We Got This Covered's Scores

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For 976 reviews, this publication has graded:
  • 59% higher than the average critic
  • 2% same as the average critic
  • 39% lower than the average critic
On average, this publication grades 0.5 points lower than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 Guardians of the Galaxy
Lowest review score: 20 The Bye Bye Man
Score distribution:
  1. Positive: 504 out of 976
  2. Mixed: 408 out of 976
  3. Negative: 64 out of 976
976 movie reviews
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  1. Denial
    Beneath this movie’s conventions are some interesting gender politics that perhaps could have been made more apparent, but to its credit, are pleasantly subtle.
  2. White Girl
    Ostensibly a tragic tale of out-of-control youth, White Girl collapses under its lofty ambitions, boiling down to little more than a retread of other, better films.
  3. Southside with You
    The measured performances make Southside With You feel sincere and rooted in human emotion rather than a wink-winky account of an important day in American history.
  4. Masterminds
    If you’re laughing at all throughout Masterminds, it’s probably because of Jason Sudeikis.
  5. American Honey
    The characters are despicable and insufferable, but worse yet, interchangeable and not particularly interesting.
  6. Flock of Dudes
    Flock Of Dudes is light on both bro-bonding shenanigans and worldly drama, despite boasting such an enviable cast of comedians.
  7. The Greasy Strangler
    The Greasy Strangler is a perverted fever dream that will please few audiences, but those who enjoy it are in for one f*#ked up treat.
  8. ClownTown
    Even those who are deathly afraid of clowns will have trouble finding enjoyable bouts of horror in this survival thriller.
  9. Miss Peregrine's Home for Peculiar Children
    With Miss Peregrine's Home for Peculiar Children, Tim Burton focuses all his energy on a dusty, far-too-droll buildup that's far from worth whatever short-lived excitement his finale brings.
  10. I.T.
    Many have done worse with similar setups, which isn't exactly a glowing recommendation - but hey, if you love Pierce Brosnan enough, you should be fine with I.T.
  11. My Blind Brother
    While not a home run, this comedy/drama might still be worth a look for fans of any of its charismatic stars (especially Slate and Kazan) and for those looking for a comedy that at least attempts to infuse darker elements in with its awkward laughs.
  12. Neruda
    An exuberant visual poem reflecting the life and politics of the Chilean poet, Neruda is much more than a simple biopic.
  13. 31
    There’s not a single character worth caring about, and even less artistic licence to appreciate. This is a dirty, depraved love-letter to horror that’s written in a bunch of different colored crayons to mask such simple words with distracting colors.
  14. The Eyes of My Mother
    There’s a brooding tonal growth that Pesce is able to establish, as he unravels a film that becomes more horrific with each passing second.
  15. Chronic
    Roth’s solid performance and Franco’s confident direction dovetail neatly into a film that knows what it wants to communicate and how to achieve it.
  16. The Promise
    Stagnant, contrived, and oh so boring, The Promise is nothing but a perfectly good waste of Christian Bale and Oscar Isaac’s towering abilities.
  17. Level Up
    There’s some fun to be had as this reality-show-gone-mad dashes about London’s streets, but never with enough character to be something unfamiliar.
  18. Queen of Katwe
    Queen Of Katwe is pretty typical Disney magic, but dynamic performances add a little more oomph to Phiona Mutesi's amazing true story.
  19. The Magnificent Seven
    The film is mindless entertainment by way of scoundrels, dynamite and honor – not quite magnificent, but “The Watchable Seven” just doesn’t have the same ring to it.
  20. Miss Stevens
    The film is sumptuously layered with a number of intersecting themes – the restrictions placed upon us by ourselves, and by society; the complexities of communicating with others; the nature of identity; the contrast of the social roles played by men and women; the vast difference between physical and emotional intimacy; the ebb and flow of the human experience.
  21. Storks
    Storks is momentarily funny when it’s not boorishly and exhaustively begging for your attention.
  22. Mountains May Depart
    Zhao Tao’s awe-inspiring performance and the pure audacity of director Jia Zhangke make Mountains May Depart the auteur’s best effort to date.
  23. Moonlight
    Moonlight captures the limitations of masculine conventions in an incredibly sympathetic, deeply felt way.
  24. Toni Erdmann
    With a perfect balance of heart and humor, Toni Erdmann transcends its clichéd premise, becoming one of the most tragic comedies of the decade so far.
  25. Two Lovers and a Bear
    Two Lovers and a Bear finds a blend of magic realism, romance and isolation that produces a tremendously moving result.
  26. Bleed for This
    This is a boxing drama that scrappily battles for its recognition, determined to win you over at any cost.
  27. Deepwater Horizon
    Deepwater Horizon is effective, efficient and furiously paced.
  28. Paterson
    Paterson, led by Adam Driver's skillfully restrained performance, is a brazing social commentary culminating in a harsh, yet beautiful truth.
  29. The Assignment
    Rodriguez’s transformation is hackneyed and ham-fisted, Hill’s action lacks excitement, unnecessary comic-book panel swipes add “character” – there’s nothing noteworthy about this hunt for retribution.
  30. Bridget Jones's Baby
    Bridget Jones’s Baby effortlessly reminds audiences why this character and her world were so compelling in the original film.
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