We Got This Covered's Scores

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For 976 reviews, this publication has graded:
  • 59% higher than the average critic
  • 3% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 0.8 points lower than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 Guardians of the Galaxy
Lowest review score: 20 The Bye Bye Man
Score distribution:
  1. Positive: 504 out of 976
  2. Mixed: 408 out of 976
  3. Negative: 64 out of 976
976 movie reviews
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  1. SiREN
    SiREN never takes Bruckner's original idea and runs with it, failing to capitalize on a demonic romance that so many V/H/S fans demanded to see more of.
  2. Allied
    Allied is a prestige drama without the prestige, wooden in appearance and lacking any true drama.
  3. Action Point
    The fresh cast seems to have just as much fun as Knoxville and his buddies did making Jackass, but with its half-assed story and unusual presentation of the alluring and advertised stunts, Action Point feels half as genuine.
  4. The Windmill
    The Windmill is all about kills, but can't generate enough energy to power this derivative, sometimes nonsensical plot.
  5. Sleepless
    Odar does his best to manipulate Las Vegas’ seedy underbelly (City of Sin, after all), but so much of Sleepless feels like recycled, seen-it-before action genre gristle. The stuff you chew while hoping a little fatty goodness is left.
    • 34 Metascore
    • 50 Critic Score
    Red One
    A grandiose action-comedy, with an over-reliance on CGI, and not a crumb of Christmas charm.
    • 60 Metascore
    • 50 Critic Score
    Get the Gringo
    Get The Gringo is a passable addition to the action genre but it might have been better had the need to keep Gibson’s fan base happy not been so pressing.
  8. The Show
    This Is Your Death is a brilliant concept, but tonal mishandling makes for another media takedown that's all bark and no bite.
  9. Sand Castle
    Sand Castle is an Iraq war story about certain futility, but there's a certain redundancy to political overtones that preach what we've been hearing all along.
  10. Dog Eat Dog
    Dog Eat Dog is all bark and no bite, playing around in a sandbox of vulgarity with little rhyme or reason.
  11. The Birth of a Nation
    The Birth Of A Nation is not without inherent power, but Parker struggles to evoke anything besides surface tellings of textbook atrocities.
  12. Keeping Up with the Joneses
    Keeping Up With The Jonses plays everything so disappointingly safe.
  13. Paranormal Activity: Next of Kin
    Paranormal Activity: Next of Kin doesn't reinvent the wheel, and it won't win over many new converts, but it's the best entry in the franchise for a long time.
  14. The Predator
    The Predator guts and slashes its way to gory sci-fi mediocrity, but is further failed by abysmal pacing that loses characters, subplots and interest along the way.
    • 48 Metascore
    • 50 Critic Score
    The Instigators
    While surfacing sometimes thanks to a decades-old friendship, 'The Instigators' remains a tonally chaotic sinking boat.
  16. Jungle
    Daniel Radcliffe does what he can to elevate the survival story at the heart of Jungle, but the film's awkward pacing and over-reliance on cliche hold him back.
    • 47 Metascore
    • 50 Critic Score
    The Marsh King's Daughter
    The Marsh King's Daughter is yet another addition to the forgotten library of inconsequential and underdeveloped action thrillers.
  18. Winchester
    Winchester is a familiar haunted house shuffle about an infinitely more interesting topic, but you must play with the hand you're dealt - win, lose or draw.
  19. Bad Boys: Ride or Die
    Bad Boys: Ride or Die leans heavily on nostalgia and fan service. While Smith and Lawrence's chemistry remains, the film's predictable plot and over-reliance on past glories make it a forgettable experience for all but diehard fans.
    • 48 Metascore
    • 50 Critic Score
    Ant-Man and the Wasp: Quantumania
    Ant-Man and the Wasp: Quantumania is the weirdest, most fun movie of the three. Yet, it's bogged down by serving as another stepping stone on the road to Marvel's Multiverse Saga.
  21. Cardboard Boxer
    Cardboard Boxer isn’t meant to be subtle or subversive. That’s fine. It doesn’t need to be. But it does need to feel sincere or at least genuine, and that’s only occasionally the case with Lee’s underwhelming debut.
  22. Fear, Inc.
    Fear Inc. wastes a devious idea on a slew of reveals that bring momentum to a crushing halt.
  23. The Curse of Sleeping Beauty
    This is one sluggish curse that wouldn't wake even Sleeping Beauty.
  24. Chuck
    The Bleeder is a surface-value, party-first boxing dramedy that pulls its punches and goes too far into "charismatic sleazeball" territories.
    • 58 Metascore
    • 50 Critic Score
    An American Pickle
    An American Pickle features an impressively committed Seth Rogen in dual comic roles, but the film lacks depth and urgency and isn’t nearly funny enough to make up for it.
  26. Shazam! Fury of the Gods
    Shazam! Fury of the Gods is a substantial step down from its predecessor, hardly ideal when the future of the entire franchise likely depends on it.
  27. Doctor Sleep
    Doctor Sleep is a conflicted and unwieldy sequel attempting to unite worlds (King and Kubrick) while telling an original story from yet another filmmaker's viewpoint (Flanagan) that never blends together.
    • 46 Metascore
    • 50 Critic Score
    They/Them
    They/Them offers an interesting vision of what greater, specific LGBTQIA+ representation and storytelling can bring to a slasher, even if it doesn’t land perfectly.
  29. Railroad Tigers
    Railroad Tigers is an action epic that wants to be a comedic goofball, as it fumbles both aspects when trying to meld them together.
  30. The Mule
    Poorly written and with hardly any thrills, The Mule disappointingly depends on the amiability of Eastwood’s character, whose extreme social ineptness is far beyond the redeeming powers of star power.
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