rifles or revolvers from all over a town, as Silas darts from cover to cover. The overall concept and execution on the other hand is pure genius and fully takes advantage of the historical setting, flawlessly weaving it into the gameplay. John Cygan as Silas Greaves is an utter joy to listen to, as he gradually succumbs to a hilarious stupor. The arcade-like structure makes Gunslinger a natural fit for the Nintendo Switch's portable mode, so that chunks of the game are easily digested and completed while on the go.

This Resident Evil 2 doesn't replace or overwrite its source game in the way 2002's Resident Evil did, but that doesn't mean it's a bad remake. Rather, it's one of the best the medium has seen; amplifying the underlying horror and replayability at the core of the franchise. Capcom has outdone itself in an era where they're not hurting for successes. Not for the faint of heart, but a survival horror masterpiece nonetheless, Resident Evil 2 sets a standard for good horror, good action, and damn good game design.

Technical issues, and lack of polish put aside, Evil Genome is just a mediocre action-adventure, that only metroidvania aficionados can manage to enjoy for more than an hour. Bring its many problems back in, and what you get is a bargain bin metroidvania that simply isn't worth the trouble... fan or not.

There is no denying that Touring Karts VR is rough around the edges. It's clearly a labour of love, though, and is far more enjoyable than something not made by the big three has any right to be. With its wealth of customisation options, and immediate gratification through objectives and trophies, nobody could be expected to want more. It's a huge surprise and delight then to find fun gameplay, great music, and some real love put into each and every distinct track. If there is a VR headset gathering dust, take the punt and pick this up. The stall has been set out for future kart sims, and it's a pretty high bar to clear, even if those bears can't skate.

Great graphics, a compelling experience, and overall heart, paint the general picture of this adventure game. While some aspects of the story go unexplored and the animal-shifting aspect largely goes under-utilized, these are not enough to distract from a positive experience. Gamers need to know going in that Lost Ember is a very casual-friendly experience, but one that is still well done. The only thing holding it back is a lack of truly diving into the mechanics presented, or truly investigating the story themes brought forth.

The intriguing plot pushes players forward with each puzzle that is completed, and it will have you contemplating all sorts of topics long after finishing the game. More unlockable rooms with some further challenge would have been welcome, but The Turing Test passes on many fronts. Well worth a purchase - and launches at a great price, too.

Forget about the little issues that Monster Hunter: World has here and there. There's only one big flaw, and it's the fact that it can be overwhelming towards newcomers, or those who just like their gaming to be a simple, pick-up-and-play deal. Those who'll persevere will discover something that, although simple in structure (fight monsters, craft weapons, and then fight some more monsters), is extremely enjoyable.

A flawed port that struggles to overcome mediocrity in its implementation, and that suffers from a lack of multiplayer, leads to a less than stellar experience. Star Wars Jedi Outcast is purely saved by its solid level design, and fan service. There are probably better options if you want a good TV experience, but nothing can beat this port's portable experience, which is in all honestly its saving grace. Recommended for fans looking to take it on holiday, and a near miss for fans looking for a Star Wars title worthy of being played in the big screen.

The controls are an absolute mess and it's a shame, as Surgeon Simulator CPR is a funny title that is great entertainment for team of friends. While the aim is to "save" patients, doing the opposite is what eventuates most of the time thanks to some unintentional, but humorous moments. With a better control scheme, more responsive controls, and less glitches, Surgeon Simulator CPR would be an easier title to recommend on the Switch. However, beyond the poor controls, there is some enjoyment to be found here for those who don't take these too seriously.

Mechstermination Force is a terrific boss-rush adventure that grants a few hours of undisputed, frenetic, and fast-paced gunplay against gargantuan robotic titans. Climb up the legs and torsos of these mighty beasts and take back Earth. Up to two heroes can blast away these monsters to the backdrop of fantastic audio tracks, while using a plethora of the biggest and most damaging guns. The visuals look neat, and the action-heavy fights are pretty to look at. If one downside had to be mentioned, it's that this experience can be over pretty quick as there aren't a lot of MegaMechs to battle, and the three-star system used to replay previous battles doesn't feature any further incentive other than bragging rights.

Even though a bit harder to play compared to the original, the wonderfully designed puzzles, characters and music make this game a wonderful experience. Players that enjoy brain teasers without being forced into a time constraint will enjoy Katrielle and the Millionaire's Conspiracy - Deluxe Edition, as a relaxing and sometimes infuriating title - but remember that every puzzle has an answer!

In spite of a somewhat spotty presentation, Fell Seal: Arbiter's Mark manages to fill a tactical RPG niche that had been lying dormant for far too long. Beyond just serving as a competent TRPG, however, Fell Seal engages with the genre in increasingly dynamic ways. It borrows a good deal of its concepts from Final Fantasy Tactics, but nothing is just brought over as is. While there are conceptual similarities between the titles, this has more than enough mechanical depth to stand on its own. Strong map design and plenty of customization options make this game a must-have for fans of tactical RPGs.

Oppaidius Tropical Cruise! is Oppaidius Summer Trouble! all over again, with the only big difference being the new setting and girl. In other words, this remains a very good, comedy/ecchi visual novel, which doesn't take itself too seriously, doesn't last too long, and is appropriately naughty without getting distasteful. Oh, yeah - it's also free.

The fact that Injection Pi23 manages to actually be playable is why it barely edges out something like Back In 1995. Nobody in their right mind should take this injection, which is only recommended to those who wish to seek out something truly obscure and weird. Playing this is the videogame equivalent of drinking cobra venom. There is nothing to be gained, probably is bad for your health, and should only be done as a dare.

Psikyo shooters range from above average to good. Therefore for any genre fan, those tend to be safe bets for a truly good time. The fact that those six can acquired in physical form in one package, even outside of the Japanese and Southeast-Asian markets is a big relief. One can only wish that the full package was a bit cheaper on the eShop, however, since buying them all separately comes to roughly the same price, making a digital release of this package simply redundant. This also means that should only some of the included games catch the attention of anyone, at least those can be still be bought individually today.

The Stretchers is a jovial, anarchic affair. It looks like a Dreamcast title and, in some respects, feels like playing one too. That comparison isn't meant as a pejorative to say it's dated, as it isn't, and certainly it has a charm all of its own. Despite some small annoyances, it is the freshness, and an arcade-y fun-ness that feels like something off of Sega's last console. This is brimming with engaging ideas, which constantly build on or mix up the core mechanic, which taken on its own merits is strong.

Sending you back in to the - near - past of Frostpunk, the first major expansion, The Last Autumn, has you building the first generator; the machine which was used to keep you alive in the main campaign. While it plays a different ball game, one that's less about survival (at least in the beginning), and more about managing a group of discontent, unmotivated group of people, this retains all the strengths of the original, and is therefore highly recommended to fans.

Fantasy Zone itself is a title that was designed from the ground-up to be a short, but intense arcade romp. In this day and age, this wouldn't stand a chance by itself, but such a meaningful re-release, packed with all the features any old fan could want, makes this a thoroughly recommended classic to revisit in 2020, for both old and newer fans of Sega. The addition over its previous 3DS incarnation of an online leaderboard system, and a quality one at that, makes this the definitive way to play Fantasy Zone in this day and age, both on the bigger screen, and on the go. Best enjoyed with a good arcade stick, and auto-fire turned off!

Old School Musical wear it's inspirations on its sleeves, but manages to find its own path. There's a lot to do beyond the main story, and with different difficulty modes (which you can change at the start of each level) there's a lot of game to see here. While it isn't without its faults, Old School Musical is absurdly fun, and worthy of a place in any Switch owners library who fancies themselves a fan of music.

Nine characters and a story scenario of a couple of hours for twenty quid isn't bad by fighting game standards. As such, this may be well worth the price for anyone still heavily invested in BlazBlue: Cross Tag Battle. The previous DLC pack features 22 new fighters for £6 less, though, and the extra story episode just doesn't make up for it. Unless a fan of more than a couple of the combatants joining with Ver. 2.0, it would be wise to wait for a discount.

A unique concept allows Run the Fan to stand out among a lot of the indie puzzlers out there. It also helps that besides the menu screens, running in both docked and handheld mode, it looks fantastic. Perhaps a future port onto one of the many VR systems out there could also give it the control scheme it sorely feels lacking in. Hopefully, in terms of the Nintendo Switch, some DLC will be released with a control patch to lengthen the enjoyment that can be squeezed out of it. Fun to play in short bursts, with only a few minor gripes that run throughout, this presents itself as a challenging but fair distraction that is well worth a purchase.

Resident Evil 4 is entertaining throughout - this review has focussed on negative missteps that have been taken while concocting the Nintendo Switch version. It is more expensive than PlayStation 4 and Xbox One versions, with no actual differences between them. However, it is undeniable that it is a standout title despite these somewhat ageing issues. To help compensate for this, it does run at a stable 60 frame-rate, and of course, is now fully portable. It may not be the definitive version of Resident Evil 4, but it is still a fun one nonetheless.

Fast-paced, brawler/shooter hybrid Super Crush KO isn't very innovative. Or varied. Or demanding… and then you try to get better the best possible score at each level, and the game suddenly shows its true colours. Getting better and better is where the challenge and replayability is at. Worry not about the fact that things remain the same from beginning to end, as fighting is too damn fun for this to grow stale. Plus, Vertex Pop's indie gem has a beautiful, distinct, ultra-colourful wrapping.

A new Persona game in everything but name (and the lack of collecting Persona!), this delivers a fascinating blend of the franchises, some great dungeon crawling, wonderful combat, and a decent story… eventually. Any Megaten or Persona fan needs to give this one a shot.

Sparklite is a colourful rogue-like that yearns for the pixel-based games on the original NES. By removing most of the challenges generally found in rogue-likes, this puts itself at the top of the list for newcomers who want to dip their toes into the water. Aged fans of the genre won't find any surprises or challenges here, and the lack of a real contest or a risk-versus-reward system can be a turn off. Ada's journey can be a short one, as it can be completed in less than five hours, and it provides enjoyment due to an addictive gameplay loop, catchy music, and the ability to relive the pixelated days of old.

Although an important piece of the story that sets up the true ending to Steins;Gate, it wouldn't be an absolute disaster for fans to brush over this one. The character writing is excellent, and the concepts and effects of AI in this world are intriguing, but the fact the story drags itself out for so long means it can be tough to get through this novel. Thankfully, quick saves and the very fact this is portable by nature help to make getting through much easier by picking it up for a bit before bed each night.

Irony Curtain: From Matryoshka with Love is a point-and-click adventure taking place during the Cold War, that happens to be a light satire of the "Reds." That's not a bad premise, and Artifex Mundi's creation is far from a bad experience - but it's far from entertaining either. Most of the comedy is heavy-handed, the satirical aspect is very hit and miss, and the puzzle-solving can often feel like an array of chores. Lower your expectations upon entering - as if paying a visit to Matryoshka itself.

Uninteresting and uninspired, Dauntless is certainly impressive in its own right, but as far as actual gameplay goes, what's present fails to engage beyond the surface level. Perhaps that'll be enough for most who download the free title, but between aesthetically resembling Fortnite and aping Monster Hunter's combat wholesale, Phoenix Games has failed to contribute anything truly novel to the experience. Dauntless is as derivative as they come, and while that lack of price tag may be appealing, there are much better games to spend one's time (and even money) on. Go play Monster Hunter instead.

Dr Kawashima's Brain Training for Nintendo Switch is a missed opportunity to throw together a comprehensive package of mini-games from past entries on a hugely successful console. There are appealing factors such as the fact that sudoku and a number of puzzles can now be done on the Nintendo Switch, along with its budget price point. However, with the janky accessibility issues for Switch Lite users, and clumsy handwriting recognition skills for the maths calculations, it is hard to say it improves upon its predecessors.

Perhaps this is, at least for a newcomer, a bit like showing up halfway through a movie and complaining about it, out loud, to absolutely no one's interest. There's something genuinely fun about playing Just Dance 2020, and while there's nothing surprising, there really doesn't need to be. As a product, this works. However, it doesn't always feel like a game. It feels, at times, like interactive marketing, and while that may be fine for some, it's hard to believe no one out there is going to look at this and feel like it's anything more than a commercial you can play.

Star Ocean: First Departure R is a remaster of a JRPG from another age that was remade from an older age. It mostly holds up and has all the '90s sensibilities and style that a many of fans of this genre have been missing for 20 years. It is too bad that the original Super Famicom Star Ocean could not be included with this for fans to enjoy and see the huge differences. It's a shame that it may become lost in time, but this remaster of the remake is still the story of Star Ocean. It was never the greatest, but it was always highly enjoyable, and did set the stage for the amazing sequel that one day may also get a conversion to current platforms. It is an unusual situation where a remake is influenced by its sequel.

Heave Ho is an insane party game that ramps up the craziness to the maximum. While there is a single-player option, Le Cartel Studio's wacky title is best experienced with a group of people and a sense of humour. Flinging characters across the stage to land in a pit of spikes is as fun as it sounds, while the joy and elation that transpires after eventually reaching the destination helps to make Heave Ho one of the mainstays of party titles. While it doesn't dethrone the Mario Party, Smash Bros, or Mario Kart series, this can safely sit near the top of party games for when such a time to experience the outrageous and whimsical title arises.

Muddledash is a fun title that suits parties, or can be used to entertain the kids for a couple of hours. Slampunks has provided a light-hearted party game that doesn't offer a single-player experience. While it's refreshing to see couch co-op titles aren't forgotten, Muddledash is only a fun experience depending on the group that's playing. Don't take this too seriously, and just have fun with a laugh to get the most out of it.

Super Street: Racer for the Nintendo Switch caters towards that diehard audience who prefers to build up a car taken from the dump yard and turn it into a road-machine. Scrounge up the money by winning events to purchase new pieces to improve a vehicle is the aim, and despite that sounding challenging, it's an easy and quick thing to do. The fun is building the car and racing it on the track, but without an online component to it, it does lack in that final part of showing off a creation to others.

Other than the common camera issues, Weakless is an interesting experience that does a great job of expressing two characters and how they view the world. Sight and sound are senses that are often taken for granted in other titles, so having an adventure that allows both, but not at the same time, makes for an interesting puzzler. Puzzles aren't too extreme and are easy to figure out and solve. Rather than treating this as a 'game,' think of it more as an experience instead, as it does away with the typical game-y aspects, to focus on exploring a world with the sensory disadvantages.

There is clearly an audience for Ling: A Road Alone. It's the kind of gamer who does Final Fantasy runs with level one characters, or who plays Dark Souls with a Dance Dance Revolution gamepad. That is to say, Ling: A Road Alone is absurdly difficult for the sake of being absurdly difficult. If that's your kind of thing, the kind that is often unfair or sadistic in its difficulty, then Ling: A Road Alone is a must play. Otherwise, there's not much here that can be recommended.

The first Dragon Quest Builders was an amazing surprise, taking all the things its progenitor did and improving on them by adding its own flair and style, now Dragon Quest Builders 2 feels bigger in every way, but only better in some. The core mechanics have been polished, the world shines, and, generally, this is an absolute joy to chill out with. It's a shame that the whole thing doesn't feel this way, with the sections that experiment elsewhere feeling a step backward and detracting from the whole experience. It's clear the developers are still experimenting, and it's very exciting to imagine what the third entry could look like.

Blasphemous is an admirable piece of art. It does the whole metroidvania thing in a much less tedious way than most indie games do these days, and is bolstered by its distinct flavour and style. While fans who adore the character-building gameplay of most soulslikes will be found wanting, anyone who is nostalgic for Simon's Quest is going to find respite in finally playing what could be best described as the latter's best outcome. Maybe with a couple of tweaks and minor adjustments, and with a patch or two, this could be perfect. In its current state with slightly annoying quibbles, players are still going to be floored by its insane imagery and the penitent one's crusade for purification.

Zombie Driver: Immortal Edition is an amusing distraction that is elevated thanks to the generous amounts of unlockable content. The main campaign will never get anyone emotionally invested, but then why would anyone hope to care about characters in something titled Zombie Driver? The developers knew exactly who their audience is. This is pure zombie schlock for people who are fans of the Splatterhouse games. An unapologetically gory, arcade-like experience.

It's always a good thing when old titles are once again available for purchase, but Capcom should perhaps start pricing their rereleases accordingly. Devil May Cry 2 wasn't worth the money in 2003, and it certainly isn't worth much today. A miserable hack 'n' slash, it's a miracle the franchise managed to survive such a blunder in the first place. It's perhaps worth playing from a historical context - if only to gain a deeper understanding of how it failed the original's legacy… but Devil May Cry 2 is otherwise better left in the past.

No. Agent A isn't the next big adventure classic. The puzzles aren't as imaginative or challenging, the world not as captivating, and the journey not exactly that long or replayable. Classic or not, though, this is undoubtedly a very entertaining ride; a series of puzzles that are quite fun, especially if in search for something that is casual friendly, but also respects your intellect - and is cheap. As the cherry on top, it features a flawless and very pretty, '60s spy film style, with plenty of areas being wallpaper-worthy.

Travis Strikes Again: No More Heroes - Complete Edition on PS4 is almost identical to the Switch version. Nothing new was added, and even the old flaws are still intact. The inclusion of DLC content adds great value to what is already a highly replayable title.

Showing clear evolution over the previous games, as well as including some of the best features from the fifth entry, this remake is very good for fans that might have missed this the first time, those who want to come back with everything included, or for even first time players. Even those not looking for the massive post-game grind, the main story is funny enough to earn a recommendation for JRPG fans on that merit alone. It is a great overall package.

A curious example of a title being both more refined, but also less good than its predecessor. The action is smoother, better, and overall much more engaging. Purely as a platformer it is great fun, can be picked up cheap, and is only marred by simplistic, one-way levels and its short length. As an entry it is inferior to its predecessor with the removal of various gear, crafting, and challenges, making it a one-trick pony. It's awesome, but it doesn't have the magic the previous one did. Copen, one of the cooler characters in recent history, lacks much of his style that was memorable in previous games. This series is one of the coolest in recent times, and while this does not disappoint, it doesn't live up to how absolutely great it could be.