We Got This Covered's Scores

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For 976 reviews, this publication has graded:
  • 59% higher than the average critic
  • 2% same as the average critic
  • 39% lower than the average critic
On average, this publication grades 0.5 points lower than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 Guardians of the Galaxy
Lowest review score: 20 The Bye Bye Man
Score distribution:
  1. Positive: 504 out of 976
  2. Mixed: 408 out of 976
  3. Negative: 64 out of 976
976 movie reviews
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  1. Ghost in the Shell
    Ghost In The Shell is exactly the high-fi cyber shooter you feared it’d be, drenched in digital paranoia and concerns of network privacy. Visual fancies overload the senses early and often, only to hope the kaleidoscope artistry lingers long enough to overcompensate for back-end dullness.
  2. The Boss Baby
    The Boss Baby is a movie made for few audiences, inconceivably inept in its ability to blend adult references with children's immaturity.
  3. The Void
    The Void is a portal back to the 80s, hinged on immersive practical effects work that picks up the slack of a slighter story.
  4. A Dark Song
    A Dark Song digs its claws in and never lets go, finding horror in rituals, personal reflection and burning black-magic sensations. It’s dreadfully inviting from start to finish, with an almighty climax at just the right time.
  5. CHIPS
    A blatant attempt to apply the winning 21 Jump Street formula to another television property, CHIPS instead winds up a standard hard-R action comedy that audiences will probably forget by the time they leave the theater.
  6. Life
    Life toes a line between underwhelming and just-good-enough, but performances help elevate an otherwise generic sci-fi clone with nothing new to add.
    • 49 Metascore
    • 80 Critic Score
    Wilson
    Funny, touching and insightful. Woody Harrelson is in top comedic form in this tonally unique comedy with a lot on its mind.
  8. Saban's Power Rangers
    Power Rangers doesn't completely fail as an origin story, but it's too familiar with its new-age reboot mentality that repurposes instead of recreates.
  9. Prevenge
    Prevenge is a breathtaking, savage debut from Alice Lowe, one that boasts horrific moral deprivation and a sense of humor drenched in maternal madness.
  10. The Levelling
    The Levelling is a wonderful first feature from Hope Dickson Leach. Morose beyond measure, but leavened with subtle hope via Ellie Kendrick's superb central performance.
  11. Like Me
    Like Me is a bombastic feature debut for Robert Mockler, benefitting heavily from visual artistry and Addison Timlin's strong performance.
  12. The Devil's Candy
    See this movie, live the fear, embrace the metal, and get sucked into a flaming, invigorating landscape of Hell that will cripple any horror-loving parent.
  13. The Disaster Artist
    The Disaster artist is obscurest hilarity set to a filmmaker's struggle, all linked to James Franco's transformative performance as the mythical Tommy Wiseau.
  14. Atomic Blonde
    Atomic Blonde strikes a deafening blow thanks to enjoyable characters, furious fight-play and Charlize Theron’s brand of screen command. She’s always in control, whether toying with feminine wilds or slugging another glass of Stoli on the rocks.
  15. The Transfiguration
    A concrete horror flick that burns with consequence, ignited by strong characters who are far more tested in their experiences than anyone of similar age. Bloody, emotional and visualized with a damning spirit – what an outspoken genre manipulation for first-timer Michael O’Shea.
  16. Baby Driver
    Baby Driver proves why we should never doubt Edgar Wright's vision, because few filmmakers can back their ambition with such quality thrills.
  17. Song to Song
    Song To Song is one of the more accessible Malick films as of late, succeeding largely in part thanks to a cast who plays their dramatic beats like poetry in motion.
    • 52 Metascore
    • 40 Critic Score
    Little Boxes
    Despite its occasional smart commentary, the film offers a limited, one-note response to modern day racism.
  19. Personal Shopper
    Personal Shopper is enigmatic and inventive. This is daring and rule-bending filmmaking at a minimalist scale, a personal, contemplative horror movie, stripped of observable fright but full of unease.
  20. Brimstone
    Brimstone is undeniably idiosyncratic, but it’s also an unpleasant, dull and indigestible film.
  21. The Shack
    The Shack isn’t quite as bad as expectations might lead you to believe, but it’s not divine, either.
  22. Table 19
    Positioned as a quirky antidote to Hollywood wedding comedies, the awkward, tonally inconsistent Table 19 ultimately turns out to be more of the same.
  23. Don't Kill It
    Don't Kill It is some DIY insanity that leaves more scattered limbs than an overturned Halloween decoration truck.
  24. The Last Laugh
    An entertaining and thought-provoking film, The Last Laugh presents multiple perspectives on taboo humor without passing judgment.
  25. Beauty and the Beast
    Beauty And The Beast lacks some of the astonishing visual prowess of previous Disney live-action remakes, but still sings and dances with enjoyable style.
  26. Before I Fall
    Before I Fall makes a simple plot into this convoluted, aggravating mess of emotional turmoil that lacks a shocking amount of direction.
  27. Wolves
    Buoyed by a strong cast, Wolves is a predictable yet powerful film that uses its multitude of sports movie and coming-of-age cliches to the best possible effect.
  28. Kong: Skull Island
    Kong: Skull Island is a grand cinematic adventure powered by furry fury, as the horrors of war blend with chest-beating creature confidence.
  29. Collide
    A cast of reliable performers slum it in this by-the-numbers action thriller.
  30. Catfight
    Heche and Oh are both outright brilliant.
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