We Got This Covered's Scores

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For 976 reviews, this publication has graded:
  • 59% higher than the average critic
  • 3% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 0.7 points lower than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 Guardians of the Galaxy
Lowest review score: 20 The Bye Bye Man
Score distribution:
  1. Positive: 504 out of 976
  2. Mixed: 408 out of 976
  3. Negative: 64 out of 976
976 movie reviews
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  1. The Blackcoat's Daughter
    The Blackcoat's Daughter aims for lofty satanic thrills, but gets lost in visuals that oversell a barbed but tangled nightmare.
  2. Passage to Mars
    Jeauffre's blending of terrestrial and extraterrestrial imagery is hypnotizing and spectacular, but this story of survival feels too bloodless to appeal to the average viewer.
  3. Mine
    The situation at the heart of Mine - what to do if you're stuck standing on a live landmine - is fascinating to imagine. But sadly, the film eventually devolves into cliched flashbacks and quickly loses momentum.
  4. Bloodshot
    Bloodshot shoots to kill, but with the accuracy of a Stormtrooper - off the mark and leaving much to be desired.
    • 60 Metascore
    • 50 Critic Score
    The Whale
    The Whale is a frustrating watch as Aronofsky doesn’t seem to trust the actors or the audience, squashing the potential to tell an intriguing story.
  6. Joker: Folie à Deux
    In Joker: Folie à Deux, director Todd Phillips's attempt to blend courtroom drama with musical elements results in a disjointed and sluggish narrative that fails to capitalize on its potential.
  7. Ma
    Ma is a showcase for Octavia Spencer's ability to turn her typecasted traits into utterly disturbing obsession destabilization, but the film's less potent genre punch never lives up to its main character's psychotic allure.
  8. Beverly Hills Cop: Axel F
    Beverly Hills Cop: Axel F struggles to balance nostalgia and reinvention, with Eddie Murphy's charm unable to save it from a muddled script.
  9. The Grudge
    The Grudge feels like "just another remake," which is a shame with such a previously style-forward director at the helm.
  10. The Whole Truth
    Keanu Reeves effectively anchors The Whole Truth, but a capable cast can only do so much to keep the lingering mystery afloat before logic weighs it down.
    • 42 Metascore
    • 50 Critic Score
    Transformers: Rise of the Beasts
    What an annoyance to have a Transformers movie with well-drawn humans, only to have them choke on the exhaust fumes of franchise expectations.
    • 40 Metascore
    • 50 Critic Score
    The Comedian
    It’s way too long and ends up feeling like a chore to get through. Furthermore, the raunchy shock-value humor leaves your memory as soon as it enters, actors go grossly under-utilized and the title character fails to live up to his name. Quite frankly, he’s just a bummer to be around.
  13. True Memoirs of an International Assassin
    True Memoirs Of An International Assassin scores a few lucky shots, but ultimately overstays its welcome.
  14. Child's Play
    Your enjoyment of Child's Play will depend on if "Chucky 2.0" is funny enough for your horror comedy tastes, because without investment in Kaslan's "Buddi," there's not much to appreciate beyond a few gnarly slasher deaths.
  15. The Last Voyage of the Demeter
    The Last Voyage of the Demeter makes a decent attempt at reinventing the Dracula mythos, but foregoing the early tension in favor of all-out action proves to be its undoing in the end.
    • 60 Metascore
    • 50 Critic Score
    Saturday Night
    Saturday Night plays with the sharp erraticism of an improv comedian's neurons, but it quite simply doesn't believe in itself the way Lorne did about the film's subject.
  17. A Simple Favor
    Feig, who’s been known to conjure up categorical spoofs (Spy, Bridesmaids), throws up Fincher-like curveballs, each one more disturbing than the last, only to strike out in the ninth.
  18. Bad Kids of Crestview Academy
    Ben Browder's follow-up to Bad Kids Go To Hell is less stylized and more generic, even with the same private-school mean streak.
  19. The Lost City of Z
    Despite gorgeous cinematography and a strong cast, The Lost City of Z is a shallow and overly romantic film that falls into the trap of hero worship.
  20. Kate
    Winstead is nothing short of fantastic in terms of both her physical and performative presence, but she could have really used a meatier journey to sink her teeth into.
  21. The Invitation
    The Invitation aims high, and while it's regularly impressive on a visual and aesthetic level, the storytelling lets the Gothic horror down in the end.
  22. Girls Lost
    Girls Lost fills the magical realism, gender dysphoria, Swedish indie teen drama-shaped hole in your life. It's just a damn shame it all falls apart in the final act.
  23. You Hurt My Feelings
    Tried, tested, and uninspiring - this four way relationship drama goes over old ground.
  24. Flock of Dudes
    Flock Of Dudes is light on both bro-bonding shenanigans and worldly drama, despite boasting such an enviable cast of comedians.
  25. Insidious: The Last Key
    Though not a terrible film, Insidious: The Last Key fails to live up to the franchise's high standards.
  26. Uncharted
    Uncharted aims for old school adventure with a modern sheen, but the end result is the latest in a long line of immediately forgettable video game adaptations.
    • 46 Metascore
    • 50 Critic Score
    Damsel
    There are sporadic sparks of magic in 'Damsel', especially when it's navigating its better-fitting element of action fantasy rather than fairytale.
  28. Star Wars: Episode IX - The Rise of Skywalker
    Star Wars: The Rise Of Skywalker suffers the misfortune of having a director who cares more about digging up a franchise's past than moving forward with an original story.
    • 65 Metascore
    • 50 Critic Score
    Twisters
    Powell's screen presence is undeniable. Unfortunately, so is the lethal lack of confidence with which 'Twisters' tends to present itself.
  30. Evolution
    Evolution is undeniably beautiful, but it's a small-scale story which ignores a larger world that needs far more exploration.
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