Squirrel with a Gun has a janky charm, from its crazy attack animations to occasionally ridiculous physics-based challenges. The concept of a platformer where the player character is so tiny that their gun is used to propel them into the air is a clever one that I wish was used in a more enjoyable game. However, despite some occasionally fun challenges and crazy cutscenes, Squirrel with a Gun feels overstretched across its roughly eight-hour playtime, with an overall lack of technical polish that goes beyond funny and becomes frustrating to play. It isn’t bad overall and certainly has its fun moments (particularly the boss fights), but the bugs and general jankiness of the experience hold it back from reaching its full potential.

The remake treatment of one of Yakuza’s more underrated entries gets marks for its story, world and fan service to the great Kazuma Kiryu, but all of that praise and credit only comes from the original Yakuza 3. What’s within Yakuza Kiwami 3 & Dark Ties is a regression in the timeline, as it resets and retcons crucial parts of the world and greater with its new story. Additionally, unoriginal and reskinned minigames that become a bore, along with the messy politics of disastrous recastings, simply make this an inferior version. The dark horse of the series didn’t get its time in the sun here, and that’s a damn shame.

DRAGON BALL: The Breakers is a good idea held back by Pay-to-Win practices and outdated design decisions. While the game could have a bright future ahead of it, it has a long way to go before it can be considered a truly great title, and really ought to sort out it’s current issues before the developers look ahead to Seasons 2 and beyond. The fundamentals are there, and the gameplay is solid; if these can be polished and modernised, then Breakers would easily go from a niche oddity to a raging blast.

Cupid Parasite: Sweet and Spicy Darling ends up being rather unfocused, with both its difficult-to-read UI and the character routes that struggle to find purpose now that the leads are already in committed relationships. It does have its positive moments, with the main character Lynette being one of them, but in the end, it’s messy enough that it can be hard to find something to latch onto.

Red Tape offers a comedic look at a fallen angel’s trip through a corporate version of Hell. It’s filled with silly characters and outside-the-box solutions that will have you chuckling as you navigate the game. Unfortunately, the story is weak and it ends hastily, filling in the remaining questions once you’re done. Other than fetch quest puzzles, there is little variety in the gameplay. Any attempts at variation through jumping activities feel out of place. If you are looking for a psychological horror experience that gets you thinking, you’re better served looking elsewhere. But if you want a funny game that lasts about an hour, Red Tape will do the job well.

Trolley Problem, Inc is a decent exploration of morality and philosophy, culminating in a provocative experience that will likely linger beyond its rather short playtime. It’s cleverly presented, even if it can verge on the side of overly simple. Unfortunately, the game doesn’t maintain the same level of intrigue generated by its opening questions, failing to include real-world politics in a satisfying way. It stumbles one too many times, with moments of brilliance being met in equal measure by disappointing shortcomings.

Survival Kids doesn’t take any big risks in its kid-friendly approach to survival games. Yes, it is technically kid-friendly in mood and scope, but that’s also underselling the maturity and capability of children playing games. Its level-based approach doesn’t evoke a sense of wonder and exciting exploration that its counterparts are known and beloved for. Its tasks are monotonous and very quickly become repetitive, almost as if they’re not trusting you to understand the same thing they’re teaching and showing you every few minutes. With only nine levels, but with rough pacing in those missions, it’s an experience that somehow passes you by in a flash, but also feels like a slog. There’s fun to be had if you’re with friends in the silly and chaotic gameplay moments, also working together as a refined, well-oiled survival production machine. Still, at the end of the day, Survival Kids isn’t all that much of a successful return, remaining hardly a splash in the ocean.

Undoubtedly fun for a fright night with friends or a YouTube reaction video, Choo-Choo Charles will find its place comfortably as a not-so-serious meme game with some good horror ideas. There’s a charm to the whole experience supported by the fact that its short runtime means it never overstays its welcome. However, the game’s shortcomings are simply too obvious to overlook. Requiring more polish, depth, and variety, Choo-Choo Charles doesn’t have the longevity needed to be anything more than a fleeting piece of sharable internet entertainment.

When Arcadegeddon does what it’s supposed to do, it’s a rollicking good time. Experimenting with the zany weapon types, getting my butt kicked in the Battle Modes, and interacting with the vibrant neon world is so inviting. However, all those bright and sparkling qualities didn’t matter when Arcadegeddon’s glitches became too obtrusive to ignore. It’s a shame, as the game has a lot of potential to be a fan favourite for those who love to squad up with their mates and have a laugh whilst being challenged. As it is though, I would wait a bit longer to sink my teeth into this co-op experience.

Alone in the Dark has fumbled once again, with this reimagining circling the drain to a pit of mediocrity. Though the game itself and the environments can be beautiful, it doesn't take advantage of its star-studded cast nor does it tell a story that is remotely sensical or engaging. Always offering just the bare minimum of staples for the survival horror genre and nothing more, it's sad to see the grand daddy of the genre be a shell of its former self. Maybe Alone in the Dark should remain exactly like its namesake.

Taking each piece of Salt and Sacrifice on its own, the game really should be an incredible ride. Taking the Souls-like gameplay loop, injecting Metroidvania style progression and item use, and stirring in some Monster Hunter elements should make for a delicious, challenging experience. Instead, the game unfortunately boils down to a repetitive, grind-inducing slog through samey areas and against predictable bosses. Ska Studios deserve praise for their attention to detail, striking visual achievement, and the game’s lofty ambitions, but that simply is not enough to stand up against some of the other titans of the genre.

I can tell that there was a lot of love put into Clive ‘N’ Wrench, and this is impossible to ignore. It’s an amazing feat to make a game, especially one as complex as this one, but even still, there are many areas where Clive ‘N’ Wrench falls flat. There are moments of greatness, such as in the well-crafted platforming sections, but overall it’s an underwhelming experience with lacklustre animation and a soundtrack that fails to impress.

Urban fantasy which mixes fantastical elements with a recognisable and familiar setting is one of my favourite genres, and Reynatis’ premise definitely ticks a lot of those boxes. However, despite a generally rather fun combat system and memorable soundtrack, Reynatis breaks down as it progresses, with dull environments, forced backtracking, poor technical performance and lengthy boss fights. If you can look past these issues, there is some fun to be had, but it is a highly tentative recommendation at best.

Overall, there is little that Sugardew Island does to make itself stand out. The initial premise is interesting and the art style quite cute, but it fails to create a real identity for itself and the gameplay, while perfectly serviceable, just isn’t interesting.

Toads of the Bayou has so many awesome concepts that I thought it may just be one of my games of 2024. The character and world design are both well-developed and adorable, and the gameplay was fun… before I started dying over and over again. To really let more players appreciate this world they have created, La Grange either needs to put in difficulty settings or provide players with more support, instead making gameplay harder by punishing them with ‘cursed’ cards when they are struggling. Because the way it stands, I won’t be jumpin’ to head back to the bayou anytime soon.

The Last Case of Benedict Fox takes a unique concept but doesn’t quite manage to assemble something memorable out of the sum of its parts. A combination of unsatisfying combat and clunky controls makes for a poor metroidvania, and its narrative and puzzle elements are not enough to make up for it. There is some fun to be had here though, and its graphical style certainly makes it easy on the eyes.

Try as Mirror Forge might, it never reaches the ambition it establishes in the opening moments. Generic and stock-standard horror storytelling provides beats you’ve mostly seen before, leaving players going through the motions. Uninspired and funky-looking characters and monster designs rip away the mystique the game offers. There are some eerie environments, with pulsating fleshy walls amid harsh industrial complexes that feel incredibly Silent Hill. That should be praised as such. However, at the end of the day, Mirror Forge is an unfortunate case of missed potential and raising scope too high. Neither remarkable nor an offensive entry to the horror genre, you might as well let this one pass you by.

Scott Pilgrim EX is nothing more than satisfactory. Brawling through dozens of adversaries can be quite enticing, especially with a friend. However, every other element falls flat with areas, enemies, bosses and levelling ending up a big regression from other contemporary beat ’em ups. Likewise, fans of Scott Pilgrim will be pleased by the plethora of visual tributes. But the narrative and dialogue of EX come across as purely referential and lack a heart of their own.

Fans of the series were excited when Valkyrie Elysium was revealed, and a modern take on the loved franchise could have done it wonders. Unfortunately, the archaic level design and grubby visuals make the adventure feel like it would be more at home back on the PS3. Combat is its saving grace, dancing between combos and activating magic abilities on elemental foes in satisfying fashion. The Einherjar who fight alongside you add a nice touch, enhancing combat and adding some much-needed levity to the boring narrative. Mindless, enjoyable combat is here in spades, but it’s not enough to make Valkyrie Elysium a reboot that I’d strongly recommend to anybody.

Nairi: Rising Tide is a beautiful game. The background art showcases how gorgeous an area is, and it gives so much life to the characters. The writing is hilarious, and it makes the characterisation display every positive and negative trait of everyone. But, even with that, art and writing cannot carry a game alone, as the puzzles become too puzzling, and some of the themes and world-building don’t feel explored enough. Its hint system is mostly unhelpful, causing frustration rather than satisfaction. If Nairi is to have another entry, HomeBearStudio will hopefully learn from its mistakes.

Remaking an older series that never got much limelight is always a good thing, and Another Code: Recollection has gone above and beyond updating its look and feel for the modern day. The problem is that those updates have removed everything that made the original games unique, and have re-invented the story in a way that is not to its benefit. It might still be a nice time if you're in the mood for something simple and slow-paced, but it's certainly no replacement for the originals.

Ammunition-fueled ATV trips, Mech piloting sequences and taking down squid-operated choppers levels of insane action can’t save Serious Sam: Siberian Mayhem. No matter how varied the environments or silky smooth the gunplay and weapons may be this time around, it’s clear the franchise is in need of more of a shakeup. Blowing through waves and waves of extraterrestrial threats doesn’t take long to blur together and once more feels like going through the motions. It’s frustrating too; creating a game with the help of loyal fan modders is arguably as true as the franchise can get. Still, it struggles to impress. Maybe it’s high time the Serious Sam series take notes from its most recent setting: traipsing away on ice for a little while.

Nightdive’s System Shock remake is a strange game, and whether it will appeal to you may largely depend on your nostalgia for the era of gaming from which it came. This remake still shows its age, despite the considerable and impressive paint job, lighting, and updated controls. If you don’t mind the sometimes murderous level of difficulty, tons of backtracking, and minimal handholding, System Shock may be a compelling piece of gaming history that is worth checking out.

The Chant storms out of the gates with a kooky but intriguing concept of cosmic-horror, but simply isn’t able to live up to its own ambitions. It has some good ideas if you look hard enough, but the clunky combat, milquetoast puzzle solving and forgettable story firmly plant this one in the category of B-Grade horror, which, to be fair, is definitely the vibe the developers seem to have gone for. Even with a few good foundational ideas with the use of prisms and a couple of cool boss fights helping The Chant slightly redeem itself, the biggest misfire is that it’s just not that scary, and without that, this cosmic-horror is just a cosmic-snooze.

RPGolf Legends leans too much into its influences to be really entertaining in itself. As a fan of Sports RPGs, RPGolf Legends demonstrates there is some wiggle room to experiment with the formula. I’d be doing a disservice to not congratulate the developers on the boss fights that succeed at demonstrating how RPG mechanics and golf mechanics can integrate well to make some unique and special gameplay moments. However, it must be said that outside of those boss fights, the game is largely satisfactory, but not exciting. It’s not the worst game I have played in recent memory, and it’s not a bad game to kill time on. Yet, for the ambition on display, I find it hard to get particularly enthusiastic about RPGolf Legends.

Cat Café Manager entices you in with hopes of cute kitties and a bustling management sim but sorely underachieves. There are a lot of awesome and inventive ideas, however the execution leaves a lot to be desired. I found myself enjoying the game with its chilled vibes and laid-back style, but also felt frustrated at all the missed potential. Whilst the representation of diverse characters gives the game several bonus points, unfortunately there are a lot of features missing to help make Cat Café Manager a timeless simulator classic.

Super Meat Boy 3D isn’t the grandiose translation to 3D as fans were perhaps hoping for. Though there’s competent enough level design and plenty to see and do with its many challenges and unlockable characters, it quickly goes back into old habits, be it with its immature and dated humour or its penchant for the 2D. Featuring generic Unreal Engine 5 3D work and level design that doesn’t quite prop itself up on its own, Super Meat Boy 3D is challenging and quite ugly to look at, but not in the ways I’m sure the developer intended. Not the worst platformer ever made, you could do much worse with Super Meat Boy 3D, but you could also do much better.

I wish I enjoyed Sky Oceans: Wings for Hire more than I do. There is plenty to love, such as its charming visuals, fun narrative and worldbuilding. However, it’s simply hard to look past the clunky gameplay, from the incredibly slow and repetitive animations to the clunky menu navigation, and that’s not even mentioning the bugs. Hopefully, the worst of them will be patched out, but at least at launch, Sky Oceans: Wings for Hire is a turbulent experience, and worth recommending only for those willing to brave the game’s flaws.