Stray Blade has some redeeming qualities, though these will largely be subjective. It is easy to tell that Point Blank Games set out to create a title with passion in an attempt to offer something more unique. The visuals and art design are gorgeous, the world is interesting if a bit generic, and the general gameplay loop can be addicting if you can put up with the clunky combat. Though with that said, Stray Blade does little to warrant your attention in the landscape of today’s video game offerings. If you want a souls-like RPG that you can turn on, take in the vibrant scenery, and play through whilst turning your mind off, you could do far worse. For those looking for a refined combat experience, tight controls, and rewarding gameplay, you would do best to look elsewhere.

Life is Strange: Double Exposure is a huge fumble for an otherwise fantastic series. What began with a promising opener only really leads to a great big pile of disappointment and heartbreak. It’s filled with visual and audio bugs and a mystery that turns baffling and misdirecting in abominable ways while also being downright disrespectful to its lore, canon and cast. It is a painful thing to watch my favourite franchise destroyed in front of my very own eyes. Worst of all, the game teases that follow-up ventures are only going to follow suit even more. Not even the adorable Max Caulfield and her sapphic ventures could save me from having a good time in the snowy, miserable Midwest. Like many media you can point to today; just because you can bring something back, doesn’t mean you should. Like our superpowered best friend in her endless searches across timelines, I’m left wondering where the hell it all went wrong.

As a bachelor project, [I] Doesn’t Exist certainly demonstrates the technical competency of its developers, but as a game in its own right, it doesn’t particularly offer anything unique or worthwhile. Using parser controls to tell an unconventional narrative is an interesting concept, but the actual conversations to be had are vague, unhelpful, and don’t tell a decipherable narrative. Check it out if you’re jonesing for a hit of retro parser gameplay, but there’s otherwise not much here that makes it stand out.

Knight Crawlers offers several ways to customise your rogue-lite experience. You can change your character’s outfit, decide on your combat approach, and how you approach a dungeon run. Rather than throwing large numbers of enemies at you and seeing what happens, the gameplay allows you to choose what you want to do. Unfortunately, Knight Crawlers is still held back by several issues. Melee combat isn’t effective compared to ranged combat, and the wobbly character’s movement can work against you. There are also a good number of bugs that can interfere with your experience, forcing you to restart otherwise-successful runs. The potential of Knight Crawlers is there, but some areas haven’t received the refinement that could have helped demonstrate said potential.

Painkiller is a serviceable co-op shooter that doesn’t live up to its namesake. It gets the satisfying gunplay mostly right, but the rest is unremarkable considering its short length, repetitive objectives, grindy upgrade mechanics and lack of any kind of proper engaging narrative or satisfying conclusion. While it’s hard to call Painkiller bad, I’d also struggle to recommend it to anyone aside from hardcore fans of co-op, while DOOM Eternal exists. If you want an excuse to mow through rooms of demons with two friends, then Painkiller will serve you just fine, but fans of the original will probably have more fun with any of the large array of single-player boomer shooters available on the market.

Blackwind presents a sci-fi platforming world that is fun to smash through and fly around its desolate landscapes. However, it sticks with its formula of killing enemies and unlocking areas so tightly that it lacks spontaneity and becomes too predictable too fast. Repetitive music, awkward dialogue and unvaried landscapes all lead to a pretty lackluster experience that even the fun combat can’t fix. Blackwind needs more time taking risks and experimenting with the very versatile genres it encompasses in order for it to stand out amongst the crowded population of action games.

While The Good Life is an often frustrating and dull experience, riddled with annoying mechanics and lacking in polish, I’d struggle to say that I necessarily had a bad time overall. I found the town of Rainy Woods and its mysteries engaging enough to want to see the experience through to the end. There are so many nuggets of potential that are held back by irritating health meters and repetitive side quests. If you’re a fan of SWERY’s previous output or have a lot of patience for fetch quests, there is reason enough to check out The Good Life, but it is a hard sell for pretty much anyone else.

Even though Button City is the feel-good game I absolutely needed right now, it’s not at the level of polish it should be. I love the atmosphere and the magic captured in the game’s writing and setting, but performance issues and weak minigames hold the title back. Despite some cute and cozy moments experienced in saving a closing arcade, a lot more refining is needed to make this wholesome adventure all the more worth it.

MX vs ATV Legends has a legacy behind it, but it doesn’t bring anything to the table to bring new concepts to the genre. While it’s fun enough to ride around on bikes and have the driver ragdoll their way down the hill, there are some persistent issues like vehicle performance and video quality. Subtitles are cut off mid-sentence so reading it is awkward, and there is a real lack of accessibility options for those who need it. Music choices are rad, as there’s some more modern-ish music in it, mixed with some older ones. Overall, MX vs ATV Legends is a fun racer to goof off with your friends, but nothing to seriously sink your teeth into.

Winter Burrow is positively blanketed in charm and whimsy, but looking below the surface reveals survival gameplay at its most basic. Interesting characters and the aesthetic appeal can’t fully compensate for the repetitive gameplay and oddly lacking mechanics. Dressing up mice in little outfits is fun, but ultimately can’t save a game so torn between two core concepts.

The versatility of wall-running and jumping with the agility of Spider-Man with machine guns is undeniably entertaining. Traversing the excellent dark and brutal world with these abilities makes it all that much more fun. However, it’s clear there are polish and refinements required if this bounty hunter wants to make bank. Necromunda: Hired Gun is messy and not the game Warhammer 40,000 fans or FPS lovers will be speaking about in years to come.

Lost Epic is not a bad game necessarily, but it struggles to stand out compared to similar 2D action titles. The application of Soulslike elements only serve to slow the experience down with dull backtracking and grinding for experience and upgrade materials. Although its combat can frequently be very satisfying and a treat to behold, the sheer amount you’re forced to go through combined with limited enemy variety ensures that repetition sets in quite quickly. If you enjoyed Salt and Sanctuary, but wish its visuals were run through an elaborate anime filter, perhaps Lost Epic is for you. Otherwise, maybe wait for a sale.

Jurassic World Evolution 2, for all the negative things I’ve had to say about it, is not in itself that bad of a game. It IS however, a mediocre Jurassic Park game, one that has passable mechanics that gel with the franchise about as well as a raptor gels with Samuel L. Jackson. Ultimately, you can’t really look past such an enormous missing of the point and it does besmirch the experience. For diehard Jurassic Park fans like me, the Jurassic World Evolution formula is a hard sell, though park management enthusiasts may get a kick out of this still.

Survive the Fall is a microcosm of the post-apocalypse genre in its most consistent form. All manner of wild and disparate societal annihilations lead invariably to the same familiar people and places. Where the genre offers the potential for the truly unique, absurd and unusual, Survive the Fall is predictable in its competent mechanics and portrayal, but fails to present itself as a stand-out in any field. It is what it is, and that is exactly fine.

Sonic Colours Ultimate serves as a sad reminder that even the 3D Sonic games that are ‘one of the good ones’ don’t hold up very well. The updated visuals, soundtrack, and gameplay tweaks at least make it a better experience than the original, and some quality of life upgrades make the worst parts marginally less painful. Sonic fans nostalgic for this game will likely still value having this remaster in their collection, but the new customisable options and Rival Rush Mode are simply not enough to make up for what Sonic Colours lacks. It’s hardly what we were hoping to get from Sonic’s 30th anniversary.

Top Racer Collection does what it says on the box, it contains the three SNES games from the series, pretty much unchanged. The collection provides the bare-bones quality-of-life options that are usually expected including changing screen size and playing with filters. Some new gameplay options such as online play are present as well. Unfortunately, given the number of better alternatives in this genre, both past and modern, this collection is a bit of a hard sell. However, I acknowledge that the series does have a huge following in some parts of the world, and for those that simply want to play Top Racer again, in their original form and on modern consoles, then this collection will sort them out.

For me, Monster Crown is a competent-yet-stale entry in the monster-collecting genre that fails to impress on any meaningful level. While the opening hour showed some promise, the game falls into tired tropes that have become standard for the genre, and even with the whopping Kickstarter cash, fails to innovate or build upon what came before. I was hopeful going in and relieved going out, and am holding out genuine hope that Studio Aurum continues to work on the game until it is a polished, well-realised example of the vision the team had when starting this game. A dull comparison to the legendary monster-catching games of yore that we know and love, Monster Crown fails to catch ’em all.

Tunche combines familiar mechanics with a setting that is rarely represented in video games. This keeps the game’s visual design fresh, but the combat is more than familiar and not up to the standard set by other games in these genres. Tunche can’t scratch the side-scrolling beat-em-up action of River City Girls or the honed roguelike structure of Hades. Unfortunately, this means the game’s charming art and characters are at battle with lackluster gameplay.

What was once the pinnacle of its genre has become a bit of a joke as it releases again and again and again. The Elder Scrolls V: Skyrim Anniversary Edition adds very little that can’t be found in the 2016 Special Edition or is already free with Creation Club content. There is enjoyment to be had out of playing the game in the new survival mode and I still adore the base game. However, Skyrim just isn’t as strong when held up to modern standards, and it is the fault of Bethesda that this tired horse is now running a race with so many others that are leagues faster.

Tamagotchi Plaza is a flat experience in a bright, colourful package. The minigames are fun for an hour or so, but take too long to add new mechanics, leaving the gameplay repetitive and unsatisfying. It’s fun to see so many Tamagotchi characters walking around this world, but it would have been far more interesting if there was anything substantial for them to actually do.

Kao the Kangaroo is a nice 3D platformer for getting your feet wet. The gameplay from previous entries is the same and it is easy for beginners to pick up. The graphics look good and keeping it simple fits with the game’s theme. Unfortunately, the game feels too short, ending just as it picks up momentum. Collectibles feel like unnecessary game padding, the story feels like an excuse plot, and the voice acting leaves a lot to be desired. This may satisfy fans who were looking forward to Kao the Kangaroo’s return, but there isn’t much for players who were hoping for a great, modern 3D platformer.

Moviehouse – The Film Studio Tycoon is an ambitious attempt at showing the ups and downs of the film industry. You gradually work your way up the ladder and producing great movies feels good. It’s a pity the game suffers from some issues that weren’t foreseen or accounted for. The charm of creating a good movie disappears when you realise you can make more money from buying out other studios. As your studio gets bigger and you hire more people, the user interface struggles to keep track of the relevant details. It’s a fun game at the start, though the long time it takes to produce movies can wear you down. For a simulator that passes some time, this will be great, but it does need some more refining to be a good management experience.

Red Souls Games should be proud of releasing their debut title; there is no doubt about that. But as a game striving to honour the paragons of survival horror, Post Trauma significantly falls short. Its astounding art direction and captivating music create an unnervingly eerie atmosphere that will stick with you well after the game’s conclusion. But Post Trauma‘s muddled and borderline incoherent story, flat characters, frustratingly difficult puzzles, and incredibly easy gameplay, where the stakes are never felt, are a real disservice to what is a clear love letter to horror.

LONE RUIN is a game that’s simply too short for its own good. A lack of content means the experience is over long before it ever should be, and any additional difficulty modes and a survival mode don’t do enough to justify the small scope. The experience is saved somewhat by good gameplay and a great spells/upgrades system, though not enough to call this one a real must-play.

Sniper Ghost Warrior Contracts 2 is good for a short time, not a long time. What could have been a glorious game full of compelling contracts and challenging assassinations gets muddied by boring regions that are just begging to be filled with objectives to make them seem worthwhile. Instead, you’ll spend more time walking around than actually sniping the baddies. Sniper Ghost Warrior Contracts 2 feels unsure of whether it can truly be a strong sniper simulator so instead it tries to outgun other FPS and assassination games – unfortunately, despite it’s fun sniping gunplay, it misses the mark on both.

Gravity Chase is not the most ambitious or creative racing game, but it offers a competent and fast futuristic racer. With a decent variety of tracks that are all easy to unlock, three game modes to pick from, and a satisfactory roster of ships and music to race with—there’s a handful of fun in this package.

Out of Sight is a short and simple experience that captures the horror of being a child in an unfamiliar and frightening situation. While its well-crafted audio design and second-person perspective distinguish it from other games of the genre, I was never excited by its flat and predictable story, nor its highly repetitive and bland gameplay.

INSPIRE could have been great fun but it holds itself back in many ways. Despite having a nice soundtrack, beautiful environments, and a decent shooting experience, the many flaws drag the title down. It’s too easy to get lost, difficult navigation feels like a deliberate design choice, and combat ends up being frustrating. It doesn’t help that the non-existent story is confusing and is quickly thrown out the window. There’s a lot of potential INSPIRE squanders, which is a shame given the promising ideas.