We Got This Covered's Scores

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For 976 reviews, this publication has graded:
  • 59% higher than the average critic
  • 3% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 0.8 points lower than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 Guardians of the Galaxy
Lowest review score: 20 The Bye Bye Man
Score distribution:
  1. Positive: 504 out of 976
  2. Mixed: 408 out of 976
  3. Negative: 64 out of 976
976 movie reviews
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  1. Lion
    Lion may be a little too Oscar-bait-y, but it's not without loud emotional roars.
  2. The Fate of the Furious
    This is just the sweeps-week Fast And Furious that jumps the shark, ready to right itself come next season – and it better. Dominic Toretto’s team deserves to go out in a blaze of glory, not a slippery skid that can’t be controlled.
  3. The Hitman's Wife's Bodyguard
    Hitman's Wife's Bodyguard is a perfectly acceptable buddy sequel, but it's all very uninspired and unoriginal.
  4. Hubie Halloween
    There’s also an earnestness and unashamedly goofy quality to the whole thing that might even win over some of the actor’s longtime naysayers.
  5. Inland
    Mark Rylance is wasted in this ponderous piece of arthouse introspection.
  6. Level Up
    There’s some fun to be had as this reality-show-gone-mad dashes about London’s streets, but never with enough character to be something unfamiliar.
    • 35 Metascore
    • 50 Critic Score
    Argylle
    Argylle isn't a triumph and it's oceans away from Vaughn's best, but it manages to hold on by a thread to the essence of what makes the filmmaker's work shine.
  8. The Son of Joseph
    I can’t deny that Eugène Green is a talented, idiosyncratic director and his Son of Joseph has many visual and intellectual qualities to boast about. But it’s a film I appreciated much more than I actually enjoyed.
  9. Rules Don't Apply
    Warren Beatty's Howard Hughes retrospective, Rules Don't Apply, is equally tone-deaf in humor and drama, cobbled together in ways that never seem to fit.
    • 56 Metascore
    • 50 Critic Score
    Minions: The Rise of Gru
    Perhaps it’s a relief that the film does not, as is a trope in recent films, end in Gru’s temporary redemption, but at least that would be a conclusion of some sort. Instead, we’re left with entertaining but toothless villain-lair-building.
  11. Kandahar
    Kandahar finds Gerard Butler doing what he does best, and while there are some admirable attempts to deviate from formula, the end result isn't going to be regarded among the action hero's top tier.
    • 47 Metascore
    • 50 Critic Score
    Haunted Mansion
    A marked improvement over the similarly-titled 2003 film, 'Haunted Mansion' nevertheless falls at too many self-imposed hurdles to make the most of what should have been a self-sufficient recipe.
  13. The Banana Splits Movie
    The Banana Splits Movie is a peculiarly fresh nostalgia trip and has just the right amount of gore to make this otherwise by-the-numbers slasher a surprisingly amusing experience.
  14. The Union
    Netflix's The Union is a formulaic spy thriller that wastes its promising premise. Despite the star power of Mark Wahlberg and Halle Berry, the film suffers from a predictable plot, mediocre action sequences, and shallow character development.
  15. Bad Santa 2
    Bad Santa 2 is the same holiday depravity with half the enthusiasm, too drunk on its own despicable tone.
  16. The Cloverfield Paradox
    The Cloverfield Paradox is a monster-sized misfire that feels disconnected from the franchise it’s crashing.
  17. Boo! A Madea Halloween
    Tyler Perry never wants to scare you, and I assure you, he never will. Perry DOES want to make you laugh though, succeeding when jokes are bite-size and contained – but most scenes ramble on and on as Madea searches for multiple ways to land the same punchline.
  18. The Great Wall
    The Great Wall is like the disaster of 47 Ronin all over again, except the action is a bit more fantastically barbaric and Damon isn't all that bad himself.
  19. Red Notice
    Red Notice is vastly less than the sum of its parts, with the central trio saving it from mediocrity. It's a perfectly acceptable and decently entertaining $200 million action epic, but nothing more.
    • 41 Metascore
    • 50 Critic Score
    The Curse of La Llorona
    It’s all so very by-the-books, undefined, carbon-copy Conjurverse refurbishment without a guiding voice, which makes for a disappointingly one-note watch that barely raises a hair. At least The Nun has personality – something The Curse of La Llorona’s waterlogged redundancy cannot boast.
  21. Happy Death Day
    Happy Death Day is a generic PG-13 horror purgatory that's lived on repeat until even weaker motivations take us farther out of any semblance of storytelling thrills.
  22. Day Shift
    Day Shift just about gets by on its impressive action sequences, but everything else about the vampire horror comedy feels more than a little lacking.
  23. Porno
    [The film] is really little more than a collage of gag-worthy and violent attempts at comedy.
  24. Bird Box Barcelona
    Bird Box Barcelona expands the mythology in several new and fascinating directions, but it also makes the mistake of posing several bigger questions that it doesn't seem to want to answer.
  25. Pirates of the Caribbean: Dead Men Tell No Tales
    Dead men may tell no tales, but with Disney's latest Pirates sequel, I'm not convinced that living men can tell tales with any more intrigue.
  26. Jurassic World Dominion
    Jurassic World Dominion has its moments, but the latest installment in the franchise squanders what should have been a slam dunk.
  27. Tank 432
    Tank 432 does right in building battlefield tension without any gunfire or attacks, but misses its mark in neatly wrapping up yet another paranoid psychological thriller.
  28. A Wrinkle in Time
    Trying to juggle complex theories of metaphysics and cosmology with simple themes of self-acceptance and the deterioration of the “darkness,” A Wrinkle in Time comes off as a disjointed and miscalculated project, rather than a visual and contemplative journey.
  29. CHIPS
    A blatant attempt to apply the winning 21 Jump Street formula to another television property, CHIPS instead winds up a standard hard-R action comedy that audiences will probably forget by the time they leave the theater.
  30. IF
    While 'IF's colorful creatures and set pieces might offer a temporary distraction, the weak script and superficial world building crumbles into dust at any sign of scrutiny.
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