We Got This Covered's Scores

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For 976 reviews, this publication has graded:
  • 59% higher than the average critic
  • 2% same as the average critic
  • 39% lower than the average critic
On average, this publication grades 0.5 points lower than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 Guardians of the Galaxy
Lowest review score: 20 The Bye Bye Man
Score distribution:
  1. Positive: 504 out of 976
  2. Mixed: 408 out of 976
  3. Negative: 64 out of 976
976 movie reviews
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  1. Loving
    Loving has Jeff Nichols' trademarks but it lacks the nuanced storytelling that made his previous films so successful.
  2. Prisoners
    Prisoners isn’t bringing much new to the tradition of crime thrillers and missing children horror stories, but it does speak mightily to how quality of craft separates an airplane page-turner from a minor triumph of pulp poetry.
  3. Sicario
    The acting, craft, and tone of Sicario are so precise that the absurdity of this cartel yarn is both its greatest weakness, and maybe its entire point.
  4. Army of One
    Army Of One is a waste of talent across the board.
  5. The Edge of Seventeen
    The Edge Of Seventeen boasts an emotional journey filled with wit, humor and heart, resting easy on the back of Hailee Steinfeld's dynamite performance.
  6. The Frontier
    The Frontier is a stale film from another era, with an unfortunate story that's about as frail as a tumbleweed.
  7. Girls Lost
    Girls Lost fills the magical realism, gender dysphoria, Swedish indie teen drama-shaped hole in your life. It's just a damn shame it all falls apart in the final act.
  8. Last Girl Standing
    Plainly put, Last Girl Standing explores a unique horror convention from a fresh angle, but can’t execute when it counts.
  9. Hacksaw Ridge
    Though it's a bit of a wobbly mess at times, Hacksaw Ridge ultimately winds up being a deeply moving character study about an unlikely American hero.
  10. The Ivory Game
    While The Ivory Game's ambitiously broad look at the illegal ivory trade takes on a bit more than it needs to, it does shed some definite light on a growing global problem.
  11. Rainbow Time
    Rainbow Time is all over the place dramatically, but somehow Linas Phillips ties together a sometimes wacky, otherwise off-beat family dramedy from perspectives unknown.
  12. Trolls
    Based on the popular toy line, Trolls bears all the earmarks of a blatant cash-in on a recognizable property, with little imagination to speak of and predictable creative choices from beginning to end.
  13. The Love Witch
    The Love Witch is a seductive 60s time-capsule that calls back to the technicolor charms of early genre filmmaking.
  14. Elle
    It's hard not to anticipate many of Verhoeven's moves, but Isabella Huppert is too good to ignore in Elle.
  15. Arrival
    Arrival challenges viewers to a brainier sci-fi conundrum than they're used to, which makes for an intellectual breath of fresh air.
  16. Nerdland
    Much like its central characters, Nerdland is a dismal, unfunny failure, wasting all its potential and entirely unaware that it is every bit as stupid as the stupid people it so despises.
  17. Dog Eat Dog
    Dog Eat Dog is all bark and no bite, playing around in a sandbox of vulgarity with little rhyme or reason.
  18. Trash Fire
    Trash Fire blazes with pitch-black wit and a dark, volatile story of redemption so good you'll be laughing your way straight to Hell.
  19. The Windmill
    The Windmill is all about kills, but can't generate enough energy to power this derivative, sometimes nonsensical plot.
  20. Doctor Strange
    Doctor Strange is the psychedelic kung-fu spectacle that Marvel hoped director Scott Derrickson would deliver, but it’s got a strange problem – the doctor himself.
  21. 12 Years a Slave
    12 Years A Slave will beat you down emotionally, scene after scene, without any mercy - but that's just a testament to the brilliant direction, transformation-like performances, and unapologetic storytelling that elevates Steve McQueen's movie high above the masses.
  22. Fear, Inc.
    Fear Inc. wastes a devious idea on a slew of reveals that bring momentum to a crushing halt.
  23. Before the Flood
    The obvious political agenda behind Before the Flood may turn off those who still maintain that climate change is a myth, but the evidence presented in the film should at least cause open-minded viewers to rethink their position on the issue.
  24. Inferno
    Inferno feels every bit like the second sequel in an exhausted franchise, stunted by unfocused storytelling and a blandness that's almost sleep-inducing.
  25. I Am the Pretty Thing That Lives in the House
    A few images sear with the burning sensation of undead terror, but that only accounts for a few short minutes of an otherwise more-daunting-than-it-should-be cinematic exploration of death.
  26. The Whole Truth
    Keanu Reeves effectively anchors The Whole Truth, but a capable cast can only do so much to keep the lingering mystery afloat before logic weighs it down.
  27. King Cobra
    King Cobra has the intensity, excitement and poison every thriller needs, and wild, engaging performances to boot.
  28. National Bird
    National Bird is a scathing and clearly delineated expose on America’s use of drone warfare and the effects it has on both the victims of the attacks and the crews operating the aircraft.
  29. Boo! A Madea Halloween
    Tyler Perry never wants to scare you, and I assure you, he never will. Perry DOES want to make you laugh though, succeeding when jokes are bite-size and contained – but most scenes ramble on and on as Madea searches for multiple ways to land the same punchline.
  30. Shin Godzilla (Godzilla Resurgence)
    It’s never stuffy – J-Rock guitar solos wail over science research montages – just a bit overlong and too involved in the judicial process.
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