We Got This Covered's Scores

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For 976 reviews, this publication has graded:
  • 59% higher than the average critic
  • 2% same as the average critic
  • 39% lower than the average critic
On average, this publication grades 0.5 points lower than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 Guardians of the Galaxy
Lowest review score: 20 The Bye Bye Man
Score distribution:
  1. Positive: 504 out of 976
  2. Mixed: 408 out of 976
  3. Negative: 64 out of 976
976 movie reviews
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  1. The Ardennes
    The Ardennes may be saturated in dark blues and snow-covered blankness, but it burns with bright fury as Robin Pront inches closer to his film’s inevitable breaking point.
  2. Railroad Tigers
    Railroad Tigers is an action epic that wants to be a comedic goofball, as it fumbles both aspects when trying to meld them together.
  3. Bright Lights: Starring Carrie Fisher and Debbie Reynolds
    The doc is a great showcase for the pair’s qualities.
  4. Between Us
    Though it runs into a couple of bumps along the way, Between Us is a well observed and sensitive indie drama that'll be familiar to anyone struggling with the onset of maturity.
    • 78 Metascore
    • 90 Critic Score
    I, Daniel Blake
    I, Daniel Blake is a dignified film containing moments of hilarity and genuine heartbreak. It's a movie dripping with social relevance and shines a light on the red tape bureaucracy that cripples those that are in most need of help.
  6. A Monster Calls
    A Monster Calls gets off to a rocky start, but once Neeson's talking tree starts spouting tales of wisdom, everything tightens as the tears start flowing.
  7. Youth in Oregon
    A surprisingly uplifting film about a very difficult topic, Youth In Oregon's remarkable ensemble cast elevate the story into something unique and profound.
  8. Passengers
    There are two movies here, neither of which are given a chance to develop into something worthwhile.
  9. Silence
    It’s broody and disciplined, soaked in the pungent style of foreign auteurs who molded Scorsese’s own love of film – yet overburdened by a downward spiral lacking fire and unforgiving features.
  10. Fences
    Fences is old-school Americana that's driven by dynamite performances all around, albeit a bit stuffy in nature.
  11. Assassin's Creed
    Any fans hoping that Assassin's Creed would break the long streak of poor video game adaptations are bound to be disappointed by this nearly incomprehensible mess.
    • 49 Metascore
    • 50 Critic Score
    Live by Night
    Overstuffed and disappointing, Live By Night wastes a strong supporting cast. It's not a total loss, but it doesn’t hold up against the rest of Affleck’s filmography.
  13. Solace
    It’s a practically criminal waste of acting talent, it looks and sounds terrible, and (despite being all cod-philosophical) is dumb as a box of rocks. Avoid avoid avoid.
  14. The Autopsy of Jane Doe
    The Autopsy of Jane Doe is an age-old story of family horror that benefits from an approach focused on dark whimsy instead of typical genre jumps.
  15. Patriots Day
    With Patriots Day, Peter Berg translates national tragedy to cinema screens with power and purpose for the second time this year – yet the question for many is with wounds still healing, do we really need to be subjected to recreations of a hateful act still fresh in our nation’s history?
  16. A Kind of Murder
    There’s too much that’s intriguing in this film to ignore it, and although the third act shows signs of strain, the first two acts more than justify the film’s existence.
  17. Collateral Beauty
    Collateral Beauty is a Hallmark tear-jerker in the worst way, so out of tune with human emotion that it almost becomes satire.
  18. Star Wars: Episode VII - The Force Awakens
    Star Wars: The Force Awakens is some kind of miracle. It works on every imaginable level - as a heartfelt love letter to fans, an irresistible invitation to newbies, a visual marvel and a blockbuster of unparalleled emotional heft and cultural significance.
  19. Rogue One: A Star Wars Story
    Rogue One makes up for a shaky first act by punching into overdrive for an outstanding third act battle sequence that overwhelms in scale and intensity.
  20. Why Him?
    Why Him? plays a fairly one-note game that gets tiresome halfway through, which is sadly still better than most comedies put out this year.
  21. Hidden Figures
    While Hidden Figures hits many of the beats one would expect, Melfi’s film strikes a delicate balance of injecting levity within the character-based historical drama that propels the story forward.
    • 56 Metascore
    • 80 Critic Score
    Frank & Lola
    Anyone who's ever wondered how Michael Shannon would fare as a smoldering romantic lead or how Imogen Poots might handle the role of a femme fatale has their answer in Matthew Ross' engaging psycho-thriller.
  23. Spectral
    Despite some impressive visuals and a few good supporting actors, Netflix's Spectral fails to leave an impact.
  24. Sugar Mountain
    While there are moments to enjoy in Sugar Mountain, they simply don’t come often enough and by the end, you’ll find yourself struggling to care what happens to any of the characters here.
  25. Slash
    You'll want to call Slash a "romantic comedy," but that wouldn't do justice to all the social norm blurring that's more about important relationships than a goofy love story.
  26. Beyond the Gates
    Beyond The Games plays to the nostalgia crowd instead of adopting 21st century scares, but still finds a way to explore untapped VHS potential.
  27. Friend Request
    Obvious and sometimes aggravating no doubt, but still effective in raising blood pressure given a backstory so instilled with old-school cultism.
  28. Abattoir
    Abattoir feels like it should still have an "Under Construction" sign warning viewers of the unfinished business to come.
  29. Office Christmas Party
    Office Christmas Party is a naughty Xmas comedy stuffed with enough ho-ho-hos and ha-ha-has to corrupt this holiday season.
  30. La La Land
    La La Land feels like a throwback and also like something we've never seen before, resulting in a dreamy musical that hits just about every note.
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