We Got This Covered's Scores

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For 976 reviews, this publication has graded:
  • 59% higher than the average critic
  • 3% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 0.8 points lower than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 Guardians of the Galaxy
Lowest review score: 20 The Bye Bye Man
Score distribution:
  1. Positive: 504 out of 976
  2. Mixed: 408 out of 976
  3. Negative: 64 out of 976
976 movie reviews
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per page
    • 35 Metascore
    • 40 Critic Score
    The Unbreakable Boy
    The Unbreakable Boy will satisfy the terminally vanilla moviegoers, but the rest will see right through its game.
  2. The Yellow Birds
    For a film that has such an intriguing premise at its core, The Yellow Birds seems to drag due to Moor’s abrupt tempo changes and flat visual style.
  3. Bad Behaviour
    Fragmented, incoherent, and disjointed in the worst way, ‘Bad Behavior’ allows Jennifer Connelly and Ben Whitshaw a narrow escape. Writer and director Alice Englert wastes some world class talent, in a story which never really hangs together.
  4. Collide
    A cast of reliable performers slum it in this by-the-numbers action thriller.
  5. A Million Little Pieces
    While its well-founded intentions and creative intuitions are palpable, not even a tortuously acrobatic performance from Aaron Taylor-Johnson saves A Million Little Pieces from consistently sober storytelling.
  6. Transformers: The Last Knight
    Bay's latest Transformer title is a daunting behemoth of a film and you can feel every ounce of dead weight, as sins of the past are committed without any signs of stopping.
  7. The Strangers: Chapter 1
    The Strangers: Chapter 1 just feels like an overstretched introduction.
  8. Death Wish
    Quite simply, it’s impossible to “enjoy” a film that makes you feel even worse about the society we live in – especially when it’s so gobsmackingly unaware itself.
  9. The Discovery
    The Discovery has a fantastic premise but lacks the ambition. imagination or intellect to explore it satisfyingly. Instead, we're left with a gloomy, thinly written emotional drama.
  10. Expend4bles
    The Expendables is far from high art, but it’s safe to say the saga has never hit a lower point than it has here, a crushing disappointment for anyone genuinely hoping for the return to form that was promised and demanded.
    • 47 Metascore
    • 40 Critic Score
    Salem's Lot
    The breathtaking visuals and bloody scares are not enough to bring this adaptation back from the dead.
    • 42 Metascore
    • 40 Critic Score
    Captain America: Brave New World
    A committed Anthony Mackie and a game Harrison Ford deserve better than this sadly superficial excuse for a 'Captain America' film whose troubled production is written all over its face.
  13. Trolls
    Based on the popular toy line, Trolls bears all the earmarks of a blatant cash-in on a recognizable property, with little imagination to speak of and predictable creative choices from beginning to end.
  14. A Dog's Purpose
    A Dog's Purpose goes the Collateral Beauty route by preying on sadness and not earning its emotional reactions.
  15. Hellraiser: Judgment
    Hellraiser: Judgment is a stuffy police procedural masquerading as a torturous Pinhead franchise entry.
  16. Last Girl Standing
    Plainly put, Last Girl Standing explores a unique horror convention from a fresh angle, but can’t execute when it counts.
  17. Me Time
    Me Time has plenty of talent and a potentially interesting hook, but it's quickly drowned in a sea of comic mediocrity.
    • 50 Metascore
    • 40 Critic Score
    Blonde
    Ultimately, Blonde falls short of the noble goals it sets out for itself. What we get instead is a stunning, surreal nightmare that fails to let Marilyn Monroe be a complicated, full person. Even if it’s packaged well, what you’ll find at the heart of Blonde is something acrid and hollow.
  19. Angel Has Fallen
    Angel Has Fallen is a galumphing installment to a galumphing action franchise. With a hero who's been beaten to a pulp, the next one could very well be called "Gerard Butler Has Fallen: Natural Causes."
  20. Inside
    This year's Inside remake swaps Bustillo and Maury's brutalization levels for beyond-generic thrills that are more frustrating than fierce - whatever that's worth.
  21. Smurfs: The Lost Village
    Despite its stunning backdrops and inspired new designs, Smurfs: The Lost Village is a smurfing waste of time.
  22. 31
    There’s not a single character worth caring about, and even less artistic licence to appreciate. This is a dirty, depraved love-letter to horror that’s written in a bunch of different colored crayons to mask such simple words with distracting colors.
  23. The Boss Baby
    The Boss Baby is a movie made for few audiences, inconceivably inept in its ability to blend adult references with children's immaturity.
  24. Capone
    Tom Hardy does it all as Capone: growling, drooling, snot, yelling, snotty yelling. If his performance was in service of a better picture, we might even be talking about him during Oscar season.
    • 26 Metascore
    • 40 Critic Score
    Borderlands
    One of the best video game movies ever is buried far, far, far beneath this foul, foul, foul thing.
    • 53 Metascore
    • 40 Critic Score
    Aladdin
    Guy Ritchie fails to mesh his own style with that of the hand-drawn classic, resulting in an Aladdin remake that's an exquisite corpse of CGI nonsense.
  27. Rampage
    Rampage is noticeably in trouble once it becomes obvious that the giant virtual gorilla is the most human presence onscreen, and that doesn’t take too long.
  28. Blumhouse's Truth or Dare
    Truth or Dare lacks the conviction to do anything remotely interesting with its premise, instead falling back on one tired horror cliche after the next.
  29. Inferno
    Inferno feels every bit like the second sequel in an exhausted franchise, stunted by unfocused storytelling and a blandness that's almost sleep-inducing.
  30. The First Purge
    The First Purge doubles-down on bloody opposition against true-to-life societal fears, but abandons the subtlety needed to prevent Gerard McMurray’s prequel from becoming anything more than hateful retribution.
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