We Got This Covered's Scores

For 976 reviews, this publication has graded:
  • 59% higher than the average critic
  • 2% same as the average critic
  • 39% lower than the average critic
On average, this publication grades 0.5 points lower than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 Guardians of the Galaxy
Lowest review score: 20 The Bye Bye Man
Score distribution:
  1. Negative: 64 out of 976
976 movie reviews
  1. Here Alone is a sometimes-striking, sometimes-repetitive glimpse into apocalyptic drama that struggles to offer anything new.
  2. I Don't Feel At Home In This World Anymore is a winning combination of anger, frustration and stinging social satire.
  3. Get Out marries racial satire with a terrifying finale, one that tears down blinders that some may have kept conveniently in place. Don’t listen to those who say horror movies are defined by physical scares. Plots based on real-life fears typically make for the most horrifying scenarios.
    • 60 Metascore
    • 80 Critic Score
    Blurring the line between a narrative movie and a documentary, Actor Martinez is a film experiment that’s difficult to unpack but hilarious to watch unfold.
  4. Junction 48 is about a fusing of cultures, not a conflict between them. There are no easy solutions or simplistic answers, and the film doesn’t try to propose any.
  5. It’s not just one of the best superhero movies ever – it’s a damn-fine cinematic representation of the human condition in all its agonizing forms.
  6. The Great Wall is like the disaster of 47 Ronin all over again, except the action is a bit more fantastically barbaric and Damon isn't all that bad himself.
  7. Sadly, In Dubious Battle is unlikely to inspire anything other than blank-faced boredom.
  8. Fist Fight suffocates a genuine script with easy, intro-level juvenility.
  9. XX
    XX is a mundane horror anthology at best, and a slow-burn experience that never reaches a boil at its worst.
  10. It's a shame Silent Hill: Revelation suffers the same doomed fate as most modern horror movies, bumbling through a shockingly disconnected screenplay which strings together moments that could have been salvaged otherwise.
  11. This is one sluggish curse that wouldn't wake even Sleeping Beauty.
  12. Like a flashlight that's running low on juice, you can feel the life oozing out of Nightlight with every faint flicker.
  13. Pandemic certainly won't spark a nationwide outbreak, but it's a sleek enough take on infection thrillers that's worth one good late-night watch.
  14. It’s not that Soisson created a terrible movie, but Cam2Cam is late to the party, brings absolutely nothing notable, and sits in the corner without making a peep.
  15. Fifty Shades Darker is a befuddling, messy erotic "thriller" that shifts tones faster than audiences can keep up with.
  16. John Wick: Chapter 2 tempts fate with a 122-minute running time, but the "Gun Fu" is back and it's just as deathly awesome as it was in the first film.
  17. In its braggadocios final form, genre fans have a unicorn watch that surely won’t be replicated anytime soon. Points for creativity, points for ambition, and points for a studio showing the balls to back provocative genre cinema.
  18. When it counts, The LEGO Batman Movie delivers everything you’d want from such a farcical superhero creation.
  19. Categorizing Rings as "horror" would be a disservice to genre films, because at least the lowest of the low attempt a scare here or there.
  20. Dark Night is rigorously framed and edited, but it offers the illusion of complexity rather than the real McCoy.
  21. As punishing as it is grotesquely poetic, Headshot is a healthy dose of breathtaking brutality that makes you hold on for dear life.
  22. The Lure is powerful enough to cast an obsessive spell on anyone watching.
    • 40 Metascore
    • 50 Critic Score
    It’s way too long and ends up feeling like a chore to get through. Furthermore, the raunchy shock-value humor leaves your memory as soon as it enters, actors go grossly under-utilized and the title character fails to live up to his name. Quite frankly, he’s just a bummer to be around.
  23. Sing runs on some serious super-piggy performance power, even if the emotional notes are expected.
  24. The Space Between Us is not without bright spots (celestial production design dazzles, Butterfield’s niceties are refreshing in today’s day and age), but it’s ultimately more a slog than serendipitous romance.
  25. War On Everyone is a pitch-black, nihilistic riot, like a pissed-off teenager spinning atop a mountain with two outstretched middle fingers pointing in every direction.
    • 49 Metascore
    • 70 Critic Score
    Gold might be a flawed find, but it's worth seeing for Matthew McConaughey's performance alone.
  26. Although the film flies off the rails in its climax, the rest of Brigsby Bear is an outrageous concept that’s pulled off quite well.
  27. iBoy is a fully charged superhero tale that soon overcomes its admittedly ludicrous premise.

Top Trailers