We Got This Covered's Scores

For 976 reviews, this publication has graded:
  • 59% higher than the average critic
  • 2% same as the average critic
  • 39% lower than the average critic
On average, this publication grades 0.5 points lower than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 Guardians of the Galaxy
Lowest review score: 20 The Bye Bye Man
Score distribution:
  1. Negative: 64 out of 976
976 movie reviews
  1. No ifs, ands or Bubs about it, the memory of Day Of The Dead: Bloodline will decay at lightning speed. There’s nothing new here that Romero didn’t do better, only a downgraded horror watch with lesser value.
  2. Before I Wake is a beautiful, meditative ghost story with one of the more rewarding horror payoffs I’ve seen in years.
  3. This year's Inside remake swaps Bustillo and Maury's brutalization levels for beyond-generic thrills that are more frustrating than fierce - whatever that's worth.
  4. Dear Joe Lynch, please let me see your Director’s Cut ASAP? Knights Of Badassdom is an unfinished product, but it passes based on the content our director was able to salvage.
  5. Though not a terrible film, Insidious: The Last Key fails to live up to the franchise's high standards.
    • 29 Metascore
    • 40 Critic Score
    It’s a flawed, frustrating film made even more lackluster by its failure to explore its own weighty themes and its apparent refusal to connect those themes to its story and characters.
  6. Jumanji: Welcome To The Jungle is both a fulfilling reinvention and adventurous video game quest that’s far funnier, and unexpectedly exciting, than you could hope for from an evolved reboot with explosive fantasy character.
  7. Star Wars: The Last Jedi is striking, stunning, visually hypnotizing, thrilling - everything "epic" about the famed franchise rolled into a tremendously overcharged start to Rian Johnson's Star Wars career.
  8. Psychonauts, the Forgotten Children is bizarre, imaginative and beautiful, but it's also crying out for a stronger narrative.
  9. Justice League is a sloppy team-up film that doesn't even take time to properly introduce pivotal members of its titular team, but when you're playing a dangerous (also ill-advised) game of catch up, these are the risks.
  10. This is a masterpiece of woven ancestral roots and the importance of “familia,” confident in song and poetic in vision.
  11. Thelma doesn't exactly tell a unique story, but Joachim Trier's vision is so strong you'll barely even notice.
  12. Mayhem is a wonderfully violent middle finger to corporate culture, gleeful in its desire to redecorate cubicles with red blood splatters.
  13. Murder On The Orient Express is an antique mystery that chugs along at 5-miles an hour without any turns that might jolt viewers in the slightest.
  14. This is a very funny, perfectly scored...exciting, albeit overlong exercise in pushing MCU boundaries to their franchise breaking point.
  15. Jigsaw feels like a forced hodgepodge of previous franchise entries that never carves its own identity, making you question what prompted such an expected reboot these few years later.
  16. Franck Khalfoun’s often-rethought Amityville: The Awakening is sleepover background noise at its best, traceable genre road-mapping at its worst.
  17. Leatherface is an origin story that attempts to carve new mythos for one of horror's mightiest legends, but ends up leaning on franchise references and bleakness to an unnecessary fault.
  18. Daniel Radcliffe does what he can to elevate the survival story at the heart of Jungle, but the film's awkward pacing and over-reliance on cliche hold him back.
  19. Happy Death Day is a generic PG-13 horror purgatory that's lived on repeat until even weaker motivations take us farther out of any semblance of storytelling thrills.
  20. Professor Marston is a sweet, saucy biopic about unconventional love and iconic origins (plus bondage!).
  21. The latest Denis Villeneuve achievement, Blade Runner 2049 is the rare sequel that both pushes the franchise to challenging new places and serves as a natural extension of what's come before.
  22. Cabin Fever: Patient Zero certainly lives up to Eli Roth's gory standards, but individual enjoyment will hinge on one's love of schlocky B-Movie antics.
    • 60 Metascore
    • 80 Critic Score
    A brazen, subversive send-up of 007, Kingsman: The Secret Service also has the high-octane excitement to work as a spy film on its own merits.
  23. Overall, this isn’t a bad movie, just one that feels at odds with itself. Despite its flaws though, American Made is a fun enough ride and features yet another winsome Cruise performance.
  24. Four powerhouse performances cannot quite make Richard Linklater's occasionally moving dramedy, Last Flag Flying, into more than a minor war movie.
  25. Lacking in imagination or genuine scares, Jeepers Creepers 3 falls tragically short on just about every front.
  26. Vaughn sticks to what he knows with his Kingsman sequel but rarely ups the ante, making this a fun-enough entry into an already-too-familiar franchise.
  27. Stronger complicates the notion of the public hero in its heartfelt telling of Boston marathon bombing survivor Jeff Bauman's story, with terrific performances from Jake Gyllenhaal and Tatiana Maslany.
  28. Aaron Sorkin’s indelible wit and naturally fervent performances from Jessica Chastain and Idris Elba prevent Molly’s Game from drawing dead.

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