We Got This Covered's Scores

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For 976 reviews, this publication has graded:
  • 59% higher than the average critic
  • 2% same as the average critic
  • 39% lower than the average critic
On average, this publication grades 0.5 points lower than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 Guardians of the Galaxy
Lowest review score: 20 The Bye Bye Man
Score distribution:
  1. Positive: 504 out of 976
  2. Mixed: 408 out of 976
  3. Negative: 64 out of 976
976 movie reviews
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  1. In a Valley of Violence
    In A Valley Of Violence is built on intense shootouts, vicious criminals, crooked lawmen and everything that makes Westerns exciting, but its entertainment value comes from a tonal brew of all the right tonally-combative spices.
  2. American Pastoral
    American Pastoral doesn't quite nail its tone, but it's a compelling enough adaptation with a few truly inspired moments.
  3. Little Sister
    Little Sister is a spunky family drama that does "indie" right.
  4. Jack Reacher: Never Go Back
    Tom Cruise is as muscly and bland as heroes come, restrained by the burden of two dead-weight companion pawns. Jack Reacher is a man who thrives on working alone, and this dull tale of backstabbing militant leeches proves that fact tenfold.
  5. Keeping Up with the Joneses
    Keeping Up With The Jonses plays everything so disappointingly safe.
  6. Ouija: Origin of Evil
    Ouija: Origin Of Evil would have been better than Ouija with even a quarter of the screams evoked, which makes the tremendous jump in quality quite refreshing despite derivative storytelling.
  7. The Childhood of a Leader
    Despite its occasional oversteps and misfires, The Childhood of a Leader is a fascinating film, as moving and irresistible as it is terrifying.
  8. Max Steel
    Max Steel may promise a change of pace from all the Marvel and DC adaptations, but it’s subpar to both those shared universes on every level, telling an origin story that brings little new to the table and a cast that deserves far better.
  9. Ordinary World
    Although Ordinary World hits a number of familiar story beats, a real heart appears to be beating behind the material, allowing Armstrong and his castmates to maximize the emotional impact it has.
  10. Things to Come
    Intellectually vibrant and emotionally complex, Things To Come is a luminous film drawn along by Huppert’s central performance and Hansen-Løve’s delicate script.
  11. The Lost City of Z
    Despite gorgeous cinematography and a strong cast, The Lost City of Z is a shallow and overly romantic film that falls into the trap of hero worship.
  12. Raw
    It’s a wonderfully bizarre movie set in a world that at first glance might be our own, yet quickly slides off the rails into gonzo territory.
  13. The Accountant
    The Accountant is so many baffling things, most (but not all) of which can not be described in a positive manner.
  14. Tower
    Propulsive, beautiful and tense as hell, Tower is superior documentary filmmaking.
  15. Kevin Hart: What Now?
    Despite a tacked-on framing device that mostly falls flat, Kevin Hart: What Now? proves to be a laugh riot thanks to the comedian's high-energy delivery and the broad spectrum of relatable topics he integrates into his set.
  16. Jack Goes Home
    Jack Goes Home is a swirling storm of emotional ravaging that’s eventually personified by action, but it never comes together as wicked, cohesive storytelling. Give this one a watch, but just know the risks going in.
  17. Blue Jay
    Sarah Paulson and Mark Duplass shine in Blue Jay, a charming nostalgia trip tackling heady themes in a manner that is both lovingly awkward and brutally real.
  18. Desierto
    Desierto is one of those movies that's nasty without reason, and never really finds its stride by way of tone or message.
  19. The Siege of Jadotville
    Though it doesn't break any new ground, The Siege of Jadotville is a well-crafted piece of filmmaking that investigates the often-contentious relationship between politics and war.
  20. Christine
    Christine is a fine piece of cinema, not only boasting one of the best performances of the year to date, but also tackling a difficult subject with ample empathy and intelligence.
  21. 20th Century Women
    20th Century Women relegates a set of extraordinary female characters to supporting players in a standard coming-of-age narrative. It's entertaining, but also disappointing.
  22. The Alchemist Cookbook
    Its methods may be unconventional, but Joel Potrykus never loses grip of the slippery strangeness.
  23. Under the Shadow
    Under The Shadow marries haunted horrors with period-piece importance for a deliciously dark ghost story.
  24. Julieta
    Julieta is a timeless and mature examination of femininity and guilt that marks a return to form for director Pedro Almodóvar.
  25. Phantasm: Ravager
    Phantasm: Ravager gets by on the power of nostalgia and franchise completion, but is a bit rough around the edges even when compared to other Phantasm films.
  26. Passage to Mars
    Jeauffre's blending of terrestrial and extraterrestrial imagery is hypnotizing and spectacular, but this story of survival feels too bloodless to appeal to the average viewer.
  27. Certain Women
    Certain Women more than justifies itself as a serious argument for the beauty of the small and intimate drama and the importance of female-driven filmmaking.
  28. The Birth of a Nation
    The Birth Of A Nation is not without inherent power, but Parker struggles to evoke anything besides surface tellings of textbook atrocities.
  29. The Girl on the Train
    It might be a tad light when matched against the wittiest mysteries, but for all intents and purposes, The Girl On The Train is a tightly-wound Hitchcockian ride wrought with tension. Elements of voyeurism, self-loathing and murderous intent mix together in a volatile cocktail stirred gently by director Tate Taylor, who doesn’t dilute a single ingredient.
  30. 13th
    A searing and pivotal documentary about the prison-industrial complex, Ava DuVernay's The 13th is a truly frightening film that galvanizes its viewers to action.
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