NITRO GEN OMEGA is a solid mech tactical RPG. The combat takes a bit to get going, but it is fun and full of hyper-animated moments that look amazing. The team building and social systems are solid, making you care about your motley crew of pilots and their interpersonal relationships. It has some really cool moments that get weighed down by grinding and repetitive battles. It has its moments, and with some rougher patches smoothed out, it has a lot of potential. NITRO GEN OMEGA is a fun adventure for anyone looking for a new, flashy mech RPG.

Starfield is a broad and ambitious game that falls significantly short of the mark whether compared to previous Bethesda efforts or other entries in the space RPG landscape like No Man’s Sky. There are some competent gameplay pieces, but they feel like they were built in the vacuum of space without radio contact, and never really came together when everything got wired up. Some die-hard Bethesda fans might be able to find the fun I was looking for, but I’d recommend tempering expectations at the very least. If you’re a PS5-only player who missed out on the 2023 release, tread with caution. The PS5 version lured me back like a toxic ex who promised they’d changed, and what I found confirmed what I’d already known. Starfield is easily the weakest single-player game in Bethesda’s catalogue, and a sour glimpse into what we might have to expect out of The Elder Scrolls 6.

Empire City shares the same fate that a lot of ambitious VR games do. They try to mimic the scope of big-budget AAA flat games, but cannot do so because of their much more limited budget. So the game ends up being spread thin with little depth over its six-hour game length. TMNT: Empire City VR is a fun, if thin, game. Just be aware that its chief charms come from playing with friends and moving around the city with the parkour system. If you are a Turtle fan, that may be enough for you.

Neverness to Everness is a promising, high-quality entry into the RPG space. Its unique business-management mechanics and stylish urban setting provide a strong foundation. While it currently suffers from a lack of endgame content and a brief story, it remains a compelling recommendation for those seeking a fresh take on the gacha formula.

Dragon Is Dead is a very good hack-and-slash game, but it’s a pretty poor Roguelite. I wish the game had more carefully crafted levels, with well-placed items. The game’s pixel art and dark fantasy world drove me to keep playing, but the Roguelite systems didn’t. There are also way too many systems and ideas that need streamlining. The game has enough good elements that 2D hack and slash and Roguelite fans should still check it out. Dragon Is Dead just isn’t a great example of the genres merging.

Motorslice has the heart and soul of a classic adventure title, but it lacks modern sensibilities that sometimes hinder the experience. Platforming across its well-crafted linear levels is wonderful, but open areas are not as well-tailored. The controls can also be frustrating, with P not always feeling as responsive as you’d expect. Combat is serviceable, featuring a parry system with a harsh timing window, and it’s in these mechanics that the game channels its Shadow of the Colossus-inspired boss encounters most effectively. Although some genuinely strong ideas shine through, the rough edges make them hard to fully appreciate.

World Heroes Perfect is a classic fighter that’s often overlooked when tracing the genre’s long history. Its distinctive roster carves out a niche, letting players create strange, fantasy match‑ups. SNK strengthens the package with a solid netcode, giving the game a real chance to reach a new audience. While it lacks the expansive modes and options of modern fighters, this release gives long‑time fans and newcomers a chance to appreciate its quirks and its role in the genre’s evolution.

The game is an ambitious debut that wins you over with its personality and cultural depth rather than its mechanical polish. It’s a mostly positive romp that feels like a rough diamond. The Bottom Line: If you enjoy vibe-heavy games like Cuisineer or Hades (but with a much slower, cozy pace), you’ll likely love the atmosphere of Town of Zoz. However, if you have low tolerance for technical jank or slow-starting tutorials, you might want to wait for the first major patch. Town of Zoz needs a little bit of polish to address some crashes, combat system and UI clunkiness. But the core story of community and healing through food is something special.

Jay and Silent Bob: Chronic Blunt Punch is a fun homage to the world of Kevin Smith. Packed with jokes that capture the spirit of the stoner duo, it blends elements of the View Askewniverse into an enjoyable beat ’em up. With its surprisingly deep combat, the game keeps you engaged throughout its short runtime. Even though bugs and the conventional level design prevent it from feeling essential, fans of Smith will still find plenty to love.

Cthulhu: The Cosmic Abyss takes an ambitious swing but it just doesn’t fully connect. It nails the atmosphere and tone but struggles where it matters most. The investigation systems are deep, yet buried under a clunky complex UI that often turns discovery into frustration. There’s a compelling game here but maybe it’s for a very specific type of player. In the end, Cthulhu: The Cosmic Abyss feels like a strong concept held back by execution.

Tales of Berseria Remastered preserves a title that was never that great to begin with. The potential of its darker tone and strong character focus loses impact through tedium, and the gameplay portion feels dated with its uber-linear exploration and repetitive combat. A bad game? Certainly not. A worthy upgrade? Far from it. This rerelease improves performance and visuals slightly while adding minor conveniences and DLC, yet it falls short of a meaningful upgrade. Ultimately, it’s best suited for newcomers, and its price feels hard to justify for anyone else.

Damon and Baby is an interesting experiment from one of the greatest developers in the fighting genre. While the game’s DNA contains strong ideas, they never evolve into anything that leaves a lasting impact. Combat is fun, but lacks the speed and style of its peers, and while combining this with adventuring is novel, it struggles to deliver something that competes in either sub-genre. The result is an experience that feels competent but ultimately underwhelming. A bold shift in direction, but one that struggles to justify itself.

MLB The Show 26 feels lazy. San Diego Studio knows it has no competition and has decided to coast on its previous successes. The on-field action is addictive, but everything else almost feels like a slap in the face at this point. They desperately need to update the visuals, fix the bugs, and put some actual effort into the presentation and career modes. Until then, The Show will remain spinning its wheels in the dirt, hoping the fans won’t notice that the engine is starting to smoke.

I really enjoyed the original Greedfall’s blend of magic and 1600’s technology. While the combat is a little more flexible this time around, the narrative plays too many of the same beats, and its pacing fails to find a groove. Greedfall was a cult favorite of sorts. Greedfall: The Dying World does some interesting things with classes and combat, but lacks some of the charm and inventive spirit of the original game.

It’s too bad the game has these rough edges because conceptually there is a fun spy versus spy mechanic here. Veterans of the first game may not find the same level of frustration. It is vital that you do the tutorials before starting the campaign. The campaign should remain locked until players complete the tutorials. Unseen Diplomacy 2 is available on Steam and Meta. There is no mixed-reality mode. For all you spy types out there, if you have a high patience level, this game may provide you with the wanted tension and thrills.

Although I love anime, and I love games, I often find the two somewhat diminished when combined. Etrange Overlord is an excellent story, with clever dialogue and wonderful voice acting coming together to keep you hooked for more or less the whole runtime. And yet, the actual gameplay falls a bit short. The combat is fun, though it ramps up a little slowly. There’s not much to the gameplay loop beyond the numerous battles, a few of which are a real drag. This game is a real blast to watch, and alright to play. Even so, any anime fans out there will surely find something to latch onto with this one.

1348 Ex Voto joins games like A Plague’s Tale and Kingdom Come: Deliverance in giving players a slice of medieval life. Unlike those titles, 1348 Ex Voto is a short time commitment with a relatively simple story and unique character dynamics. If the world weren’t quite so barren and the combat were less frustrating, 1348 Ex Voto’s attractive environments could be the foundation for a special little game.

Ultimately, Collector’s Cove is a competent but hollow entry into the life-sim genre. It is missing that indefinable “key ingredient”—the soul and density—that makes its predecessors so enduring. While it may provide a pleasant weekend of distraction for genre enthusiasts, it currently lacks the longevity and polish to swim alongside the big fish of the cozy gaming world. As it stands, the cove is a nice place to visit, but there isn’t quite enough there to make you want to stay.

John Carpenter’s Toxic Commando is a fun, over-the-top co-operative shooter. The use of Saber’s Horde Engine creates thrilling moments where you face off against hundreds of bloodthirsty zombies at once. Although the game bears Carpenter’s name, it doesn’t fully capture his signature style and instead blends in with the many zombie shooters currently available. If you’re looking to scratch that Left 4 Dead itch, this will suffice; however, it ultimately blends into the horde it’s trying to outgun.

Back to the Dawn ended up being a bit of a mixed bag for me. I loved the story and aesthetics, especially the music. It works wonderfully as a choose your own adventure-style adventure game. Time management, puzzle solving, and minigames are all fantastic. But the CRPG elements felt tacked-on. Back to the Dawn was probably initially envisioned as a CRPG, but grew into something different. With a bit more polish, focus, and elegance, it could be a really fantastic experience. If everything I’ve shared sounds good to you, then definitely don’t hesitate to give Back to the Dawn a few playthroughs.

Despite all of these complaints, I had fun with Legacy of Kain: Defiance Remastered. Does it feel exactly the same as the original? Of course not. But it’s a fun trip back to Nosgoth, even if a few puzzles sent me scrambling for a guide.

City Hunter isn’t a particularly strong game. While its gorgeous opening presentation immediately grabs attention and builds excitement, the gameplay quickly becomes a series of bland, maze-like 2D shooting levels. There was great attention to detail in remastering City Hunter, and this port is obviously the best way to play it. It’s just a shame that there’s not a lot to the original City Hunter game. Regardless, I really hope that City Hunter is the beginning of many more PC Engine ports in the future.

WiZmans World Re;Try does a lot of things right. It’s aesthetically gorgeous. It has simple, tried-and-true turn-based combat, with monster catching and fusing mechanics. It has a weird world and story. But it’s also a grind-heavy linear dungeon crawl that gets monotonous way too quickly. Going through dungeons feels like a chore. And bosses are unbalanced compared to the ease of combat and lack of experience points that precede them. WiZmans World Re;Try needs to be rebalanced, but it’s already a retry.

Fans of the Reigns franchise are likely to enjoy this Witcher iteration. It retains the staples of the series while developing elements that successfully blend both worlds. However, if you’re new and looking for a deep, immersive, ‘choose your own adventure’ experience, this isn’t it. While the scenarios are interesting and there are plenty of branching paths, the experience often feels disjointed, as decisions lack real impact. Though the short runs can be addictive, the basic gameplay may ultimately leave you swiping left on this one.

At a runtime of just around forty-five minutes, Dear me, I was… respects your time while demanding your full emotional attention. It is “show, don’t tell” in a nutshell. It might not offer hundreds of hours of replayability, but the beauty of its silent world and the introspective journey it prompts are well worth it. For anybody looking to cleanse their palate with a deeply artistic, evocative, and conceptually daring title. I can safely say Dear Me, I was… is a highly recommended play. Or maybe you just want to witness an artistic flex on your console. It serves as a beautiful reminder of why we engage with this medium in the first place. To feel, to reflect, and to experience something truly unique through the power of interactive art.

All in all, D1AL-ogue is a short, free puzzle game that’s more than worth spending a few hours on.

Paranormasight: The Mermaid’s Curse is a technical improvement over Paranormasight: The Seven Mysteries of Honjo. It still has some problems that should have been flagged during quality assurance testing. The cursor should just be dropped from all sections that aren’t point-and-click. But the narrative is fantastic, and the “Choose Your Own Adventure” chapter structure makes the experience feel more like a game, and less like a novel. The stylistic visuals mask Paranormasight: The Mermaid’s Curse’s low budget, and the music is constantly phenomenal. I’m not sure if the first game has been patched, but Paranormasight: The Mermaid’s Curse is enough of an improvement that I might give it another try.

His past games have demonstrated that Suda51 is probably incapable of making a cookie-cutter action game. Yet underneath its misdirection of wild and crazy, that’s kind of what Romeo is a Dead Man really is. Strip away the disorienting style shifts and patchwork narrative, and you’re left with a fun but limited third-person action game with Soulslike elements. The game succeeds at stylistic surprise but at the expense of polished mechanics and satisfying coherence.

The Prisoning: Fletcher’s Quest is a great little Metroidvania, full of wacky antics and charm. Its tight controls and strong design make the journey through perilous areas a thrill, while the catchy themes linger long after the relatively short runtime. Boss battles are varied and there are some genuinely funny moments; however, the mission structure can feel repetitive, and some of the randomness lacks clear context and doesn’t always land. Despite its creativity and polish, it risks being overlooked in an already crowded genre.

If you’re a big VR horror or Lovecraft fan and this game has caught your eye, it’s best to proceed with caution for now. Follow the developers on Discord and keep an eye on player feedback. If sentiment starts to trend more positive, that’s the time to jump in. For Dread Meridian, the most terrifying thing attached to the experience right now may be its negative first impression.

BrokenLore: Unfollow is a creepy exploration of the effects of psychological scars. The atmosphere smothers you, allowing only brief gasps of breath while solving puzzles. At its best when scouring environments, the game falters in its execution of stealth and combat segments. Although it lacks polish, this short, sharp adventure still manages to leave a lasting impression that will echo in the silence long after you step away.

If you’ve got a history with BMX games, extreme sports titles, and trick-based sports sims, you’ve come to the right place. You can whittle away the hours mastering every trick in the book, while steadily improving your overall skills. That same patience and persistence causes the whole game to open up before you. All the different challenges, the various stages, and the potential secrets are yours to discover. But for someone like me, this game is basically untenable. I dug deep, searching for every ounce of grit and determination I could scrounge up. The assembled supplies were meager indeed. While I mostly struggled through this game, you might find yourself enthralled with Streetdog BMX.

If you’re looking for a proper Warriors/Musou game for a portable console, Dynasty Warriors: Origins is exactly what you need. The battles are snappy, massive in scale, and crammed with cool mechanics. It’s perfect for a quick session whenever the moment strikes you. On the other hand, the writing and the English voice acting are shockingly bad. Plus, the frame rate gets a little slippy when the battles get big enough. Personally, my heart belongs to the spin-off Musou games out there. But who knows, maybe these epic historical battles are exactly what you’re looking for.

Code Violet falls short of its inspirations. Although the concise adventure has some strong moments, with some great interior environments, it fails to create menacing enemies that evoke fear in the player. Bugs hinder the experience, often leading to clumsy moments that break the immersion. Unfortunately, fans of Dino Crisis will have to keep waiting for that spiritual successor they’ve been hoping for.

I haven’t been a big fan of Aspyr’s recent remasters of the early Tomb Raider games, either. I’m tired of looking behind, anyway. What I’d like to see next is a brand-new title in the Tomb Raider franchise – one with an approach as fresh as Tomb Raider’s was in 2013, but with the Lara I know and love. Tomb Raider: Definitive Edition just doesn’t cut it anymore.

Omega Force sticks to the formula with Pirate Warriors 4, and that’s not a bad thing if you’re a fan of the musou format. Fans of the genre, and even of One Piece itself, will find a lot to like here. There’s a ton of content and a somewhat noticeable visual upgrade, and if that’s what you’re after, this entry certainly delivers. However, if you prefer action-heavy experiences with a more multi-layered approach to combat, you’re better off looking elsewhere. Missions and set pieces are clearly designed with long-time fans in mind, often relying on prior knowledge of the franchise. While that’s great for dedicated followers, newcomers may quickly feel lost in the story. As a package, it’s brimming with content, but fundamental issues with the formula mean you might ultimately want to let this ship sail by.

If you can temper your expectations and have an impressive tolerance for jank and lack of polish, Of Ash and Steel might have something to offer. The world is sort of interesting, even if the stuff you need to do in it is rarely as fun as it should be. The main character goes through the game sort of annoyed and bewildered. So did I.

Back in 1997, Outlaws did a great job of turning classic Western tropes into a video game. Still, it’s hard to ignore that the gameplay and design are stilted and simplistic compared to modern shooters. Fans of the original will certainly appreciate the happy jolt of recognition, and there’s a bit of value in new gamers walking through the time machine to a much simpler period in technology. All that aside, Outlaws’ fun doesn’t last very long, even remastered.

In essence, Bonaparte: A Mechanized Revolution great game. It has so much potential on its face. For instance, it has some great additions in the idea of the colossi, the rival factions, and the inclusion of historical events through an alternate lens. Yet, it despite some charm and a reasonably fun gameplay loop, it just doesn’t reach the depth it needs to in order to truly make a revolutionary impact in the genre. For those looking for a quick game to play when they want some decent tactical gameplay and big robots, this might be the game for you. Yet, any gamer looking for a truly in-depth tactical strategy game may be left wanting more than Bonaparte has to offer.

Overall, Bounty Star provides players with an arcade-like experience involving customizable mechs, which is surprisingly not an oversaturated niche yet. The solid combat and customization options highlight an overall polished product that is accompanied by an overall insightful narrative and smooth gameplay on console. For any mech fans, Bounty Star is worth checking out and is also currently a part of Xbox Game Pass at the time of this review.

Wreckreation, a game with a vision beyond the developer’s abilities, serves as a prime example of a game released too early. This feels very much like a beta release. If fundamental aspects of the game don’t work properly, players cannot enjoy ambitious world-building features like Live Mix. To their credit, the developer is engaged in bug fixes and has published a roadmap of upcoming patches. However, these fixes may come too late to keep players engaged. For Burnout fans, wait for the next game, or until they fix the bugs in this one.

Syberia’s setting and narrative premise were interesting in 2002, and remain so in Syberia Remastered. Thanks to its improved visuals and several quality-of-life features, modern gamers should find it accessible. Unfortunately, the game’s pacing, unadulterated cutscenes, and overall approach to puzzles mean that some parts of Syberia Remastered feel stuck in the past. Fans of the original will enjoy revisiting this new version, but I’m not sure if new gamers will be quite as engaged.

Fast & Furious: Arcade Edition is a lot of fun, for about an hour or so. After that, you’re running the same six courses with different vehicles until you’ve memorized them. Along the way, you’ll almost certainly get sick of seeing these races run over and over. While the essential arcade experience has been successfully ported to consoles, you still lose something essential in doing so. If you can find this game at your local arcade, you’d be better off playing it there. These races are just more fun with the noise, the lights, and the specialized controls.

Sacred 2 Remaster accomplishes a couple of things. It reminds us that the original was ambitious and forward-looking in many ways. Sacred 2’s wide-open world and deep progression systems hold up well. Sacred 2 Remaster is also a reminder that the original’s tech and combat left a lot to be desired. People loved the 2008 game in spite of those things. Enjoying Sacred 2 Remaster means having to overlook them once again.

Space Chef combines cooking, crafting, and adventuring into one seamless quest, but none of its individual parts truly shine. Progress may be slow, but the variety of options grows steadily, letting you cook up all manner of strange dishes to serve to your customers. The planets are diverse, and there’s no shortage of small tasks to keep you busy. However, while there’s plenty to do, few of these activities feel particularly rewarding. Its simple mechanics make it approachable and best suited for short play sessions rather than long stretches. With so many cozy games offering stronger management and life-sim elements, Space Chef risks fading quietly into the background.

Double Dragon Revive isn’t the rebirth fans were hoping for. Its combat impresses with a variety of defensive and environmental mechanics that add real depth to each fight, but other elements drag the experience down. Sudden difficulty spikes create frustration, and the light platforming sections feel underdeveloped. The presentation also needs an overhaul as its uninspired visuals and soundtrack fail to capture the energy and attitude that once defined the franchise. There’s a solid foundation here, but it’ll take more than nostalgia and new mechanics to truly bring Double Dragon back to life.

For fans of the first game, the wait for Vampire: The Masquerade – Bloodlines 2 has been long and frustrating, and the new game likely arrives with unrealistic expectations. Far from being an unmitigated disaster, Vampire: The Masquerade – Bloodlines 2 is entertaining but flawed. Excellent writing, a solid narrative, and quality performances are definitely high points. Uninspired quests and underdeveloped RPG elements suck some of the fun and potential replayability from the experience. Vampire: The Masquerade – Bloodlines 2 is probably not the game fans hoped for, but its setting, lore, and noire-ish vibe make it worth consideration for fans of all things vampire.

I’ll give Painkiller props for its imaginative weapons, sharp visuals, and visceral combat. It’s a hollow and transitory experience for solo players offline, and you can see what Painkiller has to offer in very short order. As a co-op game, it fares better. Still, I can’t imagine Painkiller becoming any shooter fan’s obsession. The nuts and bolts of what could be an impressive game are there, but in its present form, there’s simply too much repetition and too few surprises.

Setting aside its sometimes sluggish combat controls and a few frustrating mechanics, there’s a lot to enjoy about The Lonesome Guild. With beautiful art and a much-appreciated theme centering on connection and communication, The Lonesome Guild should appeal to fans of puzzle-heavy action RPGs looking for narrative depth.

It’s almost always a relief to play a game like Keeper, where there’s no carnage or frenetic energy, and where the pace and tone are understated. Keeper is colorful, and the makers have definitely succeeded in their stated goal of making a weird, chill game. It’s also kind of a dull experience, with too little player agency, some frustrating mechanics, and a sense of discovery muted by too many restrictions and guideposts. Keeper is a generally pleasant journey through a psychedelic landscape and it isn’t too thematically heavy handed. I just wish it was a little more fun to take the trip.

Ys vs. Trails in the Sky: Alternative Saga has a lot of content, but it’s still not a very deep game. It’s made for fans of the Ys and Trails series. Its release is timed well to coincide with the release of Trails in the Sky: 1st Chapter. But Ys Seven is trapped on the PSP, and the only modern access is as a crappy PC port. It’s amazing that Nihon Falcom has released Ys vs. Trails in the Sky: Alternative Saga for their fans. But longtime Trails and Ys fans will find a lot of their favorite characters missing. Hopefully Nihon Falcom will make a proper Ys Seven modern console port soon.

Die-hard Star Wars fans will find enough here to enjoy the game for a while. More casual fans will probably play the game for a couple of hours and then move on. Star Wars: Beyond Victory is available on the Quest 3 and 3S.

Bye Sweet Carole is a promising adventure that needs some refinement. Platforming and general movement feel slow and clunky, making traversal a chore. Each area features a range of strong puzzles, though some bugs affect your ability to complete certain tasks. Narrative inconsistencies further diminish the enjoyment of what should have been a magical adventure. Despite its stunning presentation, with beautiful hand-drawn visuals, smooth animation, and a lovely orchestral score, it ultimately struggles to deliver an experience as magical as its visuals suggest.

All in all, Marisa of Liartop Mountain is a cute little game that pretends to be complicated than it is. If you’re a Touhou fan who doesn’t mind restarting if necessary, you’ll have fun. Everyone else is likely to get annoyed and drop it.

All in all, Super Robot Wars Y is a game that loves giant robots, and if you give it a chance, you’ll probably end up loving them too. And getting a bunch of new anime for your watchlist.

Disgaea games are huge. 7 was already enormous, and the Complete edition makes it bigger still. You could drop hundreds of hours into this game in pursuit of total completion, the well is practically bottomless. The extra characters, the raised stat cap, and the new final boss could have you playing forever, more or less. And yet the price point is pretty painful. Between that and the Switch 2 exclusivity (which may be temporary), I’m not quite sure who this is for, beyond the most serious of players and collectors. But for those people, for that exclusive club, Disgaea 7 Complete is a fantastic game. For everyone else, I totally understand if you pass this one up. As a hopeless Disgaea addict, I may never escape the gravity well this game created in my living room. Remember me fondly, my friends.

Pac-Man World 2 Re-Pac is a fun platformer that recalls the many great titles of its era. The introduction of new mechanics helps each region feel distinct, even if the overall design remains conventional. This remake adds thoughtful quality-of-life features that enhance the experience, though not enough to warrant its price point. Still, it’s a charming adventure that offers plenty for both newcomers and returning fans, and a nostalgic reminder of a time when the genre truly thrived.

I really wanted to love Hotel Barcelona. It has such an interesting presentation and game world. But its gameplay is just plain awful. It has a generic roguelite structure, and controlling Justine feels abysmal. The UI is also an overcluttered eyesore. I hope fans of SWERY and SUDA51 find something to love in Hotel Barcelona. But as it is, I just can’t recommend a game that plays this horribly.

All in all, Atelier Resleriana: The Red Alchemist & the White Guardian is a slow-paced but cute JRPG with an expansive crafting system. If you like Atelier games, you’ll have fun with it. If you’ve never tried an Atelier game, it’s not a bad place to start. Just don’t expect something revolutionary from a slice of life game about grief, town development, and alchemy.

The Bubsy series gets by on Looney Tunes style visuals, and 90s ‘tude charm. And even those aspects won’t be for everyone. Bubsy in: The Purrfect Collection is a package of three below-average 2D mascot platformers, and one very early 3D platformer. They’re not good games, and they haven’t aged well. But Bubsy in: The Purrfect Collection is an incredibly loving and complete package of everything Bubsy. Anyone with nostalgic love for this series will be over the moon. I just don’t think Bubsy’s gonna make any new fans any time soon.

NHL 26 is not a game that reinvents the wheel, nor does it shed the criticisms leveled at its annual predecessors. However, it represents a decent step forward in key areas. The refinements to puck physics and skating mechanics are substantial, delivering a more authentic and rewarding on-ice experience. While lingering issues, such as inconsistent goaltending AI and repetitive commentary, prevent it from achieving what hockey fans dream of. Be A Pro is certainly more enjoyable, but still requires a ton of work to feel authentic. NHL 26 doesn’t come close to reaching the heights of the series, but it isn’t terrible by any means.

All in all, Artis Impact is a fascinating work of art from a solo developer. I just wish the combat was more balanced and the English translation were better.

Hirogami is a pleasant adventure with innovative ideas that don’t quite land. The ability to transform into different creatures is engaging, especially in later levels where switching between forms is essential to progress. Unfortunately, the lackluster encounters, basic level design, and the need to revisit earlier stages to move forward create frustration. While Hirogami brims with creativity, it never quite comes together into a truly memorable experience.

Everybody’s Golf: Hot Shots lands in the rough. At first glance, it seems to capture the spirit of the originals, but closer inspection reveals what it’s missing. Dated visuals, inconsistent performance, and grating dialogue build frustration. While the game offers plenty of modes and chaotic multiplayer options, the lack of gameplay innovation makes these features feel stale. You might enjoy a quick round, but it doesn’t do enough to keep you hooked for the full 18.

While acknowledging the 11-year-long commitment that finally brought the game to release, there are simply too many serious problems to ignore. Lost Soul Aside’s sometimes excellent action is undercut by flat characters, cliche story, terrible writing and rough mechanics.

Robot at Midnight is only a handful of hours long. There isn’t a ton of replay value thanks to its limited systems, weapons, and enemies. The combat and bosses are undeniably fun, but I kept wishing the mechanics had a little more depth, and the world had more detail. At around $20, the balance between content and price might be, unfortunately, up for debate for many gamers.

Echoes of the End is a mixed success. Its narrative, characters, and performances are excellent, and the world is impressive. Some of the game’s more logical environmental puzzles and its late-game combat are engaging, too. Unfortunately, the game’s overall pace is undercut by repetitive gameplay structures, far too many busywork puzzles, and flat combat that takes too long to get interesting. There’s a lot of great stuff in Echoes of the End, but it’s impossible to ignore what doesn’t work as well.

Is it perfect? No. The choice system needs a rethink, the pacing could use tightening, and the life-sim tasks sometimes cross the line from immersive to plain tedious. But for those willing to put in the hours, Varlet rewards you with a world worth exploring and characters worth caring about.

While I didn’t think there was quite enough that was new about Star-Crossed World, I still had a lot of fun. The new stages are well-crafted and full of optional goals. The new enemy designs are cool and clever. And I ended up getting sucked back into the base game. On the other hand, the Switch 2 of it all is lost on me. The game looks and performs just as it did back in 2022. I hesitate to recommend something so expensive, but the game is still a lot of fun. Returning fans won’t want to miss this one, however. Star-Crossed World is a delightful addition to an already excellent Kirby game.

Drag x Drive packs in plenty of interesting ideas, but they never quite merge into a compelling eSports experience. The mouse and motion controls are impressive in isolation, yet in the chaos of high-speed competitive play, they can become a source of frustration. With minimal offline content and few incentives to return online, it risks being overshadowed by stronger competitors. Without significant expansion to its bare-bones structure, the game may struggle to hold onto its player base.

The game offers a great mix of dread laced with unknowable horror. Because there are different choices you can make, the game has many very different endings. Can you successfully complete your job? Can you make the right choices, even if they go against your morals? There’s only one way to find out.

Writing this review exhausted me. I was hoping a new saga of Destiny 2 might get me excited for what’s next. Instead, I’m tired. The skill to make cool stuff still exists at Bungie, but it’s being catastrophically misused. Design and mechanical changes need to be more thoroughly considered, and the entire player base needs to be brought along for the ride. If Bungie leadership is reading this part: please. Give your people the time, space, and freedom to create something incredible. They have the capacity, and they need your support. This franchise can find its footing again, but Bungie needs to get out of its own way to do so.

Wild Hearts S clearly takes inspiration from Capcom’s classic formula, but it puts its own spin on the genre to keep things feeling fresh. Battles are epic in scale, with the Karakuri system allowing you to adapt your approach on the fly. Whether used for offense or defense, this mechanic adds welcome variety to each encounter. However, as enemies grow more aggressive and fights become increasingly chaotic, the frame rate can noticeably dip. Combined with basic textures and a lackluster visual presentation, the presentation underwhelms. Even so, the addictive gameplay loop remains intact. While the ‘S’ version doesn’t offer enough to bring back returning players, it still delivers a compelling monster-hunting experience for newcomers.

I prefer my life sims with a greater degree of freedom than this, I’m learning. A blank canvas is more alluring than a perfectly crafted setting, at least to me. But I also recognize the value in a place like this. Everything is built around the hobbit ideal that is food. The writing and the aesthetics are all extremely hobbit-coded. Rather than a life sim, Tales of the Shire is a hobbit sim. If that sounds like a good time, you should definitely check out this game.

Edens Zero is a mediocre attempt to bring a well-loved manga into the interactive medium. The combat lacks the nuance found in stronger action-RPGs. While switching between party members adds some variety, battles quickly become repetitive and tiresome. The story is messy, and its basic presentation fails to hold your attention. Although the game throws together many ideas, none are fully realized, resulting in a disjointed and unpolished experience.

Tamagotchi Plaza is a mediocre experience. While the aesthetic and the mood of the game fit its target audience nicely, portions of the game are unnecessarily complex and without instructions, making it even harder to fully grasp. While Tamagotchi Plaza features some interesting and even fun mini-games, the overall package isn’t worth the headache. Would it kill them to incorporate parts of the traditional Tamagotchi experience into its video games? Whether that would help with the game or not, at least it’s worth a discussion.

RoboCop: Rogue City – Unfinished Business offers a tighter, more compact take on the original. While the story remains fairly shallow, this puts the focus on gameplay, with new weapons, enemies, and executions that help elevate the experience. Returning players will know what to expect and likely enjoy what’s on offer, but if the base game didn’t win you over, there’s nothing here that will change your mind. While it doesn’t reinvent anything, Unfinished Business is a satisfying extension for those eager to jump back into RoboCop’s boots.

System Shock 2: 25th Anniversary Remaster is the original System Shock 2 experience for better and for worse. It includes every aspect of the original game, including the clunky menus and side features that don’t work as well as intended. Fans of the original will miss nothing, and have a smooth-running version on consoles. While System Shock 2 is an important video game, it’s going to be difficult for modern players to experience it for the first time. I recommend Nightdive’s System Shock remake for anyone who wants to get into the series for the first time. Undoubtedly, System Shock 2: 25th Anniversary Remaster is the best way to play this classic open-world survival horror FPS CRPG.

I’m trying to examine Awakening through a more objective lens. I know that a real Nobunaga head would see this game very differently. But it’s just so punishingly dull. The density of material, the pacing, the interface, all of this smashed against my limited attention span with incredible force. If you’re a fan of the series, Nobunaga’s Ambition Awakening Complete Edition will be a worthy addition to your Nintendo Switch 2 collection. Otherwise, I can’t recommend this game.

Star Overdrive is a gorgeous and ambitious indie third-person adventure game. It has lofty dreams of being Breath of the Wild with SSX-style hoverboard traversal. The exploration and board riding feel great. I loved the gameplay loop of travelling to new areas and gaining powers from dungeons. But the combat is way too simple, and obviously masked by a way too forgiving difficulty. A lot of the RPG mechanics are light and work well, but the hoverboard crafting system is an unexpected, overly complicated mess. There are a lot of interesting ideas in Star Overdrive. Even though they’re not all well-executed, I urge anyone curious to give it a try.

Tron: Catalyst successfully captures the spirit of the franchise. Its striking aesthetics and pulsing electronic score immerse you in the iconic digital world. The game’s strength lies in its commitment to storytelling, with clever narrative techniques driving the plot. While the combat is serviceable, it lacks the depth found in many of its genre peers. Still, these elements come together to deliver a narrative-driven experience that remains true to Tron’s identity, even if the gameplay doesn’t always live up to the ambition of its story.

The games found in Gex Trilogy are better than I thought they would be. I was especially surprised by how much I enjoyed the original Gex. These are dated, but solid mascot platformers. As a package, Gex Trilogy has a lot of the modern quality of life features players would expect, as well as a slew of extras. But there could have been more. The Game Boy Color, N64, and international versions of the games are absent. I would recommend Gex Trilogy to fans of retro platformers, who’ve played all the classics. These games aren’t must-play, but are a great option for someone wanting more platforming titles in their library.

Badminton Time! VR struggles to capture the addictive rhythm of the sport, with flawed mechanics undermining the experience from the ground up. These foundational issues ripple through every match, resulting in inconsistent, often frustrating gameplay. Despite its appealing presentation, the game fails to land a clean hit, swinging for a point but ultimately serving up a fault.

If you think DLC should offer a literal game-changing experience or massive amount of new content, Wicked Isle will disappoint you. In all ways, it is of a piece with the main game. It expands the world with a relatively large new zone. It deepens or adds a new wrinkle to the base game’s lore. There are some new weapons, a handful of new enemy types and a small cast of new NPCs. If you love Atomfall’s world, fiction and mechanics, Wicked Isle is more of that, and included with the Deluxe Edition. If you were on the fence about Atomfall, Wicked Isle isn’t going to turn you into a fervent believer. Wicked Isle doesn’t do anything to hurt the main Atomfall experience, but it doesn’t do much to change or improve it, either.

I won’t say that Dragon is Dead isn’t sometimes a good time. Its system of upgrades and progression mechanics can lead to powerful characters. At the same time, rarely are repetitive runs through the same areas memorable. I think ultimately Dragon is Dead would have been a more enjoyable game framed as a traditional hack-and-slash Souslike ARPG, where its combat and character building could shine. In its present form, the roguelite elements, repetitive runs, generic setting and dull writing overshadow the genuinely enjoyable elements.

Disney Illusion Island is the exact same experience on PS5 as it was on Switch. There are no extra features, and it still looks crisp and plays tight. But I have to ask the question “Who was Disney Illusion Island made for?” It fails as a Disney-themed game, as a retro 2D platformer, and as a continuation of the Disney “Illusion” series. It absolutely succeeds as baby’s first Metroidvania. This would make a great game for a parent to introduce a young child how to play platformers and Metroidvanias. I can’t imagine an adult playing this and not getting bored after a couple hours though. And if young kids can figure out Minecraft, they can just play a classic Metroidvania instead. A co-op Metroidvania is an enticing idea, but this one is only for newbees.

There’s no denying that to a T has an affecting message about the struggles of being different, but it’s cloaked in an amusing story and illustrated with appealing visuals and music. Undemanding younger players might not notice the disappointing mechanics, but older gamers probably will and feel the need for more substance. There’s a lot to enjoy about to a T, it’s just a shame the gameplay can’t quite match the warm-hearted quality of the writing and quirky ideas.

All in all, Mobile Suit Gundam Seed Battle Destiny Remastered is a fun mecha action title with solid visuals, audio, and mechanics. It’s not anything truly special, but it is a treat for Gundam SEED fans. I just wish they’d properly adapted the franchise’s narrative instead of slapping a few plot twists on as an afterthought.

Like any good simulator game, you know exactly what you’re getting into here. You’ve got a lot of work ahead, and though you might not enjoy it, you won’t be able to easily put it down. Spray Paint Simulator is a simple yet compelling zen garden, a Sunday morning job perfectly captured in game form. I don’t recommend it, but I don’t really have to. If this calls to you, I’m certain that you’ll answer.

With its visual prowess, RoadCraft presents a promising foundation for a unique and engaging construction simulator. Its road construction mechanics and realistic environments are impressive. However, it also feels underdeveloped and lacking in customization, which previous Saber Interactive games have. In addition, clunky UI and a plethora of bugs ultimately hold RoadCraft back from realizing its full potential. While dedicated fans of road engineering and construction simulators might enjoy the game’s granular control and visual feedback, “RoadCraft” requires significant improvements and additions before it can truly compete with established players in the genre. It’s a game with a strong concept but needs a lot more work before it’s ready for prime time. The foundation is there, but the road ahead is still under construction.

Scar-Lead Salvation is a roguelike third-person shooter that ultimately misses the mark. While mechanically competent, it lacks the ambition needed to elevate the experience. Its roguelike elements are too basic, causing each run to blur into the next with little variation. There are flashes of creativity, but they’re not enough to sustain momentum. In the end, the game fails to deliver that essential, just one more run thrill that defines the genre.

There is a lot to love about Deliver At All Costs. It trumpets an exuberant charm with its clever writing, wacky missions, and chaotic gameplay. Each area of the map is beautifully crafted and a delight to explore. Whether working on the story, completing odd jobs, or just cruising around town, it is always a satisfying adventure. The story of Deliver At All Costs has enough hooks to make you keep wanting to learn more, but the overall tone of the story juxtaposes against the comical nature of the gameplay. A few QOL missteps, like not being able to set waypoints and the restrictive camera, are minor annoyances to an otherwise very enjoyable experience. Deliver At All Costs simply delivers.

All in all, Touhou Spell Carnival is a bizarre mix that is far more than the sum of its parts. Touhou Project fans and anyone who wants to know how a bullet hell strategy RPG could work should definitely check it out. But maybe wait until it’s on sale, as this title isn’t really long enough to justify paying full price.

Post Trauma is a loving tribute to those early generation survival horror games. It contains the best and worst attributes of said games. Thanks to today’s technology in terms of computing power and game engines like Unreal 5, Post Trauma has high production values. The creators’ respect for the genre is clear in all aspects of the final product. For veteran gamers and horror aficionados, this game will be a wonderful trip down memory lane. Post Trauma is available on platforms.

The Precinct ultimately fails to make walking the beat feel immersive or rewarding. Routine patrols quickly become repetitive, with minor offences dragging down the game’s pacing. Even the main story missions, while more substantial, are formulaic and add little excitement. Coupled with a lack of cinematic presentation and a plot bogged down by tired tropes, the game squanders its retro cop-drama premise. What could have been a gritty, engaging throwback instead feels flat and uninspired.

Death end re;quest: Code Z is such a frustrating game to review. I loved the mysterious narrative, dark tone, grotesque art, and beautiful music. But I didn’t like the grid-based procedurally-generated dungeon crawling. The hub map was also a missed opportunity to create a space that would’ve made Death end re;quest: Code Z feel more like world, and less like a series of scenes and menus. I wouldn’t recommend the game to typical JRPG fans. It’d even be a tough sell for fans of roguelikes, because those elements feel so tacked-on. Visual novel fans will likely really enjoy the narrative though, and fans of dungeon crawlers might appreciate how unique the game is. I think the game needed more work in preproduction to tie the combat, roguelike elements, and hub world sections together in more meaningful ways.

Lost Records: Bloom & Rage – Tape 2 refines the gameplay while delivering a story conclusion that may divide players. The story gives satisfying resolutions to many of the complex, multilayered narrative threads, but some of the more ambitious supernatural elements fail to deliver a full payoff. The addition of new gameplay mechanics, particularly the puzzles that shift between past and present, adds welcome depth to the experience. Ultimately, the story comes together in a way that feels emotionally fitting, but it leaves several key questions unanswered. As it stands, the game feels incomplete, and it needs another Tape or a full sequel to truly bring the narrative to a close.

Gorn 2 offers substantially more gameplay than the original Gorn. The arenas, enemies, and environments offer enhanced opportunities for creative mayhem. The first game’s way-over-the-top stylized violence and gore transfer intact, along with its goofy sense of satire. If Gorn 2 was a non-VR first-person action game, it would work pretty well. As a VR title, the consistently inconsistent hitboxes and bugs undermine the potentially cathartic combat. Six years out from the first game, players should probably expect a more refined and polished experience.