It's easy for many to dismiss Shoot Many Robots due to its repetitive nature, but seriously, what modern day shooter isn't repetitive? Those that stick with it and delve a little deeper will find a diamond in the rough offering hours upon hours of shootery fun.

If the idea of getting to play a wide range of distinct heroes each with their own abilities in a setting that captures the fun and humour of the Borderlands franchise then yeah, sure, [you'll enjoy it]. If you’re looking for a new co-op game, then yeah it’s good for that too. But it’s not Borderlands. It’s not even a MOBA, a genre that a lot of people know very little about. It’s Battleborn. And even with a number of problems, it’s still a lot of fun to play.

A more deeply integrated city, a rethinking of the controls and broader options for solving puzzles would inject some extra life into the LEGO franchise.

Above all else, and despite its similarities and homages to several films and other properties A Way Out surprises with little touches and moments of joy. Stopping to play Connect Four in a hospital waiting room or picking up a banjo for a strum in a farmer’s house after washing his dishes and stealing his clothes. A Way Out understands that co-op can be fun and spontaneous in addition to providing another tense moment requiring coordination.

There's no question in my mind that some elements could have been improved upon without negatively impacting the overall experience, and the blind pursuit of flawless recreation comes at what I feel is a heavy cost. You will find no better looking or better running game than Demon's Souls with the launch of the new consoles. But I think you will find no worse (From designed) Souls game.

When you're on the track, Mario Kart 7 feels better than any Mario Kart before it, and for most fans of the series that will be enough. But it's the same basic formula we've seen in every Mario Kart since the SNES original.

If you don’t mind being “kicked in the dick”, narratively, while having your hand held through gameplay, and utterly enjoy mood, even if it is sonically amplified gloom and dread, A Plague Tale: Innocence does deliver.

It's a smaller package than the original Darkness and it does have a few black marks, but that doesn't stop The Darkness II from showing that there's plenty of life in this franchise. Digital Extremes has backed itself to give a different take on the source material, yet held true to the core of what made the original game such a memorable experience. Sink your teeth into it.

If you've grown sick of JRPGs, as many people have, Ni No Kuni isn't going to change your mind. It's traditional, steadfast in its adherence to certain genre rules, and only stays away from a few of the genre's bad habits. But it's also a beautiful game, solidly built and full of whimsy, with some fun features and the sort of breadth you don't often find in game adventures these days.

Insurgency is a breath of fresh air that stands apart from the shooter duality of Battlefield and Call of Duty. It rewards patient play and encourages teamwork, with satisfying results for players who don’t give into the temptation of taking a run-and-gun approach.

This is one of the best detective titles you’ll play and its story and voice-acting is a pure joy. Just don’t go in expecting any high level of visual sheen, or system fluidity.

All things considered Madden 13 does bring a new level of excitement to gameplay through its much improved animation trees. It still plays very much the same however, with many rough edges around the career modes.

Genuinely a fun game to play, and includes some nice features like the Active AI and Off the Ball controls. Most importantly, it is a step forward from last year's game, but is still not up to the standard that the FIFA games have set.

Little touches like kicking enemies when they’re close into the air and then blasting them before they hit the ground is the sort of style needed to match Huntdown’s, well, style. Again, if the aesthetic grabs you it won’t let go until the final scumbag meets the end of your firearm. Just don’t expect your moves to match that of the funky synth-lines simmering below the neon, vibrant, and pleasantly grimy surface.

Perhaps the area where Children of Morta stands out the most is with the intricate art and the storybook narrative; the high-resolution landscapes and environment look fantastic at multiple distance levels. As do the creatures, characters, bosses, and other animated contraptions. Although this review has used the word dungeon countless times, each new location has a distinct feel all its own. In the end the focus on story, and the bond between family members, shines through – giving Children of Morta a sense of intimate to match the grand.

It offers a different kind of multiplayer and a robust smattering of solo missions to keep any international man of mystery occupied for hours on end.

In the end though it will most likely be Narita Boy’s visuals that grab you – and on that front Studio Koba has delivered and then some. Even though there’s a lot of lore and explaining going on it’s all met and even exceeded by the stunning backdrops, wonderful animation, and a consistent tone that strikes a balance between awe and familiar. Between analog and digital. Accompanied by an excellent synth-driven soundtrack, and a story that is ultimately bittersweet if not entirely unpredictable – Narita Boy is worth seeking out, installing, and experiencing in full VHS-era CRT-vision.

Getting the grapple-hook is nice and shifting the action to modern urban environments is cool, but it's all a little jarring. That said, the retro-inspired first-person shooting is by far the strongest aspect of Nightmare Reaper, and the mix of levels, secrets, loot, and rogue-lite elements is something that works together to deliver immediate, addicting, and engaging action.

A brooding yet charming affair that brings the collector in us along for a colourful ride through a kingdom gone foldingly mad. It has wonderful boss battles, visual charm and an annoying soundtrack. Working through the game’s binary puzzle system is still Nintendo-heavy in the aforementioned charm, but deploys little-to-no replayability, while the battle system is, at least, something new. But we wouldn’t write home Mamma Mario about it anytime soon. You’ll get hours of fun if you’re a Nintendophile, or at least a kick out of it for its writing, black humour and break from the mainstream norm, if you’re not.

Without delving into spoilers, the final episode of Telltale’s The Walking Dead is definitely an emotional roller-coaster with dramatic twists and turns – some of which land, whilst others feel rushed to get things to some form of conclusion. Above all though, it’s understanding of the series long history and Clementine’s journey make these final moments pack one hell of a bite.

At its core Yooka-Laylee features solid 3D platforming, all wrapped-up in a charming and funny package that oozes with the quality that drew a lot of players to Rare’s output during the N64 era. And although this may sound like strange criticism, we would have preferred it if the game featured fewer ideas, smaller worlds, and a more focused design. Yooka-Laylee’s better moments far outweigh its troublesome ones, and for the most part you’ll feel like you’re playing a Rare platformer from the year 1999. And when that’s what Yooka-Laylee promised to be, you can’t fault it for delivering on that promise. Warts and all.

For the most part, Outlast lives up to its reputation. Although a little too quick to link gore with horror for my liking, it rests upon wide foundations of creepiness and builds on them with a good amount of tension and urgency.

It's pretty much unchanged from last year, however. That's the deal with NBA 2K21. If you can find a way to deal with the new shooting mechanism and you don't mind some pretty bad storytelling, NBA 2K21 is great… because it's largely unchanged from last year. Or the year before. Or the year before that.

It's rare that a title sneaks right up on you and offers intense visceral gunplay, an intriguing consequence system and poses philosophical questions that leave you pondering the possibilities once you put down the controller. Binary Domain manages to juggle these aspects rather well, not outstandingly or brilliantly, but compellingly enough that I found it hard to walk away and was determined to see it through to the end in as few sittings as possible.

Considering the game’s fraught development history and arguably ill-conceived premise, The Bureau is practically a best-case scenario. It may not be a game that anyone asked for, but perhaps that has, in a way, strengthened the final game, forcing it to reel itself in a bit and focus on being entertaining rather than revamping an old IP. It succeeds admirably as an enjoyable sci-fi shooter, and that’s good enough for us.

In keeping with the chocolate bar metaphor, even apart from these issues, and the hefty price tag associated with the premium content, once you bite past the tasty yet somewhat odd MMO shell there's still a delicious RTS core to savour. Mmm, Age of Empires.

Metro: Last Light is a fine shooter, an exciting, fun ride, but it’s not necessarily the Metro game we wanted. We miss 2033’s punishing difficulty and its willingness to experiment, to make you suffer, to pull you down into the mud its characters spent every day in. But for many, Last Light’s changes will simply make the experience less intimidating and more enjoyable, and it’s hard to begrudge the game too hard when it’s still delivering such a fine experience.

Dead Island 2 does leave you wanting more, in a good way. The simple combat is endlessly engaging and gory, thanks to the physics, the weight of each hit, and the next-level destruction that lets you shoot holes through zombies or leave a wound right where your blade struck. In co-op, it’s a blast and funny in ways that watching classic b-movies with friends that feature over-the-top violence. In the end, there’s enough here to make us want Dead Island 3. Here’s hoping we don’t need to wait ten years for the next one.

If I can sum up my experience and thoughts on the game at all, it’s with the above metaphor. Uncharted 4: A Thief’s End is an enjoyable romp, but it’s essentially an interactive movie with very little player-choice over what any of that interaction is.

There aren’t any fundamental problems per se with Ace Combat 7, and for fans of the series it most certainly is worth looking into. It doesn’t reinvent the wheel, but then again there isn’t a great need for wheels when you’re dancing between clouds.

Spintires: Mudrunner has a tiny 1.1GB install because there's really not much too it. There are no peasants wandering the woods or working at the lumber yards. No other vehicles hauling lumber or otherwise in motion. The fauna has become extinct and only birds remain. It feels like you are the sole survivor in a post apocalyptic USSR where the cold war turned nuclear hot. Which begs the question: why you are hauling lumber? And for whom?

In the end, if the balance of exploration, character progression, combat, and story felt more cohesive or in harmony then Mutant Year Zero: Road to Eden could have easily been great. This is not to say that it simply needs an ‘easy mode’. No, the hardcore challenge tips the scale too far away from the sense of adventure and story and the RPG-like opening moments. Those first impressions. Whether or not this stance is too critical of the deep and well-executed combat, well, who the duck knows? If the idea of a hardcore XCOM-like experience in a post-apocalyptic mutant world sounds enticing, then, hey, this is essential.

The core feel of classic Borderlands action is enough to carry you through at least one play-through of Borderlands 3. One more round of a specific style of over-the-top shooter we loved playing years ago. But in 2019, it’s hard to feel as excited as we once were with the more-of-the-same approach taken here. Especially when it fails to capture the charm of the original two outings or innovate beyond the guns you wield.

A whirlwind of fun for sure, but too many opportunities are missed. At least the cathartic nature of zombie slaughtering does help you push through to unveil the end boss, which in a definite way is its own reward, along with the post credit ending, which you should stick around for.

Okay, so technical issues aside Batman – The Telltale Series is worth checking out. If you happen to live inside the Venn diagram of people who enjoyed Rocksteady’s Arkham series and like to play Telltale-style adventure games, then it’s a must. Or, if you’re simply a fan of the comic book series.

This may sound like Absolution is a bad game. It isn't – it's just a bad Hitman game. Features bleed from other games and the bizarre need to position Agent 47 as an action man with feelings and a rough moral code has diluted its identity. That said, there is deep replay value, both in the single-player and Contracts modes.

City of Logistics Managers may not get the heart racing or the imagination firing to the same extent as City of Gangsters, but it would be a more accurate title. It's as if City of Gangsters is ashamed about its administrative predilections, as if it wants to hide the true nature of its operation behind a less reputable -- more exciting, more dangerous -- veneer. City of Gangsters is itself a front; in the back room there resides a serious tycoon management sim. Like a reverse mullet, it's all party at the front and business at the back. It shouldn't be embarrassed about the mullet though. City of Logistics Managers is an excellent game, even if it may not be the one you're anticipating.

Apart from the overly long boss battles with no mid-point checkpoints, the fact that by the end of your time with Hard Reset you'll be an expert in disposing of endless waves of robots without having to replay as many sections as earlier on, speaks in favour of this approach. In other words you won't be reloading quick saves when battles don't go your way, so man up and stop being such a pussy.

Infinite Warfare was two things: a triumphant return to form for Infinity Ward, but also a return to safety and sameness in at least two of the three pillars. Multiplayer, while solid and highly replayable, is fraught with deja vu and I have concerns that some of the OP, built-in gun perks will devolve this into pay-to-win.

The story that revolves around the divorce of Cody and May feels, well, a little divorced from the vibrant co-op platformer that makes up the bulk of It Takes Two. Where new and exciting fantasy locations and interesting mechanics are introduced regularly with a story that fails to keep pace or even reach a satisfying conclusion.

With several wonderfully constructed set-pieces and backdrops thrown in at regular intervals, picking up Streets of Rage 4 is something that we will do at some point again in the future. Thanks to its excellent feel, wide range of characters, and excellent soundtrack. With the return of the original composers in addition to new artists, the music here shifts between modern renditions of classic tunes to experimental techno and even some bass music. Not everything feels as timeless as the original soundtrack and the modern flourishes can feel out of step with the decidedly simple design. Not in the sense that modern electronic music is not as inventive or energetic or suitable for a beat-em up – but in the sense that perhaps Streets of Rage 4 doesn’t quite do enough to warrant the fresh coat of paint. And fresh set of beats.

It’s not that it plays like a game from a different time, the overall design and flow is both time-worn and engaging -- it’s just that in certain areas it begins to feel a little disconnected. Secrets and treasure mostly come in the form of cute little hats for your Rot and the blue-crystal currency to buy more hats. So, the incentive to explore isn’t really there from a thematic or discovery context. We wish there was more finding spirits and restoring the village stuff as opposed to chests bursting open with a currency you never feel like you actually need.

A train of thought born from the fact that Asemblance isn’t an experience built on scares or thrilling moments. It’s more interested in posing mostly subtle and open-ended questions about the nature of memory, mood, and what is real.

In the end it’s interesting because even though there’s thematic weight and meaning behind all of the open-world elements, they never really come together in a way that feels in-line with the smooth hand movements of Akito and KK performing a charged up elemental attack. Disappointing combat, lacklustre progression, and way too many collectibles-to-find aside, the Tokyo you get to explore serves as an impressive and memorable backdrop for a supernatural tale. With some great cinematic storytelling across the main narrative and the many side-missions you discover, Ghostwire: Tokyo becomes more than the sum of its parts.

At some point you get the feeling Playdead maybe didn’t know how to solve their own mystery and the game wraps up in a messy, unusual and unsatisfying way.

It's easy to praise American Nightmare for what it is, but it's also hard to ignore what it's not: the proper Alan Wake sequel we're clamouring for. It's a game constrained by form, obviously meant as a stopgap in which Remedy can test out a few new ideas without having to craft an entire new game around them.

But story is what you pay for, and ‘Realm of Shadows’ will certainly leave you in a position of wanting to see more. The episode ends in a position far more confident than where it begins, and with equal focus placed on both Bruce Wayne and Batman, we’re probably in for quite a ride.

Combing two previously uncombined genres results in a challenging, strategic and addictive experience, which makes up for any storytelling shortcomings.

Rage 2 is a good time if you can look past its issues. On one side of the neon-pink fence, the game’s story is frustratingly generic amidst a world of potential. On the other side, the action, gunplay, and variety of things to do is great. Chaining special abilities together to take down mutants inhabiting the wasteland is immensely satisfying, especially when it involves hurling them into spinning blades on ‘Live TV’. In the end Rage 2 is fun for what it is, and certainly hits the right high-octane note when the action gets going. It’s just a shame it can’t carry that momentum through to the other cogs in the machine.

Even though Rise of the Triad is a buggy experience that’s slowly getting fixed with each subsequent patch, it still stands as one of the best examples of a classic title being given a facelift for the modern age.

In the end, with more varied activities that went beyond the usual by-the-numbers story missions, say, a more emergent city full of events to match the unpredictability of who you control - then Watch Dogs: Legion could have been an experience on par with its impressive technology. As it stands it’s a fight and a cause worth joining, but like its cast your reasons might only extend to the escape from the monotony of a normal everyday existence.

No doubt it would have been interesting to see some alternate take or variations in this remaster, perhaps in a secondary ‘modern mode’ with streamlined controls, updated AI, and less tech-tree clutter. But as a reasonably priced remaster that doesn’t mess with the original apart from implementing some minor improvements and all the bug fixes and content that came with later expansions it’s hard to fault Age of Empires: Definitive Edition. A fun, engaging trip down RTS memory-lane.

The Red Strings Club offers up a great cyberpunk narrative. One where the mechanics-driven activities like mixing drinks and building genetic augmentations only serve to add doubt and flesh out a memorable cast of characters. Coupled with a great soundtrack that doesn’t lean on any one style, wonderful locations, and a few surprising twists, it offers an impressive future-tale. One that isn’t afraid to delve into the idea of friendship, humanity, and what technological breakthroughs can bring us as a species.

It was easy to be drawn into A Total War Saga: TROY. Through its blend of myth, legend, and history. And in striking that balance between the Warhammer entries and Three Kingdoms, Creative Assembly has presented its own Trojan Horse -- another visually impressive addition filled with Total War goodness.

A game that plays and looks great, it ticks all the boxes that a MotorStorm game should, but unfortunately the storyline featured in the Festival mode is really weak. However, the most important area of the game – racing - is wild, chaotic and most importantly fun to play.

This lovely little spin-off is going to alienate very few people. A cheap as chips production that pares 25-years of a bloated XCOM back to a purer and leaner form. Like Rocky Balboa in, well, all of them. Granted the production values and polish is wanting, but the more intimate squad feel and new Breach mechanics became hopelessly addictive the more I played. And when it comes to XCOM, that’s enough for it to feel like a direct hit.

In the end The Eternal Castle is a fascinating experience and one that you won’t soon forget. If like us, taking one look at a screenshot makes you immediately wanted to play it – be sure to check it out.

Amid The Ruins is another quality Telltale episode, but it’s not the most memorable that they’ve ever done. It ends on a huge cliffhanger, as they all seem to now, but it’s not necessarily one that sets up an exciting final conflict.

Evolve deserves its time in consumer hands and is a game that should not be so easily forgotten, but it does need some work to regain momentum.

So, even though the first Mission Pack for Nova Covert Ops can be boiled down to two great missions and one average introduction, the future is bright for StarCraft II story-based content.

As with the main game, Brigmore Witches is designed to be replayed, and is most impressive for its ability to generate exciting little moments and stories that stick in the player’s head. This isn’t Dishonored at its best though, and ultimately feels a little constrained by its nature as a downloadable extra chapter. It’s certainly very enjoyable, but bring on Dishonored 2, I say.

Having hundreds of different weapon mods and customisation options are great if you’re a gun nut, but when everyone dies after a few hits it starts to lose its appeal. Instead it’s the stuff where strapping a vehicle or chopper with C4 and letting it glide into enemy territory before setting it off should have been encouraged more in the overall design. In the end, Ghost Recon Wildlands suffers because it plays things a little too safe and fails to make proper use of the gorgeous fictional world of Bolivia in a way that offers more than solid stealth shooting, fun co-op, and small bursts of player-created fun.

Given an empty block and the freedom to do what you please, Project Highrise doesn’t quite reach the heights of SimTower.

The swift and graphically violent gameplay makes you feel incredibly powerful, but maintains a consistent challenge. Despite taking itself a little too seriously than it needs to, this is a fun adventure worth experiencing. For the Emperor!

The episode sets up for a genuinely interesting looking finale, one with the potential to make up for some of the missteps the season has taken on the way there. The fourth episode is the most compelling, from a plot and character perspective, since the first, and there’s one fight scene midway through that manages to be genuinely exciting. It’s also rather short though, ending just before things really ramp up.

It's got a few clever ideas, unique mechanics, and the execution is mostly on point. Throw in some weapons grade VHS-era nostalgia with a decent array of spot-the-classic clones, and you've got a cartridge worth slotting into your Control Deck. With a few more dust dislodging blows though, we could have had a must-buy.

Garden Warfare may not be the most ambitious game ever made, but its one with a clear sense of personality and identity, which is more than you can say for a lot of other online shooters.

In the end the fact that most of the different disciplines are fun to play, outweigh the shortcomings. Which makes The Crew 2 a fun, scrappy, but not all that essential arcade racer. If it could somehow reign in the insanity and shortcomings, while providing a real reason to drive around and explore the impressive open-world U.S.A. - especially in co-op – then it could become something special.

Carrion is ultimately fascinating, engaging, and short and sweet. By putting you in the role of the alien threat it imbues you with a strange supervillain-like sense of playing in an insect farm. A playground where your prey often moves around sans limbs. If you’re a fan of sci-fi horror sub-genre then Carrion is worth seeking out.

It's just a shame that it didn't have some more time behind it, as it seems that the pressures of a 10-year game anniversary were more important than finessing certain areas. My treasured memories haven't been completely destroyed, but the technical woes make this Halo remake more for the fans than anyone else.

With an expansive story and memorable mechanics, it’s hard not to view Kingdom Come: Deliverance as one of the most interesting RPG releases in years. One where the difficulty is often a barrier to progress and some of the design choices become frustrating experiences in repetition or flat out giving up and moving on to another activity. Or reloading an earlier save to do more sword training. Rough around the edges sure, but the ambition often shines through.

I couldn't get past the lag issues and was also disappointed with the lack of metal included in the setlist. I also question how rewarding, in a game sense, it actually is.

Titanfall 2 is worth playing, but it's not a must-play game right now. The two levels that I think will influence game design for years to come--they'll still be there next year. But therein lies the rub--with a playerbase split over multiple pointless variants of team deathmatch and a handful of other standard multiplayer modes, the population might not be there next year when you get it.

This is very much a game that Warren Spector wanted to make, not the game his fans wanted him to make; the real fun comes from soaking in the contents of the man's mind, the ideas that govern the world he has created and the ways Disney memorabilia have come together into something grand, rather than from the simple experience of playing through it.

I'd love to see Rescue and Heist establish a community of players, because they're great modes done well.

Ninja Gaiden isn't a perfect experience, but it's accessible for newcomers and boasts an addictive gameplay formula that goes a long way to forgiving its detractors.

This review is based on the Xbox One version of the game, which inexplicably ran very poorly in action-heavy scenes. Considering that this is a game that works on mobile devices, the frequent stuttering and pausing was unwelcome, but never quite enough to really ruin the experience.

A House Divided is a weaker entry than we’re used to, but that maybe shouldn’t be cause for alarm. The table setting seems to be all in place now for the feast still to come, and even at its most meandering The Walking Dead is still capable of telling an intriguing, frightening story about humanity’s worst impulses.

Daemon X Machina goes that extra robo-mile, with one of the best player creation tools we’ve seen in a long while.

Calling a game hard usually errs on the side of fact rather than opinion, and there’s no mistaking the spike in Songbringer’s difficulty after the first few dungeons. So, it’s worth mentioning if only just to list that as one of its undocumented features. And to highlight this aspect of the experience for those that tend to struggle with top down combat that requires a fair bit of skill. In the end Songbringer is an exciting, if familiar, take on the old Zelda formula that for the most part plays as good as it looks.

There’s a franchise-in-waiting here, it just needs more than a few tweaks and hell of a lot less forced character.

In the end though it’s the improved combat, minus a few camera issues and frustratingly difficult boss encounters, the progression and build possibilities, and the wonderful level design that go a long way to make up for the lack of narrative drive. Or interest in what happens to the world. In this regard The Surge 2 is an improvement, but an experience that still feels like it’s a few more brutal dismemberment finishers away from finding the right plan to research and build its full potential.

For now, I think it means you're better off sticking with Arma II. Underwater missions, accomplished vehicle physics, an impressive array of player stances and fantastic visuals can't make up for a too-big map full of nothing and a handful of missions most computers and servers can't fully handle. I'll tell you what though, Arma III is going to be a great game in 2015.

Even if it ultimately means we might only look at certain aspects of its design or specific puzzles versus the story and setting to remember and recall as time goes on, Superliminal is still an experience worth seeking out.

Despite some welcome attention to detail in this port, it's still not enough to raise it to the heights of 'must play' for an action RPG whose charm, humour and some genuinely interesting ideas aren't strong enough to battle against how unchallenging it is and how repetitive a lot of tasks can become.

An enjoyable little slice of action. There's certainly room for improvement, and a Hard mode that doesn't remove all the checkpoints would have been appreciated for those who mastered the harder original and will breeze through this one, but it provides enough moments of pure fun to warrant a look.

Assassin’s Creed Syndicate gets more right than it gets wrong, but in trying to amend some of the sins of the series, it exacerbates the issues instead of offering a cure. Despite that rather lengthy list of cons at the bottom of my review, one thing’s for sure: Assassin’s Creed Syndicate is still a hell of a lot of fun.

The single player campaign is an exercise in banging your head against brick walls until they break. Depending on the quality of your friends list, the long-term value of Rock of Ages probably lies in the chaotically level playing field of human-versus-human multi-player.

Through it all there’s just something about We Happy Few that keeps you coming back. It could very well be the quality of the writing, the characterisation, and the setting of a post-war London trying to forget its shameful past through medication and dystopian control. Or it could be that, and the weird blend of ideas and styles. In the end, whether that’s enough to excuse some of the bland fetch-style quest design or the repetitive nature of traveling from one side of Wellington Wells to another, comes down to personal taste.

When I Am Alive broke immersion with any number of the aforementioned flaws, which it did far too regularly, it was easy to chastise it. But when it was taking risks and throwing me into tense situations or decision moments, I couldn't drag myself away.

It’s not the kind of game that will be remembered down the track, but in the here and now it’s filling a certain gap in the One’s line-up more than adequately.

Where the story engages, the characters feel believable, and the monsters look and act and behave as diverse as the world itself. When it all comes together, Monster Hunter Stories 2: Wings of Ruin feels as epic and engaging as any other entry in the long-running series, albeit in turn-based RPG form.

Even though your arms will tire of using pickaxes and rope thingies to climb up some truly imposing cliffsides and mountains, Horizon Call of the Mountain never loses its sense of scale, wonder, and sheer beauty.

Mario & Sonic at the London 2012 Olympic Games includes a great variety of mini-games that are highly fun to play, as well some of your favourite characters from the Mario and Sonic universe. This game is the perfect title to pull out when you have a bunch of friends over at your place.

Outside of the campaign, playing the sandbox mode, which also provides players with periodic goals ranging from export targets to constructing certain types of buildings, proves to be a more well-rounded experience - even if it lacks the amusing overarching story elements of the campaign.

In terms of value, DiRT Showdown offers more than enough hours of entertainment for its asking price (one that is quite cheap on PC if you shop around) and serves as a perfect entrée during the wait for DiRT 4.

The Technomancer isn’t a great RPG, but it’s close. There are issues with the combat that pop up from time to time, and the whole setup of the side-quest system quickly devolves into a matter of running back and forth between places you’ve been to over and over.

When the game sings in its strongest moments, however, it’s a joy to play. Solving environmental puzzles, discovering workbenches to upgrade your gear, uncovering hidden Codex entries, evading the enemy in rewarding, stealthy ways that empower the player’s sense of agency, and in unfolding the next bit of connective narrative tissue, A Plague Tale: Requiem is great. Excellent even. But it’s fleeting, and Asobo crashes you down to Earth just as quickly as you might have felt on top of it, driven largely by hard-fail scenarios and situations, bolstered still by antiquated or arbitrary gameplay systems.