We Got This Covered's Scores

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For 976 reviews, this publication has graded:
  • 59% higher than the average critic
  • 2% same as the average critic
  • 39% lower than the average critic
On average, this publication grades 0.5 points lower than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 Guardians of the Galaxy
Lowest review score: 20 The Bye Bye Man
Score distribution:
  1. Positive: 504 out of 976
  2. Mixed: 408 out of 976
  3. Negative: 64 out of 976
976 movie reviews
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per page
  1. mother!
    Your toleration of mother! will be determined by movie-going patience. Aronofsky is painting with some blistering broad strokes, but they’re just that – broad and undefined.
  2. The Show
    This Is Your Death is a brilliant concept, but tonal mishandling makes for another media takedown that's all bark and no bite.
  3. Indivisible
    It’s always a shame when a promising film doesn’t quite stick the landing, but Indivisible is still undeniably a striking bit of work.
  4. The Killing of a Sacred Deer
    The Killing of a Sacred Deer envelops you in its strange, disturbing world with the manipulative skill of a true surrealist master.
  5. It
    As far as mainstream horror goes, It is a brilliant example of what can happen when equal attention is paid to story and scares.
  6. Bushwick
    Murnion and Milott’s Bushwick feels like a John Carpenter film without the societal skewering. A nasty, hate-filled movie with shaky detailing.
  7. Lemon
    Bravo’s abundance of inexplicable details makes for an interesting conundrum at first, but mystery soon fades.
  8. Good Time
    Good Time is just that and little more, but Robert Pattinson's performance deserves praise like "career-defining" and "best yet."
  9. Patti Cake$
    Patti Cake$ is a feel-good freestyle phenom that heals through artistic passion and shrugs of wackness, indulgent in highs but not shying away from crushing lows.
  10. The Hitman's Bodyguard
    As the word “m#th&rf$ck*r” loses meaning, you can’t help but appreciate a wholly predictable – yet unapologetically confident – action goof that’s far funnier than it should be.
  11. Better Watch Out
    Better Watch Out is a good movie you should watch knowing nothing about, like a spoiler-free Christmas morning.
  12. Ingrid Goes West
    Ingrid Goes West is the kind of social media satire we need, even if a tone-shifting second act drives focus from mental health to less interesting criminal goofiness.
  13. Annabelle: Creation
    Annabelle: Creation is no lifeless dummy. Plotting may run a bit thin and coincidental, but David F. Sandberg whips up bone-chilling scares and hefty doses of peek-through-your-fingers imagery.
  14. Detroit
    Detroit is, for lack of a better term, a pornographic echo chamber of resentment. Trying to put out a fire with ten more tankers full of gasoline.
  15. The Dark Tower
    Director Nikolaj Arcel blends dystopian weirdness and temporal hellbeasts until all that remains is an emulsified, grey gunk, which is then forced down our throats for 95 minutes. Flavor gone, identifiers eviscerated.
  16. Logan Lucky
    If your script is good enough to pull Steven Soderbergh from “retirement,” color me intrigued. Such is true of Logan Lucky. An Ocean’s 7-11 hootenanny with Southern charm and Coen sensibilities.
  17. Dunkirk
    With tighter scripting, this’d be a masterpiece. As is? Christopher Nolan has produced a damn-fine picture that goes against most of what his catalog has become renowned for in a good, streamlined way.
  18. Valerian and the City of a Thousand Planets
    Valerian And The City Of A Thousand Planets is a fantasy adventure that’s nowhere near as adventurous or fantastical as it should be.
  19. Killing Ground
    What Backcountry did for campfire creature attacks Killing Ground does for murderous bushmen in the same setting.
  20. 68 Kill
    Haaga knows what works, and ensures that we get heavy doses of the good stuff (although more Alisha Boe would have been nice).
  21. Wish Upon
    Wish Upon is a Final Destination redux that pulls too many punches.
  22. The Persian Connection
    The Loner is a hyper-surreal tale of neo-noir revenge, boasting Middle-Eastern influences that unlock new aspects of an age-old genre.
  23. Inside Out
    Delightful, inventive and deeply affecting, Inside Out embodies the very best of what Pixar has to offer.
  24. A Ghost Story
    A Ghost Story leads you down a path that allows for personal reflection, which will either sooth lost souls or scare them away.
  25. The Rehearsal
    The Rehearsal is much like any coming-of-age melodrama, and while its meat is a little overdone, its intro and finale bookends do make up for a lack of flavor in between.
  26. Despicable Me 3
    Despicable Me 3 hits a supervillain high with Balthazar Bratt, but also a franchise low as far as Gru and Dru's brotherly reunion is concerned.
  27. The Big Sick
    This is a movie about life. Bigger than love. Bigger than hope. Bigger than anything. Just life, and all its attempts to wear you down – and how you’ll never let it.
  28. Spider-Man: Homecoming
    It may not quite reach the heights of Raimi’s Spider-Man 2, but Spider-Man: Homecoming emerges as one of the character’s strongest films to date, granting him a clean slate and infinite room to grow.
  29. The Little Hours
    The Little Hours is saved by Fred Armisen and Kate Miccuci, the only performers who don't suffer from the film's one-note delivery at some point.
  30. The Vatican Tapes
    The Vatican Tapes relies heavily on its third act, but if you can stomach its more generic beginnings, you'll be treated to an exorcism story with higher stakes than normal.
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