We Got This Covered's Scores

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For 976 reviews, this publication has graded:
  • 59% higher than the average critic
  • 2% same as the average critic
  • 39% lower than the average critic
On average, this publication grades 0.5 points lower than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 Guardians of the Galaxy
Lowest review score: 20 The Bye Bye Man
Score distribution:
  1. Positive: 504 out of 976
  2. Mixed: 408 out of 976
  3. Negative: 64 out of 976
976 movie reviews
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    • 53 Metascore
    • 60 Critic Score
    Pokémon Detective Pikachu
    As far as introducing us to the live-action world of Pokémon, Detective Pikachu is a critical hit. If only its human characters were as vibrant and interesting.
  2. John Wick: Chapter 3 - Parabellum
    John Wick: Chapter 3 – Parabellum is a gunsmoke hazy, bloody-knuckle ruthless, impossibly badass Wickian continuation.
    • 90 Metascore
    • 70 Critic Score
    Blue Is the Warmest Color
    Slow, low-key and often beautifully observed, Blue Is the Warmest Colour won't blow your mind, but it will charm your socks off.
  4. Extremely Wicked, Shockingly Evil and Vile
    Extremely Wicked wobbles between its two best, but unfortunately, contrasting features: Efron’s eerily seductive performance, and the psychological experience of loving a camouflaged monster.
  5. Avengers: Endgame
    Endgame is the superhero equivalent to an original cast revival in a long-running Broadway show, and often has the same hair-raising effect.
    • 87 Metascore
    • 100 Critic Score
    Birdman or (The Unexpected Virtue of Ignorance)
    Led by a fantastic Michael Keaton, Birdman is a deeply thoughtful and darkly hilarious meta dissection of egotism that satirizes the entertainment business with a compelling visual style that is all its own.
  7. Hellboy
    Hellboy feels editorially chopped to bits, tonally disjointed and created from clashing perspectives that make for the type of "dark, gritty" reboot that misunderstands why certain "dark, gritty" reboots end up working.
  8. Dumbo
    Coupled with an uninvited human story at its forefront, Burton’s chilling style makes Dumbo nearly unrecognizable.
  9. A Vigilante
    A Vigilante succeeds not by exploiting torture, but instead shifting focus to Olivia Wilde's painful, so very real performance.
  10. Shazam!
    Shazam! proves that the DCEU has a sense of humor, can execute on it and *deliver* an electric punch of uber-fun comic book action, too. Heart, humor and heroics – can I get a hell yeah?
  11. Pet Sematary
    Pet Sematary is proficiently tense, dashingly macabre and soaked in nightmarish tones that thrive on audience screams.
  12. Porno
    [The film] is really little more than a collage of gag-worthy and violent attempts at comedy.
  13. Adopt a Highway
    Adopt A Highway seems as confused as its lead character, wandering around and never quite figuring out what story it wants to tell.
    • 41 Metascore
    • 50 Critic Score
    The Curse of La Llorona
    It’s all so very by-the-books, undefined, carbon-copy Conjurverse refurbishment without a guiding voice, which makes for a disappointingly one-note watch that barely raises a hair. At least The Nun has personality – something The Curse of La Llorona’s waterlogged redundancy cannot boast.
  15. Get Duked!
    Doff’s directorial debut bursts off the screen with eccentric energy and yet, retains a relentless sense of duty to the company its characters keep. It’s effectively touching as a display of camaraderie, equally ridiculous, and a great deal of fun.
  16. The Peanut Butter Falcon
    [LaBeouf is] one of the few actors capable of turning this protector companion on the page into a layered role.
  17. The Highwaymen
    Though The Highwaymen makes sure it tells the right story about Bonnie and Clyde, it doesn’t win the argument that it tells the better one.
  18. Little Monsters
    Little Monsters is a must-see horror comedy that proves Lupita Nyong'o should be starring in far more horror movies than she's been offered at this point.
  19. Us
    Us is an impressive and astonishingly hair-triggered sophomore feature squarely positioned to decimate genre audiences. It’s purposefully vague, but jam-packed with more memorable genre imagery and inquisitive discussion starters than most braindead by-the-book cinematic offerings beholden to formulaic blueprints.
  20. Captain Marvel
    Captain Marvel is a recorded mixtape of familiar MCU beats that sets Carol Danvers up for success, but as a period standalone, struggles to be anything we haven't yet seen from superhero cinema.
  21. The LEGO Movie 2: The Second Part
    All in all, though it may not be totally awesome, The LEGO Movie 2: The Second Part is still fun, which is what it should be, and you’ll still leave with a song stuck in your head. Maybe even two.
  22. Happy Death Day 2U
    Happy Death Day 2U is a more ambitious, more entertaining - albeit less horror powered - time-warp sequel that proves Jessica Rothe's blinding talent no matter what dimension she's in.
  23. The Amityville Murders
    The Amityville Murders wastes historical reverence on a paint-by-numbers ghost story that relies too heavily on eyesore animated effects.
  24. Replicas
    Replicas lacks vigor in its plot, intelligence in its science, depth in its ethics, and humanity all around. It’s a disaster.
  25. Escape Room
    There’s just enough cleverness in Escape Room to enjoy that this bad-horror-movie experience becomes more discouraging than droll.
  26. Bohemian Rhapsody
    Bohemian Rhapsody may not totally rock you, but Rami Malek channels the thrilling, show-stopping charisma of the late Queen super singer, ensuring this inappropriately timid biopic is as entertaining as it can possibly be.
  27. The Mule
    Poorly written and with hardly any thrills, The Mule disappointingly depends on the amiability of Eastwood’s character, whose extreme social ineptness is far beyond the redeeming powers of star power.
  28. Mary Poppins Returns
    There isn’t a moment in Mary Poppins Returns that I would put above the 1964 classic, but there also isn’t one worth throwing away in this magical, if formulaic production.
  29. Once Upon a Deadpool
    Once Upon A Deadpool supports the worthiest of causes, but "PG-13 Deadpool 2" is a much duller, hacked-up sequel than this year's *already inflated* R-rated release.
  30. Aquaman
    Aquaman is imaginatively ambitious superhero cinema with no rules, which is more positive than negative as Wan's vision is realized like an underwater laser light spectacle that the DCEU so desperately needs right now.
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